Notes & Reviews:
Mozart was an avowed Freemason, and his connection to the order became integrated with his compositional output. In 1785 he composed the Maurerische Trauermusik (Masonic Funeral Music). It was written in honor of two deceased brethren — Franz, Count Esterhazy de Galantha and Georg August, Duke of Mecklenburg-Strelitz. Mozart associated certain musical motifs with Masonic ideas. The rising interval of the major sixth and various rhythmic embodiments of Masonic ritual knocks were among the elements he used as musical symbols. Although the Requiem is not specifically Masonic in nature, there are aspects present including some of these musical motifs. This 1991 recording bears the signature of Jordi Savall’s talent as a conductor — the intensity of emotion, clarity of structure and the emphasis on singing musical lines. This new multichannel re-mastering sheds new light on a true gem of the back catalog.
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El Cant de la Sibil.la: Catalunya
Kerll - Complete Works for Keyboard Vol 1 / Billeter
Il Diario di Chiara: Music from La Pieta in Venice, 18th century: Vivaldi, Porta, Porpora, Martinelli / Europa Galante
Martin Berteau (1708-1771): Sonatas & Airs for Violoncello / Christophe Coin, Petr Skalka, Felix Knecht, cellos; Markus Hunninger harpsichord
Corelli: The 'Assisi' Sonatas / Ensemble Aurora
Arias composed for Domenico Gizzi: A Star Castrato in Baroque Rome - by Vinci, Costanzi, Scarlatti, Feo, Sarro, Bononcini / I Turchini, Roberta Invernizzi, soprano
Vivaldi: I concerti dell'addio - The Farewell Concertos / Fabio Biondi, violin & direction; Europa Galante
Guerre & Paix (War & Peace), 1614-1714 / Hesperion XXI, Le Concert des Nations, La Capella Reial de Cataluny. Jordi Savall
Claudio Monteverdi: L'Orfeo / Furio Zanasi, Sara Mingardo, Monteserrat Figueras, La Capella Reial de Catalunya; Le Concert des Nations, Jordi Savall (live, 2002)