|Caravan (arr. G. Reynolds) - Caravan (arr. G. Reynolds)|
|It Don't Mean A Thing (If It Ain't Got That Swing) (arr. G. Reynolds) - It Don't Mean A Thing (If It Ain't Got That Swing) (arr. G. Reynolds)|
|Old King Dooji (arr. G. Reynolds) - Old King Dooji (arr. G. Reynolds)|
|Echoes of Harlem (arr. G. Reynolds) - Echoes of Harlem (arr. G. Reynolds)|
|Blue Pepper (arr. G. Reynolds) - Blue Pepper (arr. G. Reynolds)|
|Heaven (arr. G. Reynolds) - Heaven (arr. G. Reynolds)|
|Cotton Tail (arr. G. Reynolds) - Cotton Tail (arr. G. Reynolds)|
|String Abstractions - No. 1. Heaven|
|String Abstractions - No. 2. It Don't Mean a Thing|
|String Abstractions - No. 3. Cotton Tail|
|String Abstractions - No. 4. Caravan SloMo|
|String Abstractions - No. 5. Caravan Pizz|
|String Abstractions - No. 6. Echoes of Harlem|
|String Abstractions - No. 7. Blue Pepper|
|String Abstractions - No. 8. Old King Dooji|
|Level One (Heaven remix by Adrian Quesada) - Level One (Heaven remix by Adrian Quesada)|
|The Bear and The Duke Meet the Golden Army (Blue Pepper remix by Butcher Bear) - The Bear and The Duke Meet the Golden Army (Blue Pepper remix by Butcher Bear)|
|Old Kings (Gabriel Prokofiev remix) - Old Kings (Gabriel Prokofiev remix)|
|The Year of the Rabbit (Peter Stopschinski remix) - The Year of the Rabbit (Peter Stopschinski remix)|
|Echoes of Harlem (Justin Sherburn and Jeff Hoskins remix) - Echoes of Harlem (Justin Sherburn and Jeff Hoskins remix)|
|It Don't Mean (String Abstraction remix by DJ Spooky) - It Don't Mean (String Abstraction remix by DJ Spooky)|
|Caravan (Graham Reynolds remix) - Caravan (Graham Reynolds remix)|
Album Remarks & Appraisals:
The composing genius of Duke Ellington meets the ferocious energy of Jerry Lee Lewis meets the exploratory mind of Graham Reynolds in this album, with Gabriel Prokofiev, DJ Spooky, and others helping expand the vision. Seven songs done three completely different ways, one unified album. For Graham, his Ellington show started as a don't-think-about-it-too much, just-have-fun, one-time-only, take-a-break-from-composing side project. Then it was too much fun, and the audience too responsive, to let it rest there. Repeat performances saw the arrangements and ideas behind the music develop, the list of tunes narrow and focus, and the audiences grow. An album became an obvious next step. As a composer-bandleader himself, Reynolds looks to Duke as a model, perhaps the definitive model, of a what a composer-bandleader can be and the heights that can be achieved. Straddling the territory between the "band" format where collectively rules, and the traditional "composer" model, with its top down system, Ellington create composed music that only his band and those specific players could ever fully execute as envisioned. Rather than attempting any sort of recreation, Graham recast the music for himself and the players he works with, especially the unique voices of drummer Jeremy Bruch on drums and violinist Leah Zeger. The band portrait came first int the form of short but intensely highenergy shows with turn-it-to-11, in-your face brashness and a sustained driving rock pulse. Instead of the large ensembles Ellington favored, Graham chose a focused line-up up of drums, piano, sax, trombone, and bass. The size allows for a looseness that gives the players room to rip it up and explore their own ideas while still maintaining a tight unified front. The string portrait came next with Graham stepping further from Ellington's vision, creating something truly his own from tiny fragments of the originals in the classical tradition of theme and variation. Developed in the studio rather than live in clubs, these pieces show Reynolds more intimate side. Finally came the remix portrait, where Graham turned over the recordings from the band and string portraits to seven remixers to cast the pieces in their own voice: Okerville River's Justin Sherburn, DJ Spooky, Gabriel Prokofiev (grandson of the great Russian composer), Golden Hornet Project's Peter Stopschinski, grammy-nominated producer Adrian Quesada of Grupo Fantasma, and finally Reynolds himself. Graham looks for collaborators in all his work, whether it been musicians in his ensembles, or directors and choreographers in his film, theater, and dance work. In Duke Ellington, Reynolds has found a new type of collaborator and an incredible source of inspiration. DUKE! Is his tribute to and sonic portrait of one of history's greatest composer-bandleaders.
Personnel: Graham Reynolds (piano); Leah Zeger, Joseph Shuffield, Jennifer Bourianoff, Bruce Colson, Alexis Buffum (violin); Jason Elinoff, Leah Nelson (viola); Hector Moreno (cello); Thad Scott, John Mills , Paul Klemperer (saxophone); Jerome Smith , Wayne Myers, Freddie Mendoza (trombone); Jeremy Bruch (drums).
Audio Mixers: Buzz Moran; Graham Reynolds.
Recording information: Red House Studio, Austin, TX.
Director: Philip Blackburn.