1 800 222 6872

Dunstable: Sweet Harmony / Pitts, Tonus Peregrinus

Album Summary

>Dunstable, John : Quam pulcra es, antiphon for 3 voices, MB 44
>Dunstable, John : Kyrie, for 3 voices, MB 1
>Dunstable, John : Gloria and Credo for 4 voices, MB 11, 12
>Dunstable, John : Gloria and Credo for 3 voices, isorhythmic mass movements based on "Jesu Christe Fili Dei", MB 15 &
>Dunstable, John : Sanctus, for 3 voices, MB 6
>Dunstable, John : Mass (Kyrie, Gloria, Credo, Sanctus) on "Da gaudiorum premia", isorhythmic setting for 3 voices, MB
>Dunstable, John : Agnus Dei , for 3 voices, MB 14
>Dunstable, John : Veni Sancte Spiritus, isorhythmic motet for 4 voices, MB 32
>Dunstable, John : Gloria, in canon (some accompanying voices lacking; discovered in 1996)
Performers Conductor Ensemble Composer

Notes & Reviews:

"This is an interesting adventure for early music fans--70 minutes devoted to one of the most influential and respected English composers ever, but one who is rarely heard today except as an occasional contributor to early music compilations. This disc's title, Sweet Harmony, comes from the uniquely sonorous feature of Dunstable's music that inspired imitation by composers throughout Europe--the manner in which he used and combined thirds, whether in blocks or as coincidental occurrences among polyphonic parts. The result produces pleasingly vibrant sequences of harmonic consonance, often interrupted with surprising cross-relations or redirected with unusual "backward" harmonic shifts--and there are many times where the boldness of the harmony and complexity of the rhythm can only leave you with renewed respect for this 15th-century music's sophistication and inherent expressive qualities. The eight voices of Tonus Peregrinus--two sopranos, alto, countertenor, three tenors, and bass--make the most of those expressive qualities, in clear, vibrato-colored timbre, captured in the ideally resonant acoustic of Chancelade Abbey in Dordogne, France. The program, which primarily consists of a group of Mass movements framed by two of Dunstable's better-known motets, concludes with a remarkable, recently-discovered Gloria in canon, reconstructed by Margaret Bent and first recorded on the abovementioned Orlando Consort disc in five parts--the original probably had six or seven (the full manuscript is not intact). Here, the singers fill out the existing reconstruction with their own realization, adding an accompanying two-part canon to more closely approximate the style and presumed structure of the original. However authentic or inauthentic, it's a marvelous piece and a sublime rendition that, along with the rest of these works, fully justifies the words of Dunstable's famous epitaph, which honors one "who had secret knowledge of the stars" and "scattered the sweet arts of music throughout the world." Outstanding!" -Classics Today



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Works Details

>Dunstable, John : Quam pulcra es, antiphon for 3 voices, MB 44
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 2 min. 35 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Dunstable, John : Kyrie, for 3 voices, MB 1
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 6 min. 13 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Dunstable, John : Gloria and Credo for 4 voices, MB 11, 12
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 15 min. 22 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Dunstable, John : Gloria and Credo for 3 voices, isorhythmic mass movements based on "Jesu Christe Fili Dei", MB 15 &
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 13 min. sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Dunstable, John : Sanctus, for 3 voices, MB 6
  • Performers: Joanna Forbes (Soprano); Rebecca Hickey (Soprano)
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 4 min. 31 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Dunstable, John : Mass (Kyrie, Gloria, Credo, Sanctus) on "Da gaudiorum premia", isorhythmic setting for 3 voices, MB
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 12 min. 10 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Dunstable, John : Agnus Dei , for 3 voices, MB 14
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 5 min. 33 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Dunstable, John : Veni Sancte Spiritus, isorhythmic motet for 4 voices, MB 32
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 6 min. 56 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Dunstable, John : Gloria, in canon (some accompanying voices lacking; discovered in 1996)
  • Conductor: Antony Pitts
  • Ensemble: Tonus Peregrinus
  • Notes: Chancelade Abbey, Dordogne, France (01/05/2004-01/09/2004)
  • Running Time: 3 min. 1 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453