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Guillaume Dufay: Chansons

Audio Samples

>Dufay, Guillaume : Bon jour, bon mois, bon an et bonne estraine, rondeau for 3 voices
>Dufay, Guillaume : Las, que feray? ne que je devenray? rondeau for 3 voices
>Dufay, Guillaume : J'ay mis mon cuer
>Dufay, Guillaume : Mon cuer me fait tous dis penser, rondeau for 4 voices
>Dufay, Guillaume : Helas mon dueil, a ce cop sui je mort, virelai for 3 voices
>Dufay, Guillaume : La Belle se siet au pied de la tour, chanson for 3 voices (only cantus II part by Dufay)
>Dufay, Guillaume : Quel fronte signorille
>Dufay, Guillaume : Helas, ma dame, par amours, rondeau for 3 voices
>Dufay, Guillaume : Je languis en piteux martire, ballade for 3 voices (attributed; also attributed to Dunstaple)
>Dufay, Guillaume : Ce jour de l'an
>Dufay, Guillaume : Dona i ardenti ray, ballata for 3 voices
>Dufay, Guillaume : Adieu ces bons vins de Lannoys, rondeau for 3 voices
>Dufay, Guillaume : C'est bien raison de devoir essaucier

Album Summary

>Dufay, Guillaume : Bon jour, bon mois, bon an et bonne estraine, rondeau for 3 voices
>Dufay, Guillaume : Las, que feray? ne que je devenray? rondeau for 3 voices
>Dufay, Guillaume : J'ay mis mon cuer
>Dufay, Guillaume : Mon cuer me fait tous dis penser, rondeau for 4 voices
>Dufay, Guillaume : Helas mon dueil, a ce cop sui je mort, virelai for 3 voices
>Dufay, Guillaume : La Belle se siet au pied de la tour, chanson for 3 voices (only cantus II part by Dufay)
>Dufay, Guillaume : Quel fronte signorille
>Dufay, Guillaume : Helas, ma dame, par amours, rondeau for 3 voices
>Dufay, Guillaume : Je languis en piteux martire, ballade for 3 voices (attributed; also attributed to Dunstaple)
>Dufay, Guillaume : Ce jour de l'an
>Dufay, Guillaume : Dona i ardenti ray, ballata for 3 voices
>Dufay, Guillaume : Adieu ces bons vins de Lannoys, rondeau for 3 voices
>Dufay, Guillaume : C'est bien raison de devoir essaucier
Ensemble Composer

Notes & Reviews:

This gem of the Olive Music catalog is now available on Etcetera for international distribution! Jill Feldman has appeared under the direction of such distinguished musicians as Frans Bruggen, Andrew Parrot, Jordi Savall, and Rene Jacobs. Kees Boeke has given seminars and master classes in early music around the world, and is artistic director of the International Early Music courses at San Floriano. He recorded for all the major companies before starting his own label, Olive Music, which joined with Etcetera in 2008.

Notes & Reviews:

Recording information: Pieve di San Giovanni Battista a Petrolo Galatrona, Are (05/02/2004-05/04/2004).



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Works Details

>Dufay, Guillaume : Bon jour, bon mois, bon an et bonne estraine, rondeau for 3 voices
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 4 min. 7 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Las, que feray? ne que je devenray? rondeau for 3 voices
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 5 min. 26 sec.
  • Period Time: Renaissance
  • Written: by 1450

>Dufay, Guillaume : J'ay mis mon cuer
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 2 min. 3 sec.
  • Period Time: Renaissance
  • Written: circa 1425

>Dufay, Guillaume : Mon cuer me fait tous dis penser, rondeau for 4 voices
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 5 min. 7 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Helas mon dueil, a ce cop sui je mort, virelai for 3 voices
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 5 min. 33 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : La Belle se siet au pied de la tour, chanson for 3 voices (only cantus II part by Dufay)
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 1 min. 12 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Quel fronte signorille
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 3 min. 27 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Helas, ma dame, par amours, rondeau for 3 voices
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 3 min. 40 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Je languis en piteux martire, ballade for 3 voices (attributed; also attributed to Dunstaple)
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 7 min. 58 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Ce jour de l'an
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 2 min. 23 sec.
  • Period Time: Renaissance
  • Written: by 1475

>Dufay, Guillaume : Dona i ardenti ray, ballata for 3 voices
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 2 min. 32 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Adieu ces bons vins de Lannoys, rondeau for 3 voices
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 4 min. 20 sec.
  • Period Time: Renaissance
  • Written: 1426

>Dufay, Guillaume : C'est bien raison de devoir essaucier
  • Ensemble: Tetraktys
  • Notes: Pieve di San Giovanni Battista a Petrolo Galatrona, Arezzo, Italy (05/02/2004-05/04/2004)
  • Running Time: 10 min. 55 sec.
  • Period Time: Renaissance
  • Written: circa 1433