Audio Samples
Anonymous : De tous biens playne
Cara, Marchetto : Chi me dara più pace
Tromboncino, Bartolomeo : Per dolor mi bagno il viso, song
Narváez, Luys de : Mille regretz (after Josquin), for vihuela
Desprez, Josquin : Mille regretz, song for 4 parts
Verdelot, Phillippe : Igno soave ove il mio foco alento, madrigal for 4 voices (also for voice & lute, arranged by Willaer
Verdelot, Phillippe : Madonna per voi ardo, madrigal for 4 voices (also for voice & lute, arranged by Willaert)
Rore, Cipriano de : Anchor che col partire, madrigal
Anonymous, French : Une jeune fillette
Sandrin : Doulce mémoire (from "Le Parangon")
Parrilla, Vicente : Contrapunto sobre Ave Maris Stella, improvisation
Parrilla, Vicente : Contrapunto sobre La Spagna, improvisation (after Diego Ortiz)
Cabezón, Hernando de : Diferencias sobre el Canto de La dama le demanda
Parrilla, Vicente : Passacaglia for recorder, theorbo & percussionAlbum Summary
Anonymous : De tous biens playne
Cara, Marchetto : Chi me dara più pace
Tromboncino, Bartolomeo : Per dolor mi bagno il viso, song
Narváez, Luys de : Mille regretz (after Josquin), for vihuela
Desprez, Josquin : Mille regretz, song for 4 parts
Verdelot, Phillippe : Igno soave ove il mio foco alento, madrigal for 4 voices (also for voice & lute, arranged by Willaer
Verdelot, Phillippe : Madonna per voi ardo, madrigal for 4 voices (also for voice & lute, arranged by Willaert)
Rore, Cipriano de : Anchor che col partire, madrigal
Anonymous, French : Une jeune fillette
Sandrin : Doulce mémoire (from "Le Parangon")
Parrilla, Vicente : Contrapunto sobre Ave Maris Stella, improvisation
Parrilla, Vicente : Contrapunto sobre La Spagna, improvisation (after Diego Ortiz)
Cabezón, Hernando de : Diferencias sobre el Canto de La dama le demanda
Parrilla, Vicente : Passacaglia for recorder, theorbo & percussion
Fahmi Alqhai (Viola da gamba)
Vicente Parrilla (Recorder)
Miguel Rincon (Lute)
Raquel Andueza (Soprano)
Alvaro Garrido (Percussion)
Miguel Rincon (Theorbo)
Anonymous
Luys de Narváez (circa 1500 - bef 1560)
Cipriano de Rore (circa 1515 - 1565)
Vicente Parrilla (1977 - )
Marchetto Cara (circa 1465 - 1525)
Josquin Desprez (Composer) (circa 1455 - 1521)
Anonymous, French
Hernando de Cabezón (1541 - 1602)
Bartolomeo Tromboncino (circa 1470 - after 1535)
Philippe Verdelot (circa 1470-1480 - circa 1551)
Pierre Sandrin (1490 - 1561)
Notes & Reviews:
Vincent Parilla, together with his ensemble, More Hispano, explores the 16th century art of musical ornamentation, diminution and improvisation in this latest release. His virtuoso and imaginative recorder playing brings new life to songs and madrigals that enjoyed great popularity during the Renaissance. Accompanied by some of the finest young Spanish Early Music specialists, The New York Times raves, "Mr. Parilla and company go all out."
Ritmo
Anyone who has enjoyed his live performances may wonder if this study will be kept fresh, continuity and magic of the concert, and we can assure you that you do not lose the least.
Pizzicato
This wonderful production gives us a beautiful anthology of Iberian music. Glosas turns out to be a very erudite, very transparent and extremely consistent. Without showing signs of a great voice, Raquel Andueza, soprano, perfectly dressed this directory for small chamber ensembles. Vicente Parilla, which animates the whole, breathes the spirit of the fairest in perfect harmony with the directory defended. Far from the exuberant virtuosity, far from the bombastic music, this music is a haven straight out of another age, a true moment of happiness.
American Record Guide
This is an estimable performance that demonstrates how truly modern early music can be when the musicians have the freedom of knowing every nuance of its original language.
Recording information: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009).
Reviews
There are currently no reviews, be the first one!Works Details
Anonymous : De tous biens playne - Performers: Fahmi Alqhai (Viola da gamba); Vicente Parrilla (Recorder); Miguel Rincon (Lute)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 4 min. 18 sec.
- Period Time: Renaissance
- Form: Vocal
Cara, Marchetto : Chi me dara più pace - Conductor: Vicente Parrilla
- Ensemble: More Hispano
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 4 min. 1 sec.
- Period Time: Renaissance
Tromboncino, Bartolomeo : Per dolor mi bagno il viso, song - Conductor: Vicente Parrilla
- Ensemble: More Hispano
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 5 min. 32 sec.
- Period Time: Renaissance
- Written: by 1511
Narváez, Luys de : Mille regretz (after Josquin), for vihuela - Performer: Miguel Rincon (Lute)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 3 min. 31 sec.
- Period Time: Renaissance
- Written: by 1538
Desprez, Josquin : Mille regretz, song for 4 parts - Performers: Vicente Parrilla (Recorder); Miguel Rincon (Lute)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 4 min. 3 sec.
- Period Time: Renaissance
- Form: Choral
- Written: 1480s
Verdelot, Phillippe : Igno soave ove il mio foco alento, madrigal for 4 voices (also for voice & lute, arranged by Willaer - Conductor: Vicente Parrilla
- Ensemble: More Hispano
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 6 min. 19 sec.
- Period Time: Renaissance
- Form: Choral
Verdelot, Phillippe : Madonna per voi ardo, madrigal for 4 voices (also for voice & lute, arranged by Willaert) - Conductor: Vicente Parrilla
- Ensemble: More Hispano
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 5 min. 46 sec.
- Period Time: Renaissance
- Form: Choral
Rore, Cipriano de : Anchor che col partire, madrigal - Performers: Vicente Parrilla (Recorder); Miguel Rincon (Lute)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 6 min. 33 sec.
- Period Time: Renaissance
- Form: Choral
- Written: 1547
Anonymous, French : Une jeune fillette - Performers: Raquel Andueza (Soprano); Vicente Parrilla (Recorder); Miguel Rincon (Lute)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 5 min. 44 sec.
- Period Time: Renaissance
- Form: Christmas
Sandrin : Doulce mémoire (from "Le Parangon") - Performers: Vicente Parrilla (Recorder); Miguel Rincon (Lute)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 3 min. 59 sec.
- Period Time: Renaissance
- Written: 1538
Parrilla, Vicente : Contrapunto sobre Ave Maris Stella, improvisation - Performers: Vicente Parrilla (Recorder); Raquel Andueza (Soprano)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 2 min. 49 sec.
- Period Time: Contemporary
Parrilla, Vicente : Contrapunto sobre La Spagna, improvisation (after Diego Ortiz) - Performers: Vicente Parrilla (Recorder); Miguel Rincon (Lute)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 3 min. 44 sec.
- Period Time: Contemporary
Cabezón, Hernando de : Diferencias sobre el Canto de La dama le demanda - Conductor: Vicente Parrilla
- Ensemble: More Hispano
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 2 min. 37 sec.
- Period Time: Renaissance
- Form: Vocal
Parrilla, Vicente : Passacaglia for recorder, theorbo & percussion - Performers: Alvaro Garrido (Percussion); Vicente Parrilla (Recorder); Miguel Rincon (Theorbo)
- Conductor: Vicente Parrilla
- Notes: Oratorio de la Escuela de Cristo, Sevilla (Spain) (04/26/2009-04/29/2009)
- Running Time: 9 min. 16 sec.
- Period Time: Contemporary


























