Fleetwood Mac: Pious Bird of Good Omen [Blue Horizon]

Audio Samples

>Need Your Love So Bad - (alternate take)
>Rambling Pony
>I Believe My Time Ain't Long
>Sun Is Shining, The
>Albatross
>Black Magic Woman
>Jigsaw Puzzle Blues
>Like Crying
>Need Your Love So Bad - (take)
>Need Your Love So Bad - (take)
>Need Your Love So Bad - (take)
>Need Your Love So Bad

Track List

>Need Your Love So Bad - (alternate take)
>Rambling Pony
>I Believe My Time Ain't Long
>Sun Is Shining, The
>Albatross
>Black Magic Woman
>Jigsaw Puzzle Blues
>Like Crying
>Need Your Love So Bad - (take)
>Need Your Love So Bad - (take)
>Need Your Love So Bad - (take)
>Need Your Love So Bad

Album Remarks & Appraisals:

2004 remastered reissue of 1969 compilation replaces 'Coming Home', 'The Big Boat', 'Just The Blues', 'Looking For Somebody', & 'Stop Messin' Round' with 'Like Crying', 'Need Your Love So Bad' (Version 1 Take 1, 2, 3), 'Need Your Love So Bad' (Version 2 Take 1, 2), 'Need Your Love So Bad' (Take 3), & 'I Need Your Love So Bad' (USA Version). Includes expanded booklet with detailed notes & photos. Blue Horizon.

Album Notes

Fleetwood Mac: Peter Green (vocals, guitar, harmonica); Jeremy Spencer (vocals, guitar, piano); Christine Perfect (piano); John McVie (bass guitar); Mick Fleetwood (drums).

Additional personnel: Bob Brunning (bass instrument).

Liner Note Author: Mike Vernon.

With songs taken from Fleetwood Mac and Mr. Wonderful, Pious Bird of Good Omen serves as a worthy 12-track compilation of the band's early Peter Green days. Climbing to number 18 in the U.K., the album managed to catapult Fleetwood Mac's version of Little Willie John's "Need Your Love So Bad" into the English charts for the third time, resting at number 42. The album itself was released by Blue Horizon after the group's contract with them had expired, making it one of the best routes in which to explore their mingling of Chicago and British blues. "Albatross," "Black Magic Woman," and "I Believe My Time Ain't Long" are timeless Fleetwood Mac standards, representing some of the band's best pre-Rumours work. Anyone who isn't familiar with Fleetwood Mac's origins should use Pious Bird of Good Omen as a starting point in investigating the first wave of the band, which will almost certainly lead to further interests into albums such as English Rose, Then Play On, and Kiln House, and then into later albums like Bare Trees and Penguin, which reveal subtle yet effective changes in the band's blues sound. But even aside from its purpose as a collection, Pious Bird of Good Omen makes for a terrific laid-back stroll through some of the best British blues music ever made. ~ Mike DeGagne



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