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Paul Paray: Yanitza; Acis & Galatée

Audio Samples

>Paray, Paul : Yanitza, lyric scene after an Albanian legend, for 3 voices & orchestra
>Paray, Paul : En revant (While dreaming), for piano
>Paray, Paul : Acis et Galatee, lyric scene for 3 voices & orchestra
>Paray, Paul : Serenade, for violin and piano
>Paray, Paul : Nocturne, for violin & orchestra
>Paray, Paul : Humoresque, for violin and piano

Album Summary

>Paray, Paul : Yanitza, lyric scene after an Albanian legend, for 3 voices & orchestra
>Paray, Paul : En revant (While dreaming), for piano
>Paray, Paul : Acis et Galatee, lyric scene for 3 voices & orchestra
>Paray, Paul : Serenade, for violin and piano
>Paray, Paul : Nocturne, for violin & orchestra
>Paray, Paul : Humoresque, for violin and piano
Performers Conductor Ensemble
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Works Details

>Paray, Paul : Yanitza, lyric scene after an Albanian legend, for 3 voices & orchestra
  • Performers: Curtis Peters; Allen Schrott (Bass Baritone); Elena Repnikova-Beck
  • Conductor: Eduard Perrone
  • Running Time: 1 min. 36 sec.
  • Period Time: Modern
  • Written: 1911

>Paray, Paul : En rêvant (While dreaming), for piano
  • Conductor: Eduard Perrone
  • Running Time: 2 min. 58 sec.
  • Period Time: Modern
  • Written: 1912

>Paray, Paul : Acis et Galatée, lyric scene for 3 voices & orchestra
  • Performers: Curtis Peters; Allen Schrott (Bass Baritone); Elena Repnikova-Beck
  • Conductor: Eduard Perrone
  • Running Time: 1 min. 43 sec.
  • Period Time: Modern
  • Written: 1910

>Paray, Paul : Sérénade, for violin and piano
  • Performers: Marian Tanau (Violin); Eduard Perrone (Piano)
  • Running Time: 2 min. 9 sec.
  • Period Time: Modern
  • Written: 1908

>Paray, Paul : Nocturne, for violin & orchestra
  • Performers: Marian Tanau (Violin); Eduard Perrone (Piano)
  • Running Time: 3 min. 14 sec.
  • Period Time: Modern
  • Written: 1911

>Paray, Paul : Humoresque, for violin and piano
  • Performers: Marian Tanau (Violin); Eduard Perrone (Piano)
  • Running Time: 2 min. 46 sec.
  • Period Time: Modern
  • Written: 1910