|Worlds Beyond - I. Worlds Beyond|
|Worlds Beyond - II. Blues for Schubert|
|Worlds Beyond - III. Chase|
|Worlds Beyond - IV. Afterthought|
|Worlds Beyond - V. We Should Know Better|
|Faust - Opening Music (after Handel's Flute Sonata, Op. 1, No. 2)|
|Faust - The Alchemist|
|Faust - Prayer|
|Faust - Bei des Zaubrers Hirngebein (after C.M. von Webern's wolfsschlucht-szene from Freischutz)|
|Faust - Seduction Ballad|
|Faust - Mephisto (after Busoni's arrangement of Liszt's Mephisto-Walzer)|
|Faust - Heimat (after Wagner's Act I, Der Fliegende Hollander)|
|Faust - Easter|
|Faust - Death and the Maiden (after Schubert's String Quartet No. 14 in D minor, "Der Tod und das Madchen)|
|Faust - Coming Home|
|Faust - The Temptation of Margaret|
|Faust - Love Poison|
|Faust - Jewels|
|Faust - Falling in Love|
|Faust - Mephisto Claims his Victims|
|Faust - Valentin's Funeral|
|Faust - Frozen Tears (after Schubert's Gefrorne Tranen from Winterreise)|
|Faust - Kindertotenlied (after Mahler's Nun will die Sonn' so hell aufgehen from Kindertotenlieder)|
|Faust - Gretchen at the Stake|
|Faust - Death and Transfiguration (after Strauss', Tod und Verklarung)|
|Faust - Exeunt|
Personnel: Daniel Schnyder (flute, soprano saxophone, tenor saxophone); David Taylor (bass trombone); Kenny Drew, Jr. (piano).
Recording information: ClassicSound studios, New York (USA) (05/15/2003).
Swiss composer and performer Daniel Schnyder has established careers in the worlds of classical music and jazz, but he has perhaps made the largest impact in the area where the two overlap, and that is the realm this album, Worlds Beyond Faust, inhabits. Its centerpiece is Schnyder's score for Friedrich Murnau's classic 50-minute silent film, Faust, made in 1926. The ensemble Schnyder founded in 1996, Words Within Music, with the composer playing flute and saxophones, with bass trombonist David Taylor and pianist Kenny Drew, Jr., performs the score. Schnyder skillfully draws on jazz traditions, the melodramatic conventions associated with stereotypical music for silent film, extended instrumental techniques, and artfully chosen selections from the classical repertoire, including music by Handel, Weber, Busoni, Liszt, Wagner, Schubert, Mahler, and Richard Strauss. He manages to meld these disparate elements into a soundtrack that sounds like it would be a fabulous accompaniment for the film's visuals, but that is also musically coherent and compelling and satisfying as a purely aural experience. The album is filled with the five-movement suite Worlds Beyond, which is most strongly influenced by jazz. The performances are stellar, with each performer playing with expressive freedom and complete technical assurance, moving effortlessly between Schnyder's flexibly morphing idioms. Col Legno's sound is clear and well defined, with a warm presence. Highly recommended for fans of the sophisticated cross pollination of jazz and classical traditions.~Stephen Eddins
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Works DetailsSchnyder, Daniel : Worlds Beyond, for saxophone, trombone & piano
- Performers: Daniel Schnyder (Flute); Kenny Drew (Piano)
- Running Time: 18 min. 55 sec.
- Period Time: Contemporary
- Form: Chamber Music
Schnyder, Daniel : Faust, soundtrack for Murnau's 1926 silent movie
- Performers: Kenny Drew (Piano); Daniel Schnyder (Flute)
- Running Time: 45 min. sec.
- Period Time: Contemporary