Notes & Reviews:
In 2008 PentaTone started the recording of a complete Bruckner Symphonies cycle with the Orchestre de la Suisse Romande conducted by Marek Janowski. This title, in superior surround sound in the fine acoustics of Victoria Hall in Geneva is not just complementary to the cycle; it is a must for Bruckner aficionados.
American Record Guide, September/October 2013
Bruckner's F-minor Mass, his last and finest setting, is nonetheless a fairly early work, written in 1867-68 when he was in his mid-40s. This performance uses a new critical edition (2005) edited by Paul Hawkshaw. This is quite wonderful. The soloists are all fine. Of more significance is the excellent chorus, large enough to project the power of Bruckner's message and at the same time responsive enough to sing with excellent diction, ensemble, and dynamic control. The Berlin group handles everything with ease. Janowski is likewise excellent. He paces the work well, using tempos that are standard, and the orchestra sounds terrific. And indeed it is the fine sound from Pentatone that puts this in the top rank. Welser-M÷st is good if you want Bruckner taut and exciting; Barenboim and Jochum give you more spirituality. Janowski is just as good, and if excellent sonics are important to you, this would make a good first choice.
Recording information: Victoria Hall, Geneva, Switzerland (06/2012).
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Works DetailsBruckner, Anton : Mass no 3 in F minor, WAB 28
- Performers: Lenneke Ruiten (Soprano); Franz-Josef Selig (Voice); Iris Vermillion (Mezzo Soprano); Shawn Mathey
- Conductor: Marek Janowski
- Ensemble: Orchestre de la Suisse Romande
- Running Time: 29 min. 27 sec.
- Period Time: Romantic
- Form: Choral
- Written: circa 1867-1893