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Burning to Sing, or Singing to Burn - Time passes slowly (Madame Tremolini) | |
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Burning to Sing, or Singing to Burn - 'Tis He! 'Tis Edoardo! (Madame Tremolini, Signor Edoardo) | |
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Burning to Sing, or Singing to Burn - Open the door (Billy, Madame Tremolini, Signor Edoardo, Thomassini) | |
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Burning to Sing, or Singing to Burn - Madrigal: Birds are singing in their cage (Madame Tremolini, Signor Edoardo, Billy, Thomassini) | |
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Burning to Sing, or Singing to Burn - I can not go, I have stubbed my toe (Madame Tremolini, Signor Edoardo, Billy, Thomassini) | |
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Burning to Sing, or Singing to Burn - Thank Heaven, we have found you (Jim, Tom, Madame Tremolini, Signor Edoardo, Billy, Thomassini) | |
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The Belle of New York (excerpts, arr. C. Godfrey, Jr. for orchestra) - The Belle of New York (excerpts, arr. C. Godfrey, Jr. for orchestra) | |
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Die oberen Zehntausend - Act I: Ich hab von allen Arten viele holde Frau'n gekannt (Ensemble) | |
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Die oberen Zehntausend - Act II: Auch ich komm' sehr elegant daher (Fifi, Ensemble) | |
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Die oberen Zehntausend - Act II: Suss ist ein Frauenmund (Chatillard, Theophile Boche, James Boche) | |
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Die oberen Zehntausend - Act II: Ein charmantes und pikantes Nippfigurchen ist mein Schatz (Gaston) | |
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Die oberen Zehntausend - Act II: Ich hielt sie fur einen Mann von echtem Don Juan-Schlag (Gaston, Germaine) | |
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Die oberen Zehntausend - Act II: Bei Laura schwarmt ich ganz enorm (Theophile Boche) | |
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Die oberen Zehntausend - Act II: Fangt man Fischlein im hellen Sonnenschein (James Boche, Fifi) | |
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Die oberen Zehntausend - Act II: Das Auto hat mein seelenguter Chef (Claire, Olivier) | |
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Die oberen Zehntausend - Act II: Wir tanzen auf einem Pulverfass (Ensemble) | |
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Die oberen Zehntausend - Act III: Frau'n haben mancherlei Pein (Ivette) | |
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Die oberen Zehntausend - Act III: Frohlich vom Bankette (Fifi, James Boche, Ensemble) | |
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Die oberen Zehntausend - Act II: Wir tanzen auf einem Pulverfass (Ensemble) (encore) |
Album Summary
Performer
Elke Kottmair (Soprano)
Notes & Reviews:
Kerker seems not to have existed at all, but his birth (1847) is documented in the registry and when he died (1923), the NY Times published a long article commemorating his life and work. Berlin's Metropol-Theater commissioned him to compose a German-language work High Society. As the Hanover concert demonstrated, Kerker's captivating music has lost none of its public impact.
Notes & Reviews:Recording information: Groáer Sandesaal der NDR Landesfunkhauses Hannover (2009-09-03_2009-09-04&2009-).
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Works Details
Kerker, Gustave : Die oberen Zehntautend, operetta - Conductor: Howard Griffiths
- Ensemble: NDR Radio Philharmonic Hannover
- Notes: Groáer Sandesaal der NDR Landesfunkhauses Hannover (2009-09-03_2009-09-04&2009-)
- Running Time: 1 min. 33 sec.
- Period Time: Post Romantic
- Form: Opera/Operetta
- Written: 1909
Kerker, Gustave : Burning to Sing, or Singing to Burn, operetta - Performer: Elke Kottmair (Soprano)
- Conductor: Howard Griffiths
- Notes: Groáer Sandesaal der NDR Landesfunkhauses Hannover (2009-09-03_2009-09-04&2009-)
- Running Time: 1 min. 52 sec.
- Period Time: Post Romantic
- Form: Opera/Operetta
- Written: 1904
Kerker, Gustave : The Belle of New York (Selection from the Musical Comedy) :: Tempo di Valse - Song. She is the Belle o - Conductor: Howard Griffiths
- Notes: Groáer Sandesaal der NDR Landesfunkhauses Hannover (2009-09-03_2009-09-04&2009-)
- Running Time: 13 min. 30 sec.
- Period Time: Post Romantic
- Written: 1897



























