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Miguel de Irizar: Ecos y Afectos (Echoes and affects) / Lazaro, Escolania de Segovia, et al

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> Tonos a la Navidad (arr. A. Lazaro) - Ay falaila
> Tonos a la Navidad (arr. A. Lazaro) - Quedito, pasito
> Tonos a la Navidad (arr. A. Lazaro) - Hazo Anton
> Misa a 6 (arr. A. Lazaro) - Kyrie - Christe - Kyrie
> Misa a 6 (arr. A. Lazaro) - Gloria
> Misa a 6 (arr. A. Lazaro) - Credo: Patrem
> Misa a 6 (arr. A. Lazaro) - Credo: Crucifixus
> Misa a 6 (arr. A. Lazaro) - Sanctus
> Misa a 6 (arr. A. Lazaro) - Agnus Dei
> Tonos al Santisimo (arr. A. Lazaro) - Lindo ardid de un galan
> Tonos al Santisimo (arr. A. Lazaro) - Victorioso triunfa el Amor
> Tonos al Santisimo (arr. A. Lazaro) - Entre accidentes se oculta
> Villancicos a la Asuncion y a Cristo crucificado (arr. A. Lazaro) - Y los angeles canten
> Villancicos a la Asuncion y a Cristo crucificado (arr. A. Lazaro) - Atencion, suspension
> Villancicos a la Asuncion y a Cristo crucificado (arr. A. Lazaro) - Venga, venga Maria
> Jacara al Nacimiento (arr. A. Lazaro) - Jacara al Nacimiento: Oiga, diga (arr. A. Lazaro)

Album Summary

>Irizar, Miguel de : Tonos a la Navidad, for choir
>Irizar, Miguel de : Misa a 6 voces
>Irizar, Miguel de : Tonos al Santisimo, for choir
>Irizar, Miguel de : Villancicos a la Asuncion y a Cristo crucificado, for choir
>Irizar, Miguel de : Jacara al Nacimiento, for choir
Conductor Ensemble Composer

Notes & Reviews:

"The greater and more interesting part of the program consists of villancicos and tonos- vernacular devotional songs with a decidedly folk-like flavor. They were sometimes sung as part of the liturgy on important days in the church year. Songs for Christmas, Corpus Christi, the Assumption, and the Crucifixion are included here. More than 700 such works by Irizar survive. Some may be copies and arrangements of works by other composers. To northern and western ears, this is a very exotic repertory. Some of the more lively songs are accompanied here with percussion instruments. It is not too fanciful to hear a Moorish influence in these songs. One of the more surprising is 'Ay Falaila', a Christmas song that speaks of Moors coming to Bethlehem to worship the Son of Allah The Capilla Jeronimo de Carrion here consists of five singers, bassoon, bowed vihuela (essentially a bass viol), harp, chamber organ, and percussion. The sound is not at all what we would consider churchly, but then neither is most of the music. The performances are lively and pungent I suspect that a good deal of editorial fleshing out went into the performing versions heard here with their instrumental accompaniments. The results are entirely convincing." -ARG

Miguel de Irízar y Domenzani is one of the finest, though unknown, figures of the Spanish musical Baroque. The Capilla Jerónimo de Carrión directed by Alicia Lázaro offers an attractive and painstaking selection of works taking in a good part of the liturgical year. Once again, more than three centuries on, Irízar's music dazzles with force and emotion.



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Works Details

>Irizar, Miguel de : Tonos a la Navidad, for choir :: Ay falail
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 5 min. 11 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Tonos a la Navidad, for choir :: Quedito, pasito
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 3 min. 47 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Tonos a la Navidad, for choir :: Hazo Antón
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 5 min. 19 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Misa a 6 voces
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 14 min. 34 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Tonos al Santísimo, for choir :: Lindo ardid de un galán
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 5 min. 24 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Tonos al Santísimo, for choir :: Victorioso triunfa el Amor
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 4 min. 9 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Tonos al Santísimo, for choir :: Entre accidentes se oculta
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 4 min. 7 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Villancicos a la Asunción y a Cristo crucificado, for choir :: Y los ángeles canten
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 4 min. 57 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Villancicos a la Asunción y a Cristo crucificado, for choir :: Atención, suspensión
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 4 min. 5 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Villancicos a la Asunción y a Cristo crucificado, for choir :: Venga, fenga María
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 5 min. 20 sec.
  • Period Time: Baroque

>Irizar, Miguel de : Jácara al Nacimiento, for choir :: Oiga, diga
  • Conductor: Alicia Lazaro
  • Ensemble: Escolania de Segovia
  • Running Time: 6 min. 14 sec.
  • Period Time: Baroque