- Ryland Davies (Tenor)
- Bernarda Fink (Mezzo Soprano)
- Joseph Kaiser (Tenor)
- Bejun Mehta (Countertenor)
- Johannes Kränzle (Bass)
- Christine Schäfer (Soprano)
Notes & Reviews:
George Frederic Handel's oratorio Theodora, in its first-ever staged version at the Salzburg Festival, was among the highlights of Handel Year 2009. Acclaimed director Christof Loy presented Theodora as the profoundly moving tale of a woman who prefers death to denying her faith, an interpretation captivated with bravura by world-renowned video director Hannes Rossacher. A luminous Christine Schäfer and countertenor Bejun Mehta formed a perfect leading couple altogether suited to conductor Ivor Bolton's vigorous reading. "With Christine Schafer, Salzburg has found an ideal singer for the title role" (Süddeutsche Zeitung).
"Theodora may fail as a religious screed, but as a prime example of the mature phase of Handel's compositional career, it can hardly be topped. Full of gorgeous, achingly lyrical melodies and some brilliantly evocative choral moments, this is an oratorio which may leave some scratching their heads from a dramatic standpoint while never questioning the supreme artistry of the music. This semi-staged reading is to be commended for not going over the top, trying to shove a dramatic narrative down the oratorio's throat which simply can't be justified or sustained. The cast is wonderfully voiced, and the orchestra and chorus sound marvelous, and really that's all that matters in the long run. Not that many people are all that familiar with Theodora, despite Sellars' sensational production of a few years ago, and hopefully this new Blu-ray can help bring this beautiful piece to a wider audience. Highly recommended." -Blu-Ray.com
Presented at the Salzburg Festival in 2009 to commemorate the 250th anniversary of the composer’s death, Theodora isn’t a Handel opera, but rather a staged version of his 1750 oratorio. It would however be more accurate to say that this is semi-staged, and perhaps even more accurate to say it’s barely staged at all... The music is warmly rapturous, the singing heavenly and the choruses inspiringly uplifting. The producers clearly recognise where the strengths of the piece are and give them centre stage, doing nothing in the loose dramatisation that could interfere with the singing performances. Those performances are magnificent, the English diction perfect in every case, with Christine Schäfer’s Theodora exhibiting fragility turning into steely determination, Bejun Mehta a glorious countertenor Didymus and Joseph Kaiser a fine, emotionally moved Septimus. Ivor Bolton conducts the Freiburger Barockorchester with great sensitivity through a breathtaking performance. This is a stunningly beautiful work, perfectly performed and very well presented in High Definition, with a terrifically detailed image and two fine audio tracks in LPCM Stereo and DTS HD Master Audio 5.1, where every element of the mix is crystal clear and perfectly balanced." -Opera Journal
Christoph Loy, one of the most interesting directors around at the moment, stages the action in a concert setting. Paradoxical though that may sound, it works brilliantly, throwing the emphasis on to the music as action in itself. Christine Schäfer leads a fine line-up.
The 2009 Salzburg production of Handel's penultimate masterpiece Theodora - his only English oratorio set in early Christian times - is much more rewarding. Christof Loy eschews stage scenery in favour of a moodily lit backdrop of the festival hall's massive pipe organ and props of just sparse wooden chairs (which are used or cleared smoothly by soloists and the Salzburg Bach Choir as the scenes require). The action is intensely dramatic but tends to shy away from narrative staging - in some respects the result is like a semi-staged concert with intense acting and a mobile chorus.
Ivor Bolton conducts a good performance. Half of the movements in Theodora are marked largo or larghetto. Bolton's lively but not overly fast tempos keep things moving while being true to Handel's drama. Chorus and orchestra are very good. And the cast is excellent, strong in all department...
... performances are excellent - and... full of emotional integrity... this Theodora is definitely worth acquiring...
The DVD versions of this HD-filmed performance are contained on two discs, whilst the Blu Ray is fitted onto one. With a few seconds to allow switching to take place I ran the two versions alternately so as to hear and see direct comparison of scenes and arias. Sonically I could discern no difference between them. However, visually the Blue Ray was markedly superior in sharpness and depth of tone. As a subjective neo-quantitative assessment I would put the superiority at around 10 per cent. I went on to try the more difficult task of comparing the DVD and Blu Ray discs in the DMP-BD45 Blu Ray Player with its up-scaling facility. This was more of a challenge because of the time delay and visual memory limitations before comparing scenes. What I can say is that with this quality of HD filming, the up-scaling allowed for a significant improvement in picture quality compared with playing the disc in the simple DVD recorder/player. Again, allowing for subjectivity of assessment, I would say the difference was only around 5 percent.
With retail price differences between the formats of around 20 percent in retail shops - less via the internet - it is not a case of caveat emptor (let the buyer beware), but rather the limitations of ones budget. If you have a player and can afford the price difference then go for it in Blu Ray.
This mostly wonderful performance of Handel's Theodora opened the 2009 Salzburg Festival in honor of the 250th anniversary of the composer's death. Written at the beginning of the last decade of the composer's life, it was a work that he held in very high regard even though he knew its subject matter would not excite.
Run Time: 189 min.
Picture Format: NTSC, 16:9, Color
Sound Format(s): LPCM Stereo, DTS 5.1
Subtitles: English, German, French, Spanish
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Works DetailsHandel, George Frideric : Theodora
- Performers: Ryland Davies (Tenor); Bernarda Fink (Mezzo Soprano); Joseph Kaiser (Tenor); Johannes Kränzle (Bass); Bejun Mehta (Countertenor); Christine Schäfer (Soprano)
- Conductor: Ivor Bolton
- Ensemble: Freiburg Baroque Orchestra
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1749