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The Sixteen Edition - Victoria: Requiem

Album Summary

>Victoria, Tomas L. de : Salve regina, antiphon for 8 voices & organ
>Victoria, Tomas L. de : Ave regina coelorum, antiphon for 5 voices
>Victoria, Tomas L. de : Nigra sum sed formosa, motet for 6 voices
>Victoria, Tomas L. de : Quam pulchri sunt gressus tui, motet for 4 voices
>Victoria, Tomas L. de : Trahe me post te, motet for 6 voices
>Victoria, Tomas L. de : Ave regina coelorum, antiphon for 8 voices & organ
>Victoria, Tomas L. de : Taedet animam meam, responsory for 6 voices (Missa Pro defunctis II)
>Victoria, Tomas L. de : Missa Pro defunctis II, for 6 voices
Performer Conductor Ensemble
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Composer

Notes & Reviews:

This recent recording features the celebrated Requiem of 1605, Victoria's final composition, a work of beguiling beauty and sumptuous simplicity. It can be seen as the summation of both his art and the Spanish Renaissance Tradition. The Requiem is preceded by Marian antiphons interspersed with three motets setting texts from the Song of Songs, accompanied by chamber organ and bajon, just as it may have been heard originally in the Monasterio de las Descalzas Reales.

Notes & Reviews:

Recording information: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005).



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Works Details

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Salve regina, antiphon for 8 voices & organ
  • Performer: Gary Cooper (Organ)
  • Conductor: Harry Christophers
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 10 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ave regina coelorum, antiphon for 5 voices
  • Performer: Gary Cooper (Organ)
  • Conductor: Harry Christophers
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 4 min. 22 sec.
  • Period Time: Renaissance
  • Written: 1572

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Nigra sum sed formosa, motet for 6 voices
  • Performer: Gary Cooper (Organ)
  • Conductor: Harry Christophers
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 3 min. 47 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Quam pulchri sunt gressus tui, motet for 4 voices
  • Performer: Gary Cooper (Organ)
  • Conductor: Harry Christophers
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 3 min. 56 sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Trahe me post te, motet for 6 voices
  • Performer: Gary Cooper (Organ)
  • Conductor: Harry Christophers
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 3 min. 16 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ave regina coelorum, antiphon for 8 voices & organ
  • Performer: Gary Cooper (Organ)
  • Conductor: Harry Christophers
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 3 min. 41 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Taedet animam meam, responsory for 6 voices (Missa Pro defunctis II)
  • Performer: Gary Cooper (Organ)
  • Conductor: Harry Christophers
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 4 min. 10 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Missa Pro defunctis II, for 6 voices
  • Performer: Gary Cooper (Organ)
  • Conductor: Harry Christophers
  • Notes: Saint Silas the Martyr, London, England (04/25/2005-04/27/2005)
  • Running Time: 38 min. 17 sec.
  • Period Time: Renaissance