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Chorégraphie / Andrew Lawrence King

Album Summary

>d'Anglebert, Jean-Henri : Prelude for keyboard in C major
>Campra, Andre [Composer] : L' Europe galante, opera-ballet
>Lully, Jean-Baptiste : Intermèdes de Xerxes, LWV 12
>Campra, Andre [Composer] : Hesione, opera
>Lully, Jean-Baptiste : Work(s)
>Lully, Jean-Baptiste : Le bourgeois gentilhomme, LWV 43
>Gaultier, Ennemond : Courante in C minor for 2 Lute "L'Immortelle"
>Lully, Jean-Baptiste : Le triomphe de l'amour, LWV 59
>Anonymous : Suite La Bourgogne (from Feuillet's Choregrphie (Paris, 1700)), for baroque harp
>Lully, Jean-Baptiste : Roland
>Lully, Jean-Baptiste : Alceste, LWV 50
>Mersenne, Marin : La Bocanes (Feuillet's Choregraphie (Paris, 1700)), courante for baroque harp
>Lully, Jean-Baptiste : Les noces de village, ballet, LWV 19
>Brade, William : La Vignonne (Feuillet's Choregraphie (Paris, 1700)), for baroque harp
>Lully, Jean-Baptiste : Pieces de symphonie, Noce de village, Airs pour Mme la dauphine, for orchestra, LWV 70
>d'Anglebert, Jean-Henri : Gaillarde for keyboard in C major
>Lully, Jean-Baptiste : Armide, LWV 71
>d'Anglebert, Jean-Henri : Pièces de clavecin
>Lawrence-King, Andrew : Les Folies d'Espagne (improvised after Jean-Henry d'Anglebert, Marin Marais & Francesco Corbetta), f
>Lully, Jean-Baptiste : Amadis, LWV 63
Composers

Notes & Reviews:

"This new disc from virtuoso harpist Andrew Lawrence-King will appeal not only to those who love the particular full-bodied, abundantly resonant sound of the baroque triple harp but also to fans of harpsichord, lute, and theorbo, which have textural and timbral similarities fundamental to plucked-string instruments... the playing is expectedly lively and cleanly articulated, and the vibrant recording ensures a realistic, scintillating presence to the harp's every string--with some especially memorable low-register sounds!... the disc's excellent, detailed liner notes--by Lawrence-King--make an engrossing read that significantly enhances our appreciation of the music and performances. By placing the music in context and explaining its relevance to the court of Louis XIV, Lawrence-King gives meaning and purpose to his program while appealing to our fascination for colorful historical events and personalities." -Classics Today (10/10)

BBC Music Magazine
Lawrence-King... executes the elegant lines with clarity and grace, his nimble touch and fluid phrasing conjuring up images of the participants floating as much as dancing, detached from their Baroque physical surroundings.



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Works Details

>d'Anglebert, Jean-Henri : Prélude for keyboard in C major
  • Running Time: 1 min. 26 sec.
  • Period Time: Baroque

>André Campra (Composer) (1660 - 1744) : L' Europe galante, opera-ballet :: Entrée Espagnole (Air en Rondeau, Gay)
  • Running Time: 1 min. 42 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1697

>Lully, Jean-Baptiste : Intermèdes de Xerxes, LWV 12 :: Entrée
  • Running Time: 1 min. 48 sec.
  • Period Time: Baroque

>André Campra (Composer) (1660 - 1744) : Hésione, opera :: Le Louvre (Aimable vainqueur)
  • Running Time: 2 min. 34 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Lully, Jean-Baptiste : Work(s) :: Ballet du Temps / Ballet des Plaisirs / Une Nopce de Village / Roland / etc. (Feuillet's
  • Running Time: 1 min. 35 sec.
  • Period Time: Baroque

>Lully, Jean-Baptiste : Le bourgeois gentilhomme, LWV 43 :: Sarabande pour une femme
  • Running Time: 1 min. 39 sec.
  • Period Time: Baroque
  • Form: Ballet

>Lully, Jean-Baptiste : Intermèdes de Xerxes, LWV 12 :: Bourée pour les Basques
  • Period Time: Baroque

>Gaultier, Ennemond : Courante in C minor for 2 Lute "L'Immortelle"
  • Running Time: 4 min. 56 sec.
  • Period Time: Baroque
  • Written: by 1652

>Lully, Jean-Baptiste : Work(s) :: Xerxes / Armide (Feuillet's Chorégraphie (Paris, 1700)). La Contredance
  • Running Time: 1 min. 12 sec.
  • Period Time: Baroque

>Lully, Jean-Baptiste : Le triomphe de l'amour, LWV 59 :: Entrée d'Apollon
  • Running Time: 4 min. 6 sec.
  • Period Time: Baroque
  • Form: Ballet

>Anonymous : Suite La Bourgogne (from Feuillet's Chorégrphie (Paris, 1700)), for baroque harp
  • Running Time: 2 min. 26 sec.

>Lully, Jean-Baptiste : Roland :: Gigues
  • Running Time: 2 min. 33 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Lully, Jean-Baptiste : Alceste, LWV 50 :: Overture
  • Running Time: 5 min. 9 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Mersenne, Marin : La Bocanes (Feuillet's Chorégraphie (Paris, 1700)), courante for baroque harp
  • Running Time: 1 min. 48 sec.
  • Period Time: Renaissance

>Lully, Jean-Baptiste : Les noces de village, ballet, LWV 19 :: Sarabande
  • Running Time: 1 min. 48 sec.
  • Period Time: Baroque
  • Form: Ballet

>Brade, William : La Vignonne (Feuillet's Chorégraphie (Paris, 1700)), for baroque harp
  • Running Time: 1 min. 13 sec.
  • Period Time: Renaissance

>Lully, Jean-Baptiste : Pièces de symphonie, Noce de village, Airs pour Mme la dauphine, for orchestra, LWV 70 :: Pavane des s
  • Running Time: 2 min. 42 sec.
  • Period Time: Baroque

>d'Anglebert, Jean-Henri : Gaillarde for keyboard in C major
  • Running Time: 3 min. 46 sec.
  • Period Time: Baroque

>Lully, Jean-Baptiste : Armide, LWV 71 :: Passacaille d'Armide
  • Running Time: 6 min. 2 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>d'Anglebert, Jean-Henri : Pièces de clavecin
  • Running Time: 7 min. 19 sec.
  • Period Time: Baroque
  • Written: 1689

>André Campra (Composer) (1660 - 1744) : L' Europe galante, opera-ballet :: Entrée Espagnole (Air pour les espagnoles, Gravement)
  • Running Time: 1 min. 28 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1697

>Lawrence-King, Andrew : Les Folies d'Espagne (improvised after Jean-Henry d'Anglebert, Marin Marais & Francesco Corbetta), f
  • Running Time: 5 min. 5 sec.
  • Period Time: Contemporary

>Lully, Jean-Baptiste : Amadis, LWV 63 :: Chaconne d'Amadis (Les Héroes et Héroines témoignent leur joie par
  • Running Time: 9 min. 32 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta