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Vivaldi: Cupido tu vedi

Audio Samples

>Vivaldi, Antonio : Concerto for Flute in A minor, RV 440
>Vivaldi, Antonio : Che giova il sospirar, povero core, cantata for voice, strings & continuo, RV 679
>Vivaldi, Antonio : Concerto for Cello in D minor, RV 406
>Vivaldi, Antonio : All'ombra di sospetto, cantata for voice, flute & continuo, RV 678
>Vivaldi, Antonio : Concerto for 2 Flutes in C major, RV 533
>Vivaldi, Antonio : Vengo a voi, luci adorate, cantata for soprano & orchestra, RV 682
>Vivaldi, Antonio : Concerto for Flute in G minor, Op. 10 no 2/RV 439 "La notte"

Album Summary

>Vivaldi, Antonio : Concerto for Flute in A minor, RV 440
>Vivaldi, Antonio : Che giova il sospirar, povero core, cantata for voice, strings & continuo, RV 679
>Vivaldi, Antonio : Concerto for Cello in D minor, RV 406
>Vivaldi, Antonio : All'ombra di sospetto, cantata for voice, flute & continuo, RV 678
>Vivaldi, Antonio : Concerto for 2 Flutes in C major, RV 533
>Vivaldi, Antonio : Vengo a voi, luci adorate, cantata for soprano & orchestra, RV 682
>Vivaldi, Antonio : Concerto for Flute in G minor, Op. 10 no 2/RV 439 "La notte"
Performers Ensemble Composer

Notes & Reviews:

The peculiar feature of this record is the great variety of the musical styles represented: instrumental and vocal music, with well-known concertos alongside those that are less famous.

"The breadth of Antonio Vivaldi's body of work is finally beginning to become more widely known. The opera project on Naïve is only the most startling revelation of his capacity. Considerable recording has now made much of his religious writing beyond the famous Gloria available. While most of the violin concertos remain yet to be heard, the bassoon concertos are available in several complete versions, with at least two more on the way; the few pieces with obbligato organ have recently been recorded; and his concertos for flute, played on both recorder and traverso, are making their way. Here, we also get a cello concerto.

There is no particular theme uniting the disparate elements of this recording and, in fact, according to the notes, its performers had concerns about that. Nonetheless, it works as a continuous program: The concertos and cantatas alternate with each other. As near as I can tell, the Accademia Ottoboni is a relatively new ensemble, playing here on old or copies of old instruments.

These cantatas are all thought to come late in Vivaldi's life, perhaps from the early 1730s, when he was on his northern travels. Their pastoral texts circle around the torments of love. The charming first aria of RV 679 lets the orchestra play the part of the palpitating heart of the cruel and lovesick shepherdess Irene as she addresses Cupid, and has a shape that recalls "Veni, me sequere fida" in Vivaldi's splendid 1716 oratorio Juditha triumphans . RV 678, the only cantata with an obbligato flute, has an aria that reminds one of those operatic flute/soprano duets to come in the following century, but the soprano here is sad rather than mad. The third cantata, RV 682, is addressed to her lover's eyes, and also has a lilting accompaniment underneath a fine tune. Rafaella Milanesi sings sweetly, though I wonder if a little more lovely torment might not have been amiss.

The concertos are well played. I especially liked Laura Colucci's attractive reading of RV 440. Manuel Granatiero offers a fine version of the justly famous "La Notte," RV 439, but here the competition is fierce. My only reservations come in the first movement, where Granatiero's breathing wavers slightly in the long-held G about two minutes in and where the orchestra's sound is just not nocturnal enough. For this concerto, I prefer Erik Bosgraaf on the recorder (Brilliant), but on the traverso, Granatiero is the one to beat. Marco Ceccato plays the cello concerto with vigor and his slightly raspy tone fits with the orchestral sound.

Those looking for something other than four seasons and a Gloria will find this a useful step into the larger world of Vivaldi's music."-Fanfare

Notes & Reviews:

Recording information: Chiesa di S. Martino a Proceno, Italy (09/11/2008-09/14/2008).



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Works Details

>Vivaldi, Antonio : Concerto for Flute in A minor, RV 440
  • Ensemble: Accademia Ottoboni
  • Notes: Chiesa di S. Martino a Proceno, Italy (09/11/2008-09/14/2008)
  • Running Time: 8 min. 14 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Che giova il sospirar, povero core, cantata for voice, strings & continuo, RV 679
  • Performer: Raffaella Milanesi (Soprano)
  • Ensemble: Accademia Ottoboni
  • Notes: Chiesa di S. Martino a Proceno, Italy (09/11/2008-09/14/2008)
  • Running Time: 10 min. 4 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: by 1750

>Vivaldi, Antonio : Concerto for Cello in D minor, RV 406
  • Performer: Marco Ceccato (Cello)
  • Ensemble: Accademia Ottoboni
  • Notes: Chiesa di S. Martino a Proceno, Italy (09/11/2008-09/14/2008)
  • Running Time: 9 min. 22 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : All'ombra di sospetto, cantata for voice, flute & continuo, RV 678
  • Performer: Raffaella Milanesi (Soprano)
  • Ensemble: Accademia Ottoboni
  • Notes: Chiesa di S. Martino a Proceno, Italy (09/11/2008-09/14/2008)
  • Running Time: 10 min. 54 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: by 1742

>Vivaldi, Antonio : Concerto for 2 Flutes in C major, RV 533
  • Ensemble: Accademia Ottoboni
  • Notes: Chiesa di S. Martino a Proceno, Italy (09/11/2008-09/14/2008)
  • Running Time: 7 min. 11 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Vengo a voi, luci adorate, cantata for soprano & orchestra, RV 682
  • Performer: Raffaella Milanesi (Soprano)
  • Ensemble: Accademia Ottoboni
  • Notes: Chiesa di S. Martino a Proceno, Italy (09/11/2008-09/14/2008)
  • Running Time: 9 min. 41 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: by 1742

>Vivaldi, Antonio : Concerto for Flute in G minor, Op. 10 no 2/RV 439 "La notte"
  • Ensemble: Accademia Ottoboni
  • Notes: Chiesa di S. Martino a Proceno, Italy (09/11/2008-09/14/2008)
  • Running Time: 9 min. 45 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1729