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Elgar: Orchestral Minatures / Judd, New Zealand SO

Album Summary

>Elgar, Edward : Froissart Overture, Op. 19
>Elgar, Edward : May Song
>Elgar, Edward : Carissima
>Elgar, Edward : Romance, for bassoon & orchestra (also arr. for cello & piano), Op. 62
>Elgar, Edward : Characteristic Pieces (3), Op. 10
>Elgar, Edward : Minuet, for piano (later orchestrated), Op. 21
>Elgar, Edward : Chanson de matin, Op. 15 no 2
>Elgar, Edward : Bavarian Dances (3), for orchestra, Op. 27b
Performer Conductor Ensemble Composer

Notes & Reviews:

With their engaging, wistful charm and immediate melodic appeal, Elgar's miniatures represent a less familiar side to the composer's music. The early 'Froissart Overture,' inspired by chivalric lines from John Keats, was Elgar's first published work to achieve national recognition. "An enjoyable recording of light music. I continue to marvel at how Naxos can issue such excellent recordings at such an affordable price." -ARG



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Works Details

>Elgar, Edward : Froissart Overture, Op. 19
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 14 min. 4 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1890-1901

>Elgar, Edward : May Song
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 4 min. 3 sec.
  • Period Time: Post Romantic
  • Written: 1901

>Elgar, Edward : Carissima
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Elgar, Edward : Romance, for bassoon & orchestra (also arr. for cello & piano), Op. 62
  • Performer: Preman Tilson (Bassoon)
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 5 min. 19 sec.
  • Period Time: Post Romantic

>Elgar, Edward : Characteristic Pieces (3), Op. 10 :: no 1
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 3 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1899

>Elgar, Edward : Minuet, for piano (later orchestrated), Op. 21
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 4 min. 28 sec.
  • Period Time: Post Romantic
  • Written: 1897

>Elgar, Edward : Characteristic Pieces (3), Op. 10 :: no 2
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 5 min. 28 sec.
  • Period Time: Post Romantic
  • Written: 1899

>Elgar, Edward : Characteristic Pieces (3), Op. 10 :: no 3
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 3 min. 19 sec.
  • Period Time: Post Romantic
  • Written: 1899

>Elgar, Edward : Chanson de matin, Op. 15 no 2
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 8 min. sec.
  • Period Time: Post Romantic
  • Written: 1879-1899

>Elgar, Edward : Bavarian Dances (3), for orchestra, Op. 27b
  • Conductor: James Judd
  • Ensemble: New Zealand Symphony Orchestra
  • Notes: Michael Fowler Centre, Wellington, New Zealand (04/06/2004/04/08/2004)
  • Running Time: 11 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 1896