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Eddie Floyd: The Very Best of Eddie Floyd

Track List

>Things Get Better
>Knock on Wood
>Raise Your Hand
>Love Is a Doggone Good Thing
>On a Saturday Night
>Big Bird
>I've Never Found a Girl (To Love Me Like You Do)
>Bring It on Home to Me
>I've Got to Have Your Love
>Don't Tell Your Mama (Where You've Been)
>Why Is the Wine Sweeter (On the Other Side)
>California Girl
>My Girl
>Best Years of My Life, The
>Blood Is Thicker Than Water
>Yum Yum Yum (I Want Some)
>Baby, Lay Your Head Down (Gently on My Bed)
>Check Me Out
>Soul Street
>I Got a Reason to Smile (Cause I Got You)

Album Remarks & Appraisals:

This 24-bit remastered disc is a career-spanning collection of 20 greatest hits including 'Knock On Wood,' 'I've Never Found A Girl (To Love Me Like You Do),' 'Raise Your Hand' and many more! It also includes rare photographs and notes by Rob Bowman, author of the Grammyr Award-winning Soulsville U.S.A.: The Story of Stax Records.

Album Notes

Although he is far from a household name in the 21st century, as a songwriter, producer, and performer Eddie Floyd made regular visits to the R&B charts from the mid-'60s through the mid-'70s while he was a part of the legendary Stax Records family. Floyd was originally hired by Stax as a writer and, paired with MG's guitarist Steve Cropper, he wrote several hits for the label, including one for himself, the classic "Knock on Wood" (based on the chord progression for "In the Midnight Hour" reversed), which was Floyd's second single when it was released in 1966. Later, Floyd began writing with another MG's member, Booker T. Jones, and his stay at Stax neatly divides into a Cropper era and a Jones era, both of which are covered in this fine 20-track set. Included are "Knock on Wood," the poignant "Big Bird" (written in the wake of Otis Redding's death, it should have been a bigger hit and remains a favorite of many collectors of vintage soul sides), and a strong cover of Sam Cooke's "Bring It on Home to Me," as well as essentially every key track Floyd sang lead on for Stax. He did much more behind the scenes as a writer and producer, but this set makes a solid introduction to Floyd as a performer, and while he might not have bottled dynamite on-stage quite as famously as Redding or Wilson Pickett, he certainly knew what to do with the recipe. The very definition of unsung, Eddie Floyd truly deserves a wider contemporary audience. ~ Steve Leggett


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