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Weber: Der Freischutz / Karl Paul, Werner Faulhaber, Elfride Trotschel, Irma Beilk, Kurt Bohme - Rudolf Kempe (rec. 1951)

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> Der Freischutz, J. 277 - Act III: Entr'acte
> Der Freischutz, J. 277 - Act III: Cavatina: Und ob die Wolke sie verhulle (Agathe, Aennchen)
> Der Freischutz, J. 277 - Act III: Dialogue: Ei, du hast Dich dazugehalten (Aennchen, Agathe)
> Der Freischutz, J. 277 - Act III: Aria: Einst Traumte meiner sel'gen Base (Aennchen)
> Der Freischutz, J. 277 - Act III: Wir winden dir den Jungfernkranz (First Brdesmaid, Second Bridesmaid, Third Bridesmaid)
> Der Freischutz, J. 277 - Act III: Was gleicht wohl auf Erden (Huntsmen's Chorus)
> Der Freischutz, J. 277 - Act III: Dialogue: Genug der Freuden des Mahls, werte Freunde und Jagdgenossen
> Der Freischutz, J. 277 - Act III: Finale: Schaut, o schaut (Agathe, Aennchen, Max, Kuno, Kaspar, Ottokar, Chorus)
> Der Freischutz, J. 277 - Act III: Recitative and Aria: Wer legt auf ihn so strengen Bann (Hermit)
> Der Freischutz, J. 277 - Radio interview with Karl von Appen, scenic artist with the Dresden Staatsoper
> Der Freischutz, J. 277 - Act II: Duet: Schelm, halt fest! (Aennchen, Agathe)
> Der Freischutz, J. 277 - Act II: Arietta: Kommt ein schlanker Bursh gegangen (Aennchen, Agathe)
> Der Freischutz, J. 277 - Act II: Aria: Wie nahte mir der Schlummer (Agathe, Aennchen)
> Der Freischutz, J. 277 - Act III: Aria: Einst Traumte meiner sel'gen Base (Aennchen)

Notes & Reviews:

Der Freischütz has since its premiere been an indispensable part of the operatic repertory, possibly never more significantly than for the Dresden Opera. This exceptional addition to the Semperoper Edition, recorded in 1951, is presented as an historic recording of the 1000th performance of the work by Dresen Opera. This production was undertaken with the utmost care and attention to detail, focusing on ultimate fidelity to the composer's intention. An edition for all time.



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