Schoenberg: Moses und Aron / Kluttig, Schöne, Merritt, et al

Notes & Reviews:

In 1921 Arnold Schoenberg was forced to leave his holiday home in Austria because of the rising tide of anti-Semitism in Europe. This experience caused him to re-evaluate his Jewish identity, and was eventually to lead to the composition of his "fragmentary masterpiece" 'Moses und Aron'. The opera draws its figures and motifs from the Book of Exodus, and the conflict between the beliefs of the two central characters is reflected in the music. Schoenberg died six years before its premiere, but he regarded 'Moses und Aron' as his most important work.



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Works Details

>Schoenberg, Arnold : Moses und Aron, biblical drama in 3 acts (unfinished)
  • Performers: Stephan Storck (Bass); Karl-Friedrich Dürr (Bass Baritone); Emma Curtis (Alto); Irena Bespalovaite (Soprano); Michael Ebbecke (Baritone); Peter Schaufelberger (Voice); Bernard Schneider (Voice); Siegfried Laukner (Voice); Ilona Wirgler (Voice); Helga Indridadóttir (Soprano); Ulrich Frisch (Bass); Wolfgang Schöne (Bass); Sasa Vrabac (Bass); Naomi Ishizu (Voice); Ingrid Zielosko (Voice); Alois Riedel (Tenor); Chris Vocal] (Tenor); Barbara Kosviner (Voice)
  • Conductor: Roland Kluttig
  • Ensemble: Stuttgart State Opera Chorus
  • Notes: Staatsoper Stuttgart, Stuttgart, Germany (12/08/2003/12/10/2003)
  • Running Time: 10 min. 2 sec.
  • Period Time: Post Romantic
  • Written: 05/1930-03/1932
  • Studio/Live: Live