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Brahms: Geistliche Chormusik / Norrington, Schütz Choir

Album Summary

>Brahms, Johannes : Ave Maria, for female chorus in F major, Op. 12
>Brahms, Johannes : Marienlieder (7) for chorus, Op. 22
>Brahms, Johannes : Psalm 13 ("Herr, wie lange willst du mich"), for chorus & organ, Op. 27
>Brahms, Johannes : Motets (2) for chorus, Op. 29
>Brahms, Johannes : Geistliches Lied, Op. 30
>Brahms, Johannes : Sacred Choruses (3) for female chorus, Op. 37
>Brahms, Johannes : Motets (2) for chorus, Op. 74
>Brahms, Johannes : Fest- und Gedenksprüche (3) for double chorus, Op. 109
>Brahms, Johannes : Motets (3) for chorus, Op. 110
Performers Conductor Ensemble Composer


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Works Details

>Brahms, Johannes : Ave Maria, for female chorus in F major, Op. 12
  • Performer: Christopher Bowers-Broadbent (Organ)
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: 1858
  • Studio/Live: Studio

>Brahms, Johannes : Marienlieder (7) for chorus, Op. 22 :: no 2, Maria Kirchgang
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: 1859
  • Studio/Live: Studio

>Brahms, Johannes : Psalm 13 ("Herr, wie lange willst du mich"), for chorus & organ, Op. 27
  • Performers: Christopher Bowers-Broadbent (Organ); Cherith Fryer (Alto); Rosemary Hardy (Soprano)
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Written: 1859
  • Studio/Live: Studio

>Brahms, Johannes : Motets (2) for chorus, Op. 29 :: no 1, Es ist das Heil uns kommen her
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: ?1860
  • Studio/Live: Studio

>Brahms, Johannes : Geistliches Lied, Op. 30
  • Performer: Christopher Bowers-Broadbent (Organ)
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1856
  • Studio/Live: Studio

>Brahms, Johannes : Sacred Choruses (3) for female chorus, Op. 37
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: 1859-1863
  • Studio/Live: Studio

>Brahms, Johannes : Motets (2) for chorus, Op. 74 :: no 1, Warum ist das Licht gegeben
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: 1877
  • Studio/Live: Studio

>Brahms, Johannes : Fest- und Gedenksprüche (3) for double chorus, Op. 109
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: 1886-1889
  • Studio/Live: Studio

>Brahms, Johannes : Motets (3) for chorus, Op. 110 :: no 1, Ich aber bin elend
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: 1889
  • Studio/Live: Studio

>Brahms, Johannes : Motets (3) for chorus, Op. 110 :: no 2, Ach, arme Welt
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: 1889
  • Studio/Live: Studio

>Brahms, Johannes : Motets (3) for chorus, Op. 110 :: no 3, Wenn wir in höchsten Nöten sein
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: 1889
  • Studio/Live: Studio

>Brahms, Johannes : Motets (2) for chorus, Op. 29 :: no 2, Schaffe in mir, Gott
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: ?1860
  • Studio/Live: Studio

>Brahms, Johannes : Motets (2) for chorus, Op. 74 :: no 2, O Heiland, reiss die Himmel auf
  • Conductor: Roger Norrington
  • Ensemble: Heinrich Schütz Choir, London
  • Period Time: Romantic
  • Form: Choral
  • Written: ?1863-64
  • Studio/Live: Studio