Audio Samples
What then renders these forces visible is a
Because they mark the zone where the force i
Being itself a catastrophe, the diagram mustAlbum Summary
Tristram Williams (Trumpet)
Benjamin Marks (Trombone)
Carl Rosman (Clarinet)
Richard Haynes (Clarinet)
Notes & Reviews:
The works on this disc trace the ongoing history of a straight forward but fundamental re-conception of instrumental performance, followed through uncompromisingly to uncover a new, alien world of musical material. That conception is the idea of instrumental decoupling: the independent treatment of the physical components of performance (embouchure and fingers on a wind instrument, for example, or the two hands of a string player). A simple, if counterintuitive, idea. But right away, pursued with Cassidy's diligence and self-awareness, consequences multiply: the dismantling of a performer's acquired physical, musical and technical relationship to his instrument; a shift in emphasis from the sounds produced to the means of producing them; the displacement of pitch from its inherited position at the center of musical discourse; the necessity of new hierarchies and new perceptual vocabularies.
Notes & Reviews:Recording information: ABC Ferry Road Brisbane, Studio 420 (07/27/2008); Sendesaal Bremen (07/27/2008); ABC Ferry Road Brisbane, Studio 420 (2010-09-03_2010-09-05&2010-); Sendesaal Bremen (2010-09-03_2010-09-05&2010-).
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Works Details
Cassidy, Aaron [Composer] : The Crutch of Memory, for solo string instrument - Conductor: Daryl Buckley
- Ensemble: Elision Ensemble
- Running Time: 4 min. 23 sec.
- Period Time: Contemporary
- Written: 2004
Cassidy, Aaron [Composer] : Three Studies for Figures at the Base of a Crucifixion :: What then renders these forces visible is a - Performers: Tristram Williams (Trumpet); Tristram Williams (Trumpet)
- Conductor: Daryl Buckley
- Notes: Sendesaal Bremen (09/03/2010-09/05/2010)
- Running Time: 5 min. 13 sec.
- Period Time: Contemporary
- Written: 2008
Cassidy, Aaron [Composer] : Three Studies for Figures at the Base of a Crucifixion :: Because they mark the zone where the force i - Performers: Benjamin Marks (Trombone); Benjamin Marks (Trombone)
- Conductor: Daryl Buckley
- Notes: Sendesaal Bremen (09/03/2010-09/05/2010)
- Running Time: 4 min. 46 sec.
- Period Time: Contemporary
- Written: 2008
Cassidy, Aaron [Composer] : Three Studies for Figures at the Base of a Crucifixion :: Being itself a catastrophe, the diagram must - Conductor: Daryl Buckley
- Ensemble: Elision Ensemble
- Notes: Sendesaal Bremen (09/21/2010-09/23/2010)
- Running Time: 9 min. 44 sec.
- Period Time: Contemporary
- Written: 2008
Cassidy, Aaron [Composer] : I, purples, spat blood, laugh of beautiful lips, for voice & live electronics - Performers: Carl Rosman (Clarinet); Carl Rosman (Clarinet)
- Conductor: Daryl Buckley
- Ensemble: Elision Ensemble
- Notes: Sendesaal Bremen (09/21/2010-09/23/2010)
- Running Time: 4 min. 18 sec.
- Period Time: Contemporary
- Written: 2006
Cassidy, Aaron [Composer] : Metallic Dust, for amplified bass clarinet - Performers: Carl Rosman (Clarinet); Carl Rosman (Clarinet)
- Conductor: Daryl Buckley
- Notes: Sendesaal Bremen (09/21/2010-09/23/2010)
- Running Time: 4 min. 41 sec.
- Period Time: Contemporary
- Written: 1999
Cassidy, Aaron [Composer] : Asphyxia, for soprano saxophone - Performers: Richard Haynes (Clarinet); Richard Haynes (Clarinet)
- Conductor: Daryl Buckley
- Notes: Sendesaal Bremen (09/21/2010-09/23/2010)
- Running Time: 10 min. 20 sec.
- Period Time: Contemporary
- Written: 2000
Cassidy, Aaron [Composer] : Songs only as sad as their listener, for solo trombone - Performers: Benjamin Marks (Trombone); Benjamin Marks (Trombone)
- Conductor: Daryl Buckley
- Notes: Sendesaal Bremen (09/03/2010-09/05/2010)
- Running Time: 13 min. 10 sec.
- Period Time: Contemporary
- Written: 2006




























