Audio Samples
Heartbreaker [Single Mix]
We Live For Love
Hit Me With Your Best Shot
Hell is For Children
Treat Me Right [Single Edit]
You Better Run
Fire and Ice
Promises In the Dark
Precious Time
Shadows of the Night [Single Edit]
Little Too Late [Single Edit]
Looking For a Stranger
Love is a Battlefield [Single Edit]
We Belong
Ooh Ooh Song [Single Edit]
Invincible [Theme From the Legend of Billie Jean] [Single Edit]
Sex As a Weapon
Le Bel Age [Single Edit]
All Fired Up [Single Edit]
One Love (Song of the Lion) [Single Edit]Track List
Heartbreaker [Single Mix]
We Live For Love
Hit Me With Your Best Shot
Hell is For Children
Treat Me Right [Single Edit]
You Better Run
Fire and Ice
Promises In the Dark
Precious Time
Shadows of the Night [Single Edit]
Little Too Late [Single Edit]
Looking For a Stranger
Love is a Battlefield [Single Edit]
We Belong
Ooh Ooh Song [Single Edit]
Invincible [Theme From the Legend of Billie Jean] [Single Edit]
Sex As a Weapon
Le Bel Age [Single Edit]
All Fired Up [Single Edit]
One Love (Song of the Lion) [Single Edit]Album Notes
Personnel: Pat Benatar (vocals); Neil Giraldo (guitar, background vocals).
Liner Note Author: Gillian Gaar.
Photographers: Jeffrey Mayer; Randee St. Nicholas.
Though things were a bit looser in post-punk and New Wave circles, mainstream rock in the late-1970s/early-'80s was largely a man's game, with females chauvinistically shunted off to ancillary status. Pat Benatar played a major role in changing the AOR gender dynamic. Ruling the radio for a number of years, her belting vocal style and hard-rocking hits defined an era for many, as exemplified on GREATEST HITS. With their charging guitars and fiery vocals, the likes of "Heartbreaker" and "Hit Me With Your Best Shot" bear the influence of Led Zeppelin and AC/DC streamlined for the New Wave era, shot through with concision and a pronounced pop sensibility. Benatar's approach expanded as the '80s rolled on; "Shadows of the Night," penned by cult power-popper D.L. Byron, is an elegant power-ballad tour de force. Later tracks such as "Love is a Battlefield" and "Le Bel Age" incorporate synthesizer and slicker production, taking a decidedly poppier stance. No matter the musical mode, Benatar's voice sails through strong and crystal-clear, piling up the hits as it goes.

























