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J.S. Bach: Motets BWV 225-230 / Herreweghe

Album Summary

>Bach, Johann Sebastian : Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1)
>Bach, Johann Sebastian : Komm, Jesu, komm!, BWV 229
>Bach, Johann Sebastian : Jesu, meine Freude, BWV 227
>Bach, Johann Sebastian : Lobet den Herrn, alle Heiden, BWV 230
>Bach, Johann Sebastian : Fürchte dich nicht, ich bin bei dir, motet for double chorus, BWV 228 (BC C4)
>Bach, Johann Sebastian : Der Geist hilft unser Schwachheit auf, BWV 226
Performers Conductor Ensemble Composer

Notes & Reviews:

Although a great deal of mystery shrouds their conception, Bach's motets count among the works that were played uninterruptedly in Leipzig from their origin up to now. In light of recent research, Philippe Herreweghe found inspiration in the Leipzig practices, described in the booklet notes by Peter Wollny. Led by outstanding soloists, Collegium Vocale is at the peak of its art. A new version destined to become a milestone!

Notes & Reviews:

Recording information: Jesus-Christus-Kirche, Berlin-Dahlem (01/28/2011-01/30/2011).



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Works Details

>Bach, Johann Sebastian : Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1)
  • Performers: Dorothee Mields (Soprano); Peter Kooij; Stephan MacLeod (Bass); Zsuzsi Toth; Maria Keohare; Hans-Jorg Mammel (Voice); Robin Blaze; Thomas Hobbs (Tenor); Damien Guillon (Countertenor)
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale Gent
  • Notes: Jesus-Christus-Kirche, Berlin-Dahlem (01/28/2011-01/30/2011)
  • Running Time: 12 min. 35 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1726-1727

>Bach, Johann Sebastian : Komm, Jesu, komm!, BWV 229
  • Performers: Maria Keohare; Stephan MacLeod (Bass); Thomas Hobbs (Tenor); Hans-Jorg Mammel (Voice); Dorothee Mields (Soprano); Zsuzsi Toth; Peter Kooij; Robin Blaze; Damien Guillon (Countertenor)
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale Gent
  • Notes: Jesus-Christus-Kirche, Berlin-Dahlem (01/28/2011-01/30/2011)
  • Running Time: 8 min. 12 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1731-1732

>Bach, Johann Sebastian : Jesu, meine Freude, BWV 227
  • Performers: Maria Keohare; Thomas Hobbs (Tenor); Zsuzsi Toth; Hans-Jorg Mammel (Voice); Stephan MacLeod (Bass); Dorothee Mields (Soprano); Peter Kooij; Damien Guillon (Countertenor); Robin Blaze
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale Gent
  • Notes: Jesus-Christus-Kirche, Berlin-Dahlem (01/28/2011-01/30/2011)
  • Running Time: 18 min. 9 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1735

>Bach, Johann Sebastian : Lobet den Herrn, alle Heiden, BWV 230
  • Performers: Thomas Hobbs (Tenor); Peter Kooij; Stephan MacLeod (Bass); Robin Blaze; Maria Keohare; Damien Guillon (Countertenor); Zsuzsi Toth; Dorothee Mields (Soprano); Hans-Jorg Mammel (Voice)
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale Gent
  • Notes: Jesus-Christus-Kirche, Berlin-Dahlem (01/28/2011-01/30/2011)
  • Running Time: 6 min. 17 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: by 1751

>Bach, Johann Sebastian : Fürchte dich nicht, ich bin bei dir, motet for double chorus, BWV 228 (BC C4)
  • Performers: Robin Blaze; Peter Kooij; Damien Guillon (Countertenor); Zsuzsi Toth; Maria Keohare; Dorothee Mields (Soprano); Thomas Hobbs (Tenor); Hans-Jorg Mammel (Voice); Stephan MacLeod (Bass)
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale Gent
  • Notes: Jesus-Christus-Kirche, Berlin-Dahlem (01/28/2011-01/30/2011)
  • Running Time: 8 min. 5 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: after 1724

>Bach, Johann Sebastian : Der Geist hilft unser Schwachheit auf, BWV 226
  • Performers: Damien Guillon (Countertenor); Maria Keohare; Zsuzsi Toth; Robin Blaze; Stephan MacLeod (Bass); Thomas Hobbs (Tenor); Dorothee Mields (Soprano); Peter Kooij; Hans-Jorg Mammel (Voice)
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale Gent
  • Notes: Jesus-Christus-Kirche, Berlin-Dahlem (01/28/2011-01/30/2011)
  • Running Time: 7 min. 12 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 10/20/1729