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Composers in Person

Album Summary

>Bartók, Béla : Bagatelles (14) for Piano, Op. 6/Sz 38
>Bartók, Béla : Easy Pieces (10) for Piano, Sz 39
>Bartók, Béla : Romanian Dances (2) for Piano, Op. 8a/Sz 43
>Bartók, Béla : A Bit Drunk (Kicsit azottan), burlesque for piano no 2, Sz. 47/2, BB 55/2 (Op. 8c/2)
>Bartók, Béla : Allegro barbaro for Piano, Sz 49
>Bartók, Béla : Suite for Piano, Op. 14/Sz 62
>Bartók, Béla : Mikrokosmos, Sz 107
>Bartók, Béla : Hungarian Folksongs (10), for voice & piano Vol. 1 Sz 33
>Bartók, Béla : Hungarian Folksongs (8), for voice & piano, Sz. 64
>Bartók, Béla : Work(s)
>Bartók, Béla : Romanian Folkdances (6) for Piano, Sz 56
>Dohnányi, Ernst von : Variations on a Nursery Song for Piano and Orchestra, Op. 25
>Hindemith, Paul : Sonata for solo viola, Op. 25/1
>Hindemith, Paul : Duet for Viola and Cello
>Hindemith, Paul : Nobilissima visione, ballet suite for orchestra
>Hindemith, Paul : Symphonia serena
>Hindemith, Paul : Trio for strings no 2
>Hindemith, Paul : Concerto for Clarinet
>Hindemith, Paul : Concerto for Horn
>Hindemith, Paul : Konzertmusik for Brass and Strings, Op. 50
>Khachaturian, Aram : Masquerade
>Khachaturian, Aram : Concerto for Violin in D minor
>Khachaturian, Aram : Gayaneh
>Honegger, Arthur : Pastorale d'ete, symphonic poem for chamber orchestra, H. 31
>Honegger, Arthur : Concerto for Cello in C major, H. 72
>Poulenc, Francis : Mouvements perpetuels (3)
>Poulenc, Francis : Trio for oboe, bassoon & piano, FP 43
>Poulenc, Francis : Novelettes (2) for piano, FP 47
>Poulenc, Francis : Nocturnes (8) for piano, FP 56
>Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf"
>Poulenc, Francis : Aubade for Piano and 18 instruments
>Widor, Charles-Marie : Fifth Organ Symphony in F, Op. 42/1
>Widor, Charles-Marie : Symphony for organ no 9 in C minor ("Gothique"), Op. 70
>Vierne, Louis : Improvisations (3) for organ
>Vierne, Louis : Pieces de fantaisie, for organ, Suite 1, Op. 51
>Dupre, Marcel [Composer] : Suite Bretonne, for organ, Op. 21
>Dupre, Marcel [Composer] : Preludes and Fugues (3) for organ, Op. 7
>MessiaenOlivier : Le banquet celeste, for organ, I/1
>MessiaenOlivier : L' Ascension, for organ (arr. from orchestral piece), I/12b
>Elgar, Edward : Concerto for Violin in B minor, Op. 61
>Elgar, Edward : Concerto for Cello
>MessiaenOlivier : Apparition de l'eglise eternelle, for organ, I/8
>MessiaenOlivier : La Nativite du Seigneur, meditations (9) for organ, I/14
>Prokofiev, Sergei : Concerto for Piano no 3 in C major, Op. 26
>Prokofiev, Sergei : Pieces (4) for piano, Op. 4
>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22
>Prokofiev, Sergei : Symphony no 1 in D major, Op. 25 "Classical"
>Prokofiev, Sergei : Sonata for Piano no 4 in C minor, Op. 29
>Prokofiev, Sergei : Pieces (4) for piano, Op. 32
>Glazunov, Alexander : The Seasons, Op. 67
>Villa-Lobos, Heitor : Bachiana brasileira no 2 for Orchestra
>Villa-Lobos, Heitor : Bachiana brasileira no 5 for Soprano and 8 Cellos
>Villa-Lobos, Heitor : Miniaturas (6), song cycle for voice & piano, A. 056
>Villa-Lobos, Heitor : Modinhas e cancoes, song cycle for voice & orchestra, Album 1 (7), A. 406
>Villa-Lobos, Heitor : Momoprecoce, W 240
>Villa-Lobos, Heitor : Bachianas Brasileiras no 4, for piano & orchestra, A. 424
>Villa-Lobos, Heitor : Chôro no 10 for Chorus and Orchestra "Rasga o coracao"
>Pfitzner, Hans : Das Christ-Elflein, opera, Op. 20
>Pfitzner, Hans : Palestrina
>Pfitzner, Hans : Duo for violin, cello & piano (or small orchestra), Op. 43
>Pfitzner, Hans : Hast du von den Fischerkindern, song for voice & piano, Op. 7/1
>Pfitzner, Hans : Der Gartner, for voice & piano, Op. 9/1
>Pfitzner, Hans : Die Einsame, song for voice & piano, Op. 9/2
>Pfitzner, Hans : Zum Abschied meiner Tochter, for voice & piano, Op. 10/3
>Pfitzner, Hans : Michaelskirchplatz, song for voice & piano, Op. 19/2
>Pfitzner, Hans : In Danzig, song for voice & piano, Op. 22/1
>Pfitzner, Hans : Nachts, song for voice & piano, Op. 26/2
>Pfitzner, Hans : Abbitte, for voice & piano, Op. 29/1
>Pfitzner, Hans : Hussens Kerker, song for voice & piano, Op. 32/1
>Pfitzner, Hans : Saerspruch, song for voice & piano, Op. 32/2
>Pfitzner, Hans : Leuchtende Tage, for voice & piano, Op.40/1
>Pfitzner, Hans : Herbstgefuhl, for voice & piano, Op. 40/4
>Milhaud, Darius : La création du monde, Op. 81
>Milhaud, Darius : Scaramouche, Op. 165b
>Milhaud, Darius : Saudades do Brasil (12), suite of dances for piano, Op. 67
>Milhaud, Darius : Suite provencale, for orchestra, Op. 152a
>Milhaud, Darius : Le boeuf sur le toit, Op. 58
>Poulenc, Francis : Le bestiaire (Cortege d'Orphee), song cycle for voice & piano (or chamber ensemble), FP 15a
>Poulenc, Francis : La belle Jeunesse (Chansons gaillardes, no 7)
>Poulenc, Francis : Tel jour, telle nuit, song cycle for voice & piano, FP 86
>Poulenc, Francis : Deux poemes de Guillaume Apollinaire, for voice & piano, FP 94
>Poulenc, Francis : C'est ainsi que tu es (Métamorphoses, no 2)
>Poulenc, Francis : Deux poemes de Louis Aragon, for voice & piano, FP 122
>Poulenc, Francis : Deux melodies sur des poemes de Guillaume Apollinaire, for voice & piano, FP 131
>Britten, Benjamin : Sonnets (7) of Michelangelo, for voice & piano, Op. 22
>Britten, Benjamin : Holy Sonnets of John Donne, Op. 35
>Shostakovich, Dmitri : Concerto for Piano no 1 in C minor, Op. 35
>Shostakovich, Dmitri : Concerto for Piano no 2 in F major, Op. 102
>Shostakovich, Dmitri : Fantastic Dances (3) for Piano, Op. 5
>Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87
>Stravinsky, Igor : Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion
>Stravinsky, Igor : Concertino for 12 instruments
>Stravinsky, Igor : Capriccio, for piano & orchestra
>Stravinsky, Igor : Symphony of Psalms
>Stravinsky, Igor : Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon
>Stravinsky, Igor : Firebird Suite
>Stravinsky, Igor : Berceuse, for violin & piano (after L'Oiseau de Feu, transcribed by Stravinsky)
>Stravinsky, Igor : Danse russe
>Stravinsky, Igor : Chants du Rossignol et Marche Chinoise, for violin & piano (transcribed with Samuel Dushkin)
>Stravinsky, Igor : Rag-time for 11 instruments
>Stravinsky, Igor : Piano-Rag-Music, for piano
>Stravinsky, Igor : Pulcinella Suite
>Stravinsky, Igor : Serenade for piano in A major
>Stravinsky, Igor : Duo Concertante, for violin & piano
>Stravinsky, Igor : Concerto for 2 solo pianos
>Strauss, Richard : Eine Alpensinfonie, Op. 64
>Strauss, Richard : Der Rosenkavalier, Op. 59
>Granados, Enrique : Danse espagnole, Op. 37/5
>Granados, Enrique : El pelele (Goyesca Scene)
>Falla, Manuel de : Siete canciones populares espanola (7 Popular Spanish Songs), for voice & piano, G. 40
>Falla, Manuel de : El Amor Brujo
>Falla, Manuel de : Soneto a Cordoba
>Falla, Manuel de : Concerto, for harpsichord (or piano), flute, oboe, clarinet, violin & cello, G. 71
>Mompou, Federico : Jeunes Filles au Jardin, arrangement for violin & piano (Scenes d'enfant no 5)
>Mompou, Federico : Suburbis, suite for piano or orchestra
>Mompou, Federico : Cançons i dansas (14)
>Mompou, Federico : Paisajes, for piano
>Nin, Joaquin : Cantos populares espanoles (20), for voice & piano
>Elgar, Edward : Enigma Variations
>Holst, Gustav : The Planets, Op. 32/H 125
>Lehár, Franz : The Merry Widow
>Lehár, Franz : Zigeunerliebe
>Lehár, Franz : Eva (Das Fabriksmadel), operetta in 3 acts
>Lehár, Franz : Paganini
>Lehár, Franz : Der Zarewitsch
>Lehár, Franz : Friederike, operetta in 3 acts
>Lehár, Franz : The Land of Smiles
>Lehár, Franz : Schon ist die Welt, operetta in 3 acts (revision of "Endlich Allein")
>Lehár, Franz : Giuditta
>Medtner, Nikolai : Two Pieces, Op. 58
>Medtner, Nikolai : Willow, why for ever bending? (Chto ti klonish' nad vodami), song for voice & piano, Op. 24/2
>Medtner, Nikolai : Whisp'ring, Nature faintly stirring (Shopot, robkoye dikhan'ye), song for voice & piano, Op. 24/7
>Medtner, Nikolai : Serenade ("Ne mogu ya slishat' etoy ptichki"), for voice & piano, Op. 28/2
>Medtner, Nikolai : Fairy Tales (2), Op. 20
>Medtner, Nikolai : Muza (The Muse), Op. 29/1
>Medtner, Nikolai : Roza (The rose), Op. 29/6
>Medtner, Nikolai : Vals (The waltz), Op. 32/5
>Medtner, Nikolai : Lish' rozï uvyadayut (When roses wither), Op. 36/3
>Medtner, Nikolai : Fairy Tales (Marchen) (6) for piano, Op. 51
>Medtner, Nikolai : Winter Evening (Zimniy vecher), song for voice & piano, Op. 13/1
>Medtner, Nikolai : To a Dreamer (Mechtatelyu), song for voice & piano, Op. 32/6
>Medtner, Nikolai : The Wagon of Life (Telega zhizni), song for voice & piano, Op. 45/2
>Medtner, Nikolai : The Ravens (Voron), song for voice & piano, Op. 52/2
>Medtner, Nikolai : Elfenliedchen, for voice & piano, Op. 6/3
>Medtner, Nikolai : Im Vorubergehn, song for voice & piano, Op. 6/4
>Medtner, Nikolai : Goethe-Lieder (12), Op. 15
>Medtner, Nikolai : Einsamkeit, song for voice & piano, Op. 18/3
>Medtner, Nikolai : Songs (7) for voice & piano, Op.46
>Medtner, Nikolai : Forgotten Melodies (8) for Piano, Op. 38
>Roussel, Albert : Le festin de l'araignee, symphonic fragments for orchestra
>Roussel, Albert : Le jardin mouille, for voice & piano, Op. 3/3
>Roussel, Albert : Poemes (4), for voice & piano, Op. 8
>Roussel, Albert : Poemes chinois (2), for voice & piano, Op. 12
>Roussel, Albert : Light, for voice & piano, Op. 19/1
>Roussel, Albert : Sarabande (part of L'Eventail de Jeanne)
>Schmitt, Florent : Quintet for piano & strings in B major, Op. 51
>Schmitt, Florent : Le Tragedie de Salome, ballet, Op. 50
Performers Conductors Ensembles Composers

Notes & Reviews:

These 22 CDs offer a stunning range of modern composers performing their own works either on the piano, organ or violin, or else from behind the podium. The set includes greats such as Holst, Prokofiev, Messiaen, Shostakovich, Britten, and Stravinsky, along with lesser known but equally talented luminaries like Medtner, Roussel, Pfitzner, Widor, and more! A fascinating study for musicians and musicologists, as well as an excitingly varied selection of modern music for collectors!



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Works Details

>Béla Bartók (Composer) (1881 - 1945) : Bagatelles (14) for Piano, Op. 6/Sz 38 :: Allegro giocoso, for piano (14 s no 2), Sz. 38/2, BB 50/2 (Op. 6/2)
  • Performer: Béla Bartók (Piano)
  • Period Time: Modern
  • Written: 1908

>Béla Bartók (Composer) (1881 - 1945) : Easy Pieces (10) for Piano, Sz 39 :: Evening in Transylvania
  • Performer: Béla Bartók (Piano)
  • Running Time: 2 min. 42 sec.
  • Period Time: Modern
  • Written: 1908

>Béla Bartók (Composer) (1881 - 1945) : Easy Pieces (10) for Piano, Sz 39
  • Performer: Béla Bartók (Piano)
  • Running Time: 1 min. 42 sec.
  • Period Time: Modern
  • Written: 1908

>Béla Bartók (Composer) (1881 - 1945) : Romanian Dances (2) for Piano, Op. 8a/Sz 43 :: Allegro vivace, for piano, Sz. 43/1, BB 56/1 (Op. 8a/1)
  • Performer: Béla Bartók (Piano)
  • Running Time: 4 min. 15 sec.
  • Period Time: Modern
  • Written: 1909-1910

>Béla Bartók (Composer) (1881 - 1945) : A Bit Drunk (Kicsit ázottan), burlesque for piano no 2, Sz. 47/2, BB 55/2 (Op. 8c/2)
  • Performer: Béla Bartók (Piano)
  • Running Time: 2 min. 7 sec.
  • Period Time: Modern
  • Written: 1911

>Béla Bartók (Composer) (1881 - 1945) : Allegro barbaro for Piano, Sz 49
  • Performer: Béla Bartók (Piano)
  • Running Time: 2 min. 29 sec.
  • Period Time: Modern
  • Written: 1911

>Béla Bartók (Composer) (1881 - 1945) : Suite for Piano, Op. 14/Sz 62
  • Performer: Béla Bartók (Piano)
  • Running Time: 7 min. 33 sec.
  • Period Time: Modern
  • Written: 1916

>Béla Bartók (Composer) (1881 - 1945) : Mikrokosmos, Sz 107 :: Staccato (Allegretto
  • Performer: Béla Bartók (Piano)
  • Running Time: 1 min. 17 sec.
  • Period Time: Modern
  • Written: 1926-1939

>Béla Bartók (Composer) (1881 - 1945) : Mikrokosmos, Sz 107 :: Ostinato (Vivacissimo
  • Performer: Béla Bartók (Piano)
  • Running Time: 2 min. 17 sec.
  • Period Time: Modern
  • Written: 1926-1939

>Béla Bartók (Composer) (1881 - 1945) : Hungarian Folksongs (10), for voice & piano Vol. 1 Sz 33 :: no 1
  • Performers: Vilma Medgyaszay (Soprano); Béla Bartók (Piano)
  • Running Time: 5 min. 38 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1906

>Béla Bartók (Composer) (1881 - 1945) : Hungarian Folksongs (8), for voice & piano, Sz. 64 :: no 1
  • Performer: Béla Bartók (Piano)
  • Running Time: 5 min. 4 sec.
  • Period Time: Modern
  • Written: 1907-1917

>Béla Bartók (Composer) (1881 - 1945) : Hungarian Folksongs (8), for voice & piano, Sz. 64 :: no 5
  • Performers: Ferenc Szekeres; Béla Bartók (Piano)
  • Running Time: 3 min. 57 sec.
  • Period Time: Modern
  • Written: 1907-1917

>Béla Bartók (Composer) (1881 - 1945) : Work(s) :: 7 Hungarian Folk Tunes (from For Children, Sz42)
  • Performers: Zoltán Székely (Violin); Béla Bartók (Piano)
  • Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
  • Running Time: 7 min. 38 sec.
  • Period Time: Modern
  • Written: 1890-1945

>Béla Bartók (Composer) (1881 - 1945) : Romanian Folkdances (6) for Piano, Sz 56
  • Performers: Zoltán Székely (Violin); Béla Bartók (Piano)
  • Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
  • Running Time: 5 min. 26 sec.
  • Period Time: Modern
  • Written: 1915

>Ernst von Dohnányi (Composer) (1877 - 1960) : Variations on a Nursery Song for Piano and Orchestra, Op. 25
  • Performer: Ernst Dohnányi (Piano)
  • Conductor: Lawrance Collingwood
  • Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
  • Running Time: 19 min. 2 sec.
  • Period Time: Post Romantic
  • Written: 02/01/1914

>Hindemith, Paul : Sonata for solo viola, Op. 25/1
  • Performer: Paul Hindemith (Viola)
  • Running Time: 14 min. 9 sec.
  • Period Time: Modern
  • Written: 1922

>Hindemith, Paul : Duet for Viola and Cello
  • Performers: Emanuel Feuermann (Cello); Paul Hindemith (Viola)
  • Running Time: 3 min. 31 sec.
  • Period Time: Modern
  • Written: 1934

>Hindemith, Paul : Nobilissima visione, ballet suite for orchestra
  • Conductor: Paul Hindemith
  • Running Time: 25 min. 9 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1939

>Hindemith, Paul : Symphonia serena
  • Conductor: Paul Hindemith
  • Notes: Composition written: 1946.
  • Running Time: 33 min. 10 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1946

>Hindemith, Paul : Trio for strings no 2
  • Performers: Szymon Goldberg (Violin); Emanuel Feuermann (Cello); Paul Hindemith (Viola)
  • Running Time: 22 min. 38 sec.
  • Period Time: Modern
  • Written: 1933

>Hindemith, Paul : Concerto for Clarinet
  • Performer: Louis Cahuzac (Clarinet)
  • Conductor: Paul Hindemith
  • Running Time: 24 min. 19 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1947

>Hindemith, Paul : Concerto for Horn
  • Performer: Dennis Brain (Horn)
  • Conductor: Paul Hindemith
  • Running Time: 14 min. 23 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1949

>Hindemith, Paul : Konzertmusik for Brass and Strings, Op. 50
  • Conductor: Paul Hindemith
  • Notes: Kingsway Hall, London, England (11/22/1956-11/24/1956)
  • Running Time: 16 min. 10 sec.
  • Period Time: Modern
  • Written: 1930

>Khachaturian, Aram : Masquerade :: 1. Waltz
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
  • Running Time: 4 min. 15 sec.
  • Period Time: Modern
  • Written: 1944

>Khachaturian, Aram : Masquerade :: 2. Nocturne
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
  • Running Time: 4 min. 37 sec.
  • Period Time: Modern
  • Written: 1944

>Khachaturian, Aram : Masquerade :: 3. Mazurka
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
  • Running Time: 2 min. 31 sec.
  • Period Time: Modern
  • Written: 1944

>Khachaturian, Aram : Concerto for Violin in D minor
  • Performer: David Oistrakh (Violin)
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/26/1954-11/27/1954)
  • Running Time: 35 min. 38 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1940

>Khachaturian, Aram : Gayaneh :: 1. Dance of the Rose-Maidens
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 2 min. 7 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942

>Khachaturian, Aram : Gayaneh :: 2. Ayesha's Awakening and Dance
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 5 min. 31 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942

>Khachaturian, Aram : Gayaneh :: 3. Lullaby
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 5 min. 11 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942

>Khachaturian, Aram : Gayaneh :: 4. Gayaneh's Adagio
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 4 min. 18 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942

>Khachaturian, Aram : Gayaneh :: 5. Lezghinka
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 2 min. 37 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942

>Khachaturian, Aram : Gayaneh :: 6. Lyrical Duet (of Ayesha and Armen)
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 5 min. 9 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942

>Khachaturian, Aram : Gayaneh :: 7. Dance of the Old Men and Women
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 4 min. 21 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942

>Khachaturian, Aram : Gayaneh :: 8. Sabre Dance
  • Conductor: Aram Khachaturian
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 2 min. 9 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942

>Honegger, Arthur : Pastorale d'été, symphonic poem for chamber orchestra, H. 31
  • Conductor: Arthur Honegger
  • Running Time: 7 min. 53 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1920

>Honegger, Arthur : Concerto for Cello in C major, H. 72
  • Performer: Maurice Maréchal (Cello)
  • Conductor: Arthur Honegger
  • Notes: Composition written: 1929.
  • Running Time: 16 min. 39 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1929

>Poulenc, Francis : Mouvements perpétuels (3)
  • Performer: Francis Poulenc (Piano)
  • Running Time: 4 min. 36 sec.
  • Period Time: Modern
  • Written: 1918

>Poulenc, Francis : Trio for oboe, bassoon & piano, FP 43
  • Performers: Roger Lamorlette (Oboe); Francis Poulenc (Piano); Gustave Dherin (Bassoon)
  • Running Time: 10 min. 40 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1926

>Poulenc, Francis : Novelettes (2) for piano, FP 47
  • Performer: Francis Poulenc (Piano)
  • Running Time: 3 min. 36 sec.
  • Period Time: Modern
  • Written: 1927-1928

>Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: no 1 in C
  • Performer: Francis Poulenc (Piano)
  • Running Time: 3 min. 24 sec.
  • Period Time: Modern
  • Written: 1929-1938

>Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: no 2 in A (Bal des jeunes filles)
  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 20 sec.
  • Period Time: Modern
  • Written: 1929-1938

>Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: no 4 in C minor (Bal fantôme)
  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 37 sec.
  • Period Time: Modern
  • Written: 1929-1938

>Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: no 2 in A flat
  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 39 sec.
  • Period Time: Modern
  • Written: 1959

>Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: no 5 in A minor
  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 25 sec.
  • Period Time: Modern
  • Written: 1959

>Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: no 9 in D
  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 8 sec.
  • Period Time: Modern
  • Written: 1959

>Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: no 10 in F (Éloge des gammes)
  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 30 sec.
  • Period Time: Modern
  • Written: 1959

>Poulenc, Francis : Aubade for Piano and 18 instruments
  • Performer: Francis Poulenc (Piano)
  • Conductor: Walther Straram
  • Notes: Théâtre des Champs-Élysées, Paris, France (01/20/1930-01/22/1930)
  • Running Time: 17 min. 36 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1929

>Widor, Charles-Marie : Fifth Organ Symphony in F, Op. 42/1 :: 5. Toccata
  • Performer: Charles-Marie Widor (Organ)
  • Notes: Saint-Sulpice, Paris, France (04/28/1932-04/09/1932)
  • Running Time: 6 min. 36 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1880

>Widor, Charles-Marie : Symphony for organ no 9 in C minor ("Gothique"), Op. 70
  • Performer: Charles-Marie Widor (Organ)
  • Notes: Saint-Sulpice, Paris, France (04/28/1932-04/09/1932)
  • Running Time: 15 min. 22 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1895

>Vierne, Louis : Improvisations (3) for organ :: 1. Marche épiscopale
  • Performer: Louis Vierne (Organ)
  • Running Time: 3 min. 22 sec.
  • Period Time: Post Romantic
  • Written: 1929-1931

>Vierne, Louis : Pièces de fantaisie, for organ, Suite 1, Op. 51 :: 2. Andantino
  • Performer: Louis Vierne (Organ)
  • Running Time: 3 min. 1 sec.
  • Period Time: Post Romantic
  • Written: 1926

>Vierne, Louis : Pièces de fantaisie, for organ, Suite 1, Op. 51 :: 3. Cortège
  • Performer: Louis Vierne (Organ)
  • Running Time: 2 min. 23 sec.
  • Period Time: Post Romantic
  • Written: 1926

>Marcel Dupré (Composer) (1886 - 1971) : Suite Bretonne, for organ, Op. 21 :: 1. Berceuse
  • Performer: Marcel Dupré (Organ)
  • Running Time: 4 min. 9 sec.
  • Period Time: Modern
  • Written: 1924

>Marcel Dupré (Composer) (1886 - 1971) : Préludes and Fugues (3) for organ, Op. 7 :: no 3 in G minor
  • Performer: Marcel Dupré (Organ)
  • Notes: Queen's Hall, London, England (06/25/1926/10/27/1926)
  • Running Time: 6 min. sec.
  • Period Time: Modern
  • Written: 1912

>MessiaenOlivier : Le banquet céleste, for organ, I/1
  • Performer: Olivier Messiaen (Organ)
  • Notes: L'Église de la Trinité, Paris, France (07/26/1956/06/13/1956)
  • Running Time: 7 min. 27 sec.
  • Period Time: Modern
  • Written: 1928-1960

>MessiaenOlivier : L' Ascension, for organ (arr. from orchestral piece), I/12b
  • Performer: Olivier Messiaen (Organ)
  • Notes: L'Église de la Trinité, Paris, France (07/26/1956/06/13/1956)
  • Running Time: 27 min. 36 sec.
  • Period Time: Modern
  • Written: 1932-1933

>Elgar, Edward : Concerto for Violin in B minor, Op. 61
  • Performer: Yehudi Menuhin (Violin)
  • Conductor: Edward Elgar
  • Notes: EMI Abbey Road Studios, London, England (07/14/1932-07/15/1932)
  • Running Time: 30 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1909-1910

>Elgar, Edward : Concerto for Cello
  • Performer: Beatrice Harrison (Cello)
  • Conductor: Edward Elgar
  • Running Time: 24 min. 56 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1919

>MessiaenOlivier : Apparition de l'église éternelle, for organ, I/8
  • Performer: Olivier Messiaen (Organ)
  • Running Time: 10 min. 26 sec.
  • Period Time: Modern
  • Written: 1932

>MessiaenOlivier : La Nativité du Seigneur, meditations (9) for organ, I/14
  • Performer: Olivier Messiaen (Organ)
  • Notes: Église de la Sainte-Trinité (06/15/1956-06/22/1956)
  • Running Time: 59 min. 31 sec.
  • Period Time: Modern
  • Written: 1935

>Prokofiev, Sergei : Concerto for Piano no 3 in C major, Op. 26
  • Performer: Sergei Prokofiev (Piano)
  • Conductor: Piero Coppola
  • Notes: EMI Abbey Road Studios, London, England (06/27/1932-06/28/1932)
  • Running Time: 24 min. 10 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1917-1921

>Prokofiev, Sergei : Pieces (4) for piano, Op. 4 :: no 4. Suggestion diabolique
  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 2 min. 26 sec.
  • Period Time: Post Romantic
  • Written: 1908

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 3
  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 5
  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 6
  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 9
  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 6 sec.
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 10
  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 11
  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 16
  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 32 sec.
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 17
  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Visions fugitives (20) for Piano, Op. 22 :: no 18
  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1915-1917

>Prokofiev, Sergei : Symphony no 1 in D major, Op. 25 "Classical" :: 3. Gavotte
  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 24 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1916-1917

>Prokofiev, Sergei : Sonata for Piano no 4 in C minor, Op. 29 :: 2. Andante assai
  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 6 min. 14 sec.
  • Period Time: Post Romantic
  • Written: 1908-1917

>Prokofiev, Sergei : Pieces (4) for piano, Op. 32 :: no 3. Gavotte
  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 28 sec.
  • Period Time: Post Romantic
  • Written: 1918

>Glazunov, Alexander : The Seasons, Op. 67
  • Conductor: Alexander Glazunov
  • Notes: Portman Rooms, Baker Street, London, England (06/10/1929/06/13/1929)
  • Running Time: 7 min. 46 sec.
  • Period Time: Post Romantic
  • Form: Ballet
  • Written: 1899

>Villa-Lobos, Heitor : Bachiana brasileira no 2 for Orchestra :: 4. Toccata
  • Performers: Fernand Benedetti (Cello); Victoria de los Angeles (Soprano)
  • Conductor: Heitor Villa-Lobos
  • Running Time: 4 min. 11 sec.
  • Period Time: Modern
  • Written: 1930

>Villa-Lobos, Heitor : Bachiana brasileira no 5 for Soprano and 8 Cellos
  • Performers: Fernand Benedetti (Cello); Victoria de los Angeles (Soprano)
  • Conductor: Heitor Villa-Lobos
  • Notes: Salle de la Mutualité, Paris, France (06/07/1956/06/13/1956)
  • Running Time: 10 min. 52 sec.
  • Period Time: Modern
  • Written: 1938-1945

>Villa-Lobos, Heitor : Miniaturas (6), song cycle for voice & piano, A. 056 :: no 2
  • Performers: Frederick Fuller (Baritone); Heitor Villa-Lobos (Piano)
  • Running Time: 2 min. 58 sec.
  • Period Time: Modern
  • Written: 1912-1917

>Villa-Lobos, Heitor : Modinhas e cançoes, song cycle for voice & orchestra, Album 1 (7), A. 406 :: no 3
  • Performers: Frederick Fuller (Baritone); Heitor Villa-Lobos (Piano)
  • Running Time: 2 min. 9 sec.
  • Period Time: Modern
  • Written: 1939

>Villa-Lobos, Heitor : Momoprecoce, W 240
  • Performer: Magda Tagliaferro (Piano)
  • Conductor: Heitor Villa-Lobos
  • Notes: Théâtre des Champs-Élysées, Paris, France (06/09/1954-06/10/1954)
  • Running Time: 22 min. 48 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1929

>Villa-Lobos, Heitor : Bachianas Brasileiras no 4, for piano & orchestra, A. 424
  • Conductor: Heitor Villa-Lobos
  • Running Time: 22 min. 1 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1941

>Villa-Lobos, Heitor : Chôro no 10 for Chorus and Orchestra "Rasga o coracao"
  • Conductor: Heitor Villa-Lobos
  • Running Time: 12 min. 47 sec.
  • Period Time: Modern
  • Written: 1925

>Pfitzner, Hans : Das Christ-Elflein, opera, Op. 20 :: Overture
  • Conductor: Hans Pfitzner
  • Notes: Composition written: 1906.
  • Running Time: 11 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1906

>Pfitzner, Hans : Palestrina :: Act 1. Prelude
  • Conductor: Hans Pfitzner
  • Notes: Composition written: 1911-15.
  • Running Time: 6 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1911-1915

>Pfitzner, Hans : Palestrina :: Act 2. Prelude
  • Conductor: Hans Pfitzner
  • Notes: Composition written: 1911-15.
  • Running Time: 6 min. 1 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1911-1915

>Pfitzner, Hans : Palestrina :: Act 3. Prelude
  • Conductor: Hans Pfitzner
  • Notes: Composition written: 1911-15.
  • Running Time: 7 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1911-1915

>Pfitzner, Hans : Duo for violin, cello & piano (or small orchestra), Op. 43
  • Performers: Max Strub (Violin); Ludwig Hoelscher (Cello)
  • Conductor: Hans Pfitzner
  • Running Time: 13 min. 3 sec.
  • Period Time: Post Romantic
  • Written: 1937

>Pfitzner, Hans : Hast du von den Fischerkindern, song for voice & piano, Op. 7/1
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 57 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Der Gärtner, for voice & piano, Op. 9/1
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 52 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Die Einsame, song for voice & piano, Op. 9/2
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 37 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Zum Abschied meiner Tochter, for voice & piano, Op. 10/3
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 15 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Michaelskirchplatz, song for voice & piano, Op. 19/2
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : In Danzig, song for voice & piano, Op. 22/1
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 3 min. 25 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Nachts, song for voice & piano, Op. 26/2
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 44 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Abbitte, for voice & piano, Op. 29/1
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 41 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Hussens Kerker, song for voice & piano, Op. 32/1
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 4 min. 44 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Säerspruch, song for voice & piano, Op. 32/2
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 1 min. 23 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Leuchtende Tage, for voice & piano, Op.40/1
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 1 min. 12 sec.
  • Period Time: Post Romantic

>Pfitzner, Hans : Herbstgefühl, for voice & piano, Op. 40/4
  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 1 min. 35 sec.
  • Period Time: Post Romantic

>Milhaud, Darius : La création du monde, Op. 81
  • Conductor: Darius Milhaud
  • Running Time: 14 min. 52 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1923

>Milhaud, Darius : Scaramouche, Op. 165b
  • Performers: Marcelle Meyer (Piano); Darius Milhaud (Piano)
  • Running Time: 8 min. 6 sec.
  • Period Time: Modern
  • Written: 1937

>Milhaud, Darius : Saudades do Brasil (12), suite of dances for piano, Op. 67
  • Conductor: Darius Milhaud
  • Notes: Studio 'A', Capitol Tower, Hollywood, CA (09/11/1956-09/12/1956)
  • Running Time: 20 min. 11 sec.
  • Period Time: Modern
  • Written: 1920-1921

>Milhaud, Darius : Suite provençale, for orchestra, Op. 152a
  • Conductor: Darius Milhaud
  • Running Time: 13 min. 54 sec.
  • Period Time: Modern
  • Written: 1936

>Milhaud, Darius : Le boeuf sur le toit, Op. 58
  • Conductor: Darius Milhaud
  • Notes: Théâtre des Champs-Élysées, Paris, France (03/16/1958/03/18/1958)
  • Running Time: 15 min. 8 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1919

>Poulenc, Francis : Le bestiaire (Cortège d'Orphée), song cycle for voice & piano (or chamber ensemble), FP 15a
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 4 min. 46 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1919

>Poulenc, Francis : La belle Jeunesse (Chansons gaillardes, no 7) :: 4. Invocation aux Parques
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 1 min. 34 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1925-1926

>Poulenc, Francis : La belle Jeunesse (Chansons gaillardes, no 7) :: 7. La belle jeunesse
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 1 min. 26 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1925-1926

>Poulenc, Francis : Tel jour, telle nuit, song cycle for voice & piano, FP 86
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 11 min. 59 sec.
  • Period Time: Modern
  • Written: 1936-1937

>Poulenc, Francis : Deux poèmes de Guillaume Apollinaire, for voice & piano, FP 94 :: 1. Dans le jardin d'Anna
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 3 min. 2 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1938

>Poulenc, Francis : C'est ainsi que tu es (Métamorphoses, no 2)
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 4 min. sec.
  • Period Time: Modern
  • Written: 1943

>Poulenc, Francis : Deux poèmes de Louis Aragon, for voice & piano, FP 122
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 4 min. 9 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1943

>Poulenc, Francis : Deux mélodies sur des poèmes de Guillaume Apollinaire, for voice & piano, FP 131 :: Montparnasse
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 3 min. 46 sec.
  • Period Time: Modern
  • Written: 1946

>Britten, Benjamin : Sonnets (7) of Michelangelo, for voice & piano, Op. 22
  • Performers: Peter Pears; Benjamin Britten (Piano)
  • Running Time: 15 min. 35 sec.
  • Period Time: Modern
  • Written: 1940

>Britten, Benjamin : Holy Sonnets of John Donne, Op. 35
  • Performers: Peter Pears; Benjamin Britten (Piano)
  • Notes: EMI Abbey Road Studios, London, England (08/29/1947/12/12/1947)
  • Running Time: 22 min. 27 sec.
  • Period Time: Modern
  • Written: 1945

>Shostakovich, Dmitri : Concerto for Piano no 1 in C minor, Op. 35
  • Performers: Ludovic Vaillant (Trumpet); Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Notes: Salle Wagram, Paris, France (05/24/1958-05/26/1958)
  • Running Time: 21 min. 19 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1933

>Shostakovich, Dmitri : Concerto for Piano no 2 in F major, Op. 102
  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Notes: Salle Wagram, Paris, France (05/24/1958-05/26/1958)
  • Running Time: 17 min. 25 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1957

>Shostakovich, Dmitri : Fantastic Dances (3) for Piano, Op. 5
  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Notes: Composition written: 1920.
  • Running Time: 2 min. 21 sec.
  • Period Time: Modern
  • Written: 1920

>Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 1
  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Running Time: 4 min. 57 sec.
  • Period Time: Modern
  • Written: 1950-1951

>Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 4
  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Running Time: 7 min. 26 sec.
  • Period Time: Modern
  • Written: 1950-1951

>Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 5
  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Running Time: 2 min. 51 sec.
  • Period Time: Modern
  • Written: 1950-1951

>Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 23
  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Running Time: 6 min. 44 sec.
  • Period Time: Modern
  • Written: 1950-1951

>Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: no 24
  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Running Time: 11 min. 42 sec.
  • Period Time: Modern
  • Written: 1950-1951

>Stravinsky, Igor : Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion
  • Performers: Kate Winter (Soprano); Edwin Benbow (Piano); Parry Jones (Tenor); Leslie Heward (Piano); Roy Henderson (Baritone); Ernest Lush (Piano); Berkeley Mason (Piano)
  • Conductor: Igor Stravinsky
  • Ensemble: Percurama Percussion Ensemble
  • Running Time: 23 min. sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1923

>Stravinsky, Igor : Concertino for 12 instruments
  • Performers: Pierre Vignol (Trumpet); Raphaël Delbos (Trombone); André Lafosse (Trombone); Emile Godeau (Clarinet); Marus Piard (Bassoon); Eugène Foveau (Trumpet); Marcel Moyse (Flute); Gustave Dherin (Bassoon)
  • Conductor: Igor Stravinsky
  • Notes: Studio Albert, Paris, France (05/06/1932/05/09/1932)
  • Running Time: 15 min. 11 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1923

>Stravinsky, Igor : Capriccio, for piano & orchestra
  • Performer: Igor Stravinsky (Piano)
  • Conductor: Ernest Ansermet
  • Notes: Théâtre des Champs-Élysées, Paris, France (05/08/1930-05/10/1930)
  • Running Time: 17 min. 35 sec.
  • Period Time: Modern
  • Written: 1929

>Stravinsky, Igor : Symphony of Psalms
  • Conductor: Igor Stravinsky
  • Notes: Théâtre des Champs-Élysées, Paris, France (02/17/1931-02/18/1931)
  • Running Time: 21 min. 9 sec.
  • Period Time: Modern
  • Written: 1930

>Stravinsky, Igor : Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon
  • Performers: Samuel Dushkin (Violin); André Vacellier (Clarinet); Gabriel Grandmaison (Bassoon); Louis Gromer (Oboe)
  • Conductor: Igor Stravinsky
  • Running Time: 2 min. 48 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1933

>Stravinsky, Igor : Firebird Suite
  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 2 min. 46 sec.
  • Period Time: Modern
  • Written: 1933

>Stravinsky, Igor : Berceuse, for violin & piano (after L'Oiseau de Feu, transcribed by Stravinsky)
  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 3 min. 16 sec.
  • Period Time: Modern
  • Written: 1929

>Stravinsky, Igor : Danse russe :: Danse russe
  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 2 min. 51 sec.
  • Period Time: Modern
  • Written: 1932

>Stravinsky, Igor : Chants du Rossignol et Marche Chinoise, for violin & piano (transcribed with Samuel Dushkin)
  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Notes: Composition written: 1932.
  • Running Time: 8 min. 4 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1932

>Stravinsky, Igor : Rag-time for 11 instruments
  • Performers: Louis Juste (Double Bass); Henri Volant (Violin); Emile Godeau (Clarinet); Lucien Lavaillote (Flute); Roland Charmy (Violin); Étienne Ginot (Viola); Eugène Foveau (Trumpet); Roger Tudesq (Trombone); Jean Devemy (Horn); Aladar Racz (Cimbalom); Jean Morel (Percussion); Igor Stravinsky (Piano)
  • Running Time: 4 min. 26 sec.
  • Period Time: Modern
  • Written: 1918

>Stravinsky, Igor : Piano-Rag-Music, for piano
  • Performer: Igor Stravinsky (Piano)
  • Running Time: 3 min. 18 sec.
  • Period Time: Modern
  • Written: 1919

>Stravinsky, Igor : Pulcinella Suite :: 2. Serenata
  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 2 min. 53 sec.
  • Period Time: Modern
  • Written: 1933

>Stravinsky, Igor : Pulcinella Suite :: 5. Scherzin
  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 1 min. 27 sec.
  • Period Time: Modern
  • Written: 1933

>Stravinsky, Igor : Serenade for piano in A major
  • Performer: Igor Stravinsky (Piano)
  • Notes: Studio Albert, Paris, France (07/05/1934-07/06/1934)
  • Running Time: 10 min. sec.
  • Period Time: Modern
  • Written: 1925

>Stravinsky, Igor : Duo Concertante, for violin & piano
  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Notes: Studio Albert, Paris, France (04/06/1933-04/07/1933)
  • Running Time: 14 min. 4 sec.
  • Period Time: Modern
  • Written: 1932

>Stravinsky, Igor : Concerto for 2 solo pianos
  • Performers: Soulima Stravinsky (Piano); Igor Stravinsky (Piano)
  • Notes: Studio Pathé-Marconi, Paris, France (02/14/1938/02/16/1938)
  • Running Time: 19 min. 30 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1935

>Strauss, Richard : Eine Alpensinfonie, Op. 64
  • Conductor: Richard Strauss
  • Notes: Composition written: 1911-15.
  • Running Time: 41 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1911-1915

>Strauss, Richard : Der Rosenkavalier, Op. 59 :: Act 1. Introduction...love scene
  • Conductor: Richard Strauss
  • Running Time: 4 min. 4 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909-1910

>Strauss, Richard : Der Rosenkavalier, Op. 59 :: Act 1. Marschallin's Monologue
  • Conductor: Richard Strauss
  • Running Time: 2 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909-1910

>Strauss, Richard : Der Rosenkavalier, Op. 59 :: Presentation Marche in D (De Brandenburgsche Mars - no
  • Conductor: Richard Strauss
  • Running Time: 1 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909-1910

>Strauss, Richard : Der Rosenkavalier, Op. 59 :: Act 2. The Presentation of the Silver Rose
  • Conductor: Richard Strauss
  • Running Time: 4 min. 57 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909-1910

>Strauss, Richard : Der Rosenkavalier, Op. 59 :: Act 2. Love Duet
  • Conductor: Richard Strauss
  • Running Time: 2 min. 43 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909-1910

>Strauss, Richard : Der Rosenkavalier, Op. 59 :: Act 2 / Act 3. Waltz
  • Conductor: Richard Strauss
  • Running Time: 4 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909-1910

>Strauss, Richard : Der Rosenkavalier, Op. 59 :: Act 3. Trio
  • Conductor: Richard Strauss
  • Running Time: 4 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909-1910

>Strauss, Richard : Der Rosenkavalier, Op. 59 :: Act 3. Final Duet...Coda
  • Conductor: Richard Strauss
  • Running Time: 2 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909-1910

>Enriqué Granados (1867 - 1916) : Danse espagnole, Op. 37/5 :: 2
  • Performer: Enrique Granados (Piano)
  • Running Time: 3 min. 5 sec.
  • Period Time: Post Romantic
  • Written: 1888-1890

>Enriqué Granados (1867 - 1916) : Danse espagnole, Op. 37/5 :: 2
  • Performer: Enrique Granados (Piano)
  • Running Time: 3 min. 8 sec.
  • Period Time: Post Romantic
  • Written: 1888-1890

>Enriqué Granados (1867 - 1916) : El pelele (Goyesca Scene) :: 5
  • Performer: Enrique Granados (Piano)
  • Running Time: 3 min. 6 sec.
  • Period Time: Post Romantic
  • Written: circa 1913

>Falla, Manuel de : Siete canciones populares española (7 Popular Spanish Songs), for voice & piano, G. 40
  • Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
  • Running Time: 12 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1914

>Falla, Manuel de : El Amor Brujo :: Canción del fuego fátuo
  • Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
  • Notes: Studio Albert, Paris, France (06/03/1930/06/05/1930)
  • Running Time: 1 min. 38 sec.
  • Period Time: Post Romantic
  • Form: Ballet
  • Written: 1915

>Falla, Manuel de : Soneto a Córdoba
  • Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
  • Notes: Studio Albert, Paris, France (06/03/1930/06/05/1930)
  • Running Time: 3 min. 12 sec.
  • Period Time: Post Romantic
  • Written: 1927

>Falla, Manuel de : Concerto, for harpsichord (or piano), flute, oboe, clarinet, violin & cello, G. 71
  • Performers: Marcel Darrieux (Violin); Emile Godeau (Clarinet); Auguste Cruque (Cello); Marcel Moyse (Flute); Georges Bonneau (Oboe); Manuel Falla (Harpsichord)
  • Notes: Studio Albert, Paris, France (06/02/1930/06/07/1930)
  • Running Time: 15 min. 3 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1923-1926

>Mompou, Federico : Jeunes Filles au Jardin, arrangement for violin & piano (Scenes d'enfant no 5)
  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 12 sec.
  • Period Time: Modern

>Mompou, Federico : Suburbis, suite for piano or orchestra :: El carrer el guitarrisra i el vell cavall (Suburis, no 1)
  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 54 sec.
  • Period Time: Modern
  • Written: 1916-1917

>Mompou, Federico : Cançons i dansas (14)
  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 4 min. 15 sec.
  • Period Time: Modern
  • Written: 1942

>Mompou, Federico : Paisajes, for piano :: La fuente y la capaña (Paiajes, no 1)
  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 28 sec.
  • Period Time: Modern
  • Written: 1942-1960

>Mompou, Federico : Cançons i dansas (14)
  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 34 sec.
  • Period Time: Modern
  • Written: 1942

>Mompou, Federico : Cançons i dansas (14)
  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 55 sec.
  • Period Time: Modern
  • Written: 1946

>Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 3. Tonada de la niña perdida
  • Performers: Joaquin Nin (Piano); Ninon Vallin
  • Running Time: 1 min. 42 sec.
  • Period Time: Modern
  • Form: Vocal

>Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 4. Montañesa
  • Performers: Joaquin Nin (Piano); Ninon Vallin
  • Running Time: 2 min. 32 sec.
  • Period Time: Modern
  • Form: Vocal

>Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 6. Malagueña
  • Performers: Joaquin Nin (Piano); Ninon Vallin
  • Running Time: 2 min. 5 sec.
  • Period Time: Modern
  • Form: Vocal

>Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 7. Granadina
  • Performers: Joaquin Nin (Piano); Ninon Vallin
  • Running Time: 1 min. 54 sec.
  • Period Time: Modern
  • Form: Vocal

>Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 19. Canto Andaluz
  • Performers: Joaquin Nin (Piano); Ninon Vallin
  • Running Time: 1 min. 30 sec.
  • Period Time: Modern
  • Form: Vocal

>Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: no 20. Polo
  • Performers: Joaquin Nin (Piano); Ninon Vallin
  • Running Time: 1 min. 53 sec.
  • Period Time: Modern
  • Form: Vocal

>Elgar, Edward : Enigma Variations
  • Conductor: Edward Elgar
  • Notes: Queen's Hall, London, England (04/28/1926/08/30/1926)
  • Running Time: 24 min. 6 sec.
  • Period Time: Post Romantic
  • Written: 1898-1899

>Holst, Gustav : The Planets, Op. 32/H 125
  • Conductor: Gustav Holst
  • Running Time: 41 min. 3 sec.
  • Period Time: Post Romantic
  • Written: 1914-1916

>Franz Lehár (1870 - 1948) : The Merry Widow :: Overtüre (1940)
  • Conductor: Franz Lehár
  • Running Time: 7 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1905

>Franz Lehár (1870 - 1948) : Zigeunerliebe :: Act 3. Hör' ich Cymbalklänge
  • Performer: Esther Rethy (Soprano)
  • Conductor: Franz Lehár
  • Running Time: 4 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1909

>Franz Lehár (1870 - 1948) : Eva (Das Fabriksmädel), operetta in 3 acts :: Vorspiel
  • Performer: Maria Reining (Soprano)
  • Conductor: Franz Lehár
  • Running Time: 5 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : Eva (Das Fabriksmädel), operetta in 3 acts :: Act 1. Im heimlichen Dämmer
  • Performer: Maria Reining (Soprano)
  • Conductor: Franz Lehár
  • Running Time: 4 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : Paganini :: Act 2. Ich kann es nicht fassen...Liebe, du Himmel auf Erden
  • Performer: Esther Rethy (Soprano)
  • Conductor: Franz Lehár
  • Notes: Composition written: 1924-25.
  • Running Time: 3 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1924-1925

>Franz Lehár (1870 - 1948) : Der Zarewitsch :: Act 1. Einer wird kommen
  • Performer: Esther Rethy (Soprano)
  • Conductor: Franz Lehár
  • Notes: Composition written: Germany.
  • Running Time: 3 min. 22 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : Friederike, operetta in 3 acts :: Act 2. Warum hast du mich wachgeküát?
  • Performer: Maria Reining (Soprano)
  • Conductor: Franz Lehár
  • Notes: Composition written: Germany.
  • Running Time: 3 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : The Land of Smiles :: Act
  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Running Time: 3 min. 13 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : The Land of Smiles :: Act
  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Running Time: 3 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : The Land of Smiles :: Act
  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Running Time: 3 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : The Land of Smiles :: Act
  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Running Time: 3 min. 57 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : The Land of Smiles :: Act
  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Running Time: 3 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : The Land of Smiles :: Act
  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : The Land of Smiles :: Act
  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Running Time: 2 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : Schön ist die Welt, operetta in 3 acts (revision of "Endlich Allein") :: Act 3. Ich bin verliebt
  • Performer: Esther Rethy (Soprano)
  • Conductor: Franz Lehár
  • Notes: Composition written: Germany.
  • Running Time: 3 min. 33 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Franz Lehár (1870 - 1948) : Giuditta :: Scene 1. Freunde, das Leben ist lebenswert!
  • Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1933

>Franz Lehár (1870 - 1948) : Giuditta :: Scene 2. Schön wie die blaue Sommernacht
  • Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1933

>Franz Lehár (1870 - 1948) : Giuditta :: Scene 3. Welch tiefes Rätsel ist die Liebe...Du bist meine Sonne!
  • Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1933

>Franz Lehár (1870 - 1948) : Giuditta :: Scene 4. Ich weiá es selber nicht...Meine Lippen, sie küssen so heiá
  • Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1933

>Franz Lehár (1870 - 1948) : Giuditta :: Scene 4. So wie um den Sonnenball
  • Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Notes: Composition written: 1933.
  • Running Time: 3 min. sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1933

>Franz Lehár (1870 - 1948) : Giuditta :: Scene 5. 'Schönste der Frau'n' begann das Lied
  • Performers: Jarmila Novotná (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1933

>Medtner, Nikolai : Two Pieces, Op. 58
  • Performers: Benno Moiseiwitsch (Piano); Nikolai Medtner (Piano)
  • Running Time: 5 min. 55 sec.
  • Period Time: Post Romantic
  • Written: circa 1940

>Medtner, Nikolai : Willow, why for ever bending? (Chto tï klonish' nad vodami), song for voice & piano, Op. 24/2
  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 1 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1911

>Medtner, Nikolai : Whisp'ring, Nature faintly stirring (Shopot, robkoye dïkhan'ye), song for voice & piano, Op. 24/7
  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 1 min. 40 sec.
  • Period Time: Post Romantic
  • Written: 1911

>Medtner, Nikolai : Serenade ("Ne mogu ya slïshat' etoy ptichki"), for voice & piano, Op. 28/2
  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 2 min. sec.
  • Period Time: Post Romantic
  • Written: 1913

>Medtner, Nikolai : Fairy Tales (2), Op. 20
  • Performer: Nikolai Medtner (Piano)
  • Running Time: 6 min. 31 sec.
  • Period Time: Post Romantic
  • Written: 1909

>Medtner, Nikolai : Muza (The Muse), Op. 29/1
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 3 min. 3 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Medtner, Nikolai : Roza (The rose), Op. 29/6
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 1 min. 55 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Medtner, Nikolai : Vals (The waltz), Op. 32/5
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 2 min. 46 sec.
  • Period Time: Post Romantic
  • Written: 1915

>Medtner, Nikolai : Lish' rozï uvyadayut (When roses wither), Op. 36/3
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 2 min. 16 sec.
  • Period Time: Post Romantic
  • Written: 1918-1919

>Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: no 1
  • Performer: Nikolai Medtner (Piano)
  • Notes: EMI Abbey Road Studios, London, England (03/21/1947/03/31/1947)
  • Running Time: 5 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 1928

>Medtner, Nikolai : Winter Evening (Zimniy vecher), song for voice & piano, Op. 13/1
  • Performers: Tatiana Makushina (Soprano); Nikolai Medtner (Piano)
  • Running Time: 4 min. 1 sec.
  • Period Time: Post Romantic
  • Written: 1901-1904

>Medtner, Nikolai : To a Dreamer (Mechtatelyu), song for voice & piano, Op. 32/6
  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 4 min. 16 sec.
  • Period Time: Post Romantic
  • Written: 1915

>Medtner, Nikolai : The Wagon of Life (Telega zhizni), song for voice & piano, Op. 45/2
  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Written: 1922-1924

>Medtner, Nikolai : The Ravens (Voron), song for voice & piano, Op. 52/2
  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 2 min. 31 sec.
  • Period Time: Post Romantic
  • Written: 1928-1929

>Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: no 2
  • Performer: Nikolai Medtner (Piano)
  • Running Time: 3 min. 42 sec.
  • Period Time: Post Romantic
  • Written: 1928

>Medtner, Nikolai : Elfenliedchen, for voice & piano, Op. 6/3
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 1 min. 29 sec.
  • Period Time: Post Romantic
  • Written: circa 1901-1905

>Medtner, Nikolai : Im Vorübergehn, song for voice & piano, Op. 6/4
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 2 min. 18 sec.
  • Period Time: Post Romantic
  • Written: circa 1901-1905

>Medtner, Nikolai : Goethe-Lieder (12), Op. 15
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 1 min. 27 sec.
  • Period Time: Post Romantic
  • Written: 1905-1907

>Medtner, Nikolai : Goethe-Lieder (12), Op. 15
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 1 min. 6 sec.
  • Period Time: Post Romantic
  • Written: 1905-1907

>Medtner, Nikolai : Goethe-Lieder (12), Op. 15
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 2 min. 48 sec.
  • Period Time: Post Romantic
  • Written: 1905-1907

>Medtner, Nikolai : Goethe-Lieder (12), Op. 15
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 1 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1905-1907

>Medtner, Nikolai : Einsamkeit, song for voice & piano, Op. 18/3
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 2 min. 17 sec.
  • Period Time: Post Romantic
  • Written: 1905-1909

>Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: no 3
  • Performer: Nikolai Medtner (Piano)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Written: 1928

>Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: no 1
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 1 min. 59 sec.
  • Period Time: Post Romantic
  • Written: 1922-1924

>Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: no 5
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 3 min. 32 sec.
  • Period Time: Post Romantic
  • Written: 1922-1924

>Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: no 6
  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf
  • Running Time: 2 min. 12 sec.
  • Period Time: Post Romantic
  • Written: 1922-1924

>Medtner, Nikolai : Forgotten Melodies (8) for Piano, Op. 38 :: no 3
  • Performer: Nikolai Medtner (Piano)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Written: ?1919-22

>Roussel, Albert : Le festin de l'araignée, symphonic fragments for orchestra
  • Conductor: Albert Roussel
  • Running Time: 15 min. 32 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Roussel, Albert : Le jardin mouillé, for voice & piano, Op. 3/3
  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 2 min. 14 sec.
  • Period Time: Post Romantic
  • Written: 1903

>Roussel, Albert : Poèmes (4), for voice & piano, Op. 8
  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 4 min. 2 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1907

>Roussel, Albert : Poèmes chinois (2), for voice & piano, Op. 12 :: no 2
  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 2 min. 3 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1907-1908

>Roussel, Albert : Light, for voice & piano, Op. 19/1
  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 3 min. 20 sec.
  • Period Time: Post Romantic
  • Written: 1908

>Roussel, Albert : Sarabande (part of L'Éventail de Jeanne)
  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic

>Schmitt, Florent : Quintet for piano & strings in B major, Op. 51 :: 2. Lent
  • Performer: Florent Schmitt (Piano)
  • Running Time: 14 min. 39 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1908

>Schmitt, Florent : Le Tragédie de Salomé, ballet, Op. 50
  • Performer: Florent Schmitt (Piano)
  • Notes: Théâtre des Champs-Élysées, Paris, France (04/18/1930-04/19/1930)
  • Running Time: 27 min. 31 sec.
  • Period Time: Post Romantic
  • Form: Ballet