- Stephan MacLeod (Bass)
- Linda Perillo (Soprano)
- Alison Browner (Alto)
- Knut Schoch (Tenor)
- Barbara Hannigan (Soprano)
- Maya Boog (Soprano)
Notes & Reviews:
Compiled by John Christopher Smith from Handel’s operas, oratorios and other works, the oratorio Tobit, sometimes described as a pastiche, provided a winning synthesis of religion and entertainment at a time when newly-minted oratorios, drawing chiefly on biblical subjects were in vogue. The story of the pious and steadfast Tobit (Tobias the elder) is taken from the apocryphal Book of Tobias, in which he is persecuted for burying the dead. Patient in adversity, Tobit is finally restored to health and prosperity, while his son, Tobias, is safely married to Sarah.
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Sammartini: Gerusalemme, Confitebor, Symphonies / Ferrari
Glazunov: String Quintet, etc / Rosen, Fine Arts Quartet
Rossini: Ciro in Babilonia / Fogliani, Württemberg PO, et al
Donizetti: Il giovedì grasso / Loehrer, Rizzoli, Oncina
American Classics - John Adams: Complete Piano Music
Buxtehude: Vocal Music, Vol 1 / Kirkby, Holloway, et al
Tartini: Violin Concertos / Daskalakis, Müller-Brühl, et al
R. Strauss: Piano Music / Stefan Veselka
Tchaikovsky: Violin Concerto, etc / Kaler, Russian PO
Works DetailsSmith, John Christopher : Tobit, oratorio (after Handel)
- Performers: Stephan MacLeod (Bass); Linda Perillo (Soprano); Alison Browner (Alto); Knut Schoch (Tenor); Barbara Hannigan (Soprano); Maya Boog (Soprano)
- Conductor: Joachim Martini
- Running Time: 5 min. 2 sec.
- Period Time: Classical
- Written: circa 1761