Dee Dee Bridgewater: Red Earth

Audio Samples

>Afro Blue
>Bad Spirits - (African Languages)
>Dee Dee - (African Languages)
>Mama Don't Ever Go Away (Mama Digna Sara Ye) - (African Languages)
>Footprints
>Children Go 'Round (Demissenw) - (African Languages)
>Griots, The (Sakhodougou) - (African Languages)
>Oh My Love (Djarabi) - (African Languages)
>Four Women
>No More (Bambo) - (African Languages)
>Red Earth (Massane Cisse) - (African Languages)
>Meanwhile
>Compared to What

Track List

>Afro Blue
>Bad Spirits - (African Languages)
>Dee Dee - (African Languages)
>Mama Don't Ever Go Away (Mama Digna Sara Ye) - (African Languages)
>Footprints
>Children Go 'Round (Demissenw) - (African Languages)
>Griots, The (Sakhodougou) - (African Languages)
>Oh My Love (Djarabi) - (African Languages)
>Four Women
>No More (Bambo) - (African Languages)
>Red Earth (Massane Cisse) - (African Languages)
>Meanwhile
>Compared to What

Album Remarks & Appraisals:

"Singer Dee Dee Bridgewater walks in with considerable credentials, including a hit list of Broadway accolades, an apprenticeship with the Thad Jones/Mel Lewis Orchestra and a string of acclaimed straight-ahead albums, but Red Earth: A Malian Journey trumps them all. While world-beat listeners will recognize these grooves, Bridgewater brings her own experiences as an African-American woman back to the motherland for what can only be called a fusion of feeling.

Enlisting the production talents of Cheick Tidiane Seck, the album recalls the power-pop sound of Selif Keita and the primordial blues of guitarist Ali Farke Toure, set to the heartbeats of Mali, as heard in the virtuosic kora (gourd harp) of Toumani Diabaté, the Wassoulou vocals of Oumou Sangare and various traditional instruments, including balafon (marimba), n'goni (lute), Peul flute, tamani and doum-doum (low- and high-pitched talking-drums), djembe, shakere (gourd rattle) and calebasse (gourd drum). The West is represented by Bridgewater's working combo, covers of Mongo Santamaria's "Afro Blue, Wayne Shorter's "Long Time Ago, Nina Simone's "Four Women and Gene McDaniels' "Compared to What and the vocalist's strong allegiance to and affinity for the great tradition of Holiday, Fitzgerald and Vaughan.

But Red Earth is a merging and melding of borders: while Bridgewater is uncannily at home scatting over "Mama Don't Ever Go Away, doubling the fleet kora and n'goni lines on "Bad Spirits and trading choruses with vocalists Sangare, Kabine Kouyaté, Mamani Kèita and Baba Sissoko, the Malians have intuitions of their own; Fatoumata Kouyaté shows on the title track that he too can take it back to the chicken shack and Seck busts out some serious Hammond B3 chitlin' circuitry on "Compared to What. With one foot in the funky soul of brother Horace Silver, the other in the polyrhythmic heterophony of Malian village life, Red Earth is global yet local, grounded in the commonality of human experience." -AllAboutJazz

Album Reviews:

Down Beat (p.60) - 4 stars out of 5 -- "[T]he album is richly layered with percussion, guitar and instruments such as the harp-like kora and sokou, the one-string violin with a keening, bluesy sound."

Dirty Linen (p.47) - "RED EARTH is a rich, fully formed cultural exchange that conveys the generosity and creativity of its participants."

Album Notes

On this impressive 2007 outing, revered singer Dee Dee Bridgewater celebrates her Malian heritage with a set that deftly mixes African music with jazz. In addition to performing a bright, jaunty rendition of one of her signature numbers, "Afro Blue," Bridgewater stands out on the percussive "Bad Spirits (Bani)" and the gentle "Oh My Love (Djarabi)." One of the finest worldbeat/jazz albums of '07, RED EARTH is essential for Bridgewater fans, and will appeal to aficionados of both jazz vocals and West Africa's griot tradition.



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