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Senfl: Missa paschalis, etc / Lawrence-King, Watson, MacDonald, et al

> Missa paschalis - Kyrie
> Missa paschalis - Gloria
> Mein Herz in hohen Freuden steht: No. 2. So ich sie dann freundlich gruess - Mein Herz in hohen Freuden steht: No. 2. So ich sie dann freundlich gruess
> Carmen in Re - Carmen in Re
> Im Maien - Im Maien
> Missa paschalis - Sanctus
> Missa paschalis - Agnus Dei
> Ach Elslein, liebes Elselein - Ach Elslein, liebes Elselein
> Ich stuend an einem Morgen (3 voices) - Ich stuend an einem Morgen
> Wohl auf, wohl auf, an Bodensee - Wohl auf, wohl auf, an Bodensee
> Ave Maria gratia plena - Ave Maria gratia plena
> Was wird es doch des Wunders noch - Was wird es doch des Wunders noch
> Carmen in la - Carmen in la
> So lang man macht - So lang man macht
> Fortuna ad voces musicales a 4 - Fortuna ad voces musicales a 4
> Quis dabit oculis (attrib. to Senfl) - Quis dabit oculis (arr. L. Senfl)

Album Summary

>Senfl, Ludwig : Missa paschalis, for 5 voices
>Senfl, Ludwig : So ich sie dann freundlich grueá, for voice & harp
>Senfl, Ludwig : Carmen in re
>Senfl, Ludwig : Im Maien, im Maien hort man die Hahnen kraien, song for voice & ensemble
>Senfl, Ludwig : Ach Elslein, liebes Elselein
>Senfl, Ludwig : Ich stuend an einem Morgen
>Senfl, Ludwig : Wohl auf, wir wolen's wecken, for voice & harp
>Senfl, Ludwig : Ave Maria, motet for 6 voices
>Senfl, Ludwig : Was wird es doch des Wunders noch, for 5 voices, S IV, 41
>Senfl, Ludwig : Carmen in la a 4
>Senfl, Ludwig : So man lang macht, for voice & harp
>Senfl, Ludwig : Fortuna ad voces musicales, for 4 voices
>Festa, Costanzo : Quis dabit oculis, motet for 4 voices
Performers Conductors Ensembles Composers

Notes & Reviews:

Following on the success of their Tomkins CD 'These Distracted Times' the Choir of Sidney Sussex College, Cambridge, teams up with the cornett and sackbut ensemble QuintEssential in a programme of music by Ludwig Senfl. Featured works include the Missa Paschali, motets and songs accompanied by Andrew Lawrence-King on renaissance harp. The recording was made in the beautiful city of Regensburg deep in Bavaria, when Senfl spent much of his career. The venue was the exquisite church of St Emmeram, itself steeped within a rich and ancient musical heritage.



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Works Details

>Senfl, Ludwig : Missa paschalis, for 5 voices
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: Andrew Lawrence-King
  • Ensemble: QuintEssential
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 5 min. 35 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : So ich sie dann freundlich grüeá, for voice & harp
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: David Skinner
  • Ensemble: QuintEssential Sackbut & Cornett Ensemble
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 1 min. 36 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Carmen in re
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: Andrew Lawrence-King
  • Ensemble: QuintEssential
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 1 min. 41 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Im Maien, im Maien hört man die Hahnen kraien, song for voice & ensemble
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: David Skinner
  • Ensemble: QuintEssential Sackbut & Cornett Ensemble
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 1 min. 55 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Missa paschalis, for 5 voices
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: David Skinner
  • Ensemble: QuintEssential Sackbut & Cornett Ensemble
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 5 min. 35 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Ach Elslein, liebes Elselein
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: Andrew Lawrence-King
  • Ensemble: QuintEssential
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: 1534

>Senfl, Ludwig : Ich stuend an einem Morgen
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: Andrew Lawrence-King
  • Ensemble: QuintEssential
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 2 min. 55 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Wöhl auf, wir wölen's wecken, for voice & harp
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: Andrew Lawrence-King
  • Ensemble: QuintEssential
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 3 min. 16 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Ave Maria, motet for 6 voices
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: David Skinner
  • Ensemble: QuintEssential Sackbut & Cornett Ensemble
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 11 min. 21 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Was wird es doch des Wunders noch, for 5 voices, S IV, 41
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: Andrew Lawrence-King
  • Ensemble: QuintEssential
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 2 min. 1 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Carmen in la à 4
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: Andrew Lawrence-King
  • Ensemble: QuintEssential
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 1 min. 33 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : So man lang macht, for voice & harp
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: David Skinner
  • Ensemble: QuintEssential Sackbut & Cornett Ensemble
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 4 min. 30 sec.
  • Period Time: Renaissance

>Senfl, Ludwig : Fortuna ad voces musicales, for 4 voices
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: Andrew Lawrence-King
  • Ensemble: QuintEssential
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 3 min. 28 sec.
  • Period Time: Renaissance

>Festa, Costanzo : Quis dabit oculis, motet for 4 voices
  • Performers: Christopher Watson (Tenor); Robert MacDonald (Bass)
  • Conductor: David Skinner
  • Ensemble: QuintEssential Sackbut & Cornett Ensemble
  • Notes: chapel of Sidney Sussex College, Cambridge; church of St Emmeram, Regensburg, Germany (05/25/2008-05/26/2008)
  • Running Time: 5 min. 48 sec.
  • Period Time: Renaissance