Canadian Brass: Legends

> Fanfare for the Common Man - Fanfare for the Common Man
> Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba (arr. M. Allen) - Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba (arr. M. Allen)
> Vespers for the Feast of the Ascension: Laudate Dominum and Hymn (arr. A. Frackenopohl) - Vespers for the Feast of the Ascension: Laudate Dominum and Hymn (arr. A. Frackenopohl)
> In dulci jubilo (arr. R. Price) - In dulci jubilo (arr. R. Price)
> The March before the Battle, "The Earl of Oxford's March" (arr. M. Allen) - The March before the Battle, "The Earl of Oxford's March" (arr. M. Allen)
> Adagio for Strings, Op. 11 (arr. S. McNeff) - Adagio for Strings, Op. 11 (arr. S. McNeff)
> Die Zauberflote (The Magic Flute), K. 620, Act II: Der Holle Rache … (Queen of the Night) (arr. M. Allen) - Die Zauberflote (The Magic Flute), K. 620, Act II: Der Holle Rache … (Queen of the Night) (arr. M. Allen)
> Ave verum corpus, K. 618 (arr. F. Watkin) - Ave verum corpus, K. 618 (arr. F. Watkin)
> Jubilate Deo (arr. A. Frackenpohl) - Jubilate Deo (arr. A. Frackenpohl)
> The Golyardes' Grounde - The Golyardes' Grounde
> The Bells (arr. M. Allen) - The Bells (arr. M. Allen)
> Penny Lane (arr. C. Dedrick) - Penny Lane (arr. C. Dedrick)
> La virgen de la Macarena (arr. J. Burgstaller) - La virgen de la Macarena (arr. J. Burgstaller)
> In Nomine No. 2 a 5 (arr. A. Frackenpohl) - In Nomine No. 2 a 5 (arr. A. Frackenpohl)

Track List

>Fanfare for the common man
>Solomon, HWV 67: Arrival of the Queen of Sheba
>Laudate Dominum
>In dulci jubilo
>March before the Battle, or The Earl of Oxford's March, MB 93, The
>Adagio for Strings, Op. 11
>Die Zauberflöte, K 620: Der Hölle Rache
>Ave verum corpus in D major, K 618: Excerpt(s)
>Jubilate Deo
>Golyardes' Grounde
>Bells, MB 38, The
>Penny Lane
>La Virgen de la Macarena
>In Nomine(s)

Album Remarks & Appraisals:

The name Canadian Brass long ago reached legendary status in the musical world. Along with their engaging stage presence and ground-breaking style, it has been their serious and meticulous attention to musical detail that helped define them as one of the great chamber ensembles as well as setting the standard for brass performance.



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