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Magnificat - Magnificat | |
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Nunc dimittis - Nunc dimittis | |
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Exsultet - Exsultet | |
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Mairi - Mairi | |
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The Gallant Weaver - The Gallant Weaver | |
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The Birds of Rhiannon - Largo - Andante - Tempo di reel - Allegro - Presto — | |
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The Birds of Rhiannon - quarter note = c. 60-63 — | |
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The Birds of Rhiannon - Andante — | |
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The Birds of Rhiannon - Tempo I [Largo] — | |
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The Birds of Rhiannon - Hauls, Hauls of fish (Chorus) |
Album Summary
Neil MacKenzie (Tenor)
Micaela Haslam (Soprano)
Jonathan Scott (Organ)
Elizabeth Poole (Soprano)
Margaret Feaviour (Soprano)
Karen Woodhouse (Soprano)
Robert Johnston (Tenor)
Andrew Murgatroyd (Tenor)
Stephen Charlesworth (Baritone)
Eleanor Meynell (Soprano)
David Roy (Tenor)
Geoffrey Davidson
Richard Bourne
Simon Birchall
Notes & Reviews:
This new CD contains premiere recordings of James MacMillan's music for chorus and orchestra. The 'Birds of Rhiannon' defies easy classification. MacMillan calls it a 'dramatic concerto for orchestra with a mystical coda for choir'. MacMillan draws on an ancient Welsh legend, found in the great mediaeval verse anthology The Mabinogion. All works on the disc are conducted by the composer.
Gramophone Classical Music Guide
MacMillan's colours can be garish, his gestures histrionic, but his is an art of passion and commitment: these are the effects of a composer seeking to make you feel and react strongly as well as think deeply. His admixture of Celtic cultural nationalism, leftist politics and Catholicism may be too rich for the blood of some 21st century connoisseurs, but it provides affecting and memorable listening experiences. This CD resolutely demonstrates the point.
The setting of Burns's Gallant Weaver (1997) is MacMillan at his gentlest and most intimate, but this only softens you up for Rhiannon (2001), inspired by a tale from the Mabinogion, an ancient Welsh collection. The Times described its Proms premiere as unwieldy and florid with overworked and impoverished motifs. Maybe the performance has since been refined: here it sounds polymorphous and full of incident. More importantly, there's a cogent musical argument, even if not of the most sophisticated or subtle kind.
The Magnificat, a BBC Millennium commission heard here in the version for choir and orchestra, still includes an organ part which powers the violent ensemble interjections in the closing minutes.
He's already handsomely represented on disc, but this is as good an introduction as you'll get.
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Works Details
MacMillan, James : Magnificat, for chorus & orchestra - Conductor: James MacMillan
- Ensemble: BBC Philharmonic Orchestra
- Notes: Studio 7, New Broadcasting House, Manchester, England (11/13/2001-11/14/2001)
- Running Time: 13 min. 20 sec.
- Period Time: Contemporary
- Written: 1999
MacMillan, James : Nunc dimittis, for chorus & orchestra - Conductor: James MacMillan
- Ensemble: BBC Philharmonic Orchestra
- Notes: Studio 7, New Broadcasting House, Manchester, England (11/13/2001-11/14/2001)
- Running Time: 7 min. 29 sec.
- Period Time: Contemporary
- Written: 2000
MacMillan, James : Exsultet, symphonic fanfare (2 versions) - Performer: Jonathan Scott (Organ)
- Conductor: James MacMillan
- Ensemble: BBC Philharmonic Orchestra
- Notes: Studio 7, New Broadcasting House, Manchester, England (11/13/2001-11/14/2001)
- Running Time: 8 min. 20 sec.
- Period Time: Contemporary
- Written: 1998-2000
MacMillan, James : Màiri, for a cappella chorus - Performers: Elizabeth Poole (Soprano); Margaret Feaviour (Soprano); Karen Woodhouse (Soprano); Robert Johnston (Tenor); Andrew Murgatroyd (Tenor); Stephen Charlesworth (Baritone); Eleanor Meynell (Soprano); David Roy (Tenor); Geoffrey Davidson; Richard Bourne; Simon Birchall; Neil MacKenzie (Tenor)
- Conductor: James MacMillan
- Ensemble: BBC Singers
- Notes: Studio 7, New Broadcasting House, Manchester, England (11/13/2001-11/14/2001)
- Running Time: 10 min. 15 sec.
- Period Time: Contemporary
- Written: 1997
MacMillan, James : The Gallant Weaver, for a cappella chorus - Performers: Micaela Haslam (Soprano); Margaret Feaviour (Soprano)
- Conductor: James MacMillan
- Ensemble: BBC Singers
- Notes: Studio 7, New Broadcasting House, Manchester, England (11/13/2001-11/14/2001)
- Running Time: 6 min. 48 sec.
- Period Time: Contemporary
- Written: 1997
MacMillan, James : The Birds of Rhiannon, dramatic concerto for orchestra with a mystical coda for choir - Conductor: James MacMillan
- Ensemble: BBC Philharmonic Orchestra
- Notes: Studio 7, New Broadcasting House, Manchester, England (11/13/2001-11/14/2001)
- Running Time: 7 min. 18 sec.
- Period Time: Contemporary
- Written: 2001
























