The St. Emmeram Mensural Codex

Audio Samples

>Brassart, Johannes : Christi nutu sublimato, motet
>Roullet, Johannes : Sanctus, trope (Crux columpna preelecta)
>Liebert, Reginaldus : Agnus dei, fauxbourdon for vocal ensemble
>Binchois, Gilles : Virgo rosa venustatis, hymn for 3 voices, K. 52 (contrafactum of rondeau "C'est assez")
>Binchois, Gilles : Adieu mes tres belles amours, rondeau for 3 voices, R. 5
>Landini, Francesco : Questa fanciulla, Amor
>Vaillant, Jehan : Par maintes foys, virelai
>Anonymous : O Maria stella maris
>Wolkenstein, Oswald von : Vierhundert jar
>Anonymous, German : Christ ist erstanden
>von Haringen, Rudolf V. : Levat autentica, for vocal ensemble
>Schweikl, Peter : Sanctus, trope (Gustasti necis pocula)
>Edlerawer, Hermann : Verbum bonum, fauxbourdon sequence for vocal ensemble
>Anonymous : Christus Surrexit/Chorus Novae/Christus Surrexit/Mala Nostra Texit, motet
>Dufay, Guillaume : Supremum est mortalibus bonum
>Dufay, Guillaume : Mille bonjours je vous presente, rondeau for 3 voices
>Lantins, Arnold de : Tota pulchra es, motet
>Berben, Léon : Sequitur adhuc semel Dulongesux, for organ (after Guillaume Dufay)
>Berben, Léon : Aliud Esclaphe, for organ (after Gilles Binchois)
>Dunstable, John : Quam pulcra es, antiphon for 3 voices, MB 44
>Power, Leonel : Anima mea liquefacta, motet
>Berben, Léon : Portigaler, for organ (after Guillaume Dufay)
>Anonymous, German : En naturarum dominus, cantio for vocal ensemble
>Anonymous, Codex Franus : Credo
>Waring, Johannes : Alleluia, trope (Alle dei filius)
>Anonymous : Jadrensis Codex
>Gruden, Petrus Wilhelmi de : Presulem euphebeatum, rota for vocal ensemble

Album Summary

>Brassart, Johannes : Christi nutu sublimato, motet
>Roullet, Johannes : Sanctus, trope (Crux columpna preelecta)
>Liebert, Reginaldus : Agnus dei, fauxbourdon for vocal ensemble
>Binchois, Gilles : Virgo rosa venustatis, hymn for 3 voices, K. 52 (contrafactum of rondeau "C'est assez")
>Binchois, Gilles : Adieu mes tres belles amours, rondeau for 3 voices, R. 5
>Landini, Francesco : Questa fanciulla, Amor
>Vaillant, Jehan : Par maintes foys, virelai
>Anonymous : O Maria stella maris
>Wolkenstein, Oswald von : Vierhundert jar
>Anonymous, German : Christ ist erstanden
>von Haringen, Rudolf V. : Levat autentica, for vocal ensemble
>Schweikl, Peter : Sanctus, trope (Gustasti necis pocula)
>Edlerawer, Hermann : Verbum bonum, fauxbourdon sequence for vocal ensemble
>Anonymous : Christus Surrexit/Chorus Novae/Christus Surrexit/Mala Nostra Texit, motet
>Dufay, Guillaume : Supremum est mortalibus bonum
>Dufay, Guillaume : Mille bonjours je vous presente, rondeau for 3 voices
>Lantins, Arnold de : Tota pulchra es, motet
>Berben, Léon : Sequitur adhuc semel Dulongesux, for organ (after Guillaume Dufay)
>Berben, Léon : Aliud Esclaphe, for organ (after Gilles Binchois)
>Dunstable, John : Quam pulcra es, antiphon for 3 voices, MB 44
>Power, Leonel : Anima mea liquefacta, motet
>Berben, Léon : Portigaler, for organ (after Guillaume Dufay)
>Anonymous, German : En naturarum dominus, cantio for vocal ensemble
>Anonymous, Codex Franus : Credo
>Waring, Johannes : Alleluia, trope (Alle dei filius)
>Anonymous : Jadrensis Codex
>Gruden, Petrus Wilhelmi de : Presulem euphebeatum, rota for vocal ensemble
Performers Ensemble Composers

Notes & Reviews:

The St. Emmeram Codex is one of the very few large manuscripts of polyphonic music to have survived in Western Europe from the late Middle Ages. Sung by Stimmwerck, a male vocal quartet founded in 2001, the vocal music is supplemented by music for organ from the Buxheim Organ Book.

The St. Emmeram Codex is one of the very few large manuscripts of polyphonic music to have survived in Western Europe from the late Middle Ages. Sung by Stimmwerck, a male vocal quartet founded in 2001, the vocal music is supplemented by music for organ from the Buxheim Organ Book.

Notes & Reviews:

Recording information: Klosterkirche Windberg / Bogen (08/2007).



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Works Details

>Brassart, Johannes : Christi nutu sublimato, motet
  • Performers: Christof Hartkopf (Voice); Edzard Burchards
  • Ensemble: Stimmwerck
  • Running Time: 3 min. 30 sec.
  • Period Time: Renaissance
  • Form: Choral

>Roullet, Johannes : Sanctus, trope (Crux columpna preelecta)
  • Performers: Gerhard Hölzle; Klaus Wenk (Tenor); Franz Vitzthum (Countertenor); Edzard Burchards
  • Running Time: 4 min. 10 sec.

>Liebert, Reginaldus : Agnus dei, fauxbourdon for vocal ensemble
  • Performers: Gerhard Hölzle; Klaus Wenk (Tenor); Franz Vitzthum (Countertenor)
  • Running Time: 2 min. 47 sec.

>Binchois, Gilles : Virgo rosa venustatis, hymn for 3 voices, K. 52 (contrafactum of rondeau "C'est assez")
  • Performers: Gerhard Hölzle; Klaus Wenk (Tenor); Franz Vitzthum (Countertenor)
  • Running Time: 1 min. 5 sec.
  • Period Time: Renaissance

>Binchois, Gilles : Adieu mes tres belles amours, rondeau for 3 voices, R. 5
  • Performer: Léon Berben (Organ)
  • Running Time: 1 min. 49 sec.
  • Period Time: Renaissance

>Landini, Francesco : Questa fanciulla, Amor
  • Performers: Christof Hartkopf (Voice); Gerhard Hölzle; Marcus Schmidl (Bass)
  • Running Time: 1 min. 42 sec.
  • Period Time: Medieval
  • Written: circa 1350-1397

>Vaillant, Jehan : Par maintes foys, virelai
  • Performers: Franz Vitzthum (Countertenor); Gerhard Hölzle; Klaus Wenk (Tenor)
  • Running Time: 2 min. 21 sec.
  • Period Time: Medieval
  • Form: Vocal
  • Written: circa 1360-1390

>Anonymous : O Maria stella maris
  • Performers: Christof Hartkopf (Voice); Gerhard Hölzle; Franz Vitzthum (Countertenor); Edzard Burchards
  • Running Time: 2 min. sec.

>Wolkenstein, Oswald von : Vierhundert jar
  • Performer: Léon Berben (Organ)
  • Running Time: 1 min. 56 sec.
  • Period Time: Medieval

>Anonymous, German : Christ ist erstanden
  • Performers: Christof Hartkopf (Voice); Franz Vitzthum (Countertenor); Marcus Schmidl (Bass)
  • Running Time: 1 min. 30 sec.

>von Haringen, Rudolf V. : Levat autentica, for vocal ensemble
  • Performers: Gerhard Hölzle; Klaus Wenk (Tenor); Franz Vitzthum (Countertenor)
  • Running Time: 2 min. 4 sec.

>Schweikl, Peter : Sanctus, trope (Gustasti necis pocula)
  • Performers: Gerhard Hölzle; Franz Vitzthum (Countertenor)
  • Running Time: 3 min. 40 sec.

>Edlerawer, Hermann : Verbum bonum, fauxbourdon sequence for vocal ensemble
  • Performer: Christof Hartkopf (Voice)
  • Ensemble: Stimmwerck
  • Running Time: 3 min. 48 sec.

>Anonymous : Christus Surrexit/Chorus Novae/Christus Surrexit/Mala Nostra Texit, motet
  • Performer: Léon Berben (Organ)
  • Running Time: 1 min. 16 sec.
  • Form: Choral

>Dufay, Guillaume : Supremum est mortalibus bonum
  • Performers: Christof Hartkopf (Voice); Edzard Burchards
  • Ensemble: Stimmwerck
  • Running Time: 6 min. 34 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1433

>Dufay, Guillaume : Mille bonjours je vous presente, rondeau for 3 voices
  • Performer: Léon Berben (Organ)
  • Running Time: 2 min. 32 sec.
  • Period Time: Renaissance

>Lantins, Arnold de : Tota pulchra es, motet
  • Performers: Christof Hartkopf (Voice); Edzard Burchards
  • Ensemble: Stimmwerck
  • Running Time: 2 min. 59 sec.
  • Period Time: Medieval
  • Form: Choral

>Berben, Léon : Sequitur adhuc semel Dulongesux, for organ (after Guillaume Dufay)
  • Performer: Léon Berben (Organ)
  • Running Time: 3 min. 48 sec.
  • Period Time: Contemporary

>Berben, Léon : Aliud Esclaphe, for organ (after Gilles Binchois)
  • Performer: Léon Berben (Organ)
  • Running Time: 2 min. 10 sec.
  • Period Time: Contemporary

>Dunstable, John : Quam pulcra es, antiphon for 3 voices, MB 44
  • Performers: Marcus Schmidl (Bass); Christof Hartkopf (Voice); Franz Vitzthum (Countertenor)
  • Notes: Composition written: Circa 1410-53.
  • Running Time: 2 min. 11 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1410-1453

>Power, Leonel : Anima mea liquefacta, motet
  • Performers: Gerhard Hölzle; Klaus Wenk (Tenor); Franz Vitzthum (Countertenor)
  • Running Time: 3 min. 19 sec.
  • Period Time: Renaissance
  • Form: Choral

>Berben, Léon : Portigaler, for organ (after Guillaume Dufay)
  • Performer: Léon Berben (Organ)
  • Running Time: 3 min. 12 sec.
  • Period Time: Contemporary

>Anonymous, German : En naturarum dominus, cantio for vocal ensemble
  • Performers: Gerhard Hölzle; Marcus Schmidl (Bass)
  • Running Time: 1 min. 33 sec.

>Anonymous, Codex Franus : Credo
  • Performers: Christof Hartkopf (Voice); Edzard Burchards; Ian Rumbold
  • Ensemble: Stimmwerck
  • Running Time: 4 min. 40 sec.
  • Form: Choral

>Waring, Johannes : Alleluia, trope (Alle dei filius)
  • Performers: Christof Hartkopf (Voice); Klaus Wenk (Tenor); Marcus Schmidl (Bass)
  • Running Time: 1 min. 32 sec.

>Anonymous : Jadrensis Codex
  • Performers: Christof Hartkopf (Voice); Klaus Wenk (Tenor); Marcus Schmidl (Bass)
  • Running Time: 2 min. 6 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gruden, Petrus Wilhelmi de : Presulem euphebeatum, rota for vocal ensemble
  • Performers: Christof Hartkopf (Voice); Edzard Burchards
  • Ensemble: Stimmwerck
  • Running Time: 3 min. 20 sec.
  • Period Time: Renaissance