Works Summary
Performers
Matthew White (Countertenor)
Dorothee Mields (Soprano)
Peter Kooy (Bass)
Jan Kobow (Tenor)
Conductor
Ensemble
Composer
Remarks:
"One could hardly ask for more accomplished performances. All the vocal soloists bring to their parts a pure and refined tone with all the finesse and flexibility required by Bach's sometimes daunting vocal writing. The small choir (3-3-3-3 including the soloists) is as tight and clean in pitch and ensemble as any I have heard. The instrumental playing is consistently first rate. Herreweghe directs performances that are coherent and well paced. There are many fine recordings of Bach cantatas available today. Herreweghe's are among the best." -American Record GuideReviews
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Bach, Johann Sebastian : Jesus nahm zu sich die Zwölfe, BWV 22
- Performers: Jan Kobow (Tenor); Peter Kooy (Bass); Dorothee Mields (Soprano); Matthew White (Countertenor)
- Conductor: Philippe Herreweghe
- Ensemble: Ghent Collegium Vocale
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1723
Bach, Johann Sebastian : Du wahrer Gott und Davids Sohn, BWV 23
- Performers: Jan Kobow (Tenor); Peter Kooy (Bass); Dorothee Mields (Soprano); Matthew White (Countertenor)
- Conductor: Philippe Herreweghe
- Ensemble: Ghent Collegium Vocale
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1723
Bach, Johann Sebastian : Herr Jesu Christ, wahr' Mensch und Gott, BWV 127
- Performers: Jan Kobow (Tenor); Peter Kooy (Bass); Dorothee Mields (Soprano); Matthew White (Countertenor)
- Conductor: Philippe Herreweghe
- Ensemble: Ghent Collegium Vocale
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1725
Bach, Johann Sebastian : Sehet, wir gehn hinauf gen Jerusalem, BWV 159
- Performers: Jan Kobow (Tenor); Peter Kooy (Bass); Dorothee Mields (Soprano); Matthew White (Countertenor)
- Conductor: Philippe Herreweghe
- Ensemble: Ghent Collegium Vocale
- Period Time: Baroque
- Form: Cantata/Oratorio
- Written: 1729
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