1 800 222 6872

Beethoven: Fidelio (Highlights) / Halász, Nielsen, et al

You may experience problems playing the sound clips on this page. We are aware of this problem and are working on it.
> Fidelio, Op. 72 - Act I: Overture
> Fidelio, Op. 72 - Act I No. 2: Aria - O war' ich schon mit dir vereint (Marzelline)
> Fidelio, Op. 72 - Act I No. 3: Quartet - Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino)
> Fidelio, Op. 72 - Act I No. 4: Aria - Hat man nicht auch Gold beineben (Rocco)
> Fidelio, Op. 72 - Act I No. 6: March
> Fidelio, Op. 72 - Act I No. 7: Aria and Chorus - Ha! welch ein Augenblick! (Pizarro, The Watch)
> Fidelio, Op. 72 - Act I No. 9: Recitative and Aria - Abscheulicher! wo eilst du hin? (Leonore)
> Fidelio, Op. 72 - Act I No. 10: Finale - O welche Lust (Chorus of Prisoners)
> Fidelio, Op. 72 - Act II No. 11: Introduction and Aria - Gott! welch' Dunkel hier! (Florestan)
> Fidelio, Op. 72 - Act II No. 14: Quartet - Er sterbe! (Pizzaro, Florestan, Leonore, Rocco)
> Fidelio, Op. 72 - Act II No. 15: Duet - O namenlose Freude! (Leonore, Florestan)
> Fidelio, Op. 72 - Act II No. 16: Finale - Heil! Heil sei dem Tag! (People and Prisoners)
> Fidelio, Op. 72 - Act II No. 16: Des besten Konigs Wink und Wille (Don Fernando, People and Prisoners, Rocco, Pizzaro, Leonore, Marzelline, Florestan)
> Fidelio, Op. 72 - Act II No. 16: Wer ein holdes Weib errungen (People and Prisoners, Florestan, Leonore, Marzelline, Jaquino, Rocco, Don Fernando)

Album Summary

>Beethoven, Ludwig van : Fidelio, Op. 72
Performers Conductor Ensemble
  • >
Composer

Notes & Reviews:

Beethoven composed his only opera, Fidelio, while at the height of his creative powers. This collection of highlights (from Naxos 8660070-71) includes the Prisoners Chorus (an ode to freedom sung by a chorus of political prisoners), Florestans hallucinating vision of Lenore come as an Angel to rescue him (Gott! Welch Dunkel hier!), and the melodramatic Finale to Act II in which the rescue .finally takes place. Naxos strikes gold again with this superbly cast Fidelio Gramophone



Reviews

There are currently no reviews, be the first one!
Login or Create an Account to write a review
 

Also Purchased



Previous


Next


Works Details

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Overture
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (11/07/1998-11/10/1998)
  • Running Time: 6 min. 28 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act I. Aria. O wär' ich schon mit dir vereint
  • Performer: Edith Lienbacher (Soprano)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 3 min. 55 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act I. Quartet. Mir ist so wunderbar
  • Performers: Edith Lienbacher (Soprano); Herwig Pecoraro (Tenor); Kurt Moll (Bass); Inga Nielsen (Soprano)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 4 min. 50 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act I. Aria. Hat man nicht auch Gold beineben
  • Performer: Kurt Moll (Bass)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 2 min. 52 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act I. March
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 2 min. 20 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act I. Aria and Chorus. Ha! Welch ein Augenblick!
  • Performer: Alan Titus (Baritone)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 3 min. 15 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act I. Recitative and Aria. Abscheulicher! Wo eilst du hin?
  • Performer: Inga Nielsen (Soprano)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 7 min. 31 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act I. Finale
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 7 min. 4 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act II. Introduction and Aria. Gott! Welch' Dunkel hier!
  • Performer: Gösta Winbergh (Tenor)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 10 min. 49 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act II. Quartet. Er sterbe!
  • Performers: Gösta Winbergh (Tenor); Kurt Moll (Bass); Inga Nielsen (Soprano); Alan Titus (Baritone)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 5 min. 7 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act II. Duet. O namenlose Freude!
  • Performers: Gösta Winbergh (Tenor); Inga Nielsen (Soprano)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 2 min. 45 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act II. Finale. Heil! Heil sei dem Tag!
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 2 min. 7 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act II. Finale. Des besten Königs Wink und Wille
  • Performers: Edith Lienbacher (Soprano); Wolfgang Glashof (Baritone); Gösta Winbergh (Tenor); Kurt Moll (Bass); Inga Nielsen (Soprano); Alan Titus (Baritone)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 7 min. 53 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806

>Beethoven, Ludwig van : Fidelio, Op. 72 :: Act II. Finale. Wer ein holdes Weib errungen
  • Performers: Edith Lienbacher (Soprano); Herwig Pecoraro (Tenor); Wolfgang Glashof (Baritone); Gösta Winbergh (Tenor); Kurt Moll (Bass); Inga Nielsen (Soprano)
  • Conductor: Michael Halász
  • Notes: Phoenix Studios, Budapest, Hungary (1998-11-07_1998-??-??&1998-)
  • Running Time: 4 min. 3 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1804-1806