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Sarasate: Bolero; Serenade andalouse et al. / Tianwa Yang, violin; Markus Hadulla, piano

> Bolero, Op. 30 - Bolero, Op. 30
> Zortzico d'Iparaguirre, Op. 39 - Zortzico d'Iparaguirre, Op. 39
> Serenade andalouse, Op. 28 - Serenade andalouse, Op. 28
> Adios montanas mias, Op. 37 - Adios montanas mias, Op. 37
> Le Sommeil, Op. 11 - Le Sommeil, Op. 11
> Reverie, Op. 4 - Reverie, Op. 4
> Introduction et fandango, Op. 40 - Introduction et fandango, Op. 40
> Fantaisie Caprice - Fantaisie Caprice
> Priere et berceuse, Op. 17 - Priere et berceuse, Op. 17
> Confidences, Op. 7 - Confidences, Op. 7
> Caprice sur Mireille de Gounod, Op. 6 - Caprice sur Mireille de Gounod, Op. 6
> Airs ecossais, Op. 34 - Airs ecossais, Op. 34
> Los pajaros de Chile - Los pajaros de Chile
> Les Adieux, Op. 9 - Les Adieux, Op. 9

Album Summary

>Sarasate, Pablo de : Bolero, for violin & piano, Op. 30
>Sarasate, Pablo de : Zortzico for Violin and Piano, Op. 39
>Sarasate, Pablo de : Sérénade Andalouse, for violin & piano, Op. 10
>Sarasate, Pablo de : Zortizico Adiós montañas mias, for violin & piano, Op. 37
>Sarasate, Pablo de : Le sommeil, for violin & piano, Op. 11
>Sarasate, Pablo de : Rêverie (Ensoñación), for violin & piano, Op. 4
>Sarasate, Pablo de : Introduction et Fandango varié, for violin & piano, Op. 40
>Sarasate, Pablo de : Fantaisie-Caprice, for violin & piano
>Sarasate, Pablo de : Priére et Berceuse (Oración y Nana), for violin & piano, Op. 17
>Sarasate, Pablo de : Romance sans paroles, for violin & piano ("Confidences"), Op. 7
>Sarasate, Pablo de : Caprice on Gounod's "Mireille," for violin & piano, Op. 6
>Sarasate, Pablo de : Airs Écossais, for violin & orchestra, Op. 34
>Sarasate, Pablo de : Los pájaros de Chile, for violin & piano
>Sarasate, Pablo de : Les Adieux, for violin & piano, Op. 9
Performers Composer

Notes & Reviews:

Tianwa Yang's admired and revelatory Sarasate series continues with a volume of captivatingly melodic compositions. Given Sarasate's prodigious status in the violin pantheon, technical demands on the performer are often - but not universally - constant. But so too is his unfailing gift for lyricism, whether in the elegant Boléro, the balletic Sérénade andalouse or the arialike Rêverie. The dazzling bowing difficulties in the Fantaisie-Caprice are thrilling, and so are the bird call harmonics of Los pájaros de Chile, written during a South American tour and only very recently published. In concert and recital Tianwa Yang is winning unprecedented international reviews as she takes the stage as one of the most impressive young violinists of today. International symphonic débuts have taken her to the United States, Europe, Singapore, Taiwan and China. In recital she has performed at the Berlin Philharmonic Hall, and the Wigmore Hall, London.

David's Review Corner
The disc comes to a rather sad ending with an outpouring of grief in Les adieux. Yang... is a quite remarkable young violinist. Certainly she could not wish for a more responsive partner, the young German, Markus Hadulla, ever attentive to her every inflection, adding weight and his own sparkling dexterity when required. First class sound and good program notes.

BBC Music Magazine
Yang throws off merciless chains of double stops and finger-crippling arabesques with scintillating aplomb. She produces astonishingly clean harmonics - whether natural or forced - and high-wire acrobatics (in emulation of birdsong) in Los pajaros de Chile. Her confident rendering of this delightful piece seems all the more remarkable given it was only recently published.

Gramophone Magazine
Her gifts are ideally suited to such a task with her flawless intonation, not least in the many passages involving high harmonics in the most extreme register. She is also brilliant in giving the many Spanish dance rhythms a winning lilt, so that this essentially trivial music is presented full of charm. One simply marvels and enjoys.

Notes & Reviews:

Recording information: Clara-Wieck-Auditorium, Sandhausen, Germany.



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Works Details

>Sarasate, Pablo de : Bolero, for violin & piano, Op. 30
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 5 min. 34 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Zortzico for Violin and Piano, Op. 39
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 1 min. 56 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Sérénade Andalouse, for violin & piano, Op. 10
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 4 min. 53 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Zortizico Adiós montañas mias, for violin & piano, Op. 37
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 2 min. 20 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Le sommeil, for violin & piano, Op. 11
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 4 min. 52 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Rêverie (Ensoñación), for violin & piano, Op. 4
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 4 min. 47 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Introduction et Fandango varié, for violin & piano, Op. 40
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 8 min. 6 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Fantaisie-Caprice, for violin & piano
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (12/01/2010-12/06/2010)
  • Running Time: 9 min. 7 sec.
  • Period Time: Romantic
  • Written: 1862

>Sarasate, Pablo de : Priére et Berceuse (Oración y Nana), for violin & piano, Op. 17
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 4 min. 32 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Romance sans paroles, for violin & piano ("Confidences"), Op. 7
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 3 min. 55 sec.
  • Period Time: Romantic
  • Form: Vocal

>Sarasate, Pablo de : Caprice on Gounod's "Mireille," for violin & piano, Op. 6
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (12/01/2010-12/06/2010)
  • Running Time: 9 min. 21 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Airs Écossais, for violin & orchestra, Op. 34
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 8 min. 17 sec.
  • Period Time: Romantic

>Sarasate, Pablo de : Los pájaros de Chile, for violin & piano
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (12/01/2010-12/06/2010)
  • Running Time: 6 min. 30 sec.
  • Period Time: Romantic
  • Written: 1871

>Sarasate, Pablo de : Les Adieux, for violin & piano, Op. 9
  • Performers: Tianwa Yang (Violin); Markus Hadulla (Piano)
  • Notes: Clara-Wieck-Auditorium, Sandhausen, Germany (09/10/2007-09/13/2007)
  • Running Time: 4 min. 36 sec.
  • Period Time: Romantic