Composers in Person

Works Summary

Performers

Conductors

Ensembles

Composers

Remarks:

These 22 CDs offer a stunning range of modern composers performing their own works either on the piano, organ or violin, or else from behind the podium. The set includes greats such as Holst, Prokofiev, Messiaen, Shostakovich, Britten, and Stravinsky, along with lesser known but equally talented luminaries like Medtner, Roussel, Pfitzner, Widor, and more! A fascinating study for musicians and musicologists, as well as an excitingly varied selection of modern music for collectors!
 



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Béla Bartók (1881 - 1945) : Bagatelle :: Allegro giocoso, for piano (14 s No. 2), Sz. 38/2, BB 50/2 (Op. 6/2)

  • Performer: Béla Bartók (Piano)
  • Period Time: Modern
  • Written: 1908


Béla Bartók (1881 - 1945) : Evening in Transylvania (Este a székelyeknél), for piano (10 Easy Pieces No. 5), Sz. 39/5, BB 51/5

  • Performer: Béla Bartók (Piano)
  • Running Time: 2 min. 42 sec.
  • Period Time: Modern
  • Written: 1908


Béla Bartók (1881 - 1945) : Bear Dance (Medvectánc), for piano (10 Easy Pieces No. 10), Sz. 39/10, BB 51/10

  • Performer: Béla Bartók (Piano)
  • Running Time: 1 min. 42 sec.
  • Period Time: Modern
  • Written: 1908


Béla Bartók (1881 - 1945) : Romanian Dance No. 1 :: Allegro vivace, for piano, Sz. 43/1, BB 56/1 (Op. 8a/1)

  • Performer: Béla Bartók (Piano)
  • Running Time: 4 min. 15 sec.
  • Period Time: Modern
  • Written: 1909-1910


Béla Bartók (1881 - 1945) : A Bit Drunk (Kicsit ázottan), burlesque for piano No. 2, Sz. 47/2, BB 55/2 (Op. 8c/2)

  • Performer: Béla Bartók (Piano)
  • Running Time: 2 min. 7 sec.
  • Period Time: Modern
  • Written: 1911


Béla Bartók (1881 - 1945) : Allegro barbaro, for piano, Sz. 49, BB 63

  • Performer: Béla Bartók (Piano)
  • Running Time: 2 min. 29 sec.
  • Period Time: Modern
  • Written: 1911


Béla Bartók (1881 - 1945) : Suite for piano, Sz. 62, BB 70 (Op. 14)

  • Performer: Béla Bartók (Piano)
  • Running Time: 7 min. 33 sec.
  • Period Time: Modern
  • Written: 1916


Béla Bartók (1881 - 1945) : Mikrokosmos, progressive pieces (153) for piano in 6 volumes, Sz. 107, BB 105 :: Staccato (Allegretto

  • Performer: Béla Bartók (Piano)
  • Running Time: 1 min. 17 sec.
  • Period Time: Modern
  • Written: 1926-1939


Béla Bartók (1881 - 1945) : Mikrokosmos, progressive pieces (153) for piano in 6 volumes, Sz. 107, BB 105 :: Ostinato (Vivacissimo

  • Performer: Béla Bartók (Piano)
  • Running Time: 2 min. 17 sec.
  • Period Time: Modern
  • Written: 1926-1939


Béla Bartók (1881 - 1945) : Hungarian Folksongs (10) (Magyar népdalok), for voice & piano Vol. 1, Sz. 33, BB 42 :: No. 1

  • Performers: Vilma Medgyaszay (Soprano); Béla Bartók (Piano)
  • Running Time: 5 min. 38 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1906


Béla Bartók (1881 - 1945) : Hungarian Folksongs (8) (Nyolc magyar népdal), for voice & piano, Sz. 64, BB 47 :: No. 1

  • Performer: Béla Bartók (Piano)
  • Running Time: 5 min. 4 sec.
  • Period Time: Modern
  • Written: 1907-1917


Béla Bartók (1881 - 1945) : Hungarian Folksongs (8) (Nyolc magyar népdal), for voice & piano, Sz. 64, BB 47 :: No. 5

  • Performers: Ferenc Szekeres; Béla Bartók (Piano)
  • Running Time: 3 min. 57 sec.
  • Period Time: Modern
  • Written: 1907-1917


Béla Bartók (1881 - 1945) : Work(s) :: 7 Hungarian Folk Tunes (from For Children, Sz42)

  • Performers: Zoltán Székely (Violin); Béla Bartók (Piano)
  • Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
  • Running Time: 7 min. 38 sec.
  • Period Time: Modern
  • Written: 1890-1945


Béla Bartók (1881 - 1945) : Romanian Folk Dances (6) (Román népi táncok), for piano, Sz. 56, BB 68

  • Performers: Zoltán Székely (Violin); Béla Bartók (Piano)
  • Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
  • Running Time: 5 min. 26 sec.
  • Period Time: Modern
  • Written: 1915


Ernst von Dohnányi (1877 - 1960) : Variations on a Nursery Song, for piano & orchestra, Op. 25

  • Performer: Ernst Dohnányi (Piano)
  • Conductor: Lawrance Collingwood
  • Ensemble:
  • Notes: Kingsway Hall, London, England (02/21/1931/02/23/1931)
  • Running Time: 19 min. 2 sec.
  • Period Time: Modern
  • Written: 02/01/1914


Hindemith, Paul : Sonata for solo viola, Op. 25/1

  • Performer: Paul Hindemith (Viola)
  • Running Time: 14 min. 9 sec.
  • Period Time: Modern
  • Written: 1922


Hindemith, Paul : Duet for Viola and Cello

  • Performers: Emanuel Feuermann (Cello); Paul Hindemith (Viola)
  • Running Time: 3 min. 31 sec.
  • Period Time: Modern
  • Written: 1934


Hindemith, Paul : Nobilissima visione, ballet suite for orchestra

  • Conductor: Paul Hindemith
  • Ensemble: Philharmonia Orchestra
  • Running Time: 25 min. 9 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1939


Hindemith, Paul : Symphonia serena

  • Conductor: Paul Hindemith
  • Ensemble: Philharmonia Orchestra
  • Notes: Composition written: 1946.
  • Running Time: 33 min. 10 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1946


Hindemith, Paul : Trio for strings No.2

  • Performers: Szymon Goldberg (Violin); Emanuel Feuermann (Cello); Paul Hindemith (Viola)
  • Running Time: 22 min. 38 sec.
  • Period Time: Modern
  • Written: 1933


Hindemith, Paul : Clarinet Concerto

  • Performer: Louis Cahuzac (Clarinet)
  • Conductor: Paul Hindemith
  • Ensemble: Philharmonia Orchestra
  • Running Time: 24 min. 19 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1947


Hindemith, Paul : Concerto for Horn

  • Performer: Dennis Brain (Horn)
  • Conductor: Paul Hindemith
  • Ensemble: Philharmonia Orchestra
  • Running Time: 14 min. 23 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1949


Hindemith, Paul : Konzertmusik for Brass and Strings, Op. 50

  • Conductor: Paul Hindemith
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/22/1956-11/24/1956)
  • Running Time: 16 min. 10 sec.
  • Period Time: Modern
  • Written: 1930


Khachaturian, Aram : Masquerade :: 1. Waltz

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
  • Running Time: 4 min. 15 sec.
  • Period Time: Modern
  • Written: 1944


Khachaturian, Aram : Masquerade :: 2. Nocturne

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
  • Running Time: 4 min. 37 sec.
  • Period Time: Modern
  • Written: 1944


Khachaturian, Aram : Masquerade :: 3. Mazurka

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/27/1954/12/04/1954)
  • Running Time: 2 min. 31 sec.
  • Period Time: Modern
  • Written: 1944


Khachaturian, Aram : Concerto for Violin in D minor

  • Performer: David Oistrakh (Violin)
  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/26/1954-11/27/1954)
  • Running Time: 35 min. 38 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1940


Khachaturian, Aram : Gayaneh :: 1. Dance of the Rose-Maidens

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 2 min. 7 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942


Khachaturian, Aram : Gayaneh :: 2. Ayesha's Awakening and Dance

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 5 min. 31 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942


Khachaturian, Aram : Gayaneh :: 3. Lullaby

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 5 min. 11 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942


Khachaturian, Aram : Gayaneh :: 4. Gayaneh's Adagio

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 4 min. 18 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942


Khachaturian, Aram : Gayaneh :: 5. Lezghinka

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 2 min. 37 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942


Khachaturian, Aram : Gayaneh :: 6. Lyrical Duet (of Ayesha and Armen)

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 5 min. 9 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942


Khachaturian, Aram : Gayaneh :: 7. Dance of the Old Men and Women

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 4 min. 21 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942


Khachaturian, Aram : Gayaneh :: 8. Sabre Dance

  • Conductor: Aram Khachaturian
  • Ensemble: Philharmonia Orchestra
  • Notes: Kingsway Hall, London, England (11/24/1954/11/27/1954)
  • Running Time: 2 min. 9 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1941-1942


Honegger, Arthur : Pastorale d'été, symphonic poem for chamber orchestra, H31

  • Conductor: Arthur Honegger
  • Ensemble: Orchestre de la Société du Conservatoire Paris
  • Running Time: 7 min. 53 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1920


Honegger, Arthur : Concerto, for cello & orchestra in C major, H. 72

  • Performer: Maurice Maréchal (Cello)
  • Conductor: Arthur Honegger
  • Ensemble: Orchestre de la Société du Conservatoire Paris
  • Notes: Composition written: 1929.
  • Running Time: 16 min. 39 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1929


Poulenc, Francis : Mouvements perpétuels (3)

  • Performer: Francis Poulenc (Piano)
  • Running Time: 4 min. 36 sec.
  • Period Time: Modern
  • Written: 1918


Poulenc, Francis : Trio for oboe, bassoon & piano, FP 43

  • Performers: Roger Lamorlette (Oboe); Francis Poulenc (Piano); Gustave Dherin (Bassoon)
  • Running Time: 10 min. 40 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1926


Poulenc, Francis : Novelettes (2) for piano, FP 47

  • Performer: Francis Poulenc (Piano)
  • Running Time: 3 min. 36 sec.
  • Period Time: Modern
  • Written: 1927-1928


Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: No. 1 in C

  • Performer: Francis Poulenc (Piano)
  • Running Time: 3 min. 24 sec.
  • Period Time: Modern
  • Written: 1929-1938


Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: No. 2 in A (Bal des jeunes filles)

  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 20 sec.
  • Period Time: Modern
  • Written: 1929-1938


Poulenc, Francis : Nocturnes (8) for piano, FP 56 :: No. 4 in C minor (Bal fantôme)

  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 37 sec.
  • Period Time: Modern
  • Written: 1929-1938


Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: No. 2 in A flat

  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 39 sec.
  • Period Time: Modern
  • Written: 1959


Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: No. 5 in A minor

  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 25 sec.
  • Period Time: Modern
  • Written: 1959


Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: No. 9 in D

  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 8 sec.
  • Period Time: Modern
  • Written: 1959


Poulenc, Francis : Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" :: No. 10 in F (Éloge des gammes)

  • Performer: Francis Poulenc (Piano)
  • Running Time: 1 min. 30 sec.
  • Period Time: Modern
  • Written: 1959


Poulenc, Francis : Aubade for Piano and 18 instruments

  • Performer: Francis Poulenc (Piano)
  • Conductor: Walther Straram
  • Ensemble: Walther Straram Concerts Orchestra
  • Notes: Théâtre des Champs-Élysées, Paris, France (01/20/1930-01/22/1930)
  • Running Time: 17 min. 36 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1929


Widor, Charles-Marie : Fifth Organ Symphony in F, Op. 42/1 :: 5. Toccata

  • Performer: Charles-Marie Widor (Organ)
  • Notes: Saint-Sulpice, Paris, France (04/28/1932-04/09/1932)
  • Running Time: 6 min. 36 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1880


Widor, Charles-Marie : Symphony for Organ no 9 in c/C, Op. 70 "Gothic"

  • Performer: Charles-Marie Widor (Organ)
  • Notes: Saint-Sulpice, Paris, France (04/28/1932-04/09/1932)
  • Running Time: 15 min. 22 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1895


Vierne, Louis : Improvisations (3) for organ :: 1. Marche épiscopale

  • Performer: Louis Vierne (Organ)
  • Running Time: 3 min. 22 sec.
  • Period Time: Romantic
  • Written: 1929-1931


Vierne, Louis : Pièces de fantaisie, for organ, Suite 1, Op. 51 :: 2. Andantino

  • Performer: Louis Vierne (Organ)
  • Running Time: 3 min. 1 sec.
  • Period Time: Post-Romanti
  • Written: 1926


Vierne, Louis : Pièces de fantaisie, for organ, Suite 1, Op. 51 :: 3. Cortège

  • Performer: Louis Vierne (Organ)
  • Running Time: 2 min. 23 sec.
  • Period Time: Post-Romanti
  • Written: 1926


Marcel Dupré (1886 - 1971) : Suite Bretonne, for organ, Op. 21 :: 1. Berceuse

  • Performer: Marcel Dupré (Organ)
  • Running Time: 4 min. 9 sec.
  • Period Time: Modern
  • Written: 1924


Marcel Dupré (1886 - 1971) : Préludes and Fugues (3) for organ, Op. 7 :: No. 3 in G minor

  • Performer: Marcel Dupré (Organ)
  • Notes: Queen's Hall, London, England (06/25/1926/10/27/1926)
  • Running Time: 6 min. sec.
  • Period Time: Modern
  • Written: 1912


Messiaen, Olivier : Le banquet céleste

  • Performer: Olivier Messiaen (Organ)
  • Notes: L'Église de la Trinité, Paris, France (07/26/1956/06/13/1956)
  • Running Time: 7 min. 27 sec.
  • Period Time: Modern
  • Written: 1928-1960


Messiaen, Olivier : L'Ascension

  • Performer: Olivier Messiaen (Organ)
  • Notes: L'Église de la Trinité, Paris, France (07/26/1956/06/13/1956)
  • Running Time: 27 min. 36 sec.
  • Period Time: Modern
  • Written: 1932-1933


Elgar, Edward : Concerto for Violin in B minor, Op. 61

  • Performer: Yehudi Menuhin (Violin)
  • Conductor: Edward Elgar
  • Ensemble: Royal Albert Hall Orchestra
  • Notes: EMI Abbey Road Studios, London, England (07/14/1932-07/15/1932)
  • Running Time: 30 min. 27 sec.
  • Period Time: Romantic
  • Form: Concerto
  • Written: 1909-1910


Elgar, Edward : Cello Concerto in E minor, Op. 85

  • Performer: Beatrice Harrison (Cello)
  • Conductor: Edward Elgar
  • Ensemble: Royal Albert Hall Orchestra
  • Running Time: 24 min. 56 sec.
  • Period Time: Post-Romanti
  • Form: Concerto
  • Written: 1919


Messiaen, Olivier : Apparition de l'église éternelle

  • Performer: Olivier Messiaen (Organ)
  • Running Time: 10 min. 26 sec.
  • Period Time: Modern
  • Written: 1932


Messiaen, Olivier : La nativité du Seigneur

  • Performer: Olivier Messiaen (Organ)
  • Notes: Église de la Sainte-Trinité (06/15/1956-06/22/1956)
  • Running Time: 59 min. 31 sec.
  • Period Time: Modern
  • Written: 1935


Prokofiev, Sergei : Piano Concerto No. 3 in C major, Op. 26

  • Performer: Sergei Prokofiev (Piano)
  • Conductor: Piero Coppola
  • Ensemble: London Symphony Orchestra
  • Notes: EMI Abbey Road Studios, London, England (06/27/1932-06/28/1932)
  • Running Time: 24 min. 10 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1917-1921


Prokofiev, Sergei : Pieces (4) for piano, Op. 4 :: No. 4. Suggestion diabolique

  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 2 min. 26 sec.
  • Period Time: Modern
  • Written: 1908


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 3

  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 5

  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 6

  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 9

  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 6 sec.
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 10

  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 11

  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 16

  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 32 sec.
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 17

  • Performer: Sergei Prokofiev (Piano)
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Visions fugitives (20), for piano, Op. 22 :: No. 18

  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 18 sec.
  • Period Time: Modern
  • Written: 1915-1917


Prokofiev, Sergei : Symphony No. 1 in D major ("Classical"), Op. 25 :: 3. Gavotte

  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 24 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1916-1917


Prokofiev, Sergei : Piano Sonata No. 4 in C minor, Op. 29 :: 2. Andante assai

  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 6 min. 14 sec.
  • Period Time: Modern
  • Written: 1908-1917


Prokofiev, Sergei : Pieces (4) for piano, Op. 32 :: No. 3. Gavotte

  • Performer: Sergei Prokofiev (Piano)
  • Running Time: 1 min. 28 sec.
  • Period Time: Modern
  • Written: 1918


Glazunov, Alexander : The Seasons, Op. 67

  • Conductor: Alexander Glazunov
  • Ensemble: Orchestra
  • Notes: Portman Rooms, Baker Street, London, England (06/10/1929/06/13/1929)
  • Running Time: 7 min. 46 sec.
  • Period Time: Post-Romanti
  • Form: Ballet
  • Written: 1899


Villa-Lobos, Heitor : Bachiana brasileira no 2 for Orchestra :: 4. Toccata

  • Performers: Fernand Benedetti (Cello); Victoria Los Angeles (Soprano)
  • Conductor: Heitor Villa-Lobos
  • Ensemble: French National Radio Orchestra
  • Running Time: 4 min. 11 sec.
  • Period Time: Modern
  • Written: 1930


Villa-Lobos, Heitor : Bachiana brasileira no 5 for Soprano and 8 Cellos

  • Performers: Fernand Benedetti (Cello); Victoria Los Angeles (Soprano)
  • Conductor: Heitor Villa-Lobos
  • Ensemble: French National Radio Orchestra
  • Notes: Salle de la Mutualité, Paris, France (06/07/1956/06/13/1956)
  • Running Time: 10 min. 52 sec.
  • Period Time: Modern
  • Written: 1938-1945


Villa-Lobos, Heitor : Miniaturas (6), song cycle for voice & piano, A. 056 :: No. 2

  • Performers: Frederick Fuller (Baritone); Heitor Villa-Lobos (Piano)
  • Running Time: 2 min. 58 sec.
  • Period Time: Modern
  • Written: 1912-1917


Villa-Lobos, Heitor : Modinhas e cançoes, song cycle for voice & orchestra, Album 1 (7), A. 406 :: No. 3

  • Performers: Frederick Fuller (Baritone); Heitor Villa-Lobos (Piano)
  • Running Time: 2 min. 9 sec.
  • Period Time: Modern
  • Written: 1939


Villa-Lobos, Heitor : Momoprecoce, W 240

  • Performer: Magda Tagliaferro (Piano)
  • Conductor: Heitor Villa-Lobos
  • Ensemble: French National Radio Orchestra
  • Notes: Théâtre des Champs-Élysées, Paris, France (06/09/1954-06/10/1954)
  • Running Time: 22 min. 48 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1929


Villa-Lobos, Heitor : Bachianas Brasileiras No. 4, for piano & orchestra, A. 424

  • Conductor: Heitor Villa-Lobos
  • Ensemble: French National Radio Orchestra
  • Running Time: 22 min. 1 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1941


Villa-Lobos, Heitor : Chôro no 10 for Chorus and Orchestra "Rasga o coracao"

  • Conductor: Heitor Villa-Lobos
  • Ensemble: French National Radio Orchestra
  • Running Time: 12 min. 47 sec.
  • Period Time: Modern
  • Written: 1925


Pfitzner, Hans : Das Christ-Elflein, opera, Op. 20 :: Overture

  • Conductor: Hans Pfitzner
  • Ensemble: Berlin State Opera Orchestra
  • Notes: Composition written: 1906.
  • Running Time: 11 min. sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1906


Pfitzner, Hans : Palestrina :: Act 1. Prelude

  • Conductor: Hans Pfitzner
  • Ensemble: Berlin State Opera Orchestra
  • Notes: Composition written: 1911-15.
  • Running Time: 6 min. 59 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1911-1915


Pfitzner, Hans : Palestrina :: Act 2. Prelude

  • Conductor: Hans Pfitzner
  • Ensemble: Berlin State Opera Orchestra
  • Notes: Composition written: 1911-15.
  • Running Time: 6 min. 1 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1911-1915


Pfitzner, Hans : Palestrina :: Act 3. Prelude

  • Conductor: Hans Pfitzner
  • Ensemble: Berlin State Opera Orchestra
  • Notes: Composition written: 1911-15.
  • Running Time: 7 min. 25 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1911-1915


Pfitzner, Hans : Duo for violin, cello & piano (or small orchestra), Op 43

  • Performers: Max Strub (Violin); Ludwig Hoelscher (Cello)
  • Conductor: Hans Pfitzner
  • Ensemble: Berlin State Opera Orchestra
  • Running Time: 13 min. 3 sec.
  • Period Time: Modern
  • Written: 1937


Pfitzner, Hans : Hast du von den Fischerkindern, song for voice & piano, Op. 7/1

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 57 sec.
  • Period Time: Modern


Pfitzner, Hans : Der Gärtner, for voice & piano, Op. 9/1

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 52 sec.
  • Period Time: Modern


Pfitzner, Hans : Songs (5) for voice & piano, Op 9, No. 2, "Die Einsame", Op. 9/2

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 37 sec.
  • Period Time: Modern


Pfitzner, Hans : Lieder (3), Op. 10

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 15 sec.
  • Period Time: Modern


Pfitzner, Hans : Songs (2) for voice & piano, Op. 19 :: No. 2, Michaelskirchplatz

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 14 sec.
  • Period Time: Modern


Pfitzner, Hans : In Danzig, song for voice & piano, Op. 22/1

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 3 min. 25 sec.
  • Period Time: Modern


Pfitzner, Hans : Nachts, song for voice & piano, Op. 26/2

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 44 sec.
  • Period Time: Modern


Pfitzner, Hans : Abbitte, for voice & piano, Op. 29/1

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 2 min. 41 sec.
  • Period Time: Modern


Pfitzner, Hans : Songs (4) for voice & piano, Op. 32 :: No. 1, Hussens Kerker

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 4 min. 44 sec.
  • Period Time: Modern


Pfitzner, Hans : Songs (4) for voice & piano, Op. 32 :: No. 2, Säerspruch

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 1 min. 23 sec.
  • Period Time: Modern


Pfitzner, Hans : Leuchtende Tage, for voice & piano, Op.40/1

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 1 min. 12 sec.
  • Period Time: Modern


Pfitzner, Hans : Herbstgefühl, for voice & piano, Op. 40/4

  • Performers: Gerhard Hüsch (Baritone); Hans Pfitzner (Piano)
  • Running Time: 1 min. 35 sec.
  • Period Time: Modern


Milhaud, Darius : La création du monde, Op. 81

  • Conductor: Darius Milhaud
  • Ensemble: Concert Arts Orchestra
  • Running Time: 14 min. 52 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1923


Milhaud, Darius : Scaramouche, Op. 165b

  • Performers: Marcelle Meyer (Piano); Darius Milhaud (Piano)
  • Running Time: 8 min. 6 sec.
  • Period Time: Modern
  • Written: 1937


Milhaud, Darius : Saudades do Brasil (12), suite of dances for piano, Op. 67

  • Conductor: Darius Milhaud
  • Ensemble: Concert Arts Orchestra
  • Notes: Studio 'A', Capitol Tower, Hollywood, CA (09/11/1956-09/12/1956)
  • Running Time: 20 min. 11 sec.
  • Period Time: Modern
  • Written: 1920-1921


Milhaud, Darius : Suite provençale, for orchestra, Op. 152a

  • Conductor: Darius Milhaud
  • Ensemble: Concert Arts Orchestra
  • Running Time: 13 min. 54 sec.
  • Period Time: Modern
  • Written: 1936


Milhaud, Darius : Le boeuf sur le toit, Op. 58

  • Conductor: Darius Milhaud
  • Ensemble: Concert Arts Orchestra
  • Notes: Théâtre des Champs-Élysées, Paris, France (03/16/1958/03/18/1958)
  • Running Time: 15 min. 8 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1919


Poulenc, Francis : Le bestiaire (Cortège d'Orphée), song cycle for voice & piano (or chamber ensemble), FP 15a

  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 4 min. 46 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1919


Poulenc, Francis : La belle Jeunesse (Chansons gaillardes, No. 7) :: 4. Invocation aux Parques

  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 1 min. 34 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1925-1926


Poulenc, Francis : La belle Jeunesse (Chansons gaillardes, No. 7) :: 7. La belle jeunesse

  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 1 min. 26 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1925-1926


Poulenc, Francis : Tel jour, telle nuit, song cycle for voice & piano, FP 86

  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 11 min. 59 sec.
  • Period Time: Modern
  • Written: 1936-1937


Poulenc, Francis : Deux poèmes de Guillaume Apollinaire, for voice & piano, FP 94 :: 1. Dans le jardin d'Anna

  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 3 min. 2 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1938


Poulenc, Francis : C'est ainsi que tu es (Métamorphoses, No. 2)

  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 4 min. sec.
  • Period Time: Modern
  • Written: 1943


Poulenc, Francis : Deux poèmes de Louis Aragon, for voice & piano, FP 122

  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 4 min. 9 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1943


Poulenc, Francis : Deux mélodies sur des poèmes de Guillaume Apollinaire, for voice & piano, FP 131 :: Montparnasse

  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 3 min. 46 sec.
  • Period Time: Modern
  • Written: 1946


Britten, Benjamin : Sonnets (7) of Michelangelo, for voice & piano, Op. 22

  • Performers: Peter Pears (Tenor); Benjamin Britten (Piano)
  • Running Time: 15 min. 35 sec.
  • Period Time: Modern
  • Written: 1940


Britten, Benjamin : Holy Sonnets of John Donne, Op. 35

  • Performers: Peter Pears (Tenor); Benjamin Britten (Piano)
  • Notes: EMI Abbey Road Studios, London, England (08/29/1947/12/12/1947)
  • Running Time: 22 min. 27 sec.
  • Period Time: Modern
  • Written: 1945


Shostakovich, Dmitri : Piano Concerto No. 1, for piano, trumpet & strings, in C minor, Op. 35

  • Performers: Ludovic Vaillant (Trumpet); Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Ensemble: New Symphony Orchestra
  • Notes: Salle Wagram, Paris, France (05/24/1958-05/26/1958)
  • Running Time: 21 min. 19 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1933


Shostakovich, Dmitri : Piano Concerto No. 2 in F major, Op. 102

  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Ensemble: New Symphony Orchestra
  • Notes: Salle Wagram, Paris, France (05/24/1958-05/26/1958)
  • Running Time: 17 min. 25 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1957


Shostakovich, Dmitri : Fantastic Dances (3), for piano, Op. 5

  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Ensemble:
  • Notes: Composition written: 1920.
  • Running Time: 2 min. 21 sec.
  • Period Time: Modern
  • Written: 1920


Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: No. 1

  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Ensemble:
  • Running Time: 4 min. 57 sec.
  • Period Time: Modern
  • Written: 1950-1951


Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: No. 4

  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Ensemble:
  • Running Time: 7 min. 26 sec.
  • Period Time: Modern
  • Written: 1950-1951


Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: No. 5

  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Ensemble:
  • Running Time: 2 min. 51 sec.
  • Period Time: Modern
  • Written: 1950-1951


Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: No. 23

  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Ensemble:
  • Running Time: 6 min. 44 sec.
  • Period Time: Modern
  • Written: 1950-1951


Shostakovich, Dmitri : Preludes & Fugues (24), for piano, Op. 87 :: No. 24

  • Performer: Dmitry Shostakovich (Piano)
  • Conductor: André Cluytens
  • Ensemble:
  • Running Time: 11 min. 42 sec.
  • Period Time: Modern
  • Written: 1950-1951


Stravinsky, Igor : Les Noces III (The Wedding), ballet in 4 tableaux for vocal soloists, chorus, 4 pianos & percussion

  • Performers: Kate Winter (Soprano); Edwin Benbow (Piano); Parry Jones (Tenor); Leslie Heward (Piano); Roy Henderson (Baritone); Ernest Lush (Piano); Berkeley Mason (Piano)
  • Conductor: Igor Stravinsky
  • Ensemble: Percurama Percussion Ensemble
  • Running Time: 23 min. sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1923


Stravinsky, Igor : Concertino for 12 instruments

  • Performers: Pierre Vignol (Trumpet); Raphaël Delbos (Trombone); André Lafosse (Trombone); Emile Godeau (Clarinet); Marus Piard (Bassoon); Eugène Foveau (Trumpet); Marcel Moyse (Flute); Gustave Dherin (Bassoon)
  • Conductor: Igor Stravinsky
  • Ensemble:
  • Notes: Studio Albert, Paris, France (05/06/1932/05/09/1932)
  • Running Time: 15 min. 11 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1923


Stravinsky, Igor : Capriccio, for piano & orchestra

  • Performer: Igor Stravinsky (Piano)
  • Conductor: Ernest Ansermet
  • Ensemble: Walther Straram Concerts Orchestra
  • Notes: Théâtre des Champs-Élysées, Paris, France (05/08/1930-05/10/1930)
  • Running Time: 17 min. 35 sec.
  • Period Time: Modern
  • Written: 1929


Stravinsky, Igor : Symphony of Psalms

  • Conductor: Igor Stravinsky
  • Ensemble:
  • Notes: Théâtre des Champs-Élysées, Paris, France (02/17/1931-02/18/1931)
  • Running Time: 21 min. 9 sec.
  • Period Time: Modern
  • Written: 1930


Stravinsky, Igor : Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon

  • Performers: Samuel Dushkin (Violin); André Vacellier (Clarinet); Gabriel Grandmaison (Bassoon); Louis Gromer (Oboe)
  • Conductor: Igor Stravinsky
  • Ensemble: London Symphony Orchestra
  • Running Time: 2 min. 48 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1933


Stravinsky, Igor : Firebird Suite

  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 2 min. 46 sec.
  • Period Time: Modern
  • Written: 1933


Stravinsky, Igor : Berceuse, for violin & piano (after L'Oiseau de Feu, transcribed by Stravinsky)

  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 3 min. 16 sec.
  • Period Time: Modern
  • Written: 1929


Stravinsky, Igor : Danse russe :: Danse russe

  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 2 min. 51 sec.
  • Period Time: Modern
  • Written: 1932


Stravinsky, Igor : Chants du Rossignol et Marche Chinoise, for violin & piano (transcribed with Samuel Dushkin)

  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Notes: Composition written: 1932.
  • Running Time: 8 min. 4 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1932


Stravinsky, Igor : Rag-time for 11 instruments

  • Performers: Louis Juste (Double Bass); Henri Volant (Violin); Emile Godeau (Clarinet); Lucien Lavaillote (Flute); Roland Charmy (Violin); Étienne Ginot (Viola); Eugène Foveau (Trumpet); Roger Tudesq (Trombone); Jean Devemy (Horn); Aladar Racz (Cimbalom); Jean Morel (Percussion); Igor Stravinsky (Piano)
  • Running Time: 4 min. 26 sec.
  • Period Time: Modern
  • Written: 1918


Stravinsky, Igor : Piano-Rag-Music, for piano

  • Performer: Igor Stravinsky (Piano)
  • Running Time: 3 min. 18 sec.
  • Period Time: Modern
  • Written: 1919


Stravinsky, Igor : Pulcinella Suite :: 2. Serenata

  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 2 min. 53 sec.
  • Period Time: Modern
  • Written: 1933


Stravinsky, Igor : Pulcinella Suite :: 5. Scherzin

  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Running Time: 1 min. 27 sec.
  • Period Time: Modern
  • Written: 1933


Stravinsky, Igor : Serenade for piano in A major

  • Performer: Igor Stravinsky (Piano)
  • Notes: Studio Albert, Paris, France (07/05/1934-07/06/1934)
  • Running Time: 10 min. sec.
  • Period Time: Modern
  • Written: 1925


Stravinsky, Igor : Duo Concertante, for violin & piano

  • Performers: Samuel Dushkin (Violin); Igor Stravinsky (Piano)
  • Notes: Studio Albert, Paris, France (04/06/1933-04/07/1933)
  • Running Time: 14 min. 4 sec.
  • Period Time: Modern
  • Written: 1932


Stravinsky, Igor : Concerto for 2 solo pianos

  • Performers: Soulima Stravinsky (Piano); Igor Stravinsky (Piano)
  • Notes: Studio Pathé-Marconi, Paris, France (02/14/1938/02/16/1938)
  • Running Time: 19 min. 30 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1935


Strauss, Richard : Eine Alpensinfonie, Op. 64

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Notes: Composition written: 1911-15.
  • Running Time: 41 min. 35 sec.
  • Period Time: Post-Romanti
  • Form: Orchestral
  • Written: 1911-1915


Strauss, Richard : Der Rosenkavalier :: Act 1. Introduction...love scene

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Running Time: 4 min. 4 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909-1910


Strauss, Richard : Der Rosenkavalier :: Act 1. Marschallin's Monologue

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Running Time: 2 min. 30 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909-1910


Strauss, Richard : Der Rosenkavalier :: Presentation Marche in D (De Brandenburgsche Mars - No.

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Running Time: 1 min. 43 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909-1910


Strauss, Richard : Der Rosenkavalier :: Act 2. The Presentation of the Silver Rose

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Running Time: 4 min. 57 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909-1910


Strauss, Richard : Der Rosenkavalier :: Act 2. Love Duet

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Running Time: 2 min. 43 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909-1910


Strauss, Richard : Der Rosenkavalier :: Act 2 / Act 3. Waltz

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Running Time: 4 min. 11 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909-1910


Strauss, Richard : Der Rosenkavalier :: Act 3. Trio

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Running Time: 4 min. 17 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909-1910


Strauss, Richard : Der Rosenkavalier :: Act 3. Final Duet...Coda

  • Conductor: Richard Strauss
  • Ensemble: London Tivoli Theatre Orchestra
  • Running Time: 2 min. 34 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909-1910


Enriqué Granados (1867 - 1916) : Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1 :: 2

  • Performer: Enrique Granados (Piano)
  • Running Time: 3 min. 5 sec.
  • Period Time: Post-Romanti
  • Written: 1888-1890


Enriqué Granados (1867 - 1916) : Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1 :: 2

  • Performer: Enrique Granados (Piano)
  • Running Time: 3 min. 8 sec.
  • Period Time: Post-Romanti
  • Written: 1888-1890


Enriqué Granados (1867 - 1916) : El pelele, for piano (also arr. for 2 pianos by Llongás), H. 106, DLR 2 :: 5

  • Performer: Enrique Granados (Piano)
  • Running Time: 3 min. 6 sec.
  • Period Time: Post-Romanti
  • Written: circa 1913


Falla, Manuel de : Canciones populares españolas (7)

  • Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
  • Running Time: 12 min. 14 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1914


Falla, Manuel de : El Amor Brujo :: Canción del fuego fátuo

  • Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
  • Notes: Studio Albert, Paris, France (06/03/1930/06/05/1930)
  • Running Time: 1 min. 38 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1915


Falla, Manuel de : Soneto a Córdoba

  • Performers: Maria Barrientos (Soprano); Manuel Falla (Piano)
  • Notes: Studio Albert, Paris, France (06/03/1930/06/05/1930)
  • Running Time: 3 min. 12 sec.
  • Period Time: Modern
  • Written: 1927


Falla, Manuel de : Concerto for Harpsichord, for harpsichord (or piano), flute, oboe, clarinet, violin & cello, G. 71

  • Performers: Marcel Darrieux (Violin); Emile Godeau (Clarinet); Auguste Cruque (Cello); Marcel Moyse (Flute); Georges Bonneau (Oboe); Manuel Falla (Harpsichord)
  • Notes: Studio Albert, Paris, France (06/02/1930/06/07/1930)
  • Running Time: 15 min. 3 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1923-1926


Mompou, Federico : Jeunes Filles au Jardin, arrangement for violin & piano (Scenes d'enfant No. 5)

  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 12 sec.
  • Period Time: Modern


Mompou, Federico : Suburbis, suite for piano or orchestra :: El carrer el guitarrisra i el vell cavall (Suburis, No. 1)

  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 54 sec.
  • Period Time: Modern
  • Written: 1916-1917


Mompou, Federico : Cançons i dansas (14)

  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 4 min. 15 sec.
  • Period Time: Modern
  • Written: 1942


Mompou, Federico : Paisajes, for piano :: La fuente y la capaña (Paiajes, No. 1)

  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 28 sec.
  • Period Time: Modern
  • Written: 1942-1960


Mompou, Federico : Cançons i dansas (14)

  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 34 sec.
  • Period Time: Modern
  • Written: 1942


Mompou, Federico : Cançons i dansas (14)

  • Performer: Federico Mompou (Piano)
  • Notes: EMI Abbey Road Studios, London, England (02/06/1950-02/07/1950)
  • Running Time: 3 min. 55 sec.
  • Period Time: Modern
  • Written: 1946


Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: No. 3. Tonada de la niña perdida

  • Performers: Joaquin Nin (Piano); Ninon Vallin (Soprano)
  • Running Time: 1 min. 42 sec.
  • Period Time: Modern
  • Form: Vocal


Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: No. 4. Montañesa

  • Performers: Joaquin Nin (Piano); Ninon Vallin (Soprano)
  • Running Time: 2 min. 32 sec.
  • Period Time: Modern
  • Form: Vocal


Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: No. 6. Malagueña

  • Performers: Joaquin Nin (Piano); Ninon Vallin (Soprano)
  • Running Time: 2 min. 5 sec.
  • Period Time: Modern
  • Form: Vocal


Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: No. 7. Granadina

  • Performers: Joaquin Nin (Piano); Ninon Vallin (Soprano)
  • Running Time: 1 min. 54 sec.
  • Period Time: Modern
  • Form: Vocal


Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: No. 19. Canto Andaluz

  • Performers: Joaquin Nin (Piano); Ninon Vallin (Soprano)
  • Running Time: 1 min. 30 sec.
  • Period Time: Modern
  • Form: Vocal


Nin, Joaquin : Cantos populares españoles (20), for voice & piano :: No. 20. Polo

  • Performers: Joaquin Nin (Piano); Ninon Vallin (Soprano)
  • Running Time: 1 min. 53 sec.
  • Period Time: Modern
  • Form: Vocal


Elgar, Edward : Enigma Variations

  • Conductor: Edward Elgar
  • Ensemble: Royal Albert Hall Orchestra
  • Notes: Queen's Hall, London, England (04/28/1926/08/30/1926)
  • Running Time: 24 min. 6 sec.
  • Period Time: Post-Romanti
  • Written: 1898-1899


Holst, Gustav : The Planets, Op. 32/H 125

  • Conductor: Gustav Holst
  • Ensemble: London Symphony Orchestra
  • Running Time: 41 min. 3 sec.
  • Period Time: Post-Romanti
  • Written: 1914-1916


Franz Lehár (1870 - 1948) : Die lustige Witwe (The Merry Widow), operetta :: Overtüre (1940)

  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 7 min. 54 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Zigeunerliebe (Gypsy Love), operetta in 3 acts :: Act 3. Hör' ich Cymbalklänge

  • Performer: Esther Rethy (Soprano)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 4 min. 29 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1909


Franz Lehár (1870 - 1948) : Eva (Das Fabriksmädel), operetta in 3 acts :: Vorspiel

  • Performer: Maria Reining (Soprano)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 5 min. 47 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Eva (Das Fabriksmädel), operetta in 3 acts :: Act 1. Im heimlichen Dämmer

  • Performer: Maria Reining (Soprano)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 4 min. 41 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Paganini, operetta in 3 acts :: Act 2. Ich kann es nicht fassen...Liebe, du Himmel auf Erden

  • Performer: Esther Rethy (Soprano)
  • Conductor: Franz Lehár
  • Ensemble:
  • Notes: Composition written: 1924-25.
  • Running Time: 3 min. 12 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1924-1925


Franz Lehár (1870 - 1948) : Der Zarewitsch, operetta in 3 acts :: Act 1. Einer wird kommen

  • Performer: Esther Rethy (Soprano)
  • Conductor: Franz Lehár
  • Ensemble:
  • Notes: Composition written: Germany.
  • Running Time: 3 min. 22 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Friederike, operetta in 3 acts :: Act 2. Warum hast du mich wachgeküát?

  • Performer: Maria Reining (Soprano)
  • Conductor: Franz Lehár
  • Ensemble:
  • Notes: Composition written: Germany.
  • Running Time: 3 min. 40 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") :: Act

  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 3 min. 13 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") :: Act

  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 3 min. 17 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") :: Act

  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 3 min. 11 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") :: Act

  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble: Orchestra
  • Running Time: 3 min. 57 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") :: Act

  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 3 min. 15 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") :: Act

  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 2 min. 14 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") :: Act

  • Performers: Vera Schwarz (Soprano); Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble:
  • Running Time: 2 min. 29 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Schön ist die Welt, operetta in 3 acts (revision of "Endlich Allein") :: Act 3. Ich bin verliebt

  • Performer: Esther Rethy (Soprano)
  • Conductor: Franz Lehár
  • Ensemble: Concert Arts Orchestra
  • Notes: Composition written: Germany.
  • Running Time: 3 min. 33 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta


Franz Lehár (1870 - 1948) : Giuditta, opera in 5 acts :: Scene 1. Freunde, das Leben ist lebenswert!

  • Performers: Jarmila Novotna; Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble: Concert Arts Orchestra
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 11 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1933


Franz Lehár (1870 - 1948) : Giuditta, opera in 5 acts :: Scene 2. Schön wie die blaue Sommernacht

  • Performers: Jarmila Novotna; Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble: Concert Arts Orchestra
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 17 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1933


Franz Lehár (1870 - 1948) : Giuditta, opera in 5 acts :: Scene 3. Welch tiefes Rätsel ist die Liebe...Du bist meine Sonne!

  • Performers: Jarmila Novotna; Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble: Concert Arts Orchestra
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 16 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1933


Franz Lehár (1870 - 1948) : Giuditta, opera in 5 acts :: Scene 4. Ich weiá es selber nicht...Meine Lippen, sie küssen so heiá

  • Performers: Jarmila Novotna; Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble: Concert Arts Orchestra
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 25 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1933


Franz Lehár (1870 - 1948) : Giuditta, opera in 5 acts :: Scene 4. So wie um den Sonnenball

  • Performers: Jarmila Novotna; Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble: Concert Arts Orchestra
  • Notes: Composition written: 1933.
  • Running Time: 3 min. sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1933


Franz Lehár (1870 - 1948) : Giuditta, opera in 5 acts :: Scene 5. 'Schönste der Frau'n' begann das Lied

  • Performers: Jarmila Novotna; Richard Tauber (Tenor)
  • Conductor: Franz Lehár
  • Ensemble: Concert Arts Orchestra
  • Notes: Composition written: 1933.
  • Running Time: 3 min. 12 sec.
  • Period Time: Post-Romanti
  • Form: Opera/Operetta
  • Written: 1933


Medtner, Nikolai : Russian Round Dance (A Tale), for 2 pianos, Op. 58/1

  • Performers: Benno Moiseiwitsch (Piano); Nikolai Medtner (Piano)
  • Running Time: 5 min. 55 sec.
  • Period Time: Post-Romanti
  • Written: circa 1940


Medtner, Nikolai : Willow, why for ever bending? (Chto tï klonish' nad vodami), song for voice & piano, Op. 24/2

  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 1 min. 15 sec.
  • Period Time: Post-Romanti
  • Written: 1911


Medtner, Nikolai : Whisp'ring, Nature faintly stirring (Shopot, robkoye dïkhan'ye), song for voice & piano, Op. 24/7

  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 1 min. 40 sec.
  • Period Time: Post-Romanti
  • Written: 1911


Medtner, Nikolai : Serenade ("Ne mogu ya slïshat' etoy ptichki"), for voice & piano, Op. 28/2

  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 2 min. sec.
  • Period Time: Post-Romanti
  • Written: 1913


Medtner, Nikolai : Fairy Tales (Skazki) (2) for piano, Op. 20

  • Performer: Nikolai Medtner (Piano)
  • Running Time: 6 min. 31 sec.
  • Period Time: Post-Romanti
  • Written: 1909


Medtner, Nikolai : The Muse (Musa), song for voice & piano, Op. 29/1

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 3 min. 3 sec.
  • Period Time: Post-Romanti
  • Written: 1913


Medtner, Nikolai : A Rose (Roza), song for voice & piano, Op. 29/6

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 1 min. 55 sec.
  • Period Time: Post-Romanti
  • Written: 1913


Medtner, Nikolai : The Waltz ("Mogu l' zabït'eto sladkoye mgnoven'ye"), song for voice & piano, Op. 32/5

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 2 min. 46 sec.
  • Period Time: Post-Romanti
  • Written: 1915


Medtner, Nikolai : When Roses Fade (Lish' rozï uvyadayut), song for voice & piano, Op.36/3

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 2 min. 16 sec.
  • Period Time: Post-Romanti
  • Written: 1918-1919


Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: No. 1

  • Performer: Nikolai Medtner (Piano)
  • Notes: EMI Abbey Road Studios, London, England (03/21/1947/03/31/1947)
  • Running Time: 5 min. 34 sec.
  • Period Time: Post-Romanti
  • Written: 1928


Medtner, Nikolai : Winter Evening (Zimniy vecher), song for voice & piano, Op. 13/1

  • Performers: Tatiana Makushina (Soprano); Nikolai Medtner (Piano)
  • Running Time: 4 min. 1 sec.
  • Period Time: Post-Romanti
  • Written: 1901-1904


Medtner, Nikolai : To a Dreamer (Mechtatelyu), song for voice & piano, Op. 32/6

  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 4 min. 16 sec.
  • Period Time: Post-Romanti
  • Written: 1915


Medtner, Nikolai : The Wagon of Life (Telega zhizni), song for voice & piano, Op. 45/2

  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post-Romanti
  • Written: 1922-1924


Medtner, Nikolai : The Ravens (Voron), song for voice & piano, Op. 52/2

  • Performers: Oda Slobodskaya (Soprano); Nikolai Medtner (Piano)
  • Running Time: 2 min. 31 sec.
  • Period Time: Post-Romanti
  • Written: 1928-1929


Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: No. 2

  • Performer: Nikolai Medtner (Piano)
  • Running Time: 3 min. 42 sec.
  • Period Time: Post-Romanti
  • Written: 1928


Medtner, Nikolai : Elfenliedchen, for voice & piano, Op. 6/3

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 1 min. 29 sec.
  • Period Time: Post-Romanti
  • Written: circa 1901-1905


Medtner, Nikolai : Im Vorübergehn, song for voice & piano, Op. 6/4

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 2 min. 18 sec.
  • Period Time: Post-Romanti
  • Written: circa 1901-1905


Medtner, Nikolai : Selbstbetrug, song for voice & piano, Op. 15/3

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 1 min. 27 sec.
  • Period Time: Post-Romanti
  • Written: 1905-1907


Medtner, Nikolai : Aus "Lila" ("So tanzet"), song for voice & piano, Op. 15/5

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 1 min. 6 sec.
  • Period Time: Post-Romanti
  • Written: 1905-1907


Medtner, Nikolai : Meeresstille, song for voice & piano, Op. 15/7

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 2 min. 48 sec.
  • Period Time: Post-Romanti
  • Written: 1905-1907


Medtner, Nikolai : Glückliche Fahrt, song for voice & piano, Op. 15/8

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 1 min. 15 sec.
  • Period Time: Post-Romanti
  • Written: 1905-1907


Medtner, Nikolai : Einsamkeit, song for voice & piano, Op. 18/3

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 2 min. 17 sec.
  • Period Time: Post-Romanti
  • Written: 1905-1909


Medtner, Nikolai : Fairy Tales (Märchen) (6) for piano, Op. 51 :: No. 3

  • Performer: Nikolai Medtner (Piano)
  • Running Time: 3 min. 28 sec.
  • Period Time: Post-Romanti
  • Written: 1928


Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: No. 1

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 1 min. 59 sec.
  • Period Time: Post-Romanti
  • Written: 1922-1924


Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: No. 5

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 3 min. 32 sec.
  • Period Time: Post-Romanti
  • Written: 1922-1924


Medtner, Nikolai : Songs (7) for voice & piano, Op.46 :: No. 6

  • Performers: Nikolai Medtner (Piano); Elisabeth Schwarzkopf (Soprano)
  • Running Time: 2 min. 12 sec.
  • Period Time: Post-Romanti
  • Written: 1922-1924


Medtner, Nikolai : Forgotten Melodies (Vergessene Weisen) (8) for piano Volume 1, Op. 38 :: No. 3

  • Performer: Nikolai Medtner (Piano)
  • Running Time: 4 min. 43 sec.
  • Period Time: Post-Romanti
  • Written: ?1919-22


Roussel, Albert : Le Festin de l'araignée, Fragments symphoniques, for orchestra

  • Conductor: Albert Roussel
  • Ensemble: Orchestra
  • Running Time: 15 min. 32 sec.
  • Period Time: Modern
  • Written: 1913


Roussel, Albert : Le jardin mouillé, for voice & piano, Op. 3/3

  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 2 min. 14 sec.
  • Period Time: Modern
  • Written: 1903


Roussel, Albert : Poèmes (4), for voice & piano, Op. 8

  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 4 min. 2 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1907


Roussel, Albert : Poèmes chinois (2), for voice & piano, Op. 12 :: No. 2

  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 2 min. 3 sec.
  • Period Time: Modern
  • Form: Vocal


Roussel, Albert : Light, for voice & piano, Op. 19/1

  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 3 min. 20 sec.
  • Period Time: Modern
  • Written: 1908


Roussel, Albert : Sarabande (part of L'Éventail de Jeanne)

  • Performers: Claire Croiza (Soprano); Albert Roussel (Piano)
  • Running Time: 2 min. 53 sec.
  • Period Time: Modern


Schmitt, Florent : Quintet for piano & strings in B major, Op. 51 :: 2. Lent

  • Performer: Florent Schmitt (Piano)
  • Running Time: 14 min. 39 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1908


Schmitt, Florent : Le Tragédie de Salomé, ballet, Op. 50

  • Performer: Florent Schmitt (Piano)
  • Notes: Théâtre des Champs-Élysées, Paris, France (04/18/1930-04/19/1930)
  • Running Time: 27 min. 31 sec.
  • Period Time: Modern
  • Form: Ballet


 

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Audio Samples

     Allegro giocoso, for piano (14 s No. 2), Sz. 38/2, BB 50/2 (Op. 6/2)
     Allegro vivace, for piano, Sz. 43/1, BB 56/1 (Op. 8a/1)
     Staccato (Allegretto
     Ostinato (Vivacissimo
     No. 1
     No. 1
     No. 5
     7 Hungarian Folk Tunes (from For Children, Sz42)
     1. Waltz
     2. Nocturne
     3. Mazurka
     1. Dance of the Rose-Maidens
     2. Ayesha's Awakening and Dance
     3. Lullaby
     4. Gayaneh's Adagio
     5. Lezghinka
     6. Lyrical Duet (of Ayesha and Armen)
     7. Dance of the Old Men and Women
     8. Sabre Dance
     No. 1 in C
     No. 2 in A (Bal des jeunes filles)
     No. 4 in C minor (Bal fantôme)
     No. 2 in A flat
     No. 5 in A minor
     No. 9 in D
     No. 10 in F (Éloge des gammes)
     5. Toccata
     1. Marche épiscopale
     2. Andantino
     3. Cortège
     1. Berceuse
     No. 3 in G minor
     No. 4. Suggestion diabolique
     No. 3
     No. 5
     No. 6
     No. 9
     No. 10
     No. 11
     No. 16
     No. 17
     No. 18
     3. Gavotte
     2. Andante assai
     No. 3. Gavotte
     4. Toccata
     No. 2
     No. 3
     Overture
     Act 1. Prelude
     Act 2. Prelude
     Act 3. Prelude
     No. 2, Michaelskirchplatz
     No. 1, Hussens Kerker
     No. 2, Säerspruch
     4. Invocation aux Parques
     7. La belle jeunesse
     1. Dans le jardin d'Anna
     Montparnasse
     No. 1
     No. 4
     No. 5
     No. 23
     No. 24
     Danse russe
     2. Serenata
     5. Scherzin
     Act 1. Introduction...love scene
     Act 1. Marschallin's Monologue
     Presentation Marche in D (De Brandenburgsche Mars - No.
     Act 2. The Presentation of the Silver Rose
     Act 2. Love Duet
     Act 2 / Act 3. Waltz
     Act 3. Trio
     Act 3. Final Duet...Coda
     2
     2
     5
     Canción del fuego fátuo
     El carrer el guitarrisra i el vell cavall (Suburis, No. 1)
     La fuente y la capaña (Paiajes, No. 1)
     No. 3. Tonada de la niña perdida
     No. 4. Montañesa
     No. 6. Malagueña
     No. 7. Granadina
     No. 19. Canto Andaluz
     No. 20. Polo
     Overtüre (1940)
     Act 3. Hör' ich Cymbalklänge
     Vorspiel
     Act 1. Im heimlichen Dämmer
     Act 2. Ich kann es nicht fassen...Liebe, du Himmel auf Erden
     Act 1. Einer wird kommen
     Act 2. Warum hast du mich wachgeküát?
     Act
     Act
     Act
     Act
     Act
     Act
     Act
     Act 3. Ich bin verliebt
     Scene 1. Freunde, das Leben ist lebenswert!
     Scene 2. Schön wie die blaue Sommernacht
     Scene 3. Welch tiefes Rätsel ist die Liebe...Du bist meine Sonne!
     Scene 4. Ich weiá es selber nicht...Meine Lippen, sie küssen so heiá
     Scene 4. So wie um den Sonnenball
     Scene 5. 'Schönste der Frau'n' begann das Lied
     No. 1
     No. 2
     No. 3
     No. 1
     No. 5
     No. 6
     No. 3
     No. 2
     2. Lent