Album Summary
Sebastian Bell (Flute)
James Bowman (Countertenor)
Catriona Johnson (Voice)
Malcolm Martineau (Piano)
David Greenwood (Sound Effects)
Frederick Sharp (Baritone)
Helen Tunstall (Harp)
Osian Ellis (Harp)
Charles Fullbrook (Timpani)
Felicity Lott
Patricia Payne (Mezzo Soprano)
Denis Dowling (Baritone)
Joy Farrall (Clarinet)
Francis Pott (Piano)
John Whitfield (Recorder)
Ann Murray (Mezzo Soprano)
David Wilson-Johnson (Bass-Baritone)
Nancy Evans (Mezzo Soprano)
John Harle (Saxophone)
Warren Trevelyan-Jones (Tenor)
Cathryn Pope (Soprano)
Graham Johnson (Piano)
Anthony Rolfe Johnson
Herbert Dawson (Organ)
Kevin Nutty (Drums)
Andrew Davis [Conductor/Organ] (Piano)
Christopher Herrick (Organ)
Geoffrey Parsons (Piano)
Simon Keenlyside (Baritone)
Tom Cuthbert (Voice)
John Orford (Bassoon)
Ian Hare (Piano)
Dan Dressen (Tenor)
Sarah Brightman (Soprano)
Neil Jenkins (Tenor)
John Chimes (Timpani)
Timothy Farrell (Organ)
Willard White (Bass)
Mark Vigars (Piano)
Julian Leang (Voice)
Michael Thompson (Horn)
Tristan Fry (Percussion)
Alison Hargan (Soprano)
Benjamin Allen
Caroline Wise (Soprano)
Christopher Kampen (Cello)
John Constable (Piano)
Heather Harper (Soprano)
Thomas Shaffer (Bass)
Joan Rodgers (Soprano)
John Constable (Keyboards)
Mary Wells (Violin)
Neil Mackie (Tenor)
Maria Jette (Soprano)
Jane Henschel (Alto)
John Miller (Trumpet)
Francis Grier (Piano)
Barry Tuckwell (Horn)
Phil Jorgenson (Tenor)
Vivian Tierney (Soprano)
Gareth Hulse (Oboe)
Catherine Wearing
Robin O'Neill [Bassoon/Conductor] (Bassoon)
James Westbrock (Tenor)
Richard Suart (Baritone)
Nicholas Logie (Viola)
Robert Lloyd (Bass)
William Bennett (Flute)
Merle Fristad (Bass)
Adrian Thompson (Tenor)
Garfield Jackson (Viola)
Catherine Willis
Thea King (Oboe)
Richard Allison (Baritone)
Andrew Mead (Voice)
Truls Truls Mork (Cello)
Catherine Benson
David Corkhill (Timpani)
James Bohn (Bass-Baritone)
Gregory Pierre (Treble)
Stephen Hough (Piano)
Cato Fordham
Frank Lloyd (Horn)
Tim Dahl (Vocals)
Penelope Walker (Mezzo Soprano)
Ronan O'Hora (Piano)
Gordon Jones (Baritone)
Thelma Owen (Harp)
Elisabeth Nelson (Soprano)
Lillian Watson (Soprano)
John Adey (Piano)
Sarah Leonard (Soprano)
Jill Gomez (Soprano)
Sue Herber
Simon Hart (Treble)
Peter Donohoe (Piano)
Alexander Barantschik (Violin)
Peter Hall (Tenor)
Jane Salmon (Cello)
Vern Sutton (Tenor)
Henry Herford (Baritone)
Philip Fowke (Piano)
John Lenehan (Piano)
Susan Bickley (Mezzo Soprano)
Melvyn Tan (Harpsichord)
Janis Hardy (Alto)
Roger Bryson (Bass Baritone)
Wesley Warren (Trumpet)
Moray Welsh (Cello)
Timothy Lamb (Voice)
Felicity Palmer (Soprano)
Clifton Ware (Tenor)
Dexter Fletcher (Voice)
Leif Andsnes (Piano)
Roy Carter (Oboe)
Ian Watson (Piano)
Benjamin Britten (Piano)
Stanford Felix
Robert Horn
Ida Haendel (Violin)
Julian Bream (Guitar)
Alexander Gallifant (Voice)
Peter Pears (Tenor)
Jay Ramos
Della Jones (Mezzo Soprano)
Felix Kok (Violin)
Joanne Brown (Voice)
Philip Ledger (Piano)
Lawrence Weller (Baritone)
John Graham-Hall (Tenor)
Michal Kasnowski (Cello)
Thomas Allen (Baritone)
Polly Hewetson (Voice)
Timothy Brown (Horn)
Pop Wagner (Baritone)
Norman Bailey (Baritone)
Peter Cole (Viola)
Robert Tear (Tenor)
Lucinda Houghton (Double Bass)
David Daniels (Countertenor)
James McKeel (Baritone)
Andrew Gallacher (Bass)
Jeremy Ballard (Violin)
Sheila Armstrong (Soprano)
Linda Ormiston (Mezzo Soprano)
Julius Drake (Piano)
James Lawless (Spoken Vocals)
Nicholas Watson (Treble)
Lars Tomter (Viola)
Marcus Creed (conductor)
Alan Harwood (Organ)
Christopher Maltman (Baritone)
Sarah Walker (Mezzo-soprano)
Flora Nielsen (Mezzo Soprano)
Steven Isserlis (Cello)
David Corkhill (Percussion)
Donald Maxwell (Bass-Baritone)
Ian Bostridge (Tenor)
Maria Bovino (Soprano)
Joan Cross (Soprano)
Nona Liddell (Violin)
James Lancelot (Organ)
John Alley (Piano)
Aline Brewer (Harp)
Stuart Kale (Tenor)
Margaret Ritchie (Soprano)
James Holland (Percussion)
Richard Morton (Tenor)
Richard Pasco (Spoken Vocals)
Roger Vignoles (Piano)
Stafford Dean (Voice)
Reginald Goodall (Piano)
David Purser (Trombone)
Ian Hare (Organ)
Nicholas Berry (Voice)
Jonathan Lemalu (Bass Baritone)
Gillian Webster (Soprano)
Norman Lumsden (Bass)
Elisabeth Söderström (Soprano)
Armstrong, Richard
Backhouse, Jeremy
Bedford, Steuart
Berglund, Paavo
Brown, Iona
Brunelle, Philip
Burgess, Russell
Edwards, Terry
Gibson, Alexander, Sir
Goodall, Reginald
Haitink, Bernard
Harding, Daniel
Hickox, Richard
Hill, David
Knussen, Oliver
Ledger, Philip, Sir
Marriner, Sir Neville
Paavo, Jarvi
Pesek, Libor
Previn, Andre
Rattle, Simon, Sir
Tate, Jeffrey
Whitfield, John [Bass]
Willcocks, David
Yuasa, Takuo
Notes & Reviews:
Benjamin Britten was without question one of the greatest composers of the 20th century. This 37-CD set features all of his most beloved works, giving a comprehensive overview for beginners, as well as a fantastic value for seasoned collectors. Artists include Sir Simon Rattle, Paavo Jarvi, Sir Neville Marriner, Daniel Harding, Steven Isserlis, Peter Pears, Britten himself on the piano, and more!
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Works Details
Britten, Benjamin : Sinfonia da Requiem, Op. 20 - Conductor: Libor Pesek
- Notes: Philharmonic Hall, Liverpool, Lancashire, England (01/11/1989-01/12/1989)
- Running Time: 21 min. 35 sec.
- Period Time: Modern
- Form: Choral
- Written: 1940
Britten, Benjamin : Peter Grimes - Notes: Philharmonic Hall, Liverpool, Lancashire, England (01/11/1989-01/12/1989)
- Running Time: 15 min. 47 sec.
- Period Time: Modern
- Written: 1944
Britten, Benjamin : Passacaglia, for orchestra, Op. 33b (from "Peter Grimes") - Notes: Philharmonic Hall, Liverpool, Lancashire, England (01/11/1989-01/12/1989)
- Running Time: 7 min. 57 sec.
- Period Time: Modern
- Written: 1944
Britten, Benjamin : Peter Grimes - Notes: Philharmonic Hall, Liverpool, Lancashire, England (01/11/1989-01/12/1989)
- Running Time: 15 min. 47 sec.
- Period Time: Modern
- Written: 1944
Britten, Benjamin : The Young person's guide to the orchestra - Notes: Philharmonic Hall, Liverpool, Lancashire, England (01/11/1989-01/12/1989)
- Running Time: 13 min. 47 sec.
- Period Time: Modern
- Written: 1946
Britten, Benjamin : Canadian Carnival, for orchestra, Op. 19 - Performers: Peter Donohoe (Piano); Philip Fowke (Piano); Wesley Warren (Trumpet)
- Conductor: Simon Rattle
- Notes: Town Hall, Cheltenham, Gloucestershire, England (04/22/1982-04/23/1982)
- Running Time: 14 min. 8 sec.
- Period Time: Modern
- Written: 1939
Britten, Benjamin : Diversions, for piano, left hand & orchestra, Op. 21 - Notes: Butterworth Hall, Warwick Arts Centre, University of Warwick (08/15/1990-08/17/1991)
- Running Time: 21 min. 24 sec.
- Period Time: Modern
- Form: Concerto
- Written: 1940
Britten, Benjamin : Scottish Ballad, for 2 pianos & orchestra, Op. 26 - Notes: Town Hall, Cheltenham, Gloucestershire, England (04/22/1982-04/23/1982)
- Running Time: 15 min. 23 sec.
- Period Time: Modern
- Written: 1941
Britten, Benjamin : Hymn to St Cecilia, Op. 27 - Conductor: Simon Rattle
- Notes: Butterworth Hall, Warwick Arts Centre, University of Warwick (05/23/1984-05/24/1984)
- Running Time: 10 min. 35 sec.
- Period Time: Modern
- Form: Choral
- Written: 1942
Britten, Benjamin : Occasional Overture, for orchestra in C major, Op. 38 (withdrawn) - Notes: Butterworth Hall, Warwick Arts Centre, University of Warwick (05/23/1984-05/24/1984)
- Running Time: 7 min. 18 sec.
- Period Time: Modern
- Written: 1941
Britten, Benjamin : The Building of the House, overture for chorus & orchestra, Op. 79 - Notes: Butterworth Hall, Warwick Arts Centre, University of Warwick (08/15/1990-08/17/1990)
- Running Time: 5 min. 2 sec.
- Period Time: Modern
- Written: 1967
Britten, Benjamin : Concerto for Piano in D major, Op. 13 - Performer: Leif Andsnes (Piano)
- Conductor: Järvi Paavo
- Notes: Symphony Hall, Birmingham, England (10/21/1997/10/23/1997)
- Running Time: 35 min. 37 sec.
- Period Time: Modern
- Form: Concerto
- Written: 1938
Britten, Benjamin : Concerto for Violin in D minor, Op. 15 - Performer: Ida Haendel (Violin)
- Conductor: Paavo Berglund
- Notes: Guildhall, Southampton, England (06/12/1977-06/13/1977)
- Running Time: 31 min. 11 sec.
- Period Time: Modern
- Form: Concerto
- Written: 1939
Britten, Benjamin : Young Apollo, for piano, string quartet & strings, Op. 16 (withdrawn by composer) - Performers: Felix Kok (Violin); Michal Kasnowski (Cello); Peter Cole (Viola); Jeremy Ballard (Violin); Peter Donohoe (Piano)
- Conductor: Simon Rattle
- Notes: Town Hall, Cheltenham, Gloucestershire, England (04/22/1982-04/23/1982)
- Running Time: 7 min. 37 sec.
- Period Time: Modern
- Form: Chamber Music
- Written: 1939
Britten, Benjamin : Simple Symphony for Strings, Op. 4 - Performer: Lars Tomter (Viola)
- Conductor: Iona Brown
- Running Time: 17 min. 10 sec.
- Period Time: Modern
- Form: Orchestral
- Written: 1934
Britten, Benjamin : Variations on a Theme by Frank Bridge, for strings, Op. 10 - Running Time: 25 min. 40 sec.
- Period Time: Modern
- Written: 1937
Britten, Benjamin : Prelude and Fugue for 18-part String Orchestra, Op. 29 - Running Time: 8 min. 55 sec.
- Period Time: Modern
- Written: 1943
Britten, Benjamin : Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a - Running Time: 16 min. 20 sec.
- Period Time: Modern
- Form: Concerto
- Written: 1976
Britten, Benjamin : Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - Conductor: Takuo Yuasa
- Notes: Philharmonic Hall, Liverpool, Lancashire, England (11/14/1994-11/15/1994)
- Running Time: 16 min. 2 sec.
- Period Time: Modern
- Written: 1954
Britten, Benjamin : Simple Symphony for Strings, Op. 4 - Performer: Steven Isserlis (Cello)
- Conductor: Richard Hickox
- Notes: EMI Abbey Road Studios, London, England (03/12/1987/03/14/1987)
- Running Time: 34 min. 22 sec.
- Period Time: Modern
- Form: Orchestral
- Written: 1963
Britten, Benjamin : Men of Goodwill, variations on a carol for orchestra - Conductor: Sir Marriner
- Notes: Orchestra Hall, Minneapolis, MN (05/16/1983-05/17/1983)
- Running Time: 8 min. 30 sec.
- Period Time: Modern
- Written: 1947
Britten, Benjamin : Sinfonietta, for chamber orchestra, Op. 1 - Conductor: Daniel Harding
- Notes: Air Studios, London, England (08/24/1997/08/26/1997)
- Running Time: 14 min. 6 sec.
- Period Time: Modern
- Form: Orchestral
- Written: 1932
Britten, Benjamin : Russian Funeral for Brass and Percussion - Conductor: Simon Rattle
- Notes: Composition written: 1936.
- Running Time: 5 min. 41 sec.
- Period Time: Modern
- Written: 1936
Britten, Benjamin : Suite on English folk tunes (A time there was), for orchestra, Op. 90 - Conductor: Simon Rattle
- Notes: Butterworth Hall, Warwick Arts Centre, University of Warwick (05/23/1984-03/24/1984)
- Running Time: 14 min. 5 sec.
- Period Time: Modern
- Written: 1966
Britten, Benjamin : Matinées musicales - Conductor: Alexander Gibson
- Running Time: 14 min. 28 sec.
- Period Time: Modern
- Written: 1941
Britten, Benjamin : Soirées musicales, Op. 9 - Conductor: Alexander Gibson
- Running Time: 11 min. 8 sec.
- Period Time: Modern
- Written: 1936
Britten, Benjamin : Rossini Suite, for boys' voices & chamber ensemble - Conductor: Steuart Bedford
- Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1988)
- Running Time: 9 min. 35 sec.
- Period Time: Modern
- Written: 1935
Britten, Benjamin : The Prince of the Pagodas, ballet, Op. 57 - Performers: Nona Liddell (Violin); James Holland (Percussion); David Purser (Trombone); Sebastian Bell (Flute); Helen Tunstall (Harp); Joy Farrall (Clarinet); John Harle (Saxophone); Kevin Nutty (Drums); John Orford (Bassoon); John Chimes (Timpani); Michael Thompson (Horn); Christopher Kampen (Cello); John Constable (Keyboards); John Miller (Trumpet); Gareth Hulse (Oboe)
- Conductor: Oliver Knussen
- Notes: St. Augustine's Church, London, England (05/23/1989-05/29/1989)
- Running Time: 2 min. 16 sec.
- Period Time: Modern
- Form: Ballet
- Written: 1956
Britten, Benjamin : Rhapsody, for string quartet - Performers: Nicholas Logie (Viola); Garfield Jackson (Viola)
- Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 7 min. 6 sec.
- Period Time: Modern
- Form: Chamber Music
- Written: 1929
Britten, Benjamin : Quartettino, for string quartet - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 15 min. 29 sec.
- Period Time: Modern
- Form: Chamber Music
- Written: 1930
Britten, Benjamin : Elegy for Viola solo - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 7 min. 25 sec.
- Period Time: Modern
- Written: 1930
Britten, Benjamin : Quartet for Strings in D major - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 19 min. 7 sec.
- Period Time: Modern
- Form: Chamber Music
- Written: 1931
Britten, Benjamin : Phantasy, for string quintet in F minor - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 10 min. 59 sec.
- Period Time: Modern
- Written: 1932
Britten, Benjamin : Phantasy for Oboe and String Trio, Op. 2 - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 13 min. 17 sec.
- Period Time: Modern
- Written: 1932
Britten, Benjamin : Divertimenti (3), for string quartet - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 9 min. 11 sec.
- Period Time: Modern
- Form: Chamber Music
- Written: 1933
Britten, Benjamin : Alla Marcia, for string quartet - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 3 min. 23 sec.
- Period Time: Modern
- Form: Chamber Music
- Written: 1933
Britten, Benjamin : Quartet for Strings no 1 in D major, Op. 25 - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 26 min. 17 sec.
- Period Time: Modern
- Written: 1941
Britten, Benjamin : Quartet for Strings no 2 in C major, Op. 36 - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 28 min. 36 sec.
- Period Time: Modern
- Written: 1945
Britten, Benjamin : Quartet for Strings no 3, Op. 94 - Notes: Rosslyn Hill Unitarian Chapel, Hampstead and St Michael's, Highgate (01/26/1986-01/28/1986)
- Running Time: 25 min. 20 sec.
- Period Time: Modern
- Written: 1975
Britten, Benjamin : Suite for solo cello no 1, Op. 72 - Performer: Truls Truls Mork (Cello)
- Notes: Ris Church, Oslo, Norway (10/11/1998-10/16/1998)
- Running Time: 24 min. 7 sec.
- Period Time: Modern
- Written: 1964
Britten, Benjamin : Suite for solo cello no 2, Op. 80 - Notes: Ris Church, Oslo, Norway (10/11/1998-10/16/1998)
- Running Time: 23 min. 23 sec.
- Period Time: Modern
- Written: 1967
Britten, Benjamin : Suite for solo cello no 3, Op. 87 - Notes: Ris Church, Oslo, Norway (10/11/1998-10/16/1998)
- Running Time: 21 min. 24 sec.
- Period Time: Modern
- Written: 1971
Britten, Benjamin : Holiday Diary, suite for piano, Op. 5 - Performers: Stephen Hough (Piano); Ronan O'Hora (Piano)
- Running Time: 16 min. 18 sec.
- Period Time: Modern
- Written: 1934
Britten, Benjamin : Character Pieces (3), for piano - Running Time: 7 min. 4 sec.
- Period Time: Modern
- Written: 1930
Britten, Benjamin : Night Piece (Notturno), for piano - Running Time: 5 min. 23 sec.
- Period Time: Modern
- Written: 1963
Britten, Benjamin : Sonatina Romantica, for piano - Running Time: 7 min. 32 sec.
- Period Time: Modern
- Written: 1940
Britten, Benjamin : Variations (12), for piano - Running Time: 8 min. 41 sec.
- Period Time: Modern
- Written: 1931
Britten, Benjamin : Waltzes (5), for piano - Running Time: 10 min. 15 sec.
- Period Time: Modern
- Form: Waltz
- Written: 1925
Britten, Benjamin : Two Lullabies, for 2 pianos - Running Time: 5 min. 41 sec.
- Period Time: Modern
- Written: 1936
Britten, Benjamin : Pieces (2), for 2 pianos, Op. 23 - Running Time: 8 min. 24 sec.
- Period Time: Modern
- Written: 1941
Britten, Benjamin : Suite for Violin and Piano, Op. 6 - Performers: John Adey (Piano); Alexander Barantschik (Violin)
- Running Time: 12 min. 24 sec.
- Period Time: Modern
- Written: 1935
Britten, Benjamin : Sonata for cello & piano in C major, Op. 65 - Performers: John Lenehan (Piano); Moray Welsh (Cello)
- Running Time: 21 min. 36 sec.
- Period Time: Modern
- Written: 1961
Britten, Benjamin : Metamorphoses (6) after Ovid, for oboe solo, Op. 49 - Performer: Roy Carter (Oboe)
- Notes: All Saints' Church, East Finchley, London, England (01/04/1995-04/05/1995)
- Running Time: 13 min. 38 sec.
- Period Time: Modern
- Written: 1951
Britten, Benjamin : Nocturnal after John Dowland, for guitar, Op. 70 - Performer: Julian Bream (Guitar)
- Notes: Forde Abbey, Chard, Somerset, England (09/14/1992-09/19/1992)
- Running Time: 9 min. 49 sec.
- Period Time: Modern
- Written: 1963
Britten, Benjamin : War Requiem, Op. 66 - Performers: Elisabeth Söderström (Soprano); Thomas Allen (Baritone); Robert Tear (Tenor)
- Conductor: Simon Rattle
- Notes: The Great Hall, University of Birmingham (02/27/1983/03/01/1983)
- Running Time: 68 min. 11 sec.
- Period Time: Modern
- Form: Choral
- Written: 1961
Britten, Benjamin : Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Performers: Sheila Armstrong (Soprano); Robert Tear (Tenor)
- Conductor: Andre Previn
- Notes: Kingsway Hall, London, England (06/28/1978-06/29/1978)
- Running Time: 42 min. 34 sec.
- Period Time: Modern
- Form: Orchestral
- Written: 1949
Britten, Benjamin : Hymn to St Cecilia, Op. 27 - Performers: Marcus Creed (conductor); David Corkhill (Percussion); James Lancelot (Organ); Richard Morton (Tenor); Ian Hare (Organ); James Bowman (Countertenor); Osian Ellis (Harp)
- Conductor: Philip Ledger
- Running Time: 10 min. 35 sec.
- Period Time: Modern
- Form: Choral
- Written: 1942
Britten, Benjamin : A Ceremony of Carols, Op. 28 - Notes: King's College Chapel, Cambridge, England (07/06/1972-07/07/1972)
- Running Time: 20 min. 23 sec.
- Period Time: Modern
- Form: Cantata/Oratorio
- Written: 1942
Britten, Benjamin : Missa Brevis, for boys' chorus & organ in D major, Op. 63 - Notes: King's College Chapel, Cambridge, England (07/06/1972-07/07/1972)
- Running Time: 6 min. 17 sec.
- Period Time: Modern
- Form: Choral
- Written: 1959
Britten, Benjamin : Festival Te Deum in E major, Op. 32 - Notes: King's College Chapel, Cambridge, England (03/18/1974-03/20/1974)
- Running Time: 6 min. 27 sec.
- Period Time: Modern
- Written: 1944
Britten, Benjamin : Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30 - Notes: King's College Chapel, Cambridge, England (03/18/1974-03/20/1974)
- Running Time: 14 min. 35 sec.
- Period Time: Modern
- Written: 1943
Britten, Benjamin : Te Deum in C major - Notes: King's College Chapel, Cambridge, England (03/18/1974-03/20/1974)
- Running Time: 7 min. 59 sec.
- Period Time: Modern
- Written: 1934
Britten, Benjamin : Jubilate Deo - Notes: King's College Chapel, Cambridge, England (03/18/1974-03/20/1974)
- Running Time: 2 min. 28 sec.
- Period Time: Modern
- Written: 1961
Britten, Benjamin : Hymn to the Virgin - Performers: Francis Pott (Piano); Warren Trevelyan-Jones (Tenor)
- Conductor: David Hill
- Running Time: 3 min. 31 sec.
- Period Time: Modern
- Written: 1930
Britten, Benjamin : Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - Performers: Andrew Davis [Conductor/Organ] (Piano); Robert Tear (Tenor); Ian Hare (Piano)
- Conductor: David Willcocks
- Notes: Chapel of King's Choir, Cambridge, England (07/08/1970-07/10/1970)
- Running Time: 49 min. 11 sec.
- Period Time: Modern
- Form: Cantata/Oratorio
- Written: 1948
Britten, Benjamin : Hymn to St Peter, Op. 56a - Performer: Timothy Farrell (Organ)
- Conductor: Russell Burgess
- Notes: Holy Trinity Church, Sloane Street, London, England (12/16/1968-12/19/1968)
- Running Time: 5 min. 39 sec.
- Period Time: Modern
- Written: 1955
Britten, Benjamin : A Hymn of Saint Columba - Performer: Timothy Farrell (Organ)
- Conductor: Russell Burgess
- Notes: Holy Trinity Church, Sloane Street, London, England (12/16/1968-12/19/1968)
- Running Time: 2 min. 45 sec.
- Period Time: Modern
- Written: 1962
Britten, Benjamin : Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - Conductor: Jeremy Backhouse
- Notes: St. Giles Church, Cripplegate, London, England (01/24/1992-01/26/1992)
- Running Time: 14 min. 2 sec.
- Period Time: Modern
- Written: 1975
Britten, Benjamin : The Little Sweep, children's opera, Op. 45 - Performers: Tristan Fry (Percussion); Robert Tear (Tenor); John Constable (Piano); Mary Wells (Violin); Francis Grier (Piano); Catherine Wearing; Robert Lloyd (Bass); Catherine Willis; Catherine Benson; Cato Fordham
- Conductor: Philip Ledger
- Notes: EMI Abbey Road Studios, London, England (12/16/1977-12/18/1977)
- Running Time: 29 min. 55 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1949
Britten, Benjamin : A Boy was Born, Op. 3 - Conductor: Terry Edwards
- Running Time: 28 min. 1 sec.
- Period Time: Modern
- Written: 1933
Britten, Benjamin : A Shepherd's Carol - Performers: Gordon Jones (Baritone); Sarah Leonard (Soprano); Peter Hall (Tenor); Susan Bickley (Mezzo Soprano)
- Conductor: Terry Edwards
- Running Time: 4 min. 7 sec.
- Period Time: Modern
- Form: Christmas
- Written: 1944
Britten, Benjamin : Noye's Fludde, children's opera, Op. 59 - Performers: Timothy Lamb (Voice); Ian Watson (Piano); Alexander Gallifant (Voice); Joanne Brown (Voice); Polly Hewetson (Voice); Lucinda Houghton (Double Bass); Linda Ormiston (Mezzo Soprano); Alan Harwood (Organ); Donald Maxwell (Bass-Baritone); John Alley (Piano); Richard Pasco (Spoken Vocals); Nicholas Berry (Voice); Catriona Johnson (Voice); Charles Fullbrook (Timpani); John Whitfield (Recorder)
- Conductor: Richard Hickox
- Ensemble: Endymion Ensemble
- Notes: Winter Gardens, Bournemouth, Dorset, England (09/16/1989-09/17/1989)
- Running Time: 29 min. 26 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1957
Britten, Benjamin : A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17 - Conductor: Terry Edwards
- Running Time: 19 min. 20 sec.
- Period Time: Modern
- Written: 1937
Britten, Benjamin : Ballad of Little Musgrave and Lady Barnard - Notes: EMI Abbey Road Studios, London, England (07/18/1976-07/20/1978)
- Running Time: 9 min. 57 sec.
- Period Time: Modern
- Written: 1943
Britten, Benjamin : The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Performers: Cathryn Pope (Soprano); Christopher Herrick (Organ); Dan Dressen (Tenor)
- Conductor: Philip Brunelle
- Running Time: 48 min. 18 sec.
- Period Time: Modern
- Form: Cantata/Oratorio
- Written: 1937
Britten, Benjamin : Ballad of Heroes, for high voice, chorus & orchestra, Op. 14 - Performers: Willard White (Bass); Robert Tear (Tenor); Alison Hargan (Soprano)
- Conductor: Simon Rattle
- Notes: Butterworth Hall, Warwick Arts Centre, University of Warwick (07/15/1990-07/17/1990)
- Running Time: 16 min. 18 sec.
- Period Time: Modern
- Written: 1939
Britten, Benjamin : Praise We Great Men, for voices, chorus & orchestra - Performers: Robert Tear (Tenor); Alison Hargan (Soprano); Willard White (Bass)
- Conductor: Simon Rattle
- Notes: Butterworth Hall, Warwick Arts Centre, University of Warwick (07/15/1990-07/17/1990)
- Running Time: 3 min. 26 sec.
- Period Time: Modern
- Written: 1976
Britten, Benjamin : Les Illuminations - Performer: Heather Harper (Soprano)
- Conductor: Sir Marriner
- Notes: Old Banqueting Hall, Jesmond Dene, Newcastle upon Tyne (06/18/1970-06/19/1970)
- Running Time: 20 min. 31 sec.
- Period Time: Modern
- Written: 1939
Britten, Benjamin : Serenade, for tenor, horn & strings, Op. 31 - Performers: Neil Mackie (Tenor); Barry Tuckwell (Horn)
- Conductor: Steuart Bedford
- Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1977)
- Running Time: 22 min. 38 sec.
- Period Time: Modern
- Written: 1943
Britten, Benjamin : Now sleeps the crimson petal, song for tenor, horn & strings - Performers: Neil Mackie (Tenor); Barry Tuckwell (Horn)
- Conductor: Steuart Bedford
- Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1977)
- Running Time: 3 min. 4 sec.
- Period Time: Modern
- Written: 1943
Britten, Benjamin : Nocturne, Op. 60 - Performers: Robin O'Neill [Bassoon/Conductor] (Bassoon); William Bennett (Flute); Thea King (Oboe); David Corkhill (Timpani); Frank Lloyd (Horn); Thelma Owen (Harp); Robert Tear (Tenor)
- Conductor: Jeffrey Tate
- Running Time: 26 min. 46 sec.
- Period Time: Modern
- Written: 1958
Britten, Benjamin : Chansons Françaises (4), for voice & orchestra - Performer: Jill Gomez (Soprano)
- Conductor: Simon Rattle
- Notes: Town Hall, Cheltenham, Gloucestershire, England (04/22/1982-04/23/1982)
- Running Time: 12 min. 2 sec.
- Period Time: Modern
- Written: 1928
Britten, Benjamin : Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8 - Performer: Elisabeth Söderström (Soprano)
- Conductor: Richard Armstrong
- Notes: Brangwyn Hall, Swansea, Glamorgan, Wales (06/06/1982-06/07/1982)
- Running Time: 25 min. 42 sec.
- Period Time: Modern
- Written: 1936
Britten, Benjamin : Little Sir William, for voice & piano (Folk Songs, Vol. 1) - Performer: Elisabeth Söderström (Soprano)
- Conductor: Richard Armstrong
- Notes: Brangwyn Hall, Swansea, Glamorgan, Wales (06/06/1982-06/07/1982)
- Running Time: 2 min. 32 sec.
- Period Time: Modern
Britten, Benjamin : Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3) - Performer: Elisabeth Söderström (Soprano)
- Conductor: Richard Armstrong
- Notes: Brangwyn Hall, Swansea, Glamorgan, Wales (06/06/1982-06/07/1982)
- Running Time: 1 min. 25 sec.
- Period Time: Modern
Britten, Benjamin : The Bonny Earl o' Moray, for voice & piano (Folk Songs, Vol. 1) - Performer: Elisabeth Söderström (Soprano)
- Conductor: Richard Armstrong
- Notes: Brangwyn Hall, Swansea, Glamorgan, Wales (06/06/1982-06/07/1982)
- Running Time: 2 min. 37 sec.
- Period Time: Modern
Britten, Benjamin : Oliver Cromwell, for voice & piano (Folk Songs, Vol. 1) - Performer: Elisabeth Söderström (Soprano)
- Conductor: Richard Armstrong
- Notes: Brangwyn Hall, Swansea, Glamorgan, Wales (06/06/1982-06/07/1982)
- Period Time: Modern
Britten, Benjamin : Phaedra, Op. 93 - Performers: Jane Salmon (Cello); Melvyn Tan (Harpsichord); Felicity Palmer (Soprano)
- Conductor: John Whitfield
- Ensemble: Endymion Ensemble
- Notes: St. John's Church, Hackney, London, England (10/24/1986-10/25/1986)
- Running Time: 6 min. 32 sec.
- Period Time: Modern
- Form: Cantata/Oratorio
- Written: 1975
Britten, Benjamin : La belle est au jardin d'amour, for voice & piano (Folk Songs, Vol. 2) - Performers: Felicity Palmer (Soprano); Jane Salmon (Cello); Melvyn Tan (Harpsichord)
- Conductor: John Whitfield
- Ensemble: Endymion Ensemble
- Notes: St. John's Church, Hackney, London, England (10/24/1986-10/25/1986)
- Running Time: 2 min. 52 sec.
- Period Time: Modern
Britten, Benjamin : Folksongs (8), Volume 2 :: Eho! Eho! - Notes: St. John's Church, Hackney, London, England (10/24/1986-10/25/1986)
- Running Time: 2 min. sec.
- Period Time: Modern
- Form: Vocal
- Written: 1946
Britten, Benjamin : Fileuse, folksong for voice & piano (Folk Songs, Vol. 2) - Notes: St. John's Church, Hackney, London, England (10/24/1986-10/25/1986)
- Running Time: 1 min. 56 sec.
- Period Time: Modern
- Written: circa 1946
Britten, Benjamin : France - Notes: St. John's Church, Hackney, London, England (10/24/1986-10/25/1986)
- Running Time: 2 min. sec.
- Period Time: Modern
Britten, Benjamin : Le roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) :: Le roi s'en va-t'en chasse - Notes: St. John's Church, Hackney, London, England (10/24/1986-10/25/1986)
- Running Time: 2 min. 51 sec.
- Period Time: Modern
Britten, Benjamin : Sonnets (7) of Michelangelo, for voice & piano, Op. 22 - Performers: Benjamin Britten (Piano); Peter Pears (Tenor)
- Running Time: 15 min. 35 sec.
- Period Time: Modern
- Written: 1940
Britten, Benjamin : Holy Sonnets of John Donne, Op. 35 - Performers: Benjamin Britten (Piano); Peter Pears (Tenor)
- Notes: EMI Abbey Road Studios, London, England (08/29/1947/12/12/1947)
- Running Time: 22 min. 31 sec.
- Period Time: Modern
- Written: 1945
Britten, Benjamin : On this Island, Op. 11 - Performers: Philip Ledger (Piano); Robert Tear (Tenor)
- Running Time: 11 min. 12 sec.
- Period Time: Modern
- Written: 1937
Britten, Benjamin : Winter Words, Op. 52 - Performers: Philip Ledger (Piano); Robert Tear (Tenor)
- Running Time: 19 min. 26 sec.
- Period Time: Modern
- Written: 1953
Britten, Benjamin : Canticle I :: My Beloved Is Mine, for high voice & piano, Op. 40 - Performers: Timothy Brown (Horn); David Daniels (Countertenor); Julius Drake (Piano); Christopher Maltman (Baritone); Ian Bostridge (Tenor); Aline Brewer (Harp)
- Notes: 09/11/2001-09/17/2001
- Running Time: 7 min. 53 sec.
- Period Time: Modern
- Written: 1947
Britten, Benjamin : Canticle II, Op. 51 "Abraham and Isaac" :: Abraham and Isaac, for alto, tenor & piano, Op. 51 - Notes: 09/11/2001-09/17/2001
- Running Time: 17 min. 4 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1952
Britten, Benjamin : Canticle III, Op. 55 "Still Falls the Rain" :: Still Falls the Rain, for tenor, horn & piano, Op. 55 - Notes: 09/11/2001-09/17/2001
- Running Time: 11 min. 42 sec.
- Period Time: Modern
- Written: 1954
Britten, Benjamin : Canticle IV :: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86 - Notes: 09/11/2001-09/17/2001
- Running Time: 12 min. 16 sec.
- Period Time: Modern
- Form: Choral
- Written: 1971
Britten, Benjamin : Canticle V :: The Death of St Narcissus, for tenor & harp, Op. 89 - Notes: 09/11/2001-09/17/2001
- Running Time: 7 min. 49 sec.
- Period Time: Modern
- Form: Choral
- Written: 1974
Britten, Benjamin : The Plough Boy, folksong for voice & piano (Folk Songs, Vol. 3) - Notes: 09/11/2001-09/17/2001
- Running Time: 1 min. 50 sec.
- Period Time: Modern
Britten, Benjamin : Folksongs (7), Volume 1 - Notes: 09/11/2001-09/17/2001
- Running Time: 2 min. 41 sec.
- Period Time: Modern
- Written: circa 1943
Britten, Benjamin : Folksongs (7), Volume 3 - Notes: 09/11/2001-09/17/2001
- Running Time: 2 min. 40 sec.
- Period Time: Modern
Britten, Benjamin : There's none to soothe (Folksongs of the British Isles, Vol. 3) - Notes: 09/11/2001-09/17/2001
- Running Time: 1 min. 48 sec.
- Period Time: Modern
- Written: circa 1947
Britten, Benjamin : Folksongs (7), Volume 3 - Notes: 09/11/2001-09/17/2001
- Running Time: 3 min. 54 sec.
- Period Time: Modern
Britten, Benjamin : The Ash Grove, for voice & piano (Folk Songs, Vol. 1) - Running Time: 3 min. sec.
- Period Time: Modern
- Form: Vocal
Britten, Benjamin : Greensleeves, folksong arrangement for high voice & piano - Running Time: 2 min. 17 sec.
- Period Time: Modern
- Written: circa 1941
Britten, Benjamin : Songs (2) by Thomas Hardy, for voice & piano - Performers: Neil Mackie (Tenor); Roger Vignoles (Piano)
- Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Running Time: 5 min. 57 sec.
- Period Time: Modern
- Written: 1953
Britten, Benjamin : Beware!, early songs (3) for medium voice & piano - Performers: Neil Mackie (Tenor); Roger Vignoles (Piano)
- Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Running Time: 3 min. 17 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1926
Britten, Benjamin : Not even summer yet, song for high voice & piano - Performers: Neil Mackie (Tenor); Roger Vignoles (Piano)
- Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Running Time: 2 min. 5 sec.
- Period Time: Modern
- Written: 1937
Britten, Benjamin : Songs (2) by W. H. Auden, for voice & piano - Performers: Neil Mackie (Tenor); Roger Vignoles (Piano)
- Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Running Time: 5 min. 16 sec.
- Period Time: Modern
- Written: 1937
Britten, Benjamin : The Oxen, carol for female chorus & piano - Performers: Roger Vignoles (Piano); Neil Mackie (Tenor)
- Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Running Time: 3 min. 10 sec.
- Period Time: Modern
- Written: 1967
Britten, Benjamin : Dawtie's Devotion, song for voice & piano (discarded from "Who are these Children," Op. 84) - Performers: Roger Vignoles (Piano); Neil Mackie (Tenor)
- Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Period Time: Modern
- Written: 1971
Britten, Benjamin : Tradition, song for voice & piano (discarded from "Who are these Children," Op. 84) - Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Period Time: Modern
- Written: 1971
Britten, Benjamin : The Gully, song for voice & piano (discarded from "Who are these Children," Op. 84) - Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Period Time: Modern
- Written: 1971
Britten, Benjamin : Tit for Tat :: 1. A Song of Enchantment - Performers: Jonathan Lemalu (Bass Baritone); Malcolm Martineau (Piano)
- Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Running Time: 2 min. 29 sec.
- Period Time: Modern
- Written: 1931
Britten, Benjamin : Tit for Tat :: 3. Silver - Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Running Time: 1 min. 53 sec.
- Period Time: Modern
- Written: 1931
Britten, Benjamin : Tit for Tat :: 5. Tit for Tat - Notes: Lyndhurst Hall, Air Studios, London, England (05/16/2005-05/17/2005)
- Running Time: 2 min. 18 sec.
- Period Time: Modern
- Written: 1931
Britten, Benjamin : Ballads (2) - Performers: Felicity Lott; Ann Murray (Mezzo Soprano); Graham Johnson (Piano)
- Notes: EMI Abbey Road Studios, London, England (06/20/1991-06/22/1991)
- Running Time: 5 min. 51 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1937
Britten, Benjamin : Folksong Arrangements, Vol. III "British Isles", for voice & piano :: Sweet Polly Oliver - Performers: Robert Tear (Tenor); Philip Ledger (Piano)
- Notes: EMI Abbey Road Studios, London, England (04/22/1974-04/23/1974)
- Running Time: 1 min. 55 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1947
Britten, Benjamin : Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano :: The Minstrel Boy - Performers: Philip Ledger (Piano); Robert Tear (Tenor)
- Notes: EMI Abbey Road Studios, London, England (04/22/1974-04/23/1974)
- Running Time: 2 min. 28 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1960
Britten, Benjamin : Folksong Arrangements, Vol. V "British Isles", for voice & piano :: The Brisk Young Widow - Performers: Robert Tear (Tenor); Philip Ledger (Piano)
- Notes: EMI Abbey Road Studios, London, England (04/22/1974-04/23/1974)
- Running Time: 2 min. 14 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1961
Britten, Benjamin : Folksong Arrangements, Vol. V "British Isles", for voice & piano :: Ca' the Yowes - Performers: Robert Tear (Tenor); Philip Ledger (Piano)
- Notes: EMI Abbey Road Studios, London, England (04/22/1974-04/23/1974)
- Running Time: 3 min. 53 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1961
Britten, Benjamin : Folksong Arrangements, Vol. V "British Isles", for voice & piano :: The Lincolnshire Poacher - Performers: Robert Tear (Tenor); Philip Ledger (Piano)
- Notes: EMI Abbey Road Studios, London, England (04/22/1974-04/23/1974)
- Running Time: 1 min. 58 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1961
Britten, Benjamin : Folksongs (7), Volume 1 :: O can ye sew cushions? - Performers: Robert Tear (Tenor); Philip Ledger (Piano)
- Notes: EMI Abbey Road Studios, London, England (04/22/1974-04/23/1974)
- Running Time: 2 min. 23 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1943
Britten, Benjamin : Folksongs (7), Volume 1 :: The trees they grow so high - Performers: Philip Ledger (Piano); Robert Tear (Tenor)
- Notes: EMI Abbey Road Studios, London, England (04/22/1974-04/23/1974)
- Running Time: 3 min. 17 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1943
Britten, Benjamin : Folksong Arrangements, Vol. V "British Isles", for voice & piano :: Early one morning - Performers: Geoffrey Parsons (Piano); Sarah Brightman (Soprano)
- Notes: EMI Abbey Road Studios, London, England (08/02/1986-08/04/1986)
- Running Time: 3 min. 31 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1961
Britten, Benjamin : Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano :: How sweet the answer - Performers: Geoffrey Parsons (Piano); Sarah Brightman (Soprano)
- Notes: EMI Abbey Road Studios, London, England (08/02/1986-08/04/1986)
- Running Time: 2 min. 12 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1960
Britten, Benjamin : Folksongs (8), Volume 2 :: Voici le printemps - Performers: Sarah Brightman (Soprano); Geoffrey Parsons (Piano)
- Notes: EMI Abbey Road Studios, London, England (08/02/1986-08/04/1986)
- Running Time: 2 min. sec.
- Period Time: Modern
- Form: Vocal
- Written: 1946
Britten, Benjamin : Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano :: The last rose of Summer - Performers: Geoffrey Parsons (Piano); Sarah Brightman (Soprano)
- Notes: EMI Abbey Road Studios, London, England (08/02/1986-08/04/1986)
- Running Time: 4 min. 31 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1960
Britten, Benjamin : Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano :: Dear Harp of my Country! - Performers: Sarah Brightman (Soprano); Geoffrey Parsons (Piano)
- Notes: EMI Abbey Road Studios, London, England (08/02/1986-08/04/1986)
- Running Time: 2 min. 32 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1960
Britten, Benjamin : Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano :: Oft in the stilly night - Performers: Geoffrey Parsons (Piano); Sarah Brightman (Soprano)
- Notes: EMI Abbey Road Studios, London, England (08/02/1986-08/04/1986)
- Running Time: 2 min. 48 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1960
Britten, Benjamin : The Queen's Epicedium, for soprano or tenor & piano (Purcell Realization) - Performers: Benjamin Britten (Piano); Peter Pears (Tenor)
- Running Time: 7 min. 54 sec.
- Period Time: Modern
- Written: 1944
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Duets (6), for 2 voices & piano - Performers: Felicity Lott; Ann Murray (Mezzo Soprano); Graham Johnson (Piano)
- Notes: EMI Abbey Road Studios, London, England (06/20/1991-06/22/1991)
- Running Time: 2 min. 27 sec.
- Period Time: Modern
- Written: circa 1954
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Songs (5), for voice & piano - Notes: EMI Abbey Road Studios, London, England (06/20/1991-06/22/1991)
- Running Time: 2 min. 46 sec.
- Period Time: Modern
- Written: 1959
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Duets (6), for 2 voices & piano - Notes: EMI Abbey Road Studios, London, England (06/20/1991-06/22/1991)
- Running Time: 3 min. 20 sec.
- Period Time: Modern
- Written: circa 1954
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Songs (7), for voice & piano - Notes: EMI Abbey Road Studios, London, England (06/20/1991-06/22/1991)
- Running Time: 2 min. 10 sec.
- Period Time: Modern
- Written: 1945
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Duets (6), for 2 voices & piano - Notes: EMI Abbey Road Studios, London, England (06/20/1991-06/22/1991)
- Running Time: 1 min. 18 sec.
- Period Time: Modern
- Written: circa 1954
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Songs (7), for voice & piano - Performers: Neil Mackie (Tenor); Roger Vignoles (Piano); Mark Vigars (Piano)
- Notes: EMI Abbey Road Studios, London, England (05/27/1986/07/18/1986)
- Running Time: 1 min. 15 sec.
- Period Time: Modern
- Written: 1945
Purcell, Henry : Hears not my Phyllis, Z 371 "Knotting Song" - Performers: Roger Vignoles (Piano); Mark Vigars (Piano); Neil Mackie (Tenor)
- Notes: EMI Abbey Road Studios, London, England (05/27/1986/07/18/1986)
- Running Time: 3 min. 2 sec.
- Period Time: Baroque
- Written: 1695
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Duets (6), for 2 voices & piano - Performers: Neil Mackie (Tenor); Mark Vigars (Piano); Roger Vignoles (Piano)
- Notes: EMI Abbey Road Studios, London, England (05/27/1986/07/18/1986)
- Running Time: 1 min. 7 sec.
- Period Time: Modern
- Written: circa 1954
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Songs (5), for voice & piano - Performer: Neil Mackie (Tenor)
- Conductor: Steuart Bedford
- Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1988)
- Running Time: 2 min. 6 sec.
- Period Time: Modern
- Written: 1959
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Songs (5), for voice & piano - Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1988)
- Running Time: 1 min. 31 sec.
- Period Time: Modern
- Written: 1959
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Songs (5), for voice & piano - Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1988)
- Running Time: 4 min. 7 sec.
- Period Time: Modern
- Written: 1959
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Songs (5), for voice & piano - Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1988)
- Running Time: 2 min. 10 sec.
- Period Time: Modern
- Written: 1959
Britten, Benjamin : Purcell Realizations from Orpheus Britannicus :: Songs (5), for voice & piano - Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1988)
- Running Time: 2 min. 47 sec.
- Period Time: Modern
- Written: 1959
Schubert, Franz : Der Jüngling an der Quelle, D 300 - Performer: Neil Mackie (Tenor)
- Conductor: Steuart Bedford
- Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1988)
- Running Time: 2 min. sec.
- Period Time: Romantic
- Written: 1817
Schumann, Robert : Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12 - Performer: Neil Mackie (Tenor)
- Conductor: Steuart Bedford
- Notes: Queen's Hall, Edinburgh, Scotland (05/09/1988-05/10/1988)
- Running Time: 1 min. 13 sec.
- Period Time: Romantic
- Written: 1840
Britten, Benjamin : Paul Bunyan, operetta, Op. 17 - Performers: Benjamin Allen; Thomas Shaffer (Bass); Maria Jette (Soprano); Phil Jorgenson (Tenor); James Westbrock (Tenor); Merle Fristad (Bass); Richard Allison (Baritone); James Bohn (Bass-Baritone); Tim Dahl (Vocals); Dan Dressen (Tenor); Elisabeth Nelson (Soprano); Sue Herber; Vern Sutton (Tenor); Janis Hardy (Alto); Clifton Ware (Tenor); Stanford Felix; Jay Ramos; Lawrence Weller (Baritone); Pop Wagner (Baritone); James McKeel (Baritone); James Lawless (Spoken Vocals)
- Conductor: Philip Brunelle
- Notes: Ordway Music Theater, St. Paul, MN (05/05/1987/05/07/1987)
- Running Time: 1 min. 12 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1941
Britten, Benjamin : Peter Grimes - Performers: Sarah Walker (Mezzo-soprano); Maria Bovino (Soprano); Stuart Kale (Tenor); Stafford Dean (Voice); Gillian Webster (Soprano); David Greenwood (Sound Effects); Patricia Payne (Mezzo Soprano); David Wilson-Johnson (Bass-Baritone); Anthony Rolfe Johnson; Thomas Allen (Baritone); Simon Keenlyside (Baritone); Felicity Lott; Neil Jenkins (Tenor)
- Conductor: Bernard Haitink
- Running Time: 109 min. 51 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1945
Britten, Benjamin : Turn of the Screw, chamber opera, Op. 54 - Performers: Julian Leang (Voice); Caroline Wise (Soprano); Joan Rodgers (Soprano); Jane Henschel (Alto); Vivian Tierney (Soprano); Ian Bostridge (Tenor)
- Conductor: Daniel Harding
- Notes: Snape Maltings Concert Hall, Snape, Suffolk, England (01/17/2002-01/19/2002)
- Running Time: 3 min. 27 sec.
- Period Time: Modern
- Written: 1954
Britten, Benjamin : A Midsummer Night's Dream, Op. 64 - Performers: Richard Suart (Baritone); Adrian Thompson (Tenor); Andrew Mead (Voice); Gregory Pierre (Treble); Penelope Walker (Mezzo Soprano); Lillian Watson (Soprano); Simon Hart (Treble); Henry Herford (Baritone); Roger Bryson (Bass Baritone); Dexter Fletcher (Voice); Donald Maxwell (Bass-Baritone); Robert Horn; James Bowman (Countertenor); Della Jones (Mezzo Soprano); Jill Gomez (Soprano); John Graham-Hall (Tenor); Norman Bailey (Baritone); Andrew Gallacher (Bass); Nicholas Watson (Treble)
- Conductor: Richard Hickox
- Running Time: 4 min. 12 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1960
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 1. Rome is now ruled by the Etruscan upsta - Performers: Flora Nielsen (Mezzo Soprano); Joan Cross (Soprano); Margaret Ritchie (Soprano); Reginald Goodall (Piano); Norman Lumsden (Bass); Frederick Sharp (Baritone); Denis Dowling (Baritone); Peter Pears (Tenor); Nancy Evans (Mezzo Soprano)
- Conductor: Reginald Goodall
- Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 2 min. 22 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 1. It is an axiom among kings - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 2 min. 25 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 1. Here the thirsty evening - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 4 min. 25 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 1. Lucretia! Lucretia! - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 3 min. 54 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 1. With you two arm in arm again - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 4 min. 33 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 1. Interlude - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 2 min. 46 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 2. Their spinning wheel unwinds - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 5 min. 27 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 2. It is better to desire - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 4 min. 47 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 2. The oatmeal slippers of sleep - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 1 min. 43 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 1. Scene 2. None of the women move - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 5 min. 33 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 1. She sleeps as a rose - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 4 min. 25 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 1. Lucretia!... What do you want? - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 3 min. 8 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 1. Go, Tarquinius! - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 2 min. 16 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 1. Interlude - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 3 min. 52 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 2. Oh! What a lovely day! - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 4 min. 28 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 2. How hideous! Take them away! - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 1 min. 23 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 2. Flowers bring to every year - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 3 min. 17 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 2. Too late, Junius - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 3 min. 59 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 2. This dead hand lets fall - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 4 min. 21 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : The Rape of Lucretia :: Act 2. Scene 2. Is all this suffering and pain - Notes: EMI Abbey Road Studios, London, England (08/16/1947-08/19/1947)
- Running Time: 4 min. 40 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1946
Britten, Benjamin : Peter Grimes - Performers: Herbert Dawson (Organ); Peter Pears (Tenor); Tom Cuthbert (Voice); Joan Cross (Soprano)
- Conductor: Reginald Goodall
- Notes: EMI Abbey Road Studios, London, England (07/12/1948/07/14/1948)
- Running Time: 109 min. 51 sec.
- Period Time: Modern
- Form: Opera/Operetta
- Written: 1945
Britten, Benjamin : Folksong Arrangements, Vol. III "British Isles", for voice & piano :: The Plough Boy - Performers: Peter Pears (Tenor); Benjamin Britten (Piano)
- Running Time: 2 min. 5 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1947
Britten, Benjamin : Folksong Arrangements, Vol. III "British Isles", for voice & piano :: Come you not from Newcastle? - Running Time: 1 min. 16 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1947
Britten, Benjamin : Folksong Arrangements, Vol. III "British Isles", for voice & piano :: The Foggy, Foggy Dew - Running Time: 2 min. 42 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1947
Britten, Benjamin : Folksong Arrangements, Vol. III "British Isles", for voice & piano :: The King is gone a-hunting - Running Time: 2 min. 18 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1947
Britten, Benjamin : Folksong Arrangements, Vol. III "British Isles", for voice & piano :: O Waly, Waly - Running Time: 3 min. 36 sec.
- Period Time: Modern
- Form: Vocal
- Written: 1947




























