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Maria Callas - The Complete Puccini Studio Recordings

Audio Samples

>Puccini, Giacomo : Tosca
>Puccini, Giacomo : Manon Lescaut
>     Act 2. Aria. In quelle trine morbide
>     Act 2. Aria. Sola, perduta, abbandonata
>     Act 1. Ave, sera gentile
>     Act 1. Tra voi, belle, brune e bionde
>     Act 1. Ma bravo!
>     Act 1. Discendono, vediam!
>     Act 1. Cortese damigella, il priego mio accettate
>     Act 1. Donna non vidi mai
>     Act 1. La tua ventura ci rassicura
>     Act 1. La tua Proserpina di resisterti
>     Act 1. Vedete? Io son fedele alla parola mia
>     Act 1. Non c'è più vino?
>     Act 1. Cavalli pronti avete?
>     Act 2. Dispettosetto questo riccio!
>     Act 2. Sei splendida e lucente!
>     Act 2. In quelle trine morbide
>     Act 2. Poiché tu vuoi saper
>     Act 2. Che ceffi son costor?
>     Act 2. Paga costor!
>     Act 2. Vi prego, signorina
>     Act 2. Oh, sarò la più bella!
>     Act 2. Ah!... Affè, madamigella
>     Act 2. Ah, Manon, mi tradisce
>     Act 2. Lescaut!... Tu qui?
>     Act 2. Intermezzo
>     Act 3. Ansia eterna, crudel
>     Act 3. Manon!... Des Grieux!
>     Act 3. All'armi! All'armi!
>     Act 3. Il passo m'aprite!
>     Act 3. Rosetta!
>     Act 3. Presto in fila! Marciate!
>     Act 3. Ah, non v'avvicinate!... Come io piango ed imploro
>     Act 4. Tutta su me ti posa
>     Act 4. Manon, senti, amor mio!... Vedi, son io che piango
>     Act 4. E nulla! Nulla!
>     Act 4. Sola, perduta, abbandonata...
>Puccini, Giacomo : Madama Butterfly
>     Act 2. Aria. Un bel di vedremo
>     Act 2. Aria. Con onor muore
>     Act 1. E soffitto... e pareti...
>     Act 1. Questa è la cameriera
>     Act 1. Dovunque al mondo
>     Act 1. Quale smania vi prede!
>     Act 1. Quanto cielo!... Ancora un passo or via
>     Act 1. Gran ventura
>     Act 1. L'Imperial Commissario
>     Act 1. Vieni, amor mio!
>     Act 1. Ieri son salita tutta sola
>     Act 1. Ed eccoci in famiglia
>     Act 1. Vieni la sera
>     Act 1. Bimba dagli occhi pieni di malia
>     Act 1. Vogliatemi bene, un bene piccolino
>     Act 2. E Izaghi ed Izanami
>     Act 2. Un bel dì vedremo
>     Act 2. C'è. Entrate
>     Act 2. Non lo sapete insomma
>     Act 2. A voi però giurerei fede costarte
>     Act 2. Ora a noi
>     Act 2. E questo? e questo?
>     Act 2. Che tua madre dovrà
>     Act 2. Io scendo al piano
>     Act 2. Vespa! Rospo maledetto!
>     Act 2. Una nave da guerra
>     Act 2. Scuoti quella fronda di ciliegio
>     Act 2. Or vienmi ad adornar
>     Act 2. Coro a bocca chiusa
>     Act 2. Oh eh! Oh eh! Oh eh!
>     Act 2. Già il sole!
>     Act 2. Povera Butterfly!
>     Act 2. Io so che alle sue pene
>     Act 2. Addio, fiorito asil
>     Act 2. Glielo dirai?
>     Act 2. Che vuol da me?
>     Act 2. Come una mosca grigioniera
>     Act 2. Con onor muore
>Puccini, Giacomo : La bohème
>     Act 1. Aria. Sì. Mi chiamano Mimì
>     Act 3. Aria. Donde lieta usì
>     Act 1. Questo Mar Rosso mi ammollisce e assidera
>     Act 1. Abbasso, abbasso l'autor!
>     Act 1. Si può?... Chi è là?
>     Act 1. Al Quartiere Latin ci attende Momus
>     Act 1. Non sono in vena
>     Act 1. Che gelida manina!
>     Act 1. Sì. Mi chiamano Mimì
>     Act 1. Ehi! Rodolfo!... O soave fanciulla
>     Act 2. Aranci, datteri!
>     Act 2. Chi guardi?... Odio il profano volgo
>     Act 2. Beviam... Ch'io beva del tossico!
>     Act 2. Quando me n'vò
>     Act 2. Chi l'ha richiesto?... Vediam
>     Act 3. Ohè, là, le guardie... Aprite!
>     Act 3. Mimì?!... Speravo di trovarvi qui
>     Act 3. Marcello. Finalmente
>     Act 3. D'onde lieta uscì al tuo grido d'amore
>     Act 3. Dunque è proprio finita?
>     Act 4. In un coupé?... Con pariglia e livree
>     Act 4. O Mimì, tu più non torni
>     Act 4. Che ora sia?
>     Act 4. C'è Mimì... c'è Mimì che mi segue e che sta male
>     Act 4. Vecchia simarra, senti
>     Act 4. Schaunard, ognuno per diversa via
>     Act 4. Sono andati?
>     Act 4. Oh Dio! Mimì... Che avvien?
>Puccini, Giacomo : Suor Angelica
>     Aria. Senza mamma
>Puccini, Giacomo : Gianni Schicchi, opera
>     Aria. O mio babbino caro
>Puccini, Giacomo : Turandot
>     Act 1. Aria. Signore, ascolta!
>     Act 2. Aria. In questa reggia
>     Act 3. Aria. Tu, che di gel sei cinta
>     Act 1. Popolo di Pekino!
>     Act 1. Padre! Mio padre!
>     Act 1. Perduta la battaglia
>     Act 1. Gira la cote! Gira!
>     Act 1. Perché tarda la luna?
>     Act 1. Là, sui monti dell'est
>     Act 1. O giovinetto!
>     Act 1. Figlio, che fai?
>     Act 1. Fermo! che fai? T'arresta!
>     Act 1. Silenzio, olà!
>     Act 1. Guardalo, Pong!
>     Act 1. Non indugiare!
>     Act 1. Signore, ascolta!
>     Act 1. Non piangere, Liù!
>     Act 1. Ah! per l'ultima volta!
>     Act 2. Scene 1. Olà, Pang! Olà, Pong!
>     Act 2. Scene 1. O Cina, o Cina
>     Act 2. Scene 1. Ho una casa nell'Honan
>     Act 2. Scene 1. O mondo, pieno di pazzi innamorati!
>     Act 2. Scene 1. Addio, amore!
>     Act 2. Scene 1. Noi si sogna
>     Act 2. Scene 2. Gravi, enormi ed imponenti
>     Act 2. Scene 2. Un giuramento atroce mi costringe
>     Act 2. Scene 2. Diecimila anni ai nostro Imperatore!
>     Act 2. Scene 2. In questa reggia
>     Act 2. Scene 2. Straniero, ascolta! Nella cupa notte
>     Act 2. Scene 2. Guizza al pari di fiamma
>     Act 2. Scene 2. Gelo che ti dà foco
>     Act 2. Scene 2. Gloria, o vincitore!
>     Act 2. Scene 2. Figlio del cielo!
>     Act 2. Scene 2. Tre enigmi m'hai proposto!
>     Act 2. Scene 2. Ai tuoi piedi ci prostriam
>     Act 3. Scene 1. Così comanda Turandot
>     Act 3. Scene 1. Nessun dorma!
>     Act 3. Scene 1. Tu che guardi le stelle
>     Act 3. Scene 1. Principessa divina!
>     Act 3. Scene 1. Quel nome!
>     Act 3. Scene 1. L'amore?... Tanto amore, segreto e inconfessato
>     Act 3. Scene 1. Tu, che di gel sei cinta
>     Act 3. Scene 1. Liù... bontà!
>     Act 3. Scene 1. Principessa di morte!
>     Act 3. Scene 1. Che è mai di me? Perduta!
>     Act 3. Scene 1. Del primo pianto, sì... La mia gloria è il tuo amplesso!
>     Act 3. Scene 2. Diecimila anni al nostro Imperatore!

Album Summary

>Puccini, Giacomo : Tosca
>Puccini, Giacomo : Manon Lescaut
>Puccini, Giacomo : Madama Butterfly
>Puccini, Giacomo : La bohème
>Puccini, Giacomo : Suor Angelica
>Puccini, Giacomo : Gianni Schicchi, opera
>Puccini, Giacomo : Turandot
Performers Conductors Ensembles Composer

Notes & Reviews:

This elegant 15-CD set includes all of Callas' studio recordings of Puccini operas: Manon Lescaut, La Boheme, Tosca, Madama Butterfly, and Turandot. These are all recorded with the forces of La Scala, Milan, except the second Tosca which was made in Paris. Also included is the famous recital of Puccini arias that Callas recorded in London in 1954 on which she sings both of Liu's arias from Turandot ("Signore, ascolta" and "Tu che di gel sei cinta"), as well as Turandot's great solo "In questa reggia."

BBC Music Magazine
Callas revealed just what depths of character a great singing actress could find in Puccini's heroines - even the towering Turandot, which she sang on stage early in her topsy-turvy career. To those of us who never saw her live, her unsteadiness and pitch problems are more evident, but the passion and intelligent detail in Butterfly's blinkered innocence or Tosca's tormented instability are all the more riveting, both in her classic Serafin solo recital and in these mostly 1950s Italian recordings.



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Works Details

>Puccini, Giacomo : Tosca
  • Performers: Melchiorre Luise (Bass); Dario Caselli (Bass); Tito Gobbi (Baritone); Giuseppe Di Stefano (Voice); Alvaro Cordova (Voice); Maria Callas; Angelo Mercuriali (Tenor); Franco Calabrese (Bass)
  • Conductor: Victor De Sabata
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/10/1953-08/21/1953)
  • Running Time: 106 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1900

>Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. In quelle trine morbide
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Aria. Sola, perduta, abbandonata
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 5 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Un bel di vedremo
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 4 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Aria. Con onor muore
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : La bohème :: Act 1. Aria. Sì. Mi chiamano Mimì
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 4 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Aria. Donde lieta usì
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 3 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : Suor Angelica :: Aria. Senza mamma
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 5 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1918

>Puccini, Giacomo : Gianni Schicchi, opera :: Aria. O mio babbino caro
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 1918

>Puccini, Giacomo : Turandot :: Act 1. Aria. Signore, ascolta!
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Aria. In questa reggia
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 6 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Aria. Tu, che di gel sei cinta
  • Performer: Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Watford Town Hall, Watford, Hertfordshire, England (09/15/1954-09/18/1954)
  • Running Time: 2 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Madama Butterfly :: Act 1. E soffitto... e pareti...
  • Performers: Enrico Campi (Bass); Nicolai Gedda (Voice); Maria Callas; Luisa Villa (Mezzo Soprano); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Questa è la cameriera
  • Performers: Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Enrico Campi (Bass); Maria Callas; Mario Borriello (Baritone); Mario Carlin (Tenor); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Dovunque al mondo
  • Performers: Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Mario Carlin (Tenor); Mario Borriello (Baritone); Enrico Campi (Bass); Renato Ercolani (Vocals); Nicolai Gedda (Voice); Maria Callas; Luisa Villa (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Quale smania vi prede!
  • Performers: Enrico Campi (Bass); Mario Borriello (Baritone); Nicolai Gedda (Voice); Maria Callas; Mario Carlin (Tenor); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Quanto cielo!... Ancora un passo or via
  • Performers: Plinio Clabassi (Voice); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Mario Carlin (Tenor); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Gran ventura
  • Performers: Plinio Clabassi (Voice); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. L'Imperial Commissario
  • Performers: Plinio Clabassi (Voice); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Luisa Villa (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni, amor mio!
  • Performers: Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Mario Carlin (Tenor); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Ieri son salita tutta sola
  • Performers: Mario Borriello (Baritone); Renato Ercolani (Vocals); Lucia Danieli (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 3 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Ed eccoci in famiglia
  • Performers: Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vieni la sera
  • Performers: Plinio Clabassi (Voice); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Mario Borriello (Baritone); Enrico Campi (Bass); Lucia Danieli (Mezzo Soprano); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Bimba dagli occhi pieni di malia
  • Performers: Nicolai Gedda (Voice); Maria Callas; Mario Carlin (Tenor); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 1. Vogliatemi bene, un bene piccolino
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Maria Callas; Mario Borriello (Baritone); Nicolai Gedda (Voice); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. E Izaghi ed Izanami
  • Performers: Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Un bel dì vedremo
  • Performers: Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Plinio Clabassi (Voice); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. C'è. Entrate
  • Performers: Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Lucia Danieli (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Non lo sapete insomma
  • Performers: Maria Callas; Nicolai Gedda (Voice); Renato Ercolani (Vocals); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. A voi però giurerei fede costarte
  • Performers: Mario Carlin (Tenor); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Mario Borriello (Baritone)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 58 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Ora a noi
  • Performers: Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. E questo? e questo?
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Maria Callas; Nicolai Gedda (Voice); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Che tua madre dovrà
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Mario Borriello (Baritone); Nicolai Gedda (Voice); Renato Ercolani (Vocals); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Io scendo al piano
  • Performers: Mario Carlin (Tenor); Nicolai Gedda (Voice); Maria Callas; Luisa Villa (Mezzo Soprano); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Vespa! Rospo maledetto!
  • Performers: Maria Callas; Nicolai Gedda (Voice); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass); Mario Borriello (Baritone); Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Una nave da guerra
  • Performers: Lucia Danieli (Mezzo Soprano); Enrico Campi (Bass); Plinio Clabassi (Voice); Mario Borriello (Baritone); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Scuoti quella fronda di ciliegio
  • Performers: Lucia Danieli (Mezzo Soprano); Plinio Clabassi (Voice); Mario Borriello (Baritone); Maria Callas; Nicolai Gedda (Voice); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Or vienmi ad adornar
  • Performers: Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 8 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Coro a bocca chiusa
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Renato Ercolani (Vocals); Nicolai Gedda (Voice); Maria Callas; Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Oh eh! Oh eh! Oh eh!
  • Performers: Nicolai Gedda (Voice); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Maria Callas; Renato Ercolani (Vocals); Enrico Campi (Bass); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Plinio Clabassi (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 7 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Già il sole!
  • Performers: Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Mario Carlin (Tenor); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Povera Butterfly!
  • Performers: Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Io so che alle sue pene
  • Performers: Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Mario Borriello (Baritone); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 4 min. 2 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Addio, fiorito asil
  • Performers: Renato Ercolani (Vocals); Maria Callas; Nicolai Gedda (Voice); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 1 min. 57 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Glielo dirai?
  • Performers: Nicolai Gedda (Voice); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Maria Callas; Enrico Campi (Bass); Renato Ercolani (Vocals); Luisa Villa (Mezzo Soprano); Mario Carlin (Tenor)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Che vuol da me?
  • Performers: Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Renato Ercolani (Vocals); Nicolai Gedda (Voice); Maria Callas
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Come una mosca grigioniera
  • Performers: Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Borriello (Baritone); Enrico Campi (Bass); Mario Carlin (Tenor); Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : Madama Butterfly :: Act 2. Con onor muore
  • Performers: Nicolai Gedda (Voice); Maria Callas; Renato Ercolani (Vocals); Enrico Campi (Bass); Luisa Villa (Mezzo Soprano); Plinio Clabassi (Voice); Lucia Danieli (Mezzo Soprano); Mario Carlin (Tenor); Mario Borriello (Baritone)
  • Conductor: Herbert Karajan
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/01/1955-08/06/1955)
  • Running Time: 5 min. 23 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1904

>Puccini, Giacomo : La bohème :: Act 1. Questo Mar Rosso mi ammollisce e assidera
  • Performers: Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Carlo Badioli (Bass); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Abbasso, abbasso l'autor!
  • Performers: Manuel Spatafora (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Maria Callas; Anna Moffo (Voice); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor); Eraldo Coda (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Si può?... Chi è là?
  • Performers: Maria Callas; Giuseppe Di Stefano (Voice); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Anna Moffo (Voice); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Al Quartiere Latin ci attende Momus
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Non sono in vena
  • Performers: Carlo Forti (Bass); Rolando Panerai (Baritone); Manuel Spatafora (Baritone); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Che gelida manina!
  • Performers: Giuseppe Di Stefano (Voice); Rolando Panerai (Baritone); Manuel Spatafora (Baritone); Nicola Zaccaria (Bass); Carlo Badioli (Bass); Eraldo Coda (Bass); Anna Moffo (Voice); Carlo Forti (Bass); Maria Callas; Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Sì. Mi chiamano Mimì
  • Performers: Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Anna Moffo (Voice); Maria Callas; Carlo Forti (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 55 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 1. Ehi! Rodolfo!... O soave fanciulla
  • Performers: Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Aranci, datteri!
  • Performers: Maria Callas; Anna Moffo (Voice); Rolando Panerai (Baritone); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Eraldo Coda (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 2 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Chi guardi?... Odio il profano volgo
  • Performers: Anna Moffo (Voice); Carlo Forti (Bass); Maria Callas; Eraldo Coda (Bass); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor); Manuel Spatafora (Baritone); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 39 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Beviam... Ch'io beva del tossico!
  • Performers: Anna Moffo (Voice); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Quando me n'vò
  • Performers: Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Rolando Panerai (Baritone); Maria Callas; Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 2. Chi l'ha richiesto?... Vediam
  • Performers: Eraldo Coda (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Maria Callas; Anna Moffo (Voice); Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 2 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Ohè, là, le guardie... Aprite!
  • Performers: Maria Callas; Eraldo Coda (Bass); Anna Moffo (Voice); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Mimì?!... Speravo di trovarvi qui
  • Performers: Nicola Zaccaria (Bass); Anna Moffo (Voice); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Giuseppe Di Stefano (Voice); Maria Callas
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Marcello. Finalmente
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Maria Callas; Anna Moffo (Voice); Nicola Zaccaria (Bass); Eraldo Coda (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Franco Ricciardi (Tenor); Manuel Spatafora (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 6 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. D'onde lieta uscì al tuo grido d'amore
  • Performers: Carlo Badioli (Bass); Rolando Panerai (Baritone); Carlo Forti (Bass); Nicola Zaccaria (Bass); Giuseppe Di Stefano (Voice); Eraldo Coda (Bass); Maria Callas; Franco Ricciardi (Tenor); Manuel Spatafora (Baritone); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 3. Dunque è proprio finita?
  • Performers: Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. In un coupé?... Con pariglia e livree
  • Performers: Nicola Zaccaria (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Carlo Badioli (Bass); Carlo Forti (Bass); Rolando Panerai (Baritone); Anna Moffo (Voice); Maria Callas; Eraldo Coda (Bass); Franco Ricciardi (Tenor)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. O Mimì, tu più non torni
  • Performers: Nicola Zaccaria (Bass); Carlo Badioli (Bass); Carlo Forti (Bass); Rolando Panerai (Baritone); Manuel Spatafora (Baritone); Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Eraldo Coda (Bass); Anna Moffo (Voice); Maria Callas
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 3 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Che ora sia?
  • Performers: Maria Callas; Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Eraldo Coda (Bass); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 7 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. C'è Mimì... c'è Mimì che mi segue e che sta male
  • Performers: Carlo Badioli (Bass); Maria Callas; Rolando Panerai (Baritone); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Anna Moffo (Voice); Eraldo Coda (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Vecchia simarra, senti
  • Performers: Anna Moffo (Voice); Eraldo Coda (Bass); Nicola Zaccaria (Bass); Franco Ricciardi (Tenor); Maria Callas; Carlo Forti (Bass); Carlo Badioli (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Rolando Panerai (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Schaunard, ognuno per diversa via
  • Performers: Franco Ricciardi (Tenor); Giuseppe Di Stefano (Voice); Manuel Spatafora (Baritone); Carlo Forti (Bass); Carlo Badioli (Bass); Nicola Zaccaria (Bass); Eraldo Coda (Bass); Maria Callas; Anna Moffo (Voice); Rolando Panerai (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Sono andati?
  • Performers: Giuseppe Di Stefano (Voice); Anna Moffo (Voice); Eraldo Coda (Bass); Franco Ricciardi (Tenor); Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Maria Callas; Manuel Spatafora (Baritone)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : La bohème :: Act 4. Oh Dio! Mimì... Che avvien?
  • Performers: Nicola Zaccaria (Bass); Rolando Panerai (Baritone); Carlo Badioli (Bass); Carlo Forti (Bass); Manuel Spatafora (Baritone); Giuseppe Di Stefano (Voice); Eraldo Coda (Bass); Maria Callas; Franco Ricciardi (Tenor); Anna Moffo (Voice)
  • Conductor: Antonino Votto
  • Ensemble: Milan Teatro alla Scala Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (08/20/1956-08/25/1956)
  • Running Time: 5 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1896

>Puccini, Giacomo : Turandot :: Act 1. Popolo di Pekino!
  • Performers: Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Padre! Mio padre!
  • Performers: Mario Borriello (Baritone); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Perduta la battaglia
  • Performers: Elisabeth Schwarzkopf (Voice); Maria Callas; Giulio Mauri (Bass); Renato Ercolani (Vocals); Piero de Palma (Tenor); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Gira la cote! Gira!
  • Performers: Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Maria Callas; Giulio Mauri (Bass); Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Perché tarda la luna?
  • Performers: Maria Callas; Eugenio Fernandi (Tenor); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Renato Ercolani (Vocals); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Là, sui monti dell'est
  • Performers: Maria Callas; Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Mario Borriello (Baritone); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. O giovinetto!
  • Performers: Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Figlio, che fai?
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Renato Ercolani (Vocals); Eugenio Fernandi (Tenor); Maria Callas; Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Fermo! che fai? T'arresta!
  • Performers: Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Silenzio, olà!
  • Performers: Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Maria Callas; Elisabeth Schwarzkopf (Voice); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Guardalo, Pong!
  • Performers: Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Non indugiare!
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Signore, ascolta!
  • Performers: Piero de Palma (Tenor); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Non piangere, Liù!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Maria Callas; Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Mario Borriello (Baritone); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 1. Ah! per l'ultima volta!
  • Performers: Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 33 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Olà, Pang! Olà, Pong!
  • Performers: Renato Ercolani (Vocals); Mario Borriello (Baritone); Giulio Mauri (Bass); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor); Maria Callas; Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. O Cina, o Cina
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 6 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Ho una casa nell'Honan
  • Performers: Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. O mondo, pieno di pazzi innamorati!
  • Performers: Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Addio, amore!
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 1. Noi si sogna
  • Performers: Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Piero de Palma (Tenor); Maria Callas; Nicola Zaccaria (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gravi, enormi ed imponenti
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 4 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Un giuramento atroce mi costringe
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Diecimila anni ai nostro Imperatore!
  • Performers: Nicola Zaccaria (Bass); Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Renato Ercolani (Vocals); Eugenio Fernandi (Tenor); Maria Callas; Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 4 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. In questa reggia
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 6 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Straniero, ascolta! Nella cupa notte
  • Performers: Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Piero de Palma (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Guizza al pari di fiamma
  • Performers: Maria Callas; Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Renato Ercolani (Vocals); Elisabeth Schwarzkopf (Voice); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gelo che ti dà foco
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Gloria, o vincitore!
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Figlio del cielo!
  • Performers: Giulio Mauri (Bass); Elisabeth Schwarzkopf (Voice); Maria Callas; Mario Borriello (Baritone); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Tre enigmi m'hai proposto!
  • Performers: Elisabeth Schwarzkopf (Voice); Maria Callas; Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Renato Ercolani (Vocals); Giuseppe Nessi (Tenor); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 2. Scene 2. Ai tuoi piedi ci prostriam
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Così comanda Turandot
  • Performers: Giuseppe Nessi (Tenor); Renato Ercolani (Vocals); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Giulio Mauri (Bass); Maria Callas; Elisabeth Schwarzkopf (Voice); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 22 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Nessun dorma!
  • Performers: Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu che guardi le stelle
  • Performers: Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa divina!
  • Performers: Mario Borriello (Baritone); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Quel nome!
  • Performers: Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 1 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. L'amore?... Tanto amore, segreto e inconfessato
  • Performers: Giuseppe Nessi (Tenor); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 19 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Tu, che di gel sei cinta
  • Performers: Nicola Zaccaria (Bass); Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Mario Borriello (Baritone); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Eugenio Fernandi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 31 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Liù... bontà!
  • Performers: Elisabeth Schwarzkopf (Voice); Renato Ercolani (Vocals); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Maria Callas; Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Principessa di morte!
  • Performers: Piero de Palma (Tenor); Giuseppe Nessi (Tenor); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Eugenio Fernandi (Tenor); Giulio Mauri (Bass); Renato Ercolani (Vocals); Maria Callas; Elisabeth Schwarzkopf (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Che è mai di me? Perduta!
  • Performers: Nicola Zaccaria (Bass); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Piero de Palma (Tenor); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Elisabeth Schwarzkopf (Voice); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 1. Del primo pianto, sì... La mia gloria è il tuo amplesso!
  • Performers: Giuseppe Nessi (Tenor); Piero de Palma (Tenor); Elisabeth Schwarzkopf (Voice); Nicola Zaccaria (Bass); Mario Borriello (Baritone); Renato Ercolani (Vocals); Maria Callas; Eugenio Fernandi (Tenor); Giulio Mauri (Bass)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 5 min. 8 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Turandot :: Act 3. Scene 2. Diecimila anni al nostro Imperatore!
  • Performers: Elisabeth Schwarzkopf (Voice); Maria Callas; Renato Ercolani (Vocals); Giulio Mauri (Bass); Eugenio Fernandi (Tenor); Mario Borriello (Baritone); Nicola Zaccaria (Bass); Piero de Palma (Tenor); Giuseppe Nessi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/09/1957-07/13/1957)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1926

>Puccini, Giacomo : Manon Lescaut :: Act 1. Ave, sera gentile
  • Performers: Carlo Forti (Bass); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Vito Tatone (Tenor); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 5 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Tra voi, belle, brune e bionde
  • Performers: Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass); Giulio Fioravanti (Baritone); Carlo Forti (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Ma bravo!
  • Performers: Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Franco Ventriglia (Voice); Giuseppe Di Stefano (Voice); Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Discendono, vediam!
  • Performers: Giuseppe Morresi (Bass Baritone); Giulio Fioravanti (Baritone); Carlo Forti (Bass); Maria Callas; Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Vito Tatone (Tenor); Giuseppe Di Stefano (Voice); Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Cortese damigella, il priego mio accettate
  • Performers: Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Donna non vidi mai
  • Performers: Giuseppe Morresi (Bass Baritone); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Calabrese (Bass); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Vito Tatone (Tenor); Dino Formichini (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 36 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. La tua ventura ci rassicura
  • Performers: Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Ricciardi (Tenor); Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 6 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. La tua Proserpina di resisterti
  • Performers: Dino Formichini (Tenor); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 50 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Vedete? Io son fedele alla parola mia
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Vito Tatone (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 26 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Non c'è più vino?
  • Performers: Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 1. Cavalli pronti avete?
  • Performers: Franco Ventriglia (Voice); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Ricciardi (Tenor); Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 6 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Dispettosetto questo riccio!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Maria Callas; Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Sei splendida e lucente!
  • Performers: Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. In quelle trine morbide
  • Performers: Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Poiché tu vuoi saper
  • Performers: Giuseppe Di Stefano (Voice); Vito Tatone (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Carlo Forti (Bass); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Che ceffi son costor?
  • Performers: Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Franco Ventriglia (Voice); Vito Tatone (Tenor); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Paga costor!
  • Performers: Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Maria Callas; Giuseppe Morresi (Bass Baritone); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 1 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Vi prego, signorina
  • Performers: Franco Ricciardi (Tenor); Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Franco Calabrese (Bass); Franco Ventriglia (Voice); Maria Callas; Dino Formichini (Tenor); Giulio Fioravanti (Baritone); Vito Tatone (Tenor); Giuseppe Di Stefano (Voice); Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 8 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Oh, sarò la più bella!
  • Performers: Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 8 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Ah!... Affè, madamigella
  • Performers: Dino Formichini (Tenor); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Ah, Manon, mi tradisce
  • Performers: Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Giuseppe Morresi (Bass Baritone); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Lescaut!... Tu qui?
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 2. Intermezzo
  • Performers: Maria Callas; Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ventriglia (Voice); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 5 min. 21 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Ansia eterna, crudel
  • Performers: Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Dino Formichini (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 51 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Manon!... Des Grieux!
  • Performers: Franco Ricciardi (Tenor); Franco Calabrese (Bass); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Dino Formichini (Tenor); Carlo Forti (Bass); Maria Callas; Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 4 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. All'armi! All'armi!
  • Performers: Maria Callas; Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giulio Fioravanti (Baritone); Giuseppe Morresi (Bass Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Il passo m'aprite!
  • Performers: Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Franco Ventriglia (Voice); Giulio Fioravanti (Baritone)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Rosetta!
  • Performers: Carlo Forti (Bass); Franco Ventriglia (Voice); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Giulio Fioravanti (Baritone); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Maria Callas
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Presto in fila! Marciate!
  • Performers: Giuseppe Di Stefano (Voice); Fiorenza Cossotto (Mezzo Soprano); Giulio Fioravanti (Baritone); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Maria Callas; Franco Ventriglia (Voice); Franco Ricciardi (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 3. Ah, non v'avvicinate!... Come io piango ed imploro
  • Performers: Vito Tatone (Tenor); Maria Callas; Giuseppe Di Stefano (Voice); Carlo Forti (Bass); Giuseppe Morresi (Bass Baritone); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Tutta su me ti posa
  • Performers: Fiorenza Cossotto (Mezzo Soprano); Maria Callas; Giulio Fioravanti (Baritone); Franco Ventriglia (Voice); Franco Ricciardi (Tenor); Franco Calabrese (Bass); Dino Formichini (Tenor); Giuseppe Morresi (Bass Baritone); Vito Tatone (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Manon, senti, amor mio!... Vedi, son io che piango
  • Performers: Giuseppe Morresi (Bass Baritone); Carlo Forti (Bass); Maria Callas; Vito Tatone (Tenor); Dino Formichini (Tenor); Franco Calabrese (Bass); Franco Ricciardi (Tenor); Giulio Fioravanti (Baritone); Fiorenza Cossotto (Mezzo Soprano); Giuseppe Di Stefano (Voice); Franco Ventriglia (Voice)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 3 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. E nulla! Nulla!
  • Performers: Vito Tatone (Tenor); Dino Formichini (Tenor); Carlo Forti (Bass); Giuseppe Di Stefano (Voice); Franco Calabrese (Bass); Giuseppe Morresi (Bass Baritone); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Fiorenza Cossotto (Mezzo Soprano)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 2 min. 45 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Manon Lescaut :: Act 4. Sola, perduta, abbandonata...
  • Performers: Vito Tatone (Tenor); Giuseppe Morresi (Bass Baritone); Giuseppe Di Stefano (Voice); Franco Ricciardi (Tenor); Franco Ventriglia (Voice); Giulio Fioravanti (Baritone); Maria Callas; Carlo Forti (Bass); Fiorenza Cossotto (Mezzo Soprano); Franco Calabrese (Bass); Dino Formichini (Tenor)
  • Conductor: Tullio Serafin
  • Ensemble: Philharmonia Orchestra
  • Notes: Teatro alla Scala, Milan, Italy (07/18/1957-07/27/1957)
  • Running Time: 12 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1893

>Puccini, Giacomo : Tosca
  • Performers: Renato Cioni (Tenor); Victor Godfrey (Bass); Tito Gobbi (Baritone); Dennis Wicks (Bass); Edgard Boniface (Bass); David Sellar (Boy Alto); Robert Bowman (Voice); Maria Callas; Eric Garrett (Voice)
  • Conductor: Carlo Cillario
  • Ensemble: Royal Opera House Covent Garden Orchestra
  • Running Time: 106 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1900