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Cinema Serenade / Perlman, Williams, Pittsburgh SO

Album Summary

>Jones, Quincy : The Color Purple
>Gardel, Carlos : Por una cabeza, tango for voice & chamber orchestra
>Legrand, Michel : Yentl
>Bacalov, Luis : Il Postino
>Bernstein, Elmer : The Age of Innocence
>Williams, John : Far and Away
>Legrand, Michel : Les parapluies de Cherbourg
>Previn, Andre : The Four Horsemen of the Apocalypse, theme from the film score
>Williams, John : Sabrina
>Barry, John : Out of Africa
>Bonfá, Luiz : Black Orpheus
>Williams, John : Schindler's List
>Morricone, Ennio : Cinema Paradiso
Performer Conductor Ensemble Composers
Notes & Reviews:

Cinema Serenade came to be as a result of the 1992 collaboration of the world's premier film composer, John Williams, with one of the world's finest violinists, Itzhak Perlman, on the score for Steven Spielberg's Holocaust epic Schindler's List. The duo reunited to create a collection of excerpts from a variety of different film scores presented in new arrangements that are centered around Perlman's violin. Williams arranged most of the numbers and conducted the Pittsburgh Symphony Orchestra. The selections are a strange hodgepodge culled haphazardly from some 50 years of film history. As you might expect, the theme from Schindler's List is included. And it's not surprising to find Oscar honored scores like Out of Africa (John Barry) or Il Postino (Luis Bacalov), The Age of Innocence (Elmer Bernstein) and The Color Purple (Quincy Jones, Jeremy Lubbock, Rodney Templeton, Jeff Rosenbaum). But some of the other selections are less predictable. There are songs from musical comedies ("Papa Can You Hear From Me?" from Yentl, "I Will Wait for You" from The Umbrellas of Cherbourg). There is a Carlos Gardel tango that was used briefly in Scent of a Woman, but was not composed for a film. Most rewardingly, there are some memorable musical selections from the oft-neglected realm of foreign film. In addition to Bacalov's theme from Il Postino, a beautifully sentimental melody with tango-like flourishes, there are excerpts from Luis Bonfa's Black Orpheus, Andrea Morricone's Cinema Paradiso, and Andre Previn's Four Horsemen of the Apocalypse. Perlman's gorgeous solos add breadth and scope to nearly all of the compositions, demonstrating that they work as well in the concert hall as they did in the movie theater. The only real lightweight pieces included were both composed by Williams himself. Far and Away and Sabrina are hardly the brightest points in Williams' career; the scores were nearly as forgettable as the films themselves. (The latter did receive an Oscar nomination for best musical or comedy score, but it never would have been selected if anyone else had written it.) But fans of film music will generally be pleased by this collection, and in some cases may prefer the Perlman versions to the originals. ~ Evan Cater

REVIEWS:

American Record Guide (11-12/97, p.247) - "...This disc contains arrangements of film scores for violin and orchestra. Perlman's playing is lovely, as always; the arrangements are pleasant and well played..."



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Works Details

>Jones, Quincy : The Color Purple :: Main Theme
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Contemporary
  • Written: 1985
  • Studio/Live: Studio

>Gardel, Carlos : Por una cabeza, tango for voice & chamber orchestra
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Modern
  • Written: 1935
  • Studio/Live: Studio

>Legrand, Michel : Yentl :: Papa, Can You Hear Me?
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Contemporary
  • Written: 1983
  • Studio/Live: Studio

>Bacalov, Luis : Il Postino :: Main Theme
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Contemporary
  • Form: Film Score
  • Written: 1994
  • Studio/Live: Studio

>Bernstein, Elmer : The Age of Innocence :: Main Theme
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Modern
  • Studio/Live: Studio

>Williams, John : Far and Away :: Main Theme
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Notes: Arranged: John Williams
  • Period Time: Contemporary
  • Studio/Live: Studio

>Legrand, Michel : Les parapluies de Cherbourg :: Je t'attendrai toute ma vie
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Contemporary
  • Form: Film Score
  • Written: 1963
  • Studio/Live: Studio

>Previn, Andre : The Four Horsemen of the Apocalypse, theme from the film score
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Modern
  • Studio/Live: Studio

>Williams, John : Sabrina :: Main Theme
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Contemporary
  • Written: 1995
  • Studio/Live: Studio

>Barry, John : Out of Africa :: Main Theme
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Contemporary
  • Form: Film Score
  • Written: 1985
  • Studio/Live: Studio

>Bonfá, Luiz : Black Orpheus :: Manha de Carnaval
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Modern
  • Studio/Live: Studio

>Williams, John : Schindler's List :: Main Theme
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Notes: Composition written: 1993.
  • Period Time: Contemporary
  • Form: Film Score
  • Written: 1993
  • Studio/Live: Studio

>Morricone, Ennio : Cinema Paradiso :: Love Theme
  • Performer: Itzhak Perlman (Violin)
  • Conductor: John Williams
  • Ensemble: Pittsburgh Symphony Orchestra
  • Period Time: Modern
  • Form: Film Score
  • Written: 1988
  • Studio/Live: Studio