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Maria Callas - The Complete Puccini Studio Recordings

Album Summary

>Puccini, Giacomo : Tosca
>Puccini, Giacomo : Manon Lescaut
>Puccini, Giacomo : Madama Butterfly
>Puccini, Giacomo : La bohème
>Puccini, Giacomo : Suor Angelica
>Puccini, Giacomo : Gianni Schicchi, opera
>Puccini, Giacomo : Turandot
Performers Conductors Ensembles Composer

Notes & Reviews:

This elegant 15-CD set includes all of Callas' studio recordings of Puccini operas: Manon Lescaut, La Boheme, Tosca, Madama Butterfly, and Turandot. These are all recorded with the forces of La Scala, Milan, except the second Tosca which was made in Paris. Also included is the famous recital of Puccini arias that Callas recorded in London in 1954 on which she sings both of Liu's arias from Turandot ("Signore, ascolta" and "Tu che di gel sei cinta"), as well as Turandot's great solo "In questa reggia."

BBC Music Magazine
Callas revealed just what depths of character a great singing actress could find in Puccini's heroines - even the towering Turandot, which she sang on stage early in her topsy-turvy career. To those of us who never saw her live, her unsteadiness and pitch problems are more evident, but the passion and intelligent detail in Butterfly's blinkered innocence or Tosca's tormented instability are all the more riveting, both in her classic Serafin solo recital and in these mostly 1950s Italian recordings.



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Works Details

>Puccini, Giacomo : Tosca
  • Performers: Franco Calabrese (Bass); Giuseppe Di Stefano (Voice); Melchiorre Luise (Bass); Dario Caselli (Bass); Tito Gobbi (Baritone); Alvaro Cordova (Voice); Maria Callas; Angelo Mercuriali (Tenor)
  • Conductor: Victor De Sabata
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/10/1953-08/21/1953)
  • Running Time: 106 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1900

>Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. In quelle trine morbide
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. Sola, perduta, abbandonata
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 5 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Un bel di vedremo
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 4 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Con onor muore
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : La bohème :: Act 1. Aria. Sì. Mi chiamano Mimì
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 4 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Aria. Donde lieta usì
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 3 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : Suor Angelica :: Aria. Senza mamma
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 5 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1918

>Puccini, Giacomo : Gianni Schicchi, opera :: Aria. O mio babbino caro
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 1918

>Puccini, Giacomo : Turandot :: Act 1. Aria. Signore, ascolta!
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Aria. In questa reggia
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 6 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Aria. Tu, che di gel sei cinta
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Madama Butterfly :: Act 1. E soffitto... e pareti...
  • Performers: Plinio Clabassi (Voice); Maria Callas; Nicolai Gedda (Voice); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Questa è la cameriera
  • Performers: Maria Callas; Renato Ercolani (Vocals); Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Mario Carlin (Tenor); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Dovunque al mondo
  • Performers: Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Nicolai Gedda (Voice); Mario Carlin (Tenor); Mario Borriello (Baritone); Maria Callas; Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Quale smania vi prede!
  • Performers: Maria Callas; Nicolai Gedda (Voice); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Plinio Clabassi (Voice); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Quanto cielo!... Ancora un passo or via
  • Performers: Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Enrico Campi (Bass); Mario Borriello (Baritone); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Gran ventura
  • Performers: Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Plinio Clabassi (Voice); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. L'Imperial Commissario
  • Performers: Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Maria Callas; Nicolai Gedda (Voice); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni, amor mio!
  • Performers: Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Ieri son salita tutta sola
  • Performers: Mario Carlin (Tenor); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 3 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Ed eccoci in famiglia
  • Performers: Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni la sera
  • Performers: Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Bimba dagli occhi pieni di malia
  • Performers: Nicolai Gedda (Voice); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vogliatemi bene, un bene piccolino
  • Performers: Mario Borriello (Baritone); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. E Izaghi ed Izanami
  • Performers: Luisa Villa (Mezzo Soprano); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Mario Carlin (Tenor); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Un bel dì vedremo
  • Performers: Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Maria Callas; Renato Ercolani (Vocals); Mario Carlin (Tenor); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. C'è. Entrate
  • Performers: Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Mario Borriello (Baritone); Plinio Clabassi (Voice); Nicolai Gedda (Voice); Enrico Campi (Bass); Lucia Danieli (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Non lo sapete insomma
  • Performers: Nicolai Gedda (Voice); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. A voi però giurerei fede costarte
  • Performers: Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Maria Callas; Renato Ercolani (Vocals); Mario Carlin (Tenor); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 58 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Ora a noi
  • Performers: Enrico Campi (Bass); Mario Borriello (Baritone); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Nicolai Gedda (Voice); Maria Callas; Lucia Danieli (Mezzo Soprano); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. E questo? e questo?
  • Performers: Renato Ercolani (Vocals); Nicolai Gedda (Voice); Maria Callas; Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Che tua madre dovrà
  • Performers: Mario Carlin (Tenor); Nicolai Gedda (Voice); Maria Callas; Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Io scendo al piano
  • Performers: Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Mario Carlin (Tenor); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Vespa! Rospo maledetto!
  • Performers: Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Una nave da guerra
  • Performers: Maria Callas; Nicolai Gedda (Voice); Renato Ercolani (Vocals); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Scuoti quella fronda di ciliegio
  • Performers: Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Mario Borriello (Baritone); Mario Carlin (Tenor); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Or vienmi ad adornar
  • Performers: Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Mario Carlin (Tenor); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 8 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Coro a bocca chiusa
  • Performers: Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Maria Callas; Nicolai Gedda (Voice); Enrico Campi (Bass); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Oh eh! Oh eh! Oh eh!
  • Performers: Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Già il sole!
  • Performers: Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Maria Callas; Renato Ercolani (Vocals); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Povera Butterfly!
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Io so che alle sue pene
  • Performers: Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Nicolai Gedda (Voice); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 2 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Addio, fiorito asil
  • Performers: Enrico Campi (Bass); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Mario Borriello (Baritone); Plinio Clabassi (Voice); Nicolai Gedda (Voice); Renato Ercolani (Vocals); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 57 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Glielo dirai?
  • Performers: Maria Callas; Renato Ercolani (Vocals); Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Che vuol da me?
  • Performers: Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Renato Ercolani (Vocals); Maria Callas; Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Come una mosca grigioniera
  • Performers: Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Con onor muore
  • Performers: Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 23 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : La bohème :: Act 1. Questo Mar Rosso mi ammollisce e assidera
  • Performers: Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Giuseppe Di Stefano (Voice); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Maria Callas; Rolando Panerai (Baritone); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Abbasso, abbasso l'autor!
  • Performers: Anna Moffo (Voice); Maria Callas; Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Si può?... Chi è là?
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Manuel Spatafora (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Al Quartiere Latin ci attende Momus
  • Performers: Carlo Badioli (Bass); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Nicola Zaccaria (Bass); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Rolando Panerai (Baritone); Franco Ricciardi (Tenor); Manuel Spatafora (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Non sono in vena
  • Performers: Maria Callas; Anna Moffo (Voice); Carlo Forti (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Eraldo Coda (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Che gelida manina!
  • Performers: Eraldo Coda (Bass); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Franco Ricciardi (Tenor); Maria Callas; Nicola Zaccaria (Bass); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Sì. Mi chiamano Mimì
  • Performers: Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 55 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Ehi! Rodolfo!... O soave fanciulla
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Rolando Panerai (Baritone); Anna Moffo (Voice); Maria Callas; Carlo Badioli (Bass); Carlo Forti (Bass); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Aranci, datteri!
  • Performers: Anna Moffo (Voice); Maria Callas; Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Eraldo Coda (Bass); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 2 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Chi guardi?... Odio il profano volgo
  • Performers: Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Giuseppe Di Stefano (Voice); Nicola Zaccaria (Bass); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Rolando Panerai (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 39 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Beviam... Ch'io beva del tossico!
  • Performers: Manuel Spatafora (Baritone); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Anna Moffo (Voice); Carlo Badioli (Bass); Eraldo Coda (Bass); Rolando Panerai (Baritone); Maria Callas; Franco Ricciardi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Quando me n'vò
  • Performers: Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Giuseppe Di Stefano (Voice); Nicola Zaccaria (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Carlo Badioli (Bass); Rolando Panerai (Baritone); Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Chi l'ha richiesto?... Vediam
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Maria Callas; Eraldo Coda (Bass); Manuel Spatafora (Baritone); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 2 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Ohè, là, le guardie... Aprite!
  • Performers: Rolando Panerai (Baritone); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Franco Ricciardi (Tenor); Anna Moffo (Voice); Maria Callas; Nicola Zaccaria (Bass); Eraldo Coda (Bass); Carlo Badioli (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Mimì?!... Speravo di trovarvi qui
  • Performers: Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Carlo Badioli (Bass); Carlo Forti (Bass); Eraldo Coda (Bass); Maria Callas; Franco Ricciardi (Tenor); Anna Moffo (Voice); Nicola Zaccaria (Bass); Rolando Panerai (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Marcello. Finalmente
  • Performers: Rolando Panerai (Baritone); Carlo Forti (Bass); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 6 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. D'onde lieta uscì al tuo grido d'amore
  • Performers: Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Dunque è proprio finita?
  • Performers: Manuel Spatafora (Baritone); Carlo Forti (Bass); Franco Ricciardi (Tenor); Anna Moffo (Voice); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Eraldo Coda (Bass); Maria Callas; Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. In un coupé?... Con pariglia e livree
  • Performers: Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Maria Callas; Franco Ricciardi (Tenor); Anna Moffo (Voice); Eraldo Coda (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. O Mimì, tu più non torni
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Franco Ricciardi (Tenor); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Che ora sia?
  • Performers: Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 7 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. C'è Mimì... c'è Mimì che mi segue e che sta male
  • Performers: Eraldo Coda (Bass); Franco Ricciardi (Tenor); Carlo Badioli (Bass); Rolando Panerai (Baritone); Manuel Spatafora (Baritone); Nicola Zaccaria (Bass); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Anna Moffo (Voice); Maria Callas
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Vecchia simarra, senti
  • Performers: Maria Callas; Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Eraldo Coda (Bass); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Schaunard, ognuno per diversa via
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Eraldo Coda (Bass); Carlo Badioli (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Sono andati?
  • Performers: Manuel Spatafora (Baritone); Carlo Badioli (Bass); Rolando Panerai (Baritone); Anna Moffo (Voice); Carlo Forti (Bass); Maria Callas; Nicola Zaccaria (Bass); Giuseppe Di Stefano (Voice); Eraldo Coda (Bass); Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Oh Dio! Mimì... Che avvien?
  • Performers: Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Anna Moffo (Voice); Maria Callas; Franco Ricciardi (Tenor); Eraldo Coda (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : Turandot :: Act 1. Popolo di Pekino!
  • Performers: Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Giulio Mauri (Bass); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Padre! Mio padre!
  • Performers: Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Perduta la battaglia
  • Performers: Elisabeth Schwarzkopf (Voice); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Gira la cote! Gira!
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Perché tarda la luna?
  • Performers: Maria Callas; Mario Borriello (Baritone); Renato Ercolani (Vocals); Piero de Palma (Tenor); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Là, sui monti dell'est
  • Performers: Renato Ercolani (Vocals); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. O giovinetto!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Figlio, che fai?
  • Performers: Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Fermo! che fai? T'arresta!
  • Performers: Piero de Palma (Tenor); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Silenzio, olà!
  • Performers: Eugenio Fernandi (Tenor); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Voice); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Guardalo, Pong!
  • Performers: Eugenio Fernandi (Tenor); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Non indugiare!
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Signore, ascolta!
  • Performers: Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Non piangere, Liù!
  • Performers: Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Maria Callas; Giulio Mauri (Bass); Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor); Mario Borriello (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Ah! per l'ultima volta!
  • Performers: Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 33 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Olà, Pang! Olà, Pong!
  • Performers: Maria Callas; Renato Ercolani (Vocals); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Giulio Mauri (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Mario Borriello (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. O Cina, o Cina
  • Performers: Renato Ercolani (Vocals); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 6 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Ho una casa nell'Honan
  • Performers: Nicola Zaccaria (Bass); Mario Borriello (Baritone); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. O mondo, pieno di pazzi innamorati!
  • Performers: Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Giulio Mauri (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Addio, amore!
  • Performers: Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Maria Callas; Piero de Palma (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Noi si sogna
  • Performers: Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Maria Callas; Mario Borriello (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gravi, enormi ed imponenti
  • Performers: Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Voice); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 4 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Un giuramento atroce mi costringe
  • Performers: Giuseppe Nessi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Diecimila anni ai nostro Imperatore!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 4 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. In questa reggia
  • Performers: Maria Callas; Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Nicola Zaccaria (Bass); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 6 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Straniero, ascolta! Nella cupa notte
  • Performers: Maria Callas; Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Guizza al pari di fiamma
  • Performers: Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Maria Callas; Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gelo che ti dà foco
  • Performers: Elisabeth Schwarzkopf (Voice); Maria Callas; Eugenio Fernandi (Tenor); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Giulio Mauri (Bass); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gloria, o vincitore!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Maria Callas; Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Figlio del cielo!
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Tre enigmi m'hai proposto!
  • Performers: Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Ai tuoi piedi ci prostriam
  • Performers: Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Maria Callas; Eugenio Fernandi (Tenor); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Così comanda Turandot
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 22 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Nessun dorma!
  • Performers: Nicola Zaccaria (Bass); Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Mario Borriello (Baritone); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu che guardi le stelle
  • Performers: Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Maria Callas; Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa divina!
  • Performers: Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Mario Borriello (Baritone); Giulio Mauri (Bass); Maria Callas; Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Quel nome!
  • Performers: Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Piero de Palma (Tenor); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. L'amore?... Tanto amore, segreto e inconfessato
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu, che di gel sei cinta
  • Performers: Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Maria Callas; Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 31 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Liù... bontà!
  • Performers: Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Maria Callas; Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa di morte!
  • Performers: Nicola Zaccaria (Bass); Piero de Palma (Tenor); Maria Callas; Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Che è mai di me? Perduta!
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Del primo pianto, sì... La mia gloria è il tuo amplesso!
  • Performers: Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Maria Callas; Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Renato Ercolani (Vocals); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 8 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 2. Diecimila anni al nostro Imperatore!
  • Performers: Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Piero de Palma (Tenor); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Manon Lescaut :: Act 1. Ave, sera gentile
  • Performers: Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Vito Tatone (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 5 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Tra voi, belle, brune e bionde
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Franco Ventriglia (Voice); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Giulio Fioravanti (Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Ma bravo!
  • Performers: Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Franco Calabrese (Bass); Dino Formichini (Tenor); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Giulio Fioravanti (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Discendono, vediam!
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Franco Ventriglia (Voice); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Dino Formichini (Tenor); Franco Ricciardi (Tenor); Giulio Fioravanti (Baritone); Maria Callas; Giuseppe Di Stefano (Voice); Franco Calabrese (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Cortese damigella, il priego mio accettate
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Dino Formichini (Tenor); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Donna non vidi mai
  • Performers: Vito Tatone (Tenor); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Franco Calabrese (Bass); Dino Formichini (Tenor); Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 36 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. La tua ventura ci rassicura
  • Performers: Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 6 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. La tua Proserpina di resisterti
  • Performers: Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Vedete? Io son fedele alla parola mia
  • Performers: Dino Formichini (Tenor); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Vito Tatone (Tenor); Maria Callas; Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Non c'è più vino?
  • Performers: Giulio Fioravanti (Baritone); Giuseppe Di Stefano (Voice); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Vito Tatone (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Carlo Forti (Bass); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Cavalli pronti avete?
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 6 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Dispettosetto questo riccio!
  • Performers: Carlo Forti (Bass); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Sei splendida e lucente!
  • Performers: Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Carlo Forti (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Franco Calabrese (Bass); Vito Tatone (Tenor); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. In quelle trine morbide
  • Performers: Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Franco Calabrese (Bass); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Poiché tu vuoi saper
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Carlo Forti (Bass); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Vito Tatone (Tenor); Giuseppe Di Stefano (Voice); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Che ceffi son costor?
  • Performers: Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Paga costor!
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Dino Formichini (Tenor); Franco Ricciardi (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Vi prego, signorina
  • Performers: Vito Tatone (Tenor); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Dino Formichini (Tenor); Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 8 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Oh, sarò la più bella!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giulio Fioravanti (Baritone); Maria Callas; Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 8 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Ah!... Affè, madamigella
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Ah, Manon, mi tradisce
  • Performers: Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Carlo Forti (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Lescaut!... Tu qui?
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Intermezzo
  • Performers: Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Dino Formichini (Tenor); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Franco Calabrese (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 5 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Ansia eterna, crudel
  • Performers: Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Manon!... Des Grieux!
  • Performers: Giuseppe Di Stefano (Voice); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Carlo Forti (Bass); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. All'armi! All'armi!
  • Performers: Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Dino Formichini (Tenor); Franco Ricciardi (Tenor); Giuseppe Morresi (Bass Baritone); Franco Calabrese (Bass); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Il passo m'aprite!
  • Performers: Giuseppe Di Stefano (Voice); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Dino Formichini (Tenor); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Rosetta!
  • Performers: Giulio Fioravanti (Baritone); Giuseppe Di Stefano (Voice); Franco Ventriglia (Voice); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Presto in fila! Marciate!
  • Performers: Franco Calabrese (Bass); Franco Ventriglia (Voice); Maria Callas; Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Ah, non v'avvicinate!... Come io piango ed imploro
  • Performers: Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Giuseppe Di Stefano (Voice); Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Tutta su me ti posa
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Franco Calabrese (Bass); Vito Tatone (Tenor); Franco Ricciardi (Tenor); Dino Formichini (Tenor); Giuseppe Di Stefano (Voice); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Manon, senti, amor mio!... Vedi, son io che piango
  • Performers: Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Dino Formichini (Tenor); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. E nulla! Nulla!
  • Performers: Franco Calabrese (Bass); Franco Ricciardi (Tenor); Giulio Fioravanti (Baritone); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Ventriglia (Voice); Dino Formichini (Tenor); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 45 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Sola, perduta, abbandonata...
  • Performers: Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Vito Tatone (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 12 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Tosca
  • Performers: Renato Cioni (Tenor); David Sellar (Boy Alto); Robert Bowman (Voice); Maria Callas; Edgard Boniface (Bass); Dennis Wicks (Bass); Victor Godfrey (Bass); Eric Garrett (Voice); Tito Gobbi (Baritone)
  • Conductor: Carlo Cillario
  • Ensemble: Royal Opera House Covent Garden Orchestra
  • Running Time: 106 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1900