1 800 222 6872

Pour Un Plaisir: Songs and Tientos by Cabezon and His Contemporaries / Véronique Musson-Gonneaud, Renaissance double harp

Audio Samples

>Cabezón, Antonio de : Je pres en grey, for keyboard (after Crecquillon or Clemens non Papa)
>Cabezón, Antonio de : Tiento del primer tono
>Cabezón, Antonio de : Diferencia Sobre "El Canto Del Caballero" for organ
>Cabezón, Antonio de : Tiento del quarto ton for organ
>Cabezón, Antonio de : Diferencias sobre "La Milanesa"
>Mudarra, Alonso de : Tiento, para harpa u organo
>Cabezón, Antonio de : Ancol que col partire, for organ
>Cabezón, Antonio de : Pavana con su glosa
>Cabezon, Juan de : Quien llamo al partir, partir
>Palero, Francisco Fernández : Mor me a prive, for organ
>Cabezón, Antonio de : Tres sobre la Alta (Spagna)
>Cabezón, Antonio de : Tiento II cuarto tono
>Cabezón, Antonio de : Pour un Plaisir for organ
>Cabezón, Antonio de : Romance
>     Para puien crie yo cabellos
>Anonymous : Tiento del II tono
>Cabezón, Antonio de : Je suis ayme (after Criquillon)
>Anonymous : Cinco diferencias sobre Las Vacas
>Cabezón, Hernando de : Dulce memoria de Pierre Sandrin

Album Summary

>Cabezón, Antonio de : Je pres en grey, for keyboard (after Crecquillon or Clemens non Papa)
>Cabezón, Antonio de : Tiento del primer tono
>Cabezón, Antonio de : Diferencia Sobre "El Canto Del Caballero" for organ
>Cabezón, Antonio de : Tiento del quarto ton for organ
>Cabezón, Antonio de : Diferencias sobre "La Milanesa"
>Mudarra, Alonso de : Tiento, para harpa u organo
>Cabezón, Antonio de : Ancol que col partire, for organ
>Cabezón, Antonio de : Pavana con su glosa
>Cabezon, Juan de : Quien llamo al partir, partir
>Palero, Francisco Fernández : Mor me a prive, for organ
>Cabezón, Antonio de : Tres sobre la Alta (Spagna)
>Cabezón, Antonio de : Tiento II cuarto tono
>Cabezón, Antonio de : Pour un Plaisir for organ
>Cabezón, Antonio de : Romance
>Anonymous : Tiento del II tono
>Cabezón, Antonio de : Je suis ayme (after Criquillon)
>Anonymous : Cinco diferencias sobre Las Vacas
>Cabezón, Hernando de : Dulce memoria de Pierre Sandrin
Performer Composers

Notes & Reviews:

This CD presents a fascinating collection of Spanish keyboard works played on the harp, as well as "Intabulations" (settings of songs, madrigals and other vocal works) of the well-known composers working at the Spanish court. Surveying a lesser-known facet of one of the most famous periods in music history, this collection is a must-buy for the Renaissance connoisseur.

American Record Guide, September / October 2012
Musson-Gonneaud is an accomplished harpist, and her copy of a renaissance double harp is very sonorous and effectively recorded in a resonant church, adding extra ring to her instrument. Her interpretations are quite shapely and mirror the rich polyphonic textures of Cabezon's vocal models. Similar works by Luys Venegas de Henestrosa have been recorded by Andrew Lawrence-King and the Harp Consort (July/Aug 2004), but Lawrence- King often takes the original solo pieces and rearranges them for a larger group of instruments. This collection of Cabezon's music on solo harp is a special joy.

Notes & Reviews:

Recording information: Chapelle Saint-Antoine, Pietracorbara, Corsica, France (09/2010).



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Works Details

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Je pres en grey, for keyboard (after Crecquillon or Clemens non Papa)
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 13 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Tiento del primer tono
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 1 min. 35 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Diferencia Sobre "El Canto Del Caballero" for organ
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 3 min. 3 sec.
  • Period Time: Renaissance
  • Written: 1550s

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Tiento del quarto ton for organ
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 47 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Diferencias sobre "La Milanesa"
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 26 sec.
  • Period Time: Renaissance
  • Written: 1578

>Mudarra, Alonso de : Tiento, para harpa u órgano
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 1 min. 6 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Ancol que col partire, for organ
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 3 min. 3 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Pavana con su glosa
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 46 sec.
  • Period Time: Renaissance
  • Written: circa 1550

>Juan de Cabezón : Quien llamó al partir, partir
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 13 sec.

>Francisco Fernández Palero : Mor me a prive, for organ
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 37 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Tres sobre la Alta (Spagna)
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 39 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Tiento II cuarto tono
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 3 min. 23 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Pour un Plaisir for organ
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 31 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Romance :: Para puien crie yo cabellos
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance
  • Written: 1578

>Anonymous : Tiento del II tono
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 1 min. 42 sec.

>Antonio de Cabezón (Composer) (circa 1510 - 1566) : Je suis ayme (after Criquillon)
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 54 sec.
  • Period Time: Renaissance

>Anonymous : Cinco diferencias sobre Las Vacas
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 2 min. 9 sec.
  • Period Time: Baroque

>Hernando de Cabezón (1541 - 1602) : Dulce memoria de Pierre Sandrin
  • Performer: Veronique Musson-Gonneaud (Double Harp)
  • Running Time: 3 min. 55 sec.
  • Period Time: Renaissance