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6 Bagatelles, Op. 3 - Bagatelle No. 1: Poco sostenuto | |
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6 Bagatelles, Op. 3 - Bagatelle No. 2: Allegro animato quasi presto | |
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6 Bagatelles, Op. 3 - Bagatelle No. 3: Poco adagio | |
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6 Bagatelles, Op. 3 - Bagatelle No. 4: Moderato assai | |
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6 Bagatelles, Op. 3 - Bagatelle No. 5: Allegro molto | |
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6 Bagatelles, Op. 3 - Bagatelle No. 6: Poco sostenuto | |
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Album, Op. 72 - No. 1. Prelude | |
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Album, Op. 72 - No. 2. Carillon | |
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Album, Op. 72 - No. 3. Toccata | |
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Album, Op. 72 - No. 4. Valse | |
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Album, Op. 72 - No. 5. Chanson Napolitaine | |
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Album, Op. 72 - No. 6. Final | |
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Rhapsodie d'Auvergne, Op. 73 - Rhapsodie d'Auvergne, Op. 73 | |
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Caprice sur des airs de Ballet d'Alceste de Gluck - Caprice sur des airs de Ballet d'Alceste de Gluck | |
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Les cloches du soir in E flat major, Op. 85 - Les cloches du soir in E flat major, Op. 85 | |
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Romance sans paroles - Romance sans paroles | |
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Feuillet d'album in A flat major, Op. 169 - Feuillet d'album in A flat major, Op. 169 |
Album Summary
Performer
Geoffrey Burleson (Piano)
Notes & Reviews:
Saint-Saëns' first published works for piano were the vivid and characteristic Six Bagatelles, which set the tone for the popularity of his character pieces. Pianist Geoffrey Burleson has a facility with Saint-Saëns' works, his subtle and sensitive playing allowing the pieces evoke scenes, personalities, and colors as they will.
Gramophone
The Rhapsodie d'Auvergne... fizzes with energy after its folksong start and the ambitious 1867 Caprice has a notably witty finale. Yet arguably the most personal voice is found in Les cloches du soir and in the concluding Feuillet d'album... all this music is played with verve and commitment by Burleson...
Recording information: Patrych Sound Studios, Bronx, New York, USA (2011-12-01&2011-12-05&2011-).
Reviews
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Works Details
Saint-Saëns, Camille : Bagatelles (6) for piano, Op. 3 - Performer: Geoffrey Burleson (Piano)
- Notes: Patrych Sound Studios, Bronx, New York, USA (2011-12-01&2011-12-05&2011-)
- Running Time: 20 min. 12 sec.
- Period Time: Post Romantic
- Written: 1855
Saint-Saëns, Camille : Album for piano, Op. 72 - Performer: Geoffrey Burleson (Piano)
- Notes: Patrych Sound Studios, Bronx, New York, USA (2011-12-01&2011-12-05&2011-)
- Running Time: 23 min. 19 sec.
- Period Time: Post Romantic
- Written: 1884
Saint-Saëns, Camille : Rhapsodie d'Auvergne for Piano and Orchestra in C major, Op. 73 - Performer: Geoffrey Burleson (Piano)
- Notes: Patrych Sound Studios, Bronx, New York, USA (2011-12-01&2011-12-05&2011-)
- Running Time: 9 min. 52 sec.
- Period Time: Post Romantic
- Written: 1884
Saint-Saëns, Camille : Caprice on "Airs de ballet," for piano (after Gluck's "Alceste") - Performer: Geoffrey Burleson (Piano)
- Notes: Patrych Sound Studios, Bronx, New York, USA (2011-12-01&2011-12-05&2011-)
- Running Time: 12 min. 1 sec.
- Period Time: Post Romantic
Saint-Saëns, Camille : Les cloches du soir, for piano in E flat major, Op. 85 - Performer: Geoffrey Burleson (Piano)
- Notes: Patrych Sound Studios, Bronx, New York, USA (2011-12-01&2011-12-05&2011-)
- Running Time: 3 min. 17 sec.
- Period Time: Post Romantic
- Written: 1889
Saint-Saëns, Camille : Romance sans paroles, for piano in B minor - Performer: Geoffrey Burleson (Piano)
- Notes: Patrych Sound Studios, Bronx, New York, USA (2011-12-01&2011-12-05&2011-)
- Running Time: 2 min. 2 sec.
- Period Time: Post Romantic
- Form: Vocal
- Written: 1871
Saint-Saëns, Camille : Feuillet d'album, for piano in A flat major, Op. 169 - Performer: Geoffrey Burleson (Piano)
- Notes: Patrych Sound Studios, Bronx, New York, USA (2011-12-01&2011-12-05&2011-)
- Running Time: 2 min. 59 sec.
- Period Time: Post Romantic
- Written: 1921



























