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Byrd: Gradualia (1607) / Michael Noone, Ensemble Plus Ultra

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> Psalmes, Sonets and Songs [text by Anonymous] - Psalmes, Sonets and Songs: Circumspice, Hierusalem
> Fantasia in D Minor (Musica Britannica, Vol. 28, No. 46) - Fantasia in D Minor (Musica Britannica, Vol. 18, No. 46)
> Psalmes, Sonets and Songs [text by Henry Walpole] - Psalmes, Sonets and Songs: Why do I use my paper, ink and pen?
> Gradualia, Book 2 [text by Bible and Anonymous] - Ab ortu solis
> Gradualia, Book 2 [text by Bible and Anonymous] - Venite, comedite panem meum
> Gradualia, Book 2 [text by Bible and Anonymous] - Alleluia, cognoverunt
> Gradualia, Book 2 [text by Bible and Anonymous] - Ego sum panis vivus
> Gradualia, Book 2 [text by Bible and Anonymous] - O quam suavis est
> Gradualia, Book 2 [text by Bible and Anonymous] - Iesu nostra redemptio
> Fantasia in A Minor (Musica Britannica, Vol. 27, No. 13) - Fantasia in A Minor (Musica Britannica, Vol. 27, No. 13)
> Gradualia, Book 2 [text by Bible and Anonymous] - Nunc scio vere
> Gradualia, Book 2 [text by Bible and Anonymous] - Constitues eos
> Gradualia, Book 2 [text by Bible and Anonymous] - Solve iubente Deo
> Gradualia, Book 2 [text by Bible and Anonymous] - Tu es petrus
> Gradualia, Book 2 [text by Bible and Anonymous] - Hodie Simon Petrus
> Gradualia, Book 2 [text by Bible and Anonymous] - Tu es Pastor ovium
> Gradualia, Book 2 [text by Bible and Anonymous] - Quodcunque ligaveris
> Ut re mi fa sol la in G Major (Musica Britannica, Vol. 28, No. 64) - Ut re mi fa sol la in G Major (Musica Britannica, Vol. 28, No. 64)
> Gradualia, Book 2 (text by Bible) - Gradualia, Book 2: Venite, exultemus Domino

Album Summary

>Byrd, William : Circumspice Hierusalem, motet for 6 voices (SSATBB) (inc. but can be reconstructed)
>Byrd, William : Fantasy, for keyboard in D minor, MB 46
>Byrd, William : Why do I use my paper, ink and pen?, consort song for voice & 4 viols
>Byrd, William : Ab ortu solis, motet for 4 voices (SATB)
>Byrd, William : Venite comedite panem meum, motet for 4 voices (SATB) (2nd part of "Ab ortu solis")
>Byrd, William : Alleluia, Cognoverunt., motet for 4 voices (SATB)
>Byrd, William : Ego sum panis vivus
>Byrd, William : O quam suavis est, motet for 4 voices (SATB)
>Byrd, William : Jesu nostra redemptio, motet for 4 voices (SATT)
>Byrd, William : Fantasia, for keyboard in A minor, MB 13
>Byrd, William : Gradualia, Volume 2
>Byrd, William : Ut re mi fa sol la, for keyboard in G major, MB 64
>Byrd, William : Venite, exultemus Domino, motet for 6 voices (SSATTB)
Performer Conductor Ensemble Composer


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Works Details

>Byrd, William : Circumspice Hierusalem, motet for 6 voices (SSATBB) (inc. but can be reconstructed)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 4 min. 16 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Fantasy, for keyboard in D minor, MB 46
  • Performer: Robert Quinney (Organ)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 5 min. 9 sec.
  • Period Time: Renaissance

>Byrd, William : Why do I use my paper, ink and pen?, consort song for voice & 4 viols
  • Performer: Robert Quinney (Organ)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 6 min. 46 sec.
  • Period Time: Renaissance

>Byrd, William : Ab ortu solis, motet for 4 voices (SATB)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 2 min. 42 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Venite comedite panem meum, motet for 4 voices (SATB) (2nd part of "Ab ortu solis")
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Alleluia, Cognoverunt., motet for 4 voices (SATB)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 3 min. 21 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Ego sum panis vivus
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : O quam suavis est, motet for 4 voices (SATB)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 3 min. 53 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Jesu nostra redemptio, motet for 4 voices (SATT)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 5 min. 19 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Fantasia, for keyboard in A minor, MB 13
  • Performer: Robert Quinney (Organ)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 8 min. 22 sec.
  • Period Time: Renaissance

>Byrd, William : Gradualia, Volume 2
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 5 min. 32 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Gradualia, Volume 2
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 2 min. 38 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Gradualia, Volume 2
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 2 min. 39 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Gradualia, Volume 2
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 1 min. 50 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1607

>Byrd, William : Gradualia, Volume 2
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 3 min. 56 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Gradualia, Volume 2
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 2 min. 13 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Gradualia, Volume 2
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 4 min. 27 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Ut re mi fa sol la, for keyboard in G major, MB 64
  • Performer: Robert Quinney (Organ)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 7 min. 13 sec.
  • Period Time: Renaissance

>Byrd, William : Venite, exultemus Domino, motet for 6 voices (SSATTB)
  • Conductor: Michael Noone
  • Ensemble: Ensemble Plus Ultra
  • Notes: St. Andrew's Church, Toddington, Gloucestershire, England (05/27/2007-05/29/2007)
  • Running Time: 3 min. 18 sec.
  • Period Time: Renaissance
  • Form: Choral