- Dyson — Quo Vadis: I. "Our Birth Is But a Sleep" (Chorus)
- Dyson — Quo Vadis: II. "Rise, O My Soul" (Contralto, Semi-chorus) $0.99 on iTunes
- Dyson — Quo Vadis: III. "O Whither Shall My Troubled Muse Incline" (Bass, Chorus)
- Dyson — Quo Vadis: IV. "Night Hath No Wings" (Tenor, Semi-chorus)
- Dyson — Quo Vadis: V. "O Timely Happy, Timely Wise" (Quartet, Chorus, Semi-chorus)
- Dyson — Quo Vadis: VI. "Dear Stream! Dear Bank!" (Soprano) $0.99 on iTunes
- Dyson — Quo Vadis: VII. "Come to Me, God" (Bass, Chorus)
- Dyson — Quo Vadis: VIII. "They Are At Rest" (Contralto, Quartet) $0.99 on iTunes
- Dyson — Quo Vadis: IX. "To Find the Western Path" (Tenor, Quartet, Chorus)
Notes & Reviews:
"All four soloists are in superb voice, each of them strong, firm and characterful; and both choruses sing with fresh, incandescent tone. Dyson's idiom may not be as distinctive as that of those other 'agnostics at prayer', but with its lyrical warmth and fine control of texture, with emotions often heightened by striking key-changes, the result will delight all devotees of the English choral tradition." - Edward Greenfeld, Gramophone
Gramophone Classical Music Guide
Like so many British composers Dyson, even before he died in 1962, suffered neglect through writing in a conservative idiom that critics were all too ready to label 'out of date'. Originally written for the Three Choirs Festival in Hereford in 1939, its first performance was-cancelled because of the outbreak of war, and it was only given its premiere in Hereford a decade later.
Dyson draws on the widest array of sources, boldly picking out passages from such poets as Campion, Vaughan, Herrick, Shelley, Newman and Bridges in an elaborate kaleidoscope, mixing them together in all but one of the nine substantial movements, even rearranging individual lines from Wordsworth's Intimations ofImmortality. He also includes such well-known hymns as God be in my head and New every morning without hinting at the respective hymn tunes. Such a scheme might be expected to sound disjointed or bitty, but Dyson's response to each section of his text gives a seamless quality to each movement, with ecstatic choral climaxes designed to exploit the all-embracing acoustics of a great cathedral. The warm but well-defined recording helps to heighten the impact of the singing of the Welsh choristers. All four soloists are in superb voice, each of them strong, firm and characterful; and both choruses sing with fresh, incandescent tone. Dyson's idiom may not be as distinctive as that of those other 'agnostics at prayer', but with its lyrical warmth and fine control of texture, the result will delight all devotees of the English choral tradition.
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Enescu: Sonatas for Cello and Piano Op 26 / Laura Buruiana, Martin Tchiba
Britten: Serenade for Tenor, etc / Bedford, et al
Barber: Vanessa / Slatkin, Graham, Brewer, et al
Sibelius: Symphonies no 5 & 6 / Colin Davis, London SO
Mozart: Le nozze di Figaro / Jacobs, Gens, Ciofi, et al
Wagner: The Ring arranged by Vlieger / Järvi, et al
Finzi: Before & After Summer, Till Earth Outwears, etc
Foulds: A World Requiem / Botstein, Charbonnet, et al
Vaughan Williams: The Sons of Light; Holst, Parry
Works DetailsDyson, George : Quo Vadis, song cycle for vocal soloists & chorus
- Performers: Cheryl Barker (Soprano); Steven Burnard (Viola); Philip Langridge; Jean Rigby
- Conductor: Richard Hickox
- Notes: Brangwyn Hall, Swansea, Wales (12/11/2002-12/14/2002)
- Running Time: 99 min. 59 sec.
- Period Time: Post Romantic