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Album Summary
Performers
Hjördis Thébault (Mezzo Soprano)- Benoît Arnould (Baritone)
- Bénédicte Tauran (Soprano)
- Blandine Staskiewicz (Mezzo Soprano)
- Salome Haller (Soprano)
- François-Nicolas Geslot (Countertenor)
- Stéphanie D'Oustrac (Soprano)
Notes & Reviews:
"They are all fine vocalists, experts in the style, and are so convincing in their parts that it is difficult to single out individuals among them as exceptional. Nevertheless, mezzo-soprano D'Oustrac makes a strongly maternal and moving Ceres. As her counterpart in lamentation, Haller sounds just a bit more matronly than girlish, but is vocally lovely... The booklet has fine notes and full libretto with translations. An absolutely first-class achievement!" -American Record Guide
Gramophone Magazine
Niquet... is capable of generating an almost visceral excitement and urgency, not just in Lully's glorious and imaginative choral writing but in the sensual urgency of his orchestral textures. The all-French speaking cast does not contain stars but makes strong and convincing contributions throughout.
BBC Music Magazine
Hervé Niquet directs a superb ensemble performance in excellent recorded sound.
Gramophone Classical Music Guide
Lully's tragédie lyrique for 1680 tells the familiar tale of Proserpine's abduction by the underworld king Pluton, the upset it causes her mother Cérès, and of the compromise solution reached in which Proserpine must each year alternate six months above and below ground. It is not much action on which to base a five-act opera, and indeed Lully's librettist, the ever excellent Quinault, adds to it by building up Cérès and her love affair with Jupiter and adding a parallel pair of lovers, Aréthuse and Alphée, with a rival for the latter in Ascalaphe. There is also liberal use of stage effects (including an impulsive role for Mount Etna) which we CD listeners will have to imagine for ourselves. Surprisingly, what it is not padded out with are the kind of extended decorative set-piece sung-and danced divertissements that form such a large part of Lully's earlier operas.
The opera is a flexible mixture of arioso, dance and chorus, and Niquet clearly enjoys the task of joining its separate elements into a coherent whole. Perhaps in doing so he can be a little hasty with its conversational element, but the way he steers the music around its corners with no bumps and awkward corners betokens considerable musical and dramatic involvement. And as ever he is capable of generating an almost visceral excitement and urgency, not just in Lully's glorious and imaginative choral writing but in the sensual urgency of his orchestral textures.
The all-French-speaking cast does not contain stars but makes strong and convincing contributions throughout, with Salomé Haller, Stéphanie d'Oustrac, Blandine Staskiewicz and Cyril Auvity giving special pleasure. Indeed, this is a model 'company' reading, one in which everyone performs as if it really matters.
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Works Details
Lully, Jean-Baptiste : Prosperine, LWV 58 - Performers: Benoît Arnould (Baritone); Bénédicte Tauran (Soprano); Blandine Staskiewicz (Mezzo Soprano); Salome Haller (Soprano); François-Nicolas Geslot (Countertenor); Stéphanie D'Oustrac (Soprano); Hjördis Thébault (Mezzo Soprano)
- Conductor: Hervé Niquet
- Ensemble: Le Concert spirituel
- Period Time: Baroque
- Form: Opera/Operetta
