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Romance & Caprice -Elgar, Rossini, et al / Morelli, et al

Audio Samples

  1. Romance & Caprice — Romanzen, Op. 94 for Oboe and Piano (adapted for Bassoon): I. Nicht Schnell $0.99 on iTunes
  2. Romance & Caprice — Romanzen, Op. 94 for Oboe and Piano (adapted for Bassoon): II. Einfach, Innig $0.99 on iTunes
  3. Romance & Caprice — Romanzen, Op. 94 for Oboe and Piano (adapted for Bassoon): III. Nicht Schnell $0.99 on iTunes
  4. Romance & Caprice — Romance, Op. 62 for Bassoon and Piano: Romance, Op. 62 for Bassoon and Piano $0.99 on iTunes
  5. Romance & Caprice — Sonata, Op. 168 for Bassoon and Piano: I. Allegro Moderato $0.99 on iTunes
  6. Romance & Caprice — Sonata, Op. 168 for Bassoon and Piano: II. Allegro Scherzando $0.99 on iTunes
  7. Romance & Caprice — Sonata, Op. 168 for Bassoon and Piano: III. Molto Adagio, Allegro Moderato $0.99 on iTunes
  8. Romance & Caprice — Three Arias from Il Barbiere Di Siviglia: "Ecco Ridente In Cielo" $0.99 on iTunes
  9. Romance & Caprice — Three Arias from Il Barbiere Di Siviglia: "A un Dottor Della Mia Sorte" $0.99 on iTunes
  10. Romance & Caprice — Three Arias from Il Barbiere Di Siviglia: "Largo Al Factotum" $0.99 on iTunes
  11. Romance & Caprice — Andante e Rondo Ungarese, Op. 35 for Bassoon and Piano: Andante $0.99 on iTunes
  12. Romance & Caprice — Andante e Rondo Ungarese, Op. 35 for Bassoon and Piano: Allegretto Ungarese $0.99 on iTunes
  13. Romance & Caprice — Vocalise, Op. 34, No. 14 (adapted for Bassoon): Vocalise, Op. 34, No. 14 $0.99 on iTunes
  14. Romance & Caprice — Fantasiestücke, Op.73 for Clarinet & Piano (adapted for Bassoon): I. Zart Und Mit Ausdruck $0.99 on iTunes
  15. Romance & Caprice — Fantasiestücke, Op.73 for Clarinet & Piano (adapted for Bassoon): II. Lebhaft, Leicht $0.99 on iTunes
  16. Romance & Caprice — Fantasiestücke, Op.73 for Clarinet & Piano (adapted for Bassoon): III. Rasch Und Mit Feuer $0.99 on iTunes
  17. Romance & Caprice — Caprice, Op. 1, No. 24 for Violin (transcribed for Bassoon): Caprice, Op. 1, No. 24 $0.99 on iTunes

Album Summary

>Schumann, Robert : Romances (3) for Oboe and Piano, Op. 94
>Elgar, Edward : Romance, for bassoon & orchestra (also arr. for cello & piano), Op. 62
>Saint-Saëns, Camille : Sonata for bassoon & piano, in G major, Op. 168
>Rossini, Gioachino : Barber of Seville (Il barbiere di Siviglia), opera
>Weber, Carl Maria von : Andante and Rondo Ungarese for Bassoon and Orchestra in C minor, J 158/Op. 35
>Rachmaninov, Sergey : Vocalise, instrumental arrangement, Op. 34/14
>Schumann, Robert : Phantasiestücke (3 Fantasy Pieces) for clarinet (or cello or violin) & piano, Op. 73
>Paganini, Niccolò : Caprices (24) for Violin solo, Op. 1
Performers Composers

Notes & Reviews:

Featuring unique and colorful arrangements by soloist Frank Morelli, Romance and Caprice describes the variety of repertoire offered here, as well as the bassoon's expressive capacity, with its flexible, three-and-one-half octave range and tone quality comparable to the human voice. The works presented here fall into three periods: 1801-1819, 1849, and 1910-1921. The span is more than 120 years, but the works share a similar compositional language.



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Works Details

>Schumann, Robert : Romances (3) for Oboe and Piano, Op. 94
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 12 min. 8 sec.
  • Period Time: Romantic
  • Written: 1849

>Elgar, Edward : Romance, for bassoon & orchestra (also arr. for cello & piano), Op. 62
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 5 min. 26 sec.
  • Period Time: Post Romantic

>Saint-Saëns, Camille : Sonata for bassoon & piano, in G major, Op. 168
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 13 min. 30 sec.
  • Period Time: Post Romantic
  • Written: 1921

>Rossini, Gioachino : Barber of Seville (Il barbiere di Siviglia), opera :: Ecco ridente in cielo
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon); Harry Searing (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 3 min. 39 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1816

>Rossini, Gioachino : Barber of Seville (Il barbiere di Siviglia), opera :: A un dottor della mia sorte
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon); Harry Searing (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 3 min. 6 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1816

>Rossini, Gioachino : Barber of Seville (Il barbiere di Siviglia), opera :: Largo al factotum
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon); Harry Searing (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 3 min. 54 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1816

>Weber, Carl Maria von : Andante and Rondo Ungarese for Bassoon and Orchestra in C minor, J 158/Op. 35
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 9 min. 34 sec.
  • Period Time: Classical
  • Written: 1813

>Rachmaninov, Sergey : Vocalise, instrumental arrangement, Op. 34/14
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 6 min. 33 sec.
  • Period Time: Romantic

>Schumann, Robert : Phantasiestücke (3 Fantasy Pieces) for clarinet (or cello or violin) & piano, Op. 73
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 11 min. 8 sec.
  • Period Time: Romantic
  • Written: 1849

>Paganini, Niccolò : Caprices (24) for Violin solo, Op. 1
  • Performers: Gilbert Kalish (Piano); Frank Morelli (Bassoon)
  • Notes: SUNY Stony Brook, NY (05/22/2006-05/24/2006)
  • Running Time: 5 min. 38 sec.
  • Period Time: Romantic
  • Written: circa 1817