Freddie King: The Blues Live [Expanded Edition]

Audio Samples

>Have You Ever Loved a Woman
>Mojo Boogie
>You're the One
>Messin' With the Kid
>Going Down
>Stormy Monday
>Let the Good Times Roll
>Sweet Home Chicago
>Hide Away
>Rock Me Baby
>Sweet Little Angel

Track List

>Have You Ever Loved a Woman
>Mojo Boogie
>You're the One
>Messin' With the Kid
>Going Down
>Stormy Monday
>Let the Good Times Roll
>Sweet Home Chicago
>Hide Away
>Rock Me Baby
>Sweet Little Angel

Album Remarks & Appraisals:

Freddie King (September 3, 1934 - December 28m 1976), thought to have been born as Frederick Christian, thought to have been born as Frederick Christian, originally recording as Freddy King, and nicknamed "the Texas Cannonball", was an influential Arican-American blues guitarist and singer. He is often mentioned as one of "the Three Kings" of electric blues guitar, along with Albert King and B.B. King, as well as the youngest of the three. Freddie King based his guitar style on Texas and Chicago influences and was one of the first bluesmen to have a multi-racial backing band onstage with him at live performances. He is best known for singles such as "Have You Ever Loved A Woman" (1960) and his Top 40 hit "Hide Away" (1961). He is also known for albums such as the early, instrumental-packed Let's Hide Away and Dance Away with Freddy King (1961) and the later album Burglar (1974), which displayed King's mature versatility as both player and singer in a range of blues and funk styles. King had an intuitive style, often creating guitar parts with vocal nuances.

He achieved this by using the open string sound associated with Texas blues and the raw, screaming tones of West Side Chicago blues. In his early career he played a gold top Gibson Les Paul with P-90 pickups through a Gibson GA-40 amplifier, later moving on to Gibson ES-345 guitars. Using a plastic thumb pick and a metal index-finger pick to achieve an aggressive finger attack, a style he learned from Jimmy Rogers. He had a relatively more aggressive and creative style of improvisation than others such as, B.B King and Albert King, considered by many to be a more exploratory and less traditional approach. King's later years (after 1970) were marked by a shift towards more of a hard, rock-like style, presumably in an effort to reach white audiences better. He also largely quit performing new material in lieu of simply covering songs from B.B. King and other blues musicians.

Album Notes

Liner Note Author: Bill Dahl.



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