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Maria Callas - The Complete Puccini Studio Recordings

Album Summary

>Puccini, Giacomo : Tosca
>Puccini, Giacomo : Manon Lescaut
>Puccini, Giacomo : Madama Butterfly
>Puccini, Giacomo : La bohème
>Puccini, Giacomo : Suor Angelica
>Puccini, Giacomo : Gianni Schicchi, opera
>Puccini, Giacomo : Turandot
Performers Conductors Ensembles Composer

Notes & Reviews:

This elegant 15-CD set includes all of Callas' studio recordings of Puccini operas: Manon Lescaut, La Boheme, Tosca, Madama Butterfly, and Turandot. These are all recorded with the forces of La Scala, Milan, except the second Tosca which was made in Paris. Also included is the famous recital of Puccini arias that Callas recorded in London in 1954 on which she sings both of Liu's arias from Turandot ("Signore, ascolta" and "Tu che di gel sei cinta"), as well as Turandot's great solo "In questa reggia."

BBC Music Magazine
Callas revealed just what depths of character a great singing actress could find in Puccini's heroines - even the towering Turandot, which she sang on stage early in her topsy-turvy career. To those of us who never saw her live, her unsteadiness and pitch problems are more evident, but the passion and intelligent detail in Butterfly's blinkered innocence or Tosca's tormented instability are all the more riveting, both in her classic Serafin solo recital and in these mostly 1950s Italian recordings.



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Works Details

>Puccini, Giacomo : Tosca
  • Performers: Giuseppe Di Stefano (Voice); Melchiorre Luise (Bass); Dario Caselli (Bass); Tito Gobbi (Baritone); Franco Calabrese (Bass); Alvaro Cordova (Voice); Angelo Mercuriali (Tenor); Maria Callas
  • Conductor: Victor De Sabata
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/10/1953-08/21/1953)
  • Running Time: 106 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1900

>Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. In quelle trine morbide
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. Sola, perduta, abbandonata
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 5 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Un bel di vedremo
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 4 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Con onor muore
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : La bohème :: Act 1. Aria. Sì. Mi chiamano Mimì
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 4 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Aria. Donde lieta usì
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 3 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : Suor Angelica :: Aria. Senza mamma
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 5 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1918

>Puccini, Giacomo : Gianni Schicchi, opera :: Aria. O mio babbino caro
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 1918

>Puccini, Giacomo : Turandot :: Act 1. Aria. Signore, ascolta!
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Aria. In questa reggia
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 6 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Aria. Tu, che di gel sei cinta
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Madama Butterfly :: Act 1. E soffitto... e pareti...
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Questa è la cameriera
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Dovunque al mondo
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Quale smania vi prede!
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Quanto cielo!... Ancora un passo or via
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Gran ventura
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. L'Imperial Commissario
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni, amor mio!
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Ieri son salita tutta sola
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 3 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Ed eccoci in famiglia
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni la sera
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Bimba dagli occhi pieni di malia
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vogliatemi bene, un bene piccolino
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. E Izaghi ed Izanami
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Un bel dì vedremo
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. C'è. Entrate
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Non lo sapete insomma
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. A voi però giurerei fede costarte
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 58 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Ora a noi
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. E questo? e questo?
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Che tua madre dovrà
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Io scendo al piano
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Vespa! Rospo maledetto!
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Una nave da guerra
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Scuoti quella fronda di ciliegio
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Or vienmi ad adornar
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 8 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Coro a bocca chiusa
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Oh eh! Oh eh! Oh eh!
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Già il sole!
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Povera Butterfly!
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Io so che alle sue pene
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 2 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Addio, fiorito asil
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 57 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Glielo dirai?
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Che vuol da me?
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Come una mosca grigioniera
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Con onor muore
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 23 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : La bohème :: Act 1. Questo Mar Rosso mi ammollisce e assidera
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Abbasso, abbasso l'autor!
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Si può?... Chi è là?
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Al Quartiere Latin ci attende Momus
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Non sono in vena
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Che gelida manina!
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Sì. Mi chiamano Mimì
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 55 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Ehi! Rodolfo!... O soave fanciulla
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Aranci, datteri!
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 2 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Chi guardi?... Odio il profano volgo
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 39 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Beviam... Ch'io beva del tossico!
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Quando me n'vò
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Chi l'ha richiesto?... Vediam
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 2 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Ohè, là, le guardie... Aprite!
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Mimì?!... Speravo di trovarvi qui
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Marcello. Finalmente
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 6 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. D'onde lieta uscì al tuo grido d'amore
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Dunque è proprio finita?
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. In un coupé?... Con pariglia e livree
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. O Mimì, tu più non torni
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Che ora sia?
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 7 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. C'è Mimì... c'è Mimì che mi segue e che sta male
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Vecchia simarra, senti
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Schaunard, ognuno per diversa via
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Sono andati?
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Oh Dio! Mimì... Che avvien?
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : Turandot :: Act 1. Popolo di Pekino!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Padre! Mio padre!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Perduta la battaglia
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Gira la cote! Gira!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Perché tarda la luna?
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Là, sui monti dell'est
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. O giovinetto!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Figlio, che fai?
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Fermo! che fai? T'arresta!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Silenzio, olà!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Guardalo, Pong!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Non indugiare!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Signore, ascolta!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Non piangere, Liù!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Ah! per l'ultima volta!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 33 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Olà, Pang! Olà, Pong!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. O Cina, o Cina
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 6 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Ho una casa nell'Honan
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. O mondo, pieno di pazzi innamorati!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Addio, amore!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Noi si sogna
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gravi, enormi ed imponenti
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 4 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Un giuramento atroce mi costringe
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Diecimila anni ai nostro Imperatore!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 4 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. In questa reggia
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 6 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Straniero, ascolta! Nella cupa notte
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Guizza al pari di fiamma
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gelo che ti dà foco
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gloria, o vincitore!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Figlio del cielo!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Tre enigmi m'hai proposto!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Ai tuoi piedi ci prostriam
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Così comanda Turandot
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 22 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Nessun dorma!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu che guardi le stelle
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa divina!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Quel nome!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. L'amore?... Tanto amore, segreto e inconfessato
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu, che di gel sei cinta
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 31 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Liù... bontà!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa di morte!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Che è mai di me? Perduta!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Del primo pianto, sì... La mia gloria è il tuo amplesso!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 8 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 2. Diecimila anni al nostro Imperatore!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Manon Lescaut :: Act 1. Ave, sera gentile
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 5 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Tra voi, belle, brune e bionde
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Ma bravo!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Discendono, vediam!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Cortese damigella, il priego mio accettate
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Donna non vidi mai
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 36 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. La tua ventura ci rassicura
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 6 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. La tua Proserpina di resisterti
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Vedete? Io son fedele alla parola mia
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Non c'è più vino?
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Cavalli pronti avete?
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 6 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Dispettosetto questo riccio!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Sei splendida e lucente!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. In quelle trine morbide
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Poiché tu vuoi saper
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Che ceffi son costor?
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Paga costor!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Vi prego, signorina
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 8 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Oh, sarò la più bella!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 8 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Ah!... Affè, madamigella
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Ah, Manon, mi tradisce
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Lescaut!... Tu qui?
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Intermezzo
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 5 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Ansia eterna, crudel
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Manon!... Des Grieux!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. All'armi! All'armi!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Il passo m'aprite!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Rosetta!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Presto in fila! Marciate!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Ah, non v'avvicinate!... Come io piango ed imploro
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Tutta su me ti posa
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Manon, senti, amor mio!... Vedi, son io che piango
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. E nulla! Nulla!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 45 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Sola, perduta, abbandonata...
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 12 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Tosca
  • Performers: Victor Godfrey (Bass); Renato Cioni (Tenor); Tito Gobbi (Baritone); Dennis Wicks (Bass); Edgard Boniface (Bass); David Sellar (Boy Alto); Robert Bowman (Voice); Maria Callas; Eric Garrett (Voice)
  • Conductor: Carlo Cillario
  • Ensemble: Royal Opera House Covent Garden Orchestra
  • Running Time: 106 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1900