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The Beach Boys: Surfin' USA [Digipak]

Track List

>Surfin' U.S.A. [Mono] - (mono)
>Farmer's Daughter [Mono] - (mono)
>Misirlou [Mono] - (mono)
>Stoked [Mono] - (mono)
>Lonely Sea [Mono] - (mono)
>Shut Down [Mono] - (mono)
>Noble Surfer [Mono] - (mono)
>Honky Tonk [Mono] - (mono)
>Lana [Mono] - (mono)
>Surf Jam [Mono] - (mono)
>Let's Go Trippin' [Mono] - (mono)
>Finders Keeprs [Mono] - (mono)
>Surfin' U.S.A. [Stereo]
>Farmer's Daughter [Stereo]
>Misirlou [Stereo]
>Stoked [Stereo]
>Lonely Sea [Stereo]
>Shut Down [Stereo]
>Noble Surfer [Stereo]
>Honky Tonk [Stereo]
>Lana [Stereo]
>Surf Jam [Stereo]
>Let's Go Trippin' [Stereo]
>Finders Keepers [Stereo]

Album Notes

Unknown Contributor Role: Elliott Lott.

The real breakthrough, as Brian Wilson asserts himself in the studio as both songwriter and arranger on a set of material that was much stronger than Surfin' Safari. Besides the hit title track and its popular drag-racing flip side ("Shut Down"), this has a lovely, heartbreaking ballad ("Lonely Sea") and a couple of strong Brian Wilson originals ("The Noble Surfer" and "Farmer's Daughter"). There are also a surprisingly high quotient of instrumentals (five) that demonstrate that, before session musicians took over most of the parts, the Beach Boys could play respectably gutsy surf rock as a self-contained unit. Indeed, the album as a whole is the best they would make, prior to the late '60s, as a band that played most of their instruments, rather than as a vehicle for Brian Wilson's ideas. The LP was a huge hit, vital to launching surf music as a national craze, and one of the few truly strong records to be recorded by a self-contained American rock band prior to the British Invasion. [A Japanese version added a bonus track.] ~ Richie Unterberger


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