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San Marco in Hamburg - Praetorius: Motets / Manfred Cordes, Weser Renaissance

> Jubilate Deo - Jubilate Deo
> Ecce Dominus veniet - Ecce Dominus veniet
> Hodie Christus natus est - Hodie Christus natus est
> Ab oriente venerunt Magi - Ab oriente venerunt Magi
> Nunc dimittis - Nunc dimittis
> O bone Jesu - O bone Jesu
> Magnificat quarti toni - Magnificat quarti toni
> Wie lang, O Gott - Wie lang, O Gott
> Surrexit pastor bonus - Surrexit pastor bonus
> Ascendo ad patrem meum - Ascendo ad patrem meum
> Hodie completi sunt - Hodie completi sunt
> Adesto unus Deus - Adesto unus Deus
> Cantate Domino - Cantate Domino

Album Summary

>Praetorius, Hieronymus : Jubilate Deo omnis terra, motet for 12 voices (Cantiones sacrae 1607, no 62)
>Praetorius, Hieronymus : Ecce Dominus veniet, motet for 8 voices (Cantiones sacrae 1599, no 1)
>Praetorius, Hieronymus : Hodie Christus natus est, motet for 6 voices (Cantiones novae 1625, no 11)
>Praetorius, Hieronymus : Ab oriente venerunt Magi, motet for 5 voices (Cantiones sacrae 1599, no 13)
>Praetorius, Hieronymus : Nunc dimittis servum tuum, motet for 8 voices (Cantiones sacrae 1599, no 15)
>Praetorius, Hieronymus : O bone Jesu
>Praetorius, Hieronymus : Magnificat quarti toni
>Praetorius, Hieronymus : Wie lang, o Gott, motet for 5 voices (Cantiones novae 1625, no 5)
>Praetorius, Hieronymus : Surrexit pastor bonus, motet for 5 voices (Cantiones sacrae 1599, no 26)
>Praetorius, Hieronymus : Ascendo ad patrem meum, motet for 6 voices (Cantiones sacrae 1599, no 29)
>Praetorius, Hieronymus : Hodie completi sunt, motet for 8 voices (Cantiones sacrae 1599, no 30)
>Praetorius, Hieronymus : Adesto unus Deus, motet for 5 voices (Cantiones sacrae 1599, no 34)
>Praetorius, Hieronymus : Cantate Domino canticum novum, motet for 8 voices (Magnificat octo tonorum 1602, no 4)
Conductor Ensemble Composer

Notes & Reviews:

Although Hieronymus Praetorius had no direct contact with Italian composers, his works for two or three choirs would have been absolutely unimaginable without their influence. His five-volume Opus musicum composed between 1599 and 1625, the earliest collection of polyphonic church music published in Hamburg, exemplifies Italian influence on Northern German sacred music and exhibits a fascinating mixture of old and new styles. Praetorius may be regarded as the most important German pioneer in this field.

Gramophone Magazine
Weser-Renaissance Bremen under Manfred Cordes are quite admirable... This is chamber music-making from the heart, tempered convincingly by the intellect and affectionately delivered. Highly recommended



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Works Details

>Praetorius, Hieronymus : Jubilate Deo omnis terra, motet for 12 voices (Cantiones sacrae 1607, no 62)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 4 min. 2 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Ecce Dominus veniet, motet for 8 voices (Cantiones sacrae 1599, no 1)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 5 min. 36 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Hodie Christus natus est, motet for 6 voices (Cantiones novae 1625, no 11)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 3 min. 1 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Ab oriente venerunt Magi, motet for 5 voices (Cantiones sacrae 1599, no 13)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 6 min. 3 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Nunc dimittis servum tuum, motet for 8 voices (Cantiones sacrae 1599, no 15)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 4 min. 42 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : O bone Jesu
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 6 min. 50 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Magnificat quarti toni
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 11 min. 15 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Wie lang, o Gott, motet for 5 voices (Cantiones novae 1625, no 5)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 3 min. 24 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Surrexit pastor bonus, motet for 5 voices (Cantiones sacrae 1599, no 26)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 3 min. 2 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Ascendo ad patrem meum, motet for 6 voices (Cantiones sacrae 1599, no 29)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 2 min. 33 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Hodie completi sunt, motet for 8 voices (Cantiones sacrae 1599, no 30)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 6 min. 14 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Adesto unus Deus, motet for 5 voices (Cantiones sacrae 1599, no 34)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 3 min. 45 sec.
  • Period Time: Renaissance

>Praetorius, Hieronymus : Cantate Domino canticum novum, motet for 8 voices (Magnificat octo tonorum 1602, no 4)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Stiftskirche zu Bassum (10/29/2007-10/31/2007)
  • Running Time: 4 min. 37 sec.
  • Period Time: Renaissance
  • Form: Cantata/Oratorio