Notes & Reviews:
Dvorák's was a strong voice in the re-establishment of Czech musical identity, and the noble themes, open landscapes and dancing Scherzoof the Symphony No. 6 bear the stamp of a genius at his height. The work can also be heard as a tribute to Brahms, who had helped him earlier in his career. Janácek's charming Idyll reflects his preoccupation with Moravian folk-songs and rhythms as well as the influence of his friend Dvorák, identified by Jaroslav Vogel as the work's "spiritual godfather".
American Record Guide, May/June 2013
The first movement is so beautifully played that I was glad for it this time. II is warm and gentle; III is wild and ecstatic. IV is still very good. The Idyll is for strings - seven movements in 30 minutes, like a divertimento. The strings sound just right here - much better than they did in the older recordings. It is good to hear this played by the strings of a symphony orchestra. When it comes to strings, the more the better.
BBC Music Magazine, February 2013
This is a very clever coupling of works...Dvorak's Symphony has a pervasive lightness of spirit...Schwarz captures these aspects of the work superbly in the first two movements, but the Scherzo lacks adequate rhythmic kick...The Seattle orchestra's performance of Janacek's Idyll is in another league...The Seattle Symphony strings distinguish themselves and Schwarz has a clear sympathy with this attractive music.
Gramophone Magazine, February 2013
Schwarz usefully separates his violin desks, which pays generous dividends in the finale...[the Janacek Idyll is] an effective showcase for the Seattle strings, who distinguish themselves with a degree of lustre and expressive sweetness that matches the best rival American orchestras.
MusicWeb International, 12th July 2013
The first things one notices about this recording are the warm strings and mellow brass. Without a doubt this is the best I have yet to hear from the Seattle Symphony. Gerard Schwarz also seems a natural interpreter of Dvorßk.
Recording information: Illsley Ball Nordstrom Recital Hall, Benaroya Hall, Sea (04/27/2011/04/29/2011); S. Mark Taper Foundation Auditorium-Benaroya Hall, Seat (04/27/2011/04/29/2011); Illsley Ball Nordstrom Recital Hall, Benaroya Hall, Sea (05/05/2009/05/08/2009); S. Mark Taper Foundation Auditorium-Benaroya Hall, Seat (05/05/2009/05/08/2009).
Dvorak became a major composer in the expression of Czech musical identity in music. Brahms befriended Dvorak and persuaded his own publisher Simrock to publish Dvorak's "Slavonic Dances" (Op. 46), which began Dvorak's slow but sure ascent to international fame. His most famous work, the "New World" Symphony, became the crowning glory of an international career. The Sixth Symphony, Op. 60, composed in 1880, certainly expresses Czech musical identity. For example, the Scherzo is a Furiant, a Bohemian dance in 3/4 time with a characteristic effect of cross rhythm. It is fiery and impulsive in character, but the word Furiant has no etymological connection with the English word "fury." The main characteristics of this movement are strength, defiance, and unbounded joyfulness. Everything resounds with the irresistible dance rhythm as Dvorak's creativity and consummate skill are demonstrated, and full use is made of his brilliant use of orchestral color.
Although later music by Janacek is quintessentially Czech/Moravian in character, his earliest compositions reflect this trait much less overtly. His delightful Idyll, written when he was 24, reflects his preoccupation with Moravian folk-songs and rhythms as well as the influence of his older compatriot Dvorak.
The performances are splendid and the recording quality is excellent. Keith Anderson's program notes are up to his usual high standard.
For music-lovers looking for two quintessentially Czech/Moravian works, beautifully performed and well recorded, this budget-priced CD deserves serious consideration.
Submitted on 02/10/13 by Ted Wilks
Works DetailsAntonin Dvorák (1841 - 1904) : Symphony no 6 in D major, Op. 60/B 112
- Conductor: Gerard Schwarz
- Ensemble: Seattle Symphony
- Notes: S. Mark Taper Foundation Auditorium-Benaroya Hall, Seattle, USA (05/05/2009/05/08/2009)
- Running Time: 47 min. 48 sec.
- Period Time: Romantic
- Form: Orchestral
Leos Janácek (1854 - 1928) : Idyll for Strings
- Conductor: Gerard Schwarz
- Notes: Illsley Ball Nordstrom Recital Hall, Benaroya Hall, Seattle, WA (04/27/2011/04/29/2011)
- Running Time: 28 min. 42 sec.
- Period Time: Post Romantic
- Written: 1878