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Michael Head: Songs / Ailish Tynan, Catherine Wyn-Rogers, Roderick Williams

Audio Samples

>Head, Michael : Dear delight, for voice & piano
>Head, Michael : Oh, for a March wind, for voice & piano
>Head, Michael : Sweet Chance That Led My Steps Abroad (Michael Head)
>Head, Michael : Tewkesbury Road, song
>Head, Michael : Songs (6) for Voice and Piano
>Head, Michael : Limehouse Reach, for voice & piano
>Head, Michael : Over the Rim of the Moon, for voice & piano
>Head, Michael : October Valley, for voice & piano
>Head, Michael : The Garden Seat, for voice & piano
>Head, Michael : Foxgloves, for voice & piano
>Head, Michael : The Viper, for voice & piano
>Head, Michael : Had I a golden pound, for voice & piano
>Head, Michael : Lean out of the window, for voice & piano
>Head, Michael : A Piper
>Head, Michael : A Green Cornfield, for voice & piano
>Head, Michael : Love's Lament, for voice & piano
>Head, Michael : Star Candles
>Head, Michael : The Little Road to Bethlehem
>Head, Michael : Money, Oh!
>Head, Michael : Songs (3) of Venice, for voice & piano
>Head, Michael : My sword for the King, for voice & piano
>Head, Michael : You cannot dream things lovelier, for voice & piano

Album Summary

>Head, Michael : Dear delight, for voice & piano
>Head, Michael : Oh, for a March wind, for voice & piano
>Head, Michael : Sweet Chance That Led My Steps Abroad (Michael Head)
>Head, Michael : Tewkesbury Road, song
>Head, Michael : Songs (6) for Voice and Piano
>Head, Michael : Limehouse Reach, for voice & piano
>Head, Michael : Over the Rim of the Moon, for voice & piano
>Head, Michael : October Valley, for voice & piano
>Head, Michael : The Garden Seat, for voice & piano
>Head, Michael : Foxgloves, for voice & piano
>Head, Michael : The Viper, for voice & piano
>Head, Michael : Had I a golden pound, for voice & piano
>Head, Michael : Lean out of the window, for voice & piano
>Head, Michael : A Piper
>Head, Michael : A Green Cornfield, for voice & piano
>Head, Michael : Love's Lament, for voice & piano
>Head, Michael : Star Candles
>Head, Michael : The Little Road to Bethlehem
>Head, Michael : Money, Oh!
>Head, Michael : Songs (3) of Venice, for voice & piano
>Head, Michael : My sword for the King, for voice & piano
>Head, Michael : You cannot dream things lovelier, for voice & piano
Performers Composer

Notes & Reviews:

"[Wyn-Rogers] is laudable in the very sad, well-named Love's Lament...The two lustiest songs, 'Money, O!' and 'My sword for the King' are allotted to Roderick Williams, who brings bold vocalism to both...Christopher Glynn brings out the different colours in accordance with each song, from crashing chords to gurgling gruppetti, sparking little scales to vigorous outpourings or soft sweetness." -International Record Review

Who is Michael Head? His name may be largely forgotten but the music here forms part of the rich seam of English song in the manner of Quilter, Gurney and Warlock. Born in 1900, he worked modestly as a singer, pianist, teacher, broadcaster and adjudicator, writing his first song (The ships of Arcady) aged 19, studying at the Royal Academy of Music, where he became a professor of piano aged 27, remaining there for the rest of his career.

At the center of his composing life were songs, which he used to perform as a kind of one-man band, accompanying himself at the piano. Out of more than 100, here's a choice selection: setting poets such as Walter de la Mare, John Masefield and Christina Rossetti, many of them focus on the pleasures of England - its flora and fauna, its changing seasons and lyrical landscapes.

They're sung by three of the brightest stars in today's vocal firmament, Ailish Tynan (making her Hyperion debut), Catherine Wyn-Rogers and Roderick Williams, accompanied by Christopher Glynn, who adds Head to his previous recordings of Reger and Brahms.

The Guardian
As the meticulous performances by these singers... demonstrate, Head was acutely sensitive to words. There are settings of Masefield and Yeats, Hardy, Joyce and Christina Rossetti here, and in every song each phrase is perfectly balanced, its meaning directly communicated, its accompaniment supremely tactful.

Gramophone Magazine
The enterprise of Hyperion knows no bounds. Here is a disc devoted to songs by Michael Head, who is not likely to be known to many... Singers and pianists perform with conviction and style. If you can, start with 'Limehouse Reach', which has the charm and simplicity of Vaughan Williams's 'Linden Lea', and take it from there.

Financial Times
Head makes sure England's fields are forever green, even when the mood is tinged with sadness: not for him the slightest inelegance. The apportioning of songs to soprano, mezzo and baritone gives the recital an easy pace. Williams' flawless diction makes his the pick of the bunch.

BBC Music Magazine
Head created the most inventive and sympathetic writing for voice and piano, in asymmetrical, free-flowing, artful settings of poets such as Walter de la Mare, John Masefield and Christina Rossetti. His music heightens their acute observations of the natural world, expressing their appetite for the present, fleeting moment... A revelation.

International Record Review
[Wyn-Rogers] is laudable in the very sad, well-named Love's Lament...The two lustiest songs, 'Money, O!' and 'My sword for the King' are allotted to Roderick Williams, who brings bold vocalism to both...Christopher Glynn brings out the different colours in accordance with each song, from crashing chords to gurgling gruppetti, sparking little scales to vigorous outpourings or soft sweetness.

Notes & Reviews:

Recording information: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-).



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Works Details

>Head, Michael : Dear delight, for voice & piano
  • Performers: Christopher Glynn (Piano); Ailish Tynan (Soprano)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 54 sec.
  • Period Time: Modern

>Head, Michael : Oh, for a March wind, for voice & piano
  • Performers: Christopher Glynn (Piano); Ailish Tynan (Soprano)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 3 min. 10 sec.
  • Period Time: Modern

>Head, Michael : Sweet Chance That Led My Steps Abroad (Michael Head)
  • Performers: Christopher Glynn (Piano); Ailish Tynan (Soprano)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 21 sec.
  • Period Time: Modern

>Head, Michael : Tewkesbury Road, song
  • Performers: Christopher Glynn (Piano); Roderick Williams (Bass Baritone)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 52 sec.
  • Period Time: Modern

>Head, Michael : Songs (6) for Voice and Piano
  • Performers: Christopher Glynn (Piano); Roderick Williams (Bass Baritone)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 4 min. 14 sec.
  • Period Time: Modern
  • Written: 1945

>Head, Michael : Limehouse Reach, for voice & piano
  • Performers: Christopher Glynn (Piano); Roderick Williams (Bass Baritone)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 45 sec.
  • Period Time: Modern

>Head, Michael : Over the Rim of the Moon, for voice & piano
  • Performers: Christopher Glynn (Piano); Ailish Tynan (Soprano)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 11 min. 31 sec.
  • Period Time: Modern

>Head, Michael : October Valley, for voice & piano
  • Performers: Christopher Glynn (Piano); Catherine Wyn-Rogers (Alto)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 3 min. 12 sec.
  • Period Time: Modern

>Head, Michael : The Garden Seat, for voice & piano
  • Performers: Christopher Glynn (Piano); Catherine Wyn-Rogers (Alto)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 19 sec.
  • Period Time: Modern

>Head, Michael : Foxgloves, for voice & piano
  • Performers: Christopher Glynn (Piano); Ailish Tynan (Soprano)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 42 sec.
  • Period Time: Modern
  • Written: 1932

>Head, Michael : The Viper, for voice & piano
  • Performers: Christopher Glynn (Piano); Roderick Williams (Bass Baritone)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 24 sec.
  • Period Time: Modern

>Head, Michael : Had I a golden pound, for voice & piano
  • Performers: Christopher Glynn (Piano); Ailish Tynan (Soprano)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 1 min. 56 sec.
  • Period Time: Modern

>Head, Michael : Lean out of the window, for voice & piano
  • Performers: Christopher Glynn (Piano); Roderick Williams (Bass Baritone)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 24 sec.
  • Period Time: Modern

>Head, Michael : A Piper
  • Performers: Christopher Glynn (Piano); Catherine Wyn-Rogers (Alto)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 1 min. 25 sec.
  • Period Time: Modern

>Head, Michael : A Green Cornfield, for voice & piano
  • Performers: Christopher Glynn (Piano); Ailish Tynan (Soprano)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 18 sec.
  • Period Time: Modern

>Head, Michael : Love's Lament, for voice & piano
  • Performers: Christopher Glynn (Piano); Catherine Wyn-Rogers (Alto)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 3 min. 15 sec.
  • Period Time: Modern

>Head, Michael : Star Candles
  • Performers: Christopher Glynn (Piano); Ailish Tynan (Soprano)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 30 sec.
  • Period Time: Modern

>Head, Michael : The Little Road to Bethlehem
  • Performers: Christopher Glynn (Piano); Catherine Wyn-Rogers (Alto)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 44 sec.
  • Period Time: Modern
  • Form: Christmas

>Head, Michael : Money, Oh!
  • Performers: Christopher Glynn (Piano); Roderick Williams (Bass Baritone)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 12 sec.
  • Period Time: Modern
  • Written: 1928

>Head, Michael : Songs (3) of Venice, for voice & piano
  • Performers: Christopher Glynn (Piano); Catherine Wyn-Rogers (Alto)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 11 min. 9 sec.
  • Period Time: Modern
  • Form: Vocal

>Head, Michael : My sword for the King, for voice & piano
  • Performers: Christopher Glynn (Piano); Roderick Williams (Bass Baritone)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 18 sec.
  • Period Time: Modern

>Head, Michael : You cannot dream things lovelier, for voice & piano
  • Performers: Christopher Glynn (Piano); Roderick Williams (Bass Baritone)
  • Notes: Concert Hall, Wyastone Estate, Monmouth (2009-07-08_2009-07-09&2010-)
  • Running Time: 2 min. 58 sec.
  • Period Time: Modern