1 800 222 6872

Archiv Produktion: Early Music Studio of Deutsche Grammophon 1947-2013 / Helmut Walcha, David Munrow, Ralph Kirkpatrick et al. [55 CDs]

Album Summary

>Bach, Johann Sebastian : Trio Sonata for Organ no 1 in E flat major, BWV 525
>Bach, Johann Sebastian : Schubler Chorales (6), chorale preludes for organ, BWV 645-650 (BCK 22-27)
>Bach, Johann Sebastian : Partite sopra Sei gegrüsset, Jesu gütig, BWV 768
>Bach, Johann Sebastian : Trio Sonata for Organ no 6 in G major, BWV 530
>Bach, Johann Sebastian : Toccata and Fugue for Organ in D minor, BWV 565
>Bach, Johann Sebastian : Prelude & Fugue in E flat major, BWV 552
>Bach, Johann Sebastian : Cantata no 56, "Ich will den Kreuzstab gerne tragen" BWV 56
>Bach, Johann Sebastian : Cantata no 82, "Ich habe genug" BWV 82
>Bach, Johann Sebastian : Christ lag in Todesbanden, BWV 4
>Bach, Johann Sebastian : Cantata no 21, "Ich hatte viel Bekummernis BWV 21
>Bach, Johann Sebastian : Cantata no 19, "Es erhub sich ein Streit" BWV 19
>Bach, Johann Sebastian : Cantata no 79, "Gott der Herr ist Sonn und Schild" BWV 79
>Chant, Gregorian : Deus in adiutorium, versicule
>Chant, Gregorian : Work(s)
>Chant, Gregorian : Hodie scietis, introit (for Christmas Vigil Mass)
>Chant, Gregorian : Christe Redemptor omnium, hymn in mode 1
>Chant, Gregorian : Crastina die, alleluia (Ad Missam in Vigilia)
>Chant, Gregorian : Kyrie - Pater noster
>Chant, Gregorian : Dominus vobiscum, oratorio (Prayer, recitation solo)
>Plainchant : Dominus vobiscum / Benedicamus Domino, dismissal (Ordo Orationalis, Sancti Marci, MS Canon Litur. 32
>Chant, Gregorian : Alma redemptoris mater, antiphon
>Chant, Gregorian : Requiem Mass
>de la Halle, Adam : Le jeu de Robin et de Marion (The Play of Robin and Marion)
>de la Halle, Adam : Li dous regars de me dame, rondeau for 3 voices (2 settings)
>de la Halle, Adam : Je muir, je muir d'amourete, rondeau for 3 voices
>de la Halle, Adam : A jointes mains vous proi, chanson for 3 voices
>de la Halle, Adam : Dieus soit en cheste maison, rondeau (ballade) for 3 voices
>de la Halle, Adam : He, Dieus, quant verrai, rondeau for 3 voices
>de la Halle, Adam : Or est Baiars en la pasture, rondeau for 3 voices
>de la Halle, Adam : A Dieu commant amouretes, rondeau for 3 voices
>de la Halle, Adam : Bonne amourete, rondeau for 3 voices
>de la Halle, Adam : Dame, or sui trais, rondeau for 3 voices
>de la Halle, Adam : Fi, maris, de vostre amour, rondeau for 3 voices
>de la Halle, Adam : Trop desir a veoir, rondeau for 3 voices
>de la Halle, Adam : Diex, comment porroie, rondeau for 3 voices
>de la Halle, Adam : Fines amouretes ai, rondeau (virelai) for 3 voices
>Anonymous, Manuscrit du Roi : La Septime Estampie Real
>Anonymous : Stantipes I
>Traditional, French : C'est la gieus en mi les prez
>Traditional, French : C'est desoz l'olive
>Anonymous : Nota
>Anonymous, Manuscrit du Roi : La Quarte Estampie Royal
>Vaqeiras, Raimbaut de : Calenda maya
>Anonymous : Stantipes II
>Anonymous : Danse
>d'Amiens, Guillaume : Prendes i garde, rondeau
>Anonymous, Italian : Saltarello
>Anonymous, Italian : Lamento di Tristano, estampie
>Anonymous, Trouveres : A l'entrada del temps clar
>Anonymous : Trotto, dance for instrumental ensemble
>d'Amiens, Guillaume : Ainsi doit entrer en ville, rondeau
>d'Amiens, Guillaume : Main se levoit Aelis, rondeau
>Traditional, Italian : La Rotta
>Bach, Johann Sebastian : Brandenburg Concerto no 1 in F major, BWV 1046
>Bach, Johann Sebastian : Brandenburg Concerto no 4 in G major, BWV 1049
>Bach, Johann Sebastian : Brandenburg Concerto no 6 in B flat major, BWV 1051
>Bach, Johann Sebastian : Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027
>Bach, Johann Sebastian : Brandenburg Concerto no 2 in F major, BWV 1047
>Bach, Johann Sebastian : Brandenburg Concerto no 3 in G major, BWV 1048
>Bach, Johann Sebastian : Brandenburg Concerto no 5 in D major, BWV 1050
>Bach, Johann Sebastian : Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028
>Bach, Johann Sebastian : Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029
>Gibbons, Orlando : O Lord, I lift my heart to thee, anthem for 5 voices
>Gibbons, Orlando : Thus angels sung, song (from "The Hymns and Songs of the Church")
>Gibbons, Orlando : Fantasias (9) à 3
>Gibbons, Orlando : Almighty and everlasting God
>Gibbons, Orlando : The Hymnes and Songs of the Church
>Gibbons, Orlando : In Nomine a 5, no 2, for viols, MB28
>Gibbons, Orlando : O Lord, increase my faith, anthem for 4 voices (possibly by H. Loosemore)
>Gibbons, Orlando : This is the record of John
>Gibbons, Orlando : What is our life, madrigal for 5 voices
>Gibbons, Orlando : First Set of Madrigals and Mottets
>Gibbons, Orlando : The Cryes of London, consort song in 2 sections for 5 voices & 5 viols
>Morley, Thomas [Composer] : Good love, then flie thou toe her, madrigal for 6 voices
>Morley, Thomas [Composer] : Farewell, disdainful, madrigal for 3 voices
>Morley, Thomas [Composer] : Hark, jolly shepheards, madrigal for 4 voices
>Morley, Thomas [Composer] : Now is the gentle season, madrigal in 2 sections for 4 voices
>Morley, Thomas [Composer] : My lovely wanton jewell, madrigal for 5 voices
>Morley, Thomas [Composer] : Sweet nimphe, come to thy lover, madrigal for 2 voices
>Morley, Thomas [Composer] : Stay, hart, runneth not so fast, madrigal for 6 voices
>Morley, Thomas [Composer] : O griefe, even on the bud, madrigal for 5 voices
>Bach, Johann Sebastian : Saint Matthew Passion, BWV 244
>Bach, Johann Sebastian : Cantata no 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
>Bach, Johann Sebastian : Cantata no 45, "Es ist dir gesagt, Mensch, was gut ist" BWV 45
>Bach, Johann Sebastian : Cantata no 78 "Jesu, der du meine Seele" BWV 78
>Praetorious, Michael : Terpisichore
>Widmann, Erasmus : Musikalisher Tugendspiegel
>Schein, Johann H. : Suite for 5 instruments no 4 in G major (Banchetto musicale)
>Schein, Johann H. : Suite for 5 instruments no 5 in G major (Banchetto musicale)
>Schein, Johann H. : Suite for 5 instruments no 3 in E minor (Banchetto musicale)
>Delalande, Michel-Richard : Quatrieme suite, for orchestra (Symphonies pour les soupers du Roy)
>Mouret, Jean-Joseph : Fanfares, for trumpets, drums, violins,oboes, bassoons & basses
>Mouret, Jean-Joseph : Suites de simphonies (2)
>Muffat, Georg : Indissolubilis Amititia, suite for strings & continuo ad lib (Florilegium 2. no 8)
>Muffat, Georg : Concerto Grosso no 1 in B minor ("Bona nova") (from Ausserlesene Instrumental-Music)
>Biber, Heinrich Ignaz : Sonata for Strings and Basso Continuo in B flat major "Die Bauernkirchfahrt"
>Biber, Heinrich Ignaz : Sonata à 3
>Biber, Heinrich Ignaz : Fidicinium sacroprofanum
>Biber, Heinrich Ignaz : Battalia for Violin, Strings and Basso Continuo in D major
>Telemann, Georg Philipp : Quartet for flute, oboe, violin & continuo in G major (Tafelmusik I/2), TWV 43
>Telemann, Georg Philipp : Concerto for flute, violin, cello, strings & continuo in A major (Tafelmusik I/3), TWV 53
>Telemann, Georg Philipp : Overture-Suite for Trumpet, Oboe, Strings and Basso continuo in D major, TV 55 no D 1 "Tafelmusik, P
>Telemann, Georg Philipp : Conclusion, sinfonia for oboe, trumpet, strings & continuo in D major (Tafelmusik II/6), TWV 50
>Bach, Carl Philipp Emanuel : Symphony for orchestra in D major (Orchester-sinfonien no 1), H. 663, Wq. 183/1
>Bach, Carl Philipp Emanuel : Symphony for orchestra in E flat major (Orchester-sinfonien no 2), H. 664, Wq. 183/2
>Bach, Carl Philipp Emanuel : Sinfonias (4), Wq 183
>Bach, Carl Philipp Emanuel : Symphony for orchestra in G major (Orchester-sinfonien no 4), H. 666, Wq. 183/4
>Bach, Johann Sebastian : Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 "Triple Concerto"
>Bach, Johann Sebastian : Concerto for Oboe d'Amore in A major, BWV 1055
>Handel, George Frideric : Israel in Egypt, oratorio, HWV 54
>Purcell, Henry : Fairy Queen, Z 629
>Scarlatti, Domenico : Sonata for Harpsichord in G minor, K 347/L 126
>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 348/L 127
>Scarlatti, Domenico : Sonata for Harpsichord in D minor, K 213/L 108
>Scarlatti, Domenico : Sonata for Harpsichord in D major, K 214/L 165
>Scarlatti, Domenico : Sonata for Harpsichord in F sharp major, K 318/L 31
>Scarlatti, Domenico : Sonata for Harpsichord in F sharp major, K 319/L 35
>Scarlatti, Domenico : Sonata for Harpsichord in E major, K 380/L 23
>Scarlatti, Domenico : Sonata for Harpsichord in E major, K 381/L 225
>Scarlatti, Domenico : Sonata for Harpsichord in C major, K 356/L 443
>Scarlatti, Domenico : Sonata for Harpsichord in C major, K 357/L S45
>Scarlatti, Domenico : Sonata for Harpsichord in c, K 357/L 456
>Scarlatti, Domenico : Sonata for keyboard in C major, K. 527 (L. 458)
>Scarlatti, Domenico : Sonata for Harpsichord in D major, K 478/L 12
>Scarlatti, Domenico : Sonata for Harpsichord in D major, K 479/L S16
>Scarlatti, Domenico : Sonata for Harpsichord in F major, K 524/L 283
>Scarlatti, Domenico : Sonata for Harpsichord in F major, K 525/L 188
>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 454
>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 455/L 209
>Scarlatti, Domenico : Sonata for Harpsichord in B flat major, K 248/L S35
>Scarlatti, Domenico : Sonata for Harpsichord in B flat major, K 249/L 39
>Scarlatti, Domenico : Sonata for Harpsichord in D major, K 436/L 109
>Monteverdi, Claudio : Madrigals, Book 8
>Monteverdi, Claudio : Non voglio amare per non penare, for 2 tenors and bass (from Book 9), SV 172
>Monteverdi, Claudio : Vaga su spina ascosa, madrigal for 2 tenors & bass, (from Book 7), SV 134
>Monteverdi, Claudio : O mio bene, o mia vita, madrigal for 2 tenors & bass (from Book 9), SV 178
>Monteverdi, Claudio : Madrigals, Book 6
>Caccini, Giulio : Perfidissimo Volto
>Caccini, Giulio : Belle rose porporine, for voice & lute
>d'India, Sigismondo : Cruda Amarilli, song
>d'India, Sigismondo : Le musiche, book 1
>Saracini, Claudio : Io moro, aria for voice & continuo
>Saracini, Claudio : Deh, come invan chiedete
>Saracini, Claudio : Quest'amore, quest'arsura
>Peri, Jacopo : O durezza di ferro
>Peri, Jacopo : Tra le donne onde s'onora
>Caccini, Giulio : Udite, udite, amanti
>Caccini, Giulio : Amarilli mia bella, for voice & continuo (from Le nuove musiche)
>Gagliano, Marco da : Valli profonde, song
>Saracini, Claudio : Giovinetta vezzosetta
>Saracini, Claudio : Da te parto
>Peri, Jacopo : Bellissima regina
>Rasi, Francesco : Indarno Febo il Suo Bell'oro Eterna
>Turco, Giovanni del : Occhi belli e sia ver che in lungo pianto
>Calestani, Vincenzo : Damigella tutta bella
>Ockeghem, Johannes : Missa pro defunctis
>Desprez, Josquin : Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts
>Desprez, Josquin : Huc me sydereo/Plangent eum, motet for 5 or 6 parts
>Obrecht, Jacob : Salve regina, motet for 6 voices
>Obrecht, Jacob : Beata es Maria, motet for 4 voices
>Obrecht, Jacob : Salve crux arbor vitae, motet for 5 voices
>Corelli, Arcangelo : Sonata for violin & continuo in D major, Op. 5/1
>Corelli, Arcangelo : Sonata for violin & continuo in B flat major, Op. 5/2
>Corelli, Arcangelo : Sonatas (12) for Violin and Basso Continuo, Op. 5
>Corelli, Arcangelo : Sonata for violin & continuo in D minor, Op. 5/7
>Corelli, Arcangelo : Sonata for violin & continuo in E minor, Op. 5/8
>Corelli, Arcangelo : Sonata for violin & continuo in E major, Op. 5/11
>Anonymous, 11th century French Polyphony : Viderunt omnes, 2 part organum (attrib. to Leonin)
>Pérotin : Viderunt omnes
>Anonymous, German : Alle, psallite cum luya
>Anonymous : Amor potest conqueri, motet
>Anonymous : S'on me regarde
>Anonymous, French : In mari miserie, motet (Le Roman de Fauvel)
>Anonymous : O Mitissima
>Cruce, Petrus de : Aucun ont trouvé
>de la Halle, Adam : De ma dame vient, motet for 3 voices
>de la Halle, Adam : J'os bien a m'amie parler, motet for 3 voices
>Anonymous : La Mesnie fauveline, motet
>de Vitry, Philippe : Impudenter circumivi/Virtutis laudabilis/Alma, motet
>de Vitry, Philippe : Cum statua/Hugo/Magister invidie, motet
>Anonymous : Clap clap par un matin, for 3 voices
>Anonymous : Febus mundo Oriens-Lanista vipereus-Cornibus
>Machaut, Guillaume de : Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet
>Machaut, Guillaume de : Lasse, comme oublieray. Se j'aim mon loyal ami. Pour quoy me bat mes maris
>Anonymous, Codex Chantilly : Inter densas deserti meditans/Imbribus irriguis/Admirabilem est, motet
>Machaut, Guillaume de : Hoquetus David, double hocket for 3 voices
>Rameau, Jean-Philippe : Pieces de Clavecin
>Rameau, Jean-Philippe : Nouvelles Suites de Pieces de Clavecin
>Zelenka, Jan D. : Simphonie a 8 Concertanti for 2 oboes, bassoon, 2 violins, viola, cello & continuo in A minor, ZWV 1
>Zelenka, Jan D. : Hipocondrie a 7 Concertanti for 2 oboes, bassoon, 2 violins, viola & continuo in A major, ZWV 187
>Zelenka, Jan D. : Overture a 7 Concertanti 2 oboes, bassoon, 2 violins, viola & continuo in F major, ZWV 188
>Zelenka, Jan D. : Trio Sonata for 2 oboes, bassoon & continuo no 4 in G minor, ZWV 181/4
>Bach, Johann Sebastian : Goldberg Variations, BWV 988
>Vivaldi, Antonio : Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera"
>Handel, George Frideric : Concerto Grosso in D minor, Op.6/10, HWV 328
>Handel, George Frideric : Concerto Grosso in A major, Op.6/11, HWV 329
>Handel, George Frideric : Concerti grossi (12), Op. 6
>Telemann, Georg Philipp : Wasser Overture, for 2 recorders, flute, 2 oboes, bassoon, strings & continuo in C major ("Hamburger
>Telemann, Georg Philipp : Concerto for 2 recorders (or flutes), 2 oboes, strings & continuo in B flat major, TWV 54
>Telemann, Georg Philipp : Septet (Concerto a 7), for 2 flutes, 3 oboes, 2 violins & continuo in F major, TWV 44
>Telemann, Georg Philipp : Septet (Concerto), for 2 flutes, 2 oboes, 2 violins & continuo in A minor, TWV 44
>Telemann, Georg Philipp : Septet (Concerto), for 3 oboes, 3 violins & continuo in B flat major, TWV 44
>Telemann, Georg Philipp : Concerto for 2 chalumeaux (clarinets) & strings in D minor, TWV 52
>Bach, Johann Sebastian : Mass in B minor, BWV 232
>Palestrina, Giovanni : Gloria
>Palestrina, Giovanni : Tu es Petrus, motet for 6 voices (from Motets Book II for 5, 6 & 8 voices)
>Allegri, Gregorio : Miserere
>Anerio, Felice : Venite Ad Me Omnes
>Nanino, Giovanni Maria : Haec Dies, Quam Fecit Dominus
>Giovannelli, Ruggiero : Jubilate Deo for chorus
>Mozart, Wolfgang Amadeus : Concerto for Piano no 18 in B flat major, K 456
>Mozart, Wolfgang Amadeus : Concerto for Piano no 19 in F major, K 459
>Monteverdi, Claudio : Vespro della Beata Vergine
>Haydn, Franz Joseph : Symphony no 39 in G minor ("The Fist"), H. 1/39
>Haydn, Franz Joseph : Symphony no 41 in C major, H. 1/41
>Haydn, Franz Joseph : Symphony no 48 in C major ("Maria Theresia"), H. 1/48
>Haydn, Franz Joseph : Symphony no 65 in A major, H 1 no 65
>Beethoven, Ludwig van : Symphony no 5 in C minor, Op. 67
>Beethoven, Ludwig van : Symphony no 6 in F major, Op. 68 "Pastoral"
>Rebel, Jean-Féry : Les Elements, simphonie nouvelle for 2 violins, 2 flutes & continuo
>Telemann, Georg Philipp : Sonata for 2 violins & continuo in E minor, TWV 42
>Gluck, Christoph Willibald : Alessandro, ballet
>Handel, George Frideric : La Resurrezione di Nostro Signor Gesù Cristo, HWV 47
>Gabrieli, Giovanni : Toccata a 4, C237
>Gabrieli, Giovanni : Symphoniae sacrae, Book 2
>Gabrieli, Giovanni : Canzoni et sonate (21)
>Gabrieli, Giovanni : Intonationi d'organo
>Gabrieli, Giovanni : Canzon no 14, for 10 parts, C. 207
>Gabrieli, Giovanni : Buccinate in neomenia tuba
>Gabrieli, Giovanni : Domine, Deus meus
>Barbarino, Bartolomeo : Audi, dulcis amica mea
>Barbarino, Bartolomeo : Ardens est cor meum
>Gabrieli, Giovanni : Jubilate Deo a 10
>Gabrieli, Giovanni : Magnificat a 33
>Handel, George Frideric : Messiah, HWV 56, Oratorio
>Monteverdi, Claudio : Madrigals, Book 7
>Bertali, Antonio : Lamento della Regina d'Inghilterra
>Legrenzi, Giovanni : Il ballo del Gran Duca, Op. 16
>Vivaldi, Antonio : Cessate omai cessate, RV 684
>Monteverdi, Claudio : Lasciatemi morire "Lamento d'Arianna a 1"
>Purcell, Henry : Incassum, Lesbia, rogas, Z 383 "Queen's Epicedium"
>Piccinini, Alessandro : Chiaconna
>Purcell, Henry : O solitude, my sweetest choice, Z 406
>Anonymous, Flemish : T'andernaken / Laet ons mit hartzen / Hoboekentanz / Laet ons mit hartzen / Ihesus is een kyndekyn c
>Rue, Pierre de la : Ave Regina caelorum
>Rue, Pierre de la : Pourquoi non
>Susato, Tylman : Passe et medio & Reprinse Le Pingue (Danserye)
>Susato, Tylman : Gaillardes for winds
>Susato, Tylman : Het derde musyck boexken...alderhande danserye
>Obrecht, Jacob : J'ay pris amours
>Agricola, Alexander : Crions Noel
>Obrecht, Jacob : Tandernaken, chanson for 3 voices (text incipit only)
>Obrecht, Jacob : Laet u ghenoughen, liever Johan, chanson for 4 voices
>Susato, Tylman : Basse Danse no 7, "Entre du fol"
>Susato, Tylman : Basse Danse no 10, "Mon desir"
>Ghiselin, Johannes : Je loe amours
>Alamire, Pierre : T'Andernacken a 5, Bassedance
>Agricola, Alexander : Duo
>Anonymous : De tous biens playne
>Susato, Tylman : Pavane La Dona
>Anonymous : Wij sheyt edel vrouwe
>Susato, Tylman : Allemaigne & Recoupe
>Susato, Tylman : Branles (4) for brass ensemble
>Susato, Tylman : Bergerette (La Brosse) (from Dansereye)
>Clemens Non Papa, Jacobus : O Crux benedicta
>Clemens Non Papa, Jacobus : Ave mundi spes Maria
>Anonymous, Flemish : T'andernaken al op den Rijn (after Tyling)
>Pullois, Johannes : Les larmes
>Brassart, Johannes : Fortis cum quevis actio
>Traditional, German : Der Winter ist vergangen, song
>Desprez, Josquin : Inviolata, integra et casta es, motet for 5 parts
>Desprez, Josquin : Ut Phoebi radiis, motet for 4 parts
>Desprez, Josquin : De profundis, motet for 5 parts
>Desprez, Josquin : Christi, Fili Dei, motet for 4 parts (7th part of motet cycle "Vultum tuum")
>Desprez, Josquin : O virgo virginum, motet for 6 parts
>Desprez, Josquin : Vultum tuum deprecabuntur, 7-section motet cycle for 4 parts
>Desprez, Josquin : O bone et dulcissime Jesu, motet for 4 parts
>Desprez, Josquin : O virgo prudentissima/Beata mater, motet for 6 parts
>Handel, George Frideric : Il Delirio amoroso
>Handel, George Frideric : MEDLEY
>Handel, George Frideric : Tra le fiamme, HWV 170
>Rameau, Jean-Philippe : Zais, pastorlae heroique
>Rameau, Jean-Philippe : Castor et Pollux
>Rameau, Jean-Philippe : Les Fetes d'Hebe, opera-ballet
>Rameau, Jean-Philippe : Dardanus
>Rameau, Jean-Philippe : Le Temple de la Gloire, opera-ballet
>Rameau, Jean-Philippe : Les Boreades, tragedie en musique
>Rameau, Jean-Philippe : La Naissance d'Osiris, acte de ballet
>Rameau, Jean-Philippe : Platee, ballet bouffon
>Rameau, Jean-Philippe : Six Concerts en sextuor (from Nouvelles Suites de pieces de clavecin)
>Rameau, Jean-Philippe : Hippolyte et Aricie, tragedie en musique
>Rameau, Jean-Philippe : Nais
>Rameau, Jean-Philippe : Les Indes galantes
>Myslivecek, Josef : Symphony (Overture) in A major, F 27
>Myslivecek, Josef : Sinfonia in F major for two horns, two oboes and strings
>Myslivecek, Josef : Sinfonia in C major for two horns, two transverse flutes, two oboes, two violins
>Myslivecek, Josef : Sinfonia in G major for two horns, two oboes and strings
>Myslivecek, Josef : Sinfonia in E flat major for two horns, two oboes and strings
>Myslivecek, Josef : Symphony (Overture) in C major, F 26
>Myslivecek, Josef : Concertino in E flat major for two horns, two transverse flutes, two clarinets, bassoon and strings
>Vivaldi, Antonio : Concerto for 2 Violins in G major, RV 516
>Vivaldi, Antonio : Concerto for 2 Violins in D major, RV 511
>Vivaldi, Antonio : Concerto for 2 Violins in D minor, RV 514
>Vivaldi, Antonio : Concerto for 2 Violins in B flat major, RV 524
>Vivaldi, Antonio : Concerto for 2 Violins in C minor, RV 509
>Vivaldi, Antonio : Concerto for 2 Violins in A minor, RV 523
>Handel, George Frideric : Alcina
>Victoria, Tomas L. de : Surrexit Pastor Bonus, motet for 6 voices
>Victoria, Tomas L. de : O Lux et Decus Hispaniae, motet for 5 voices
>Victoria, Tomas L. de : O regem coeli, motet for 4 voices
>Victoria, Tomas L. de : Magi viderunt stellam, motet for 4 voices
>Victoria, Tomas L. de : Conditor alme siderum, hymn for 4 voices
>Victoria, Tomas L. de : Vadam, et circumibo civitatem, motet for 6 voices
>Victoria, Tomas L. de : Duo seraphim clamabant, motet for 4 voices
>Victoria, Tomas L. de : Veni Creator Spiritus, hymn for 4 voices
>Victoria, Tomas L. de : O magnum mysterium, motet for 4 voices
>Victoria, Tomas L. de : Ascendens Christus in altum, motet for 5 voices
>Victoria, Tomas L. de : Dum complerentur dies Pentecostes, motet for 5 voices
>Victoria, Tomas L. de : Hostis Herodes impie, hymn for 4 voices
>Victoria, Tomas L. de : Quem vidistis, pastores, motet for 6 voices
>Victoria, Tomas L. de : Ardens est cor meum, motet for 6 voices
>Monteverdi, Claudio : Lamento della Ninfa (Canto Amoroso)
>Handel, George Frideric : Rinaldo
>Cavalli, Francesco : Calisto
>Gesualdo, Carlo : Responsories of the Office of Tenebrae for Holy Saturday
>Vivaldi, Antonio : Concerto for Violin, strings & continuo in D major, RV 232
Performers Conductors Ensembles Composers

Notes & Reviews:


Works:

Trio Sonata for Organ no 1 in E flat major, BWV 525 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1727; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Partite sopra Sei gegrüsset, Jesu gütig, BWV 768 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1700; Lüneburg, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Chorale Preludes (6) BWV 645-650 “Schübler”: no 1, Wachet auf, ruft uns die Stimme, BWV 645 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Chorale Preludes (6) BWV 645-650 “Schübler”: no 2, Wo soll ich fliehen hin?, BWV 646by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Chorale Preludes (6) BWV 645-650 “Schübler”: no 3, Wer nur den lieben Gott lässt walten, BWV 647 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Chorale Preludes (6) BWV 645-650 “Schübler”: no 4, Meine Seele erhebet den Herren, BWV 648 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Chorale Preludes (6) BWV 645-650 “Schübler”: no 5, Ach bleib’ bei uns, BWV 649by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Chorale Preludes (6) BWV 645-650 “Schübler”: no 6, Kommst du nun, Jesu, BWV 650by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: by 1708; Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Prelude and Fugue in E flat major, BWV 552 “St Anne” by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: by 1739; Leipzig, Germany
Venue: St. Laurens Church, Alkmaar, Netherlands

Trio Sonata for Organ no 6 in G major, BWV 530 by Johann Sebastian Bach

Period: Baroque
Written: circa 1727; Leipzig, Germany

Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach

Performer: Dietrich Fischer-Dieskau (Baritone)
Conductor: Karl Ristenpart
Orchestra/Ensemble: Karl Ristenpart Chamber Orchestra
Period: Baroque
Written: 1726; Leipzig, Germany
Language: German

Ich habe genug, BWV 82 by Johann Sebastian Bach

Performer: Dietrich Fischer-Dieskau (Baritone), Hermann Töttcher (Oboe)
Conductor: Karl Ristenpart
Orchestra/Ensemble: Karl Ristenpart Chamber Orchestra
Period: Baroque
Written: 1727; Cöthen, Germany
Language: German

Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach

Performer: Dietrich Fischer-Dieskau (Baritone), Maria Jung (Organ), Helmut Krebs (Tenor)
Conductor: Fritz Lehmann
Orchestra/Ensemble: Bach Festival Orchestra, Frankfurt Music School Chorus
Period: Baroque
Written: 1708; Weimar, Germany
Language: German

Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach

Performer: Helmut Krebs (Tenor), Hermann Schey (Baritone), Gunthild Weber (Soprano),
Lore Fischer (Alto)
Conductor: Fritz Lehmann
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Baroque
Written: 1714; Cöthen, Germany

Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach

Performer: Helmut Krebs (Tenor), Hermann Schey (Baritone), Gunthild Weber (Soprano),
Lore Fischer (Alto)
Conductor: Fritz Lehmann
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Baroque
Written: 1725; Leipzig, Germany

Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach

Performer: Helmut Krebs (Tenor), Hermann Schey (Baritone), Gunthild Weber (Soprano),
Lore Fischer (Alto)
Conductor: Fritz Lehmann
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Baroque
Written: 1726; Leipzig, Germany

Primae Vesperae in Nativitate Domini Nostri Jesu Christi by Anonymous

Conductor: Maurus Pfaff
Orchestra/Ensemble: Beuron Benedictine Monks Of St. Martin
Period: Medieval

Prima Missa in Commemoratione Omnium Fidelium Defunctorum by Anonymous

Conductor: Maurus Pfaff
Orchestra/Ensemble: Beuron Benedictine Monks Of St. Martin

Le jeu de Robin et de Marion: Robin m’aime by Adam de la Halle

Performer: Louis Devos (Tenor), Jeanne Deroubaix (Mezzo Soprano), Franz Mertens (Voice),
Albert Van Ackere (Voice), Sylvia Devos (Voice)
Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Trop désir by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: France

Or est Baiars en la pasture by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Li dous regars by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Je muir, je muir by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: France

Hé Diex quant verrai by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: France

Fines amouretes ai by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Fi, maris, de vostre amour by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua

Diex, comment porroie by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Dieus soit en cheste maison by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Dame, or sui trais by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Bonne amourete me tient gai by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua

A jointes mains by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

A Dieu commant amouretes by Adam de la Halle

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Kalenda maya by Raimbaut de Vaqeiras

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; Italy

Prendés i garde by Guillaume d’Amiens

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: 13th Century; France

Ainsi doit entrer en ville by Guillaume d’Amiens

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval

Main se levoit aelis by Guillaume d’Amiens

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval

Trotto by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Renaissance
Written: 14th Century; Italy

Stantipes by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Renaissance
Written: 13th Century; England

Saltarello by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval

Nota by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval

Main s’est levee Aëlis by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: France

Lamento di Tristano by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: after 1300

La Septime Estampie Real by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: by 1300

La rotta by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: Italy

La Quarte Estampie Royal by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: by 1300; France

C’est la gieus en mi les prez by Anonymous

Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: France

C’est desoz l’olive by Anonymous

Performer: Louis Devos (Tenor)
Conductor: Safford Cape
Orchestra/Ensemble: Pro Musica Antiqua
Period: Medieval
Written: France

Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: 1708-1710; ?Weimar, Germany

Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: 1720-1721; ?Cöthen, Germany

Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: circa 1720; ?Cöthen, Germany

Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: 1711-1713; ?Weimar, Germany

Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: 1717-1718; ?Cöthen, Germany

Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: 1717; ?Cöthen, Germany

O Lord, I lift my heart to thee by Orlando Gibbons

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis Viol Consort
Period: Renaissance
Written: 17th Century; England

Thus angels sung by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Renaissance
Written: 17th Century; England

Fantasias (15) à 3: no 1 by Orlando Gibbons

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis Viol Consort
Period: Renaissance
Written: 17th Century; England

Almighty and everlasting God by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Renaissance
Written: 17th Century; England

Hymns and Songs: Song 13 “O my love, how comely now” by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Renaissance
Written: England

In Nomine à 5 by Orlando Gibbons

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis Viol Consort
Period: Renaissance
Written: 17th Century; England

O Lord increase my faith by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort

This is the record of John by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Renaissance
Written: 17th Century; England

First Set of Madrigals and Mottets: What is our life? by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Renaissance
Written: by 1612; England

First Set of Madrigals and Mottets: The silver swanne by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort

Fantasias (15) à 3: no 2 by Orlando Gibbons

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis Viol Consort
Period: Renaissance
Written: 17th Century; England

Fantasias (2) à 4 “for the great double bass”: no 2 by Orlando Gibbons

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis Viol Consort
Period: Renaissance
Written: 17th Century; England

Cryes of London: God give you good morrow by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Renaissance
Written: 17th Century; England

Cryes of London: A good sausage by Orlando Gibbons

Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Renaissance
Written: 17th Century; England

Good love, then fly thou to her by Thomas Morley

Conductor: Denis Stevens
Orchestra/Ensemble: Ambrosian Singers
Period: Renaissance
Written: England

Farewell, disdainfull by Thomas Morley

Conductor: Denis Stevens
Orchestra/Ensemble: Ambrosian Singers
Period: Renaissance
Written: by 1593; England

Madrigals to Foure Voyces, Book 1: Hark, jolly shepheards by Thomas Morley

Conductor: Denis Stevens
Orchestra/Ensemble: Ambrosian Singers
Period: Renaissance
Written: by 1594; England

Now is the gentle season by Thomas Morley

Conductor: Denis Stevens
Orchestra/Ensemble: Ambrosian Singers
Period: Renaissance
Written: by 1594; England

My lovely wanton jewel by Thomas Morley

Conductor: Denis Stevens
Orchestra/Ensemble: Ambrosian Singers
Period: Renaissance
Written: England

Sweet nimphe come to thy lover by Thomas Morley

Conductor: Denis Stevens
Orchestra/Ensemble: Ambrosian Singers
Period: Renaissance
Written: by 1595; England

Stay, heart, run not so fast by Thomas Morley

Conductor: Denis Stevens
Orchestra/Ensemble: Ambrosian Singers
Period: Renaissance
Written: England

O griefe, even on the bud by Thomas Morley

Conductor: Denis Stevens
Orchestra/Ensemble: Ambrosian Singers
Period: Renaissance
Written: by 1597; England

Saint Matthew Passion, BWV 244 by Johann Sebastian Bach

Performer: Dietrich Fischer-Dieskau (Bass), Antonia Fahberg (Soprano), Max Proebstl (Bass),
Kieth Engen (Bass), Irmgard Seefried (Soprano), Hertha Töpper (Alto),
Ernst Haefliger (Tenor)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Choir, Munich Bach Orchestra, Munich Choir Boys
Period: Baroque
Written: Circa 1727; Leipzig, Germany
Date of Recording: 1958

Liebster Gott, wenn werd’ ich sterben?, BWV 8 by Johann Sebastian Bach

Orchestra/Ensemble: Munich Bach Choir, Ansbach Bach Week Soloists
Period: Baroque
Written: 1724; Leipzig, Germany

Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach

Orchestra/Ensemble: Munich Bach Choir, Ansbach Bach Week Soloists
Period: Baroque
Written: 1724; Leipzig, Germany

Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach

Orchestra/Ensemble: Munich Bach Choir, Ansbach Bach Week Soloists
Period: Baroque
Written: 1726; Leipzig, Germany

Terpsichore: Volte by Michael Praetorius

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1612; Germany

Terpsichore: no 27, Spagnoletta by Michael Praetorius

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Baroque
Written: by 1612; Germany

Terpsichore: no 183/117, Entrée - Courante by Michael Praetorius

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1612; Germany

Terpsichore: La Bourée by Michael Praetorius

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1612; Germany

Terpsichore: Gavotte by Michael Praetorius

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1612; Germany

Terpsichore: Ballet by Michael Praetorius

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Written: pub 1612

Musicalischer Tugendtspiegel: no 4, Anna by Erasmus Widmann

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1613; Germany

Musicalischer Tugendtspiegel: no 3, Magdalena by Erasmus Widmann

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1613; Germany

Musicalischer Tugendtspiegel: no 16, Clara by Erasmus Widmann

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1613; Germany

Musicalischer Tugendtspiegel: no 13, Sophia by Erasmus Widmann

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1613; Germany

Musicalischer Tugendtspiegel: no 12, Regina by Erasmus Widmann

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Renaissance
Written: by 1613; Germany

Banchetto musicale: Suite no 5 in G major by Johann Hermann Schein

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Baroque
Written: 1617; Leipzig, Germany

Banchetto musicale: Suite no 4 in G major by Johann Hermann Schein

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Baroque
Written: 1617; Leipzig, Germany

Banchetto musicale: Suite no 3 in E minor by Johann Hermann Schein

Conductor: Fritz Neumeyer
Orchestra/Ensemble: Collegium Terpsichore
Period: Baroque
Written: 1617; Leipzig, Germany

Suite de Symphonies no 2 by Jean Joseph Mouret

Conductor: Paul Kuentz
Orchestra/Ensemble: Paul Kuentz Chamber Orchestra
Period: Baroque
Written: by 1729; France

Sinfonies pour les soupers du roi: Suite no 4 by Michel Richard Delalande

Conductor: Paul Kuentz
Orchestra/Ensemble: Paul Kuentz Chamber Orchestra
Period: Baroque
Written: circa 1690-1700; France

Suite de Symphonies no 1 by Jean Joseph Mouret

Conductor: Paul Kuentz
Orchestra/Ensemble: Paul Kuentz Chamber Orchestra
Period: Baroque
Written: by 1729; France

Florilegium secundum: Suite no 8 in E major “Indissolubilis amicitia” by Georg Muffat

Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: by 1698; Germany

Exquisitoris Harmoniae Instrumentalis: Concerto in D minor “Bona Nova” by Georg Muffat

Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: Germany

100.Sonata for Strings and Basso Continuo in B flat major “Die Bauernkirchfahrt” by Heinrich Ignaz Biber

Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 17th Century; Salzburg, Austria

101.Fidicinium sacroprofanum: Sonata no 8 by Heinrich Ignaz Biber

Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: by 1683; Salzburg, Austria

102.Battalia à 10 by Heinrich Ignaz Biber

Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: Bohemia

103.Sonata in D minor by Heinrich Ignaz Biber

Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus

104.Tafelmusik, Part 2: no 6, Conclusion for Oboe, Trumpet and Strings in D major, TV 50 no 9 by Georg Philipp Telemann

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: by 1733; Hamburg, Germany

105.Tafelmusik, Part 2: no 1, Overture for Trumpet, Oboe and Strings in D major by Georg Philipp Telemann

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: 1733; Germany

106.Tafelmusik, Part 1: no 3, Concerto for Flute, Violin and Cello in A major, TV 53 no A 2by Georg Philipp Telemann

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: by 1733; Hamburg, Germany

107.Tafelmusik, Part 1: no 2, Quartet for Flute, Oboe, Violin and Basso Continuo in G major, TV 43 no G2 by Georg Philipp Telemann

Conductor: August Wenzinger
Orchestra/Ensemble: Schola Cantorum Basiliensis
Period: Baroque
Written: by 1733; Hamburg, Germany

108.Sinfonias (4), Wq 183: no 4 in G major, H 666 by Carl Philipp Emmanuel Bach

Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Classical
Written: 1775-1776; Hamburg, Germany

109.Sinfonias (4), Wq 183: no 3 in F major, H 665 by Carl Philipp Emmanuel Bach

Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Classical
Written: 1775-1776; Hamburg, Germany

110.Sinfonias (4), Wq 183: no 2 in E flat major, H 664 by Carl Philipp Emmanuel Bach

Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Classical
Written: 1775-1776; Hamburg, Germany

111.Sinfonias (4), Wq 183: no 1 in D major, H 663 by Carl Philipp Emmanuel Bach

Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Classical
Written: 1775-1776; Hamburg, Germany

112.Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 “Triple Concerto”by Johann Sebastian Bach

Performer: Aurèle Nicolet (Flute), Gerhart Hetzel (Violin)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Baroque
Written: circa 1730; Leipzig, Germany

113.Concerto for Harpsichord in A major, BWV 1055 by Johann Sebastian Bach

Performer: Manfred Clement (Oboe)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany

114.Israel in Egypt, HWV 54 by George Frideric Handel

Performer: Patricia Clark (Soprano), Paul Esswood (Countertenor), Alexander Young (Tenor),
Michael Rippon (Bass), Christopher Keyte (Bass), Heather Harper (Soprano)
Conductor: Sir Charles Mackerras
Orchestra/Ensemble: English Chamber Orchestra, Leeds Festival Chorus
Period: Baroque
Written: by 1739; London, England
Date of Recording: 04/1970
Venue: Town Hall, Leeds, England
Length: 97 Minutes 24 Secs.
Language: English

115.Hail, bright Cecilia, Z 328 “Ode on St Cecilia’s Day” by Henry Purcell

Performer: Simon Woolf (Boy Soprano), Paul Esswood (Countertenor), Roland Tatnell (Countertenor),
Michael Rippon (Bass), Alexander Young (Tenor), John Shirley-Quirk (Bass)
Conductor: Sir Charles Mackerras
Orchestra/Ensemble: English Chamber Orchestra, Ambrosian Singers, Tiffin Children’s Choir
Period: Baroque
Written: 1692; England
Date of Recording: 01/1969
Venue: Wembley Town Hall, London, England
Length: 55 Minutes 15 Secs.
Language: English

116.Sonata for Harpsichord in G minor, K 347/L 126 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

117.Sonata for Harpsichord in G major, K 348/L 127 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

118.Sonata for Harpsichord in D minor, K 213/L 108 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

119.Sonata for Harpsichord in D major, K 214/L 165 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century; Italy

120.Sonata for Harpsichord in F sharp major, K 318/L 31 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

121.Sonata for Harpsichord in F sharp major, K 319/L 35 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

122.Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

123.Sonata for Harpsichord in E major, K 381/L 225 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

124.Sonata for Harpsichord in D major, K 478/L 12 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

125.Sonata for Harpsichord in D major, K 479/L S16 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

126.Sonata for Harpsichord in F major, K 524/L 283 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

127.Sonata for Harpsichord in F major, K 525/L 188 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

128.Sonata for Harpsichord in G major, K 454/L 184 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque

129.Sonata for Harpsichord in G major, K 455/L 209 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

130.Sonata for Harpsichord in B flat major, K 248/L S35 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

131.Sonata for Harpsichord in B flat major, K 249/L 39 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

132.Sonata for Harpsichord in D major, K 436/L 109 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

133.Sonata for Harpsichord in C major, K 356/L 443 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

134.Sonata for Harpsichord in C major, K 357/L S45 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

135.Sonata for Harpsichord in C minor, K 526/L 456 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

136.Sonata for Harpsichord in C major, K 527/L 458 by Domenico Scarlatti

Performer: Ralph Kirkpatrick (Harpsichord)
Period: Baroque
Written: 18th Century

137.Madrigals, Book 9: O mio bene, o mia vita by Claudio Monteverdi

Performer: Christopher Keyte (Bass), Ian Partridge (Tenor), Nigel Rogers (Tenor),
Colin Tilney (Harpsichord)
Orchestra/Ensemble: Monteverdi Choir
Period: Baroque
Written: 17th Century; Italy

138.Madrigals, Book 9: Non voglio amare by Claudio Monteverdi

Performer: Nigel Rogers (Tenor), Ian Partridge (Tenor), Christopher Keyte (Bass)
Orchestra/Ensemble: Monteverdi Choir
Period: Baroque
Written: 17th Century; Italy

139.Madrigals, Book 8: Se vittorie si belle by Claudio Monteverdi

Performer: Nigel Rogers (Tenor), Ian Partridge (Tenor), Christopher Keyte (Bass)
Orchestra/Ensemble: Monteverdi Choir
Period: Baroque
Written: by 1638; Italy

140.Madrigals, Book 8: Mentre vaga Angioletta by Claudio Monteverdi

Performer: Nigel Rogers (Tenor), Ian Partridge (Tenor), Christopher Keyte (Bass)
Orchestra/Ensemble: Monteverdi Choir
Period: Baroque
Written: by 1638; Italy

141.Madrigals, Book 7: Vaga su spina ascosa by Claudio Monteverdi

Performer: Nigel Rogers (Tenor), Ian Partridge (Tenor), Christopher Keyte (Bass)
Orchestra/Ensemble: Monteverdi Choir
Period: Baroque
Written: by 1619; Italy

142.Madrigals, Book 6: Zefiro torna e’l bel tempo rimena by Claudio Monteverdi

Performer: Nigel Rogers (Tenor), Ian Partridge (Tenor), Christopher Keyte (Bass)
Orchestra/Ensemble: Monteverdi Choir
Period: Baroque
Written: by 1614; Italy

143.Le nuove musiche: Belle rose proporine by Giulio Caccini

Performer: Nigel Rogers (Tenor), Colin Tilney (Harpsichord), Jordi Savall (Bass Viola Da Gamba)
Period: Baroque
Written: by 1602; Italy

144.Perfidissimo Volto by Giulio Caccini

Performer: Nigel Rogers (Tenor), Colin Tilney (Harpsichord), Jordi Savall (Bass Viola Da Gamba)
Period: Baroque
Written: Italy

145.Le musiche, book 1: Intenerite voi, lagrime mie by Sigismondo D’India

Performer: Nigel Rogers (Tenor), Jordi Savall (Bass Viola Da Gamba)
Period: Renaissance
Written: by 1609; Italy

146.Le musiche, book 1: Crud’Amarilli, che col nome ancora by Sigismondo D’India

Performer: Nigel Rogers (Tenor), Anthony Bailes (Lute)
Period: Renaissance
Written: by 1609; Italy

147.Io moro by Claudio Saracini

Performer: Colin Tilney (Harpsichord), Nigel Rogers (Tenor)

148.Deh, Come Invan Chiedete by Claudio Saracini

Performer: Colin Tilney (Harpsichord), Nigel Rogers (Tenor)

149.Quest’ Amore, Quest’ Arsura by Claudio Saracini

Performer: Nigel Rogers (Tenor), Colin Tilney (Harpsichord), Jordi Savall (Bass Viola Da Gamba)

150.O durezza di ferro e di diamante by Jacopo Peri

Performer: Nigel Rogers (Tenor), Colin Tilney (Harpsichord), Jordi Savall (Bass Viola Da Gamba)
Period: Baroque
Written: by 1609; Italy

151.Tra le donne onde s’onora by Jacopo Peri

Performer: Nigel Rogers (Tenor), Anthony Bailes (Lute)
Period: Baroque
Written: by 1609; Italy

152.Le nuove musiche: Udite, udite, amanti by Giulio Caccini

Performer: Nigel Rogers (Tenor), Colin Tilney (Harpsichord), Jordi Savall (Bass Viola Da Gamba)
Period: Baroque
Written: by 1602; Italy

153.Le nuove musiche: Amarilli mia bella by Giulio Caccini

Performer: Nigel Rogers (Tenor), Anthony Bailes (Lute)
Period: Baroque
Written: by 1602; Italy

154.Valli Profonde by Marco da Gagliano

Performer: Nigel Rogers (Tenor), Colin Tilney (Harpsichord), Jordi Savall (Bass Viola Da Gamba)

155.Giovinetta Vezzosetta by Claudio Saracini

Performer: Nigel Rogers (Tenor), Anthony Bailes (Lute)

156.Da Te Parto by Claudio Saracini

Performer: Nigel Rogers (Tenor), Colin Tilney (Harpsichord), Jordi Savall (Bass Viola Da Gamba)
Period: Baroque

157.Bellissima Regina by Jacopo Peri

Performer: Nigel Rogers (Tenor), Colin Tilney (Harpsichord), Jordi Savall (Bass Viola Da Gamba)
Period: Baroque
Written: by 1609; Italy

158.Indarno Febo by Francesco Rasi

Performer: Nigel Rogers (Tenor), Anthony Bailes (Lute)

159.Occhi Belli by Giovanni del Turco

Performer: Nigel Rogers (Tenor), Anthony Bailes (Lute)

160.Damigella, Tutta bella by Vincenzo Calestani

Performer: Colin Tilney (Harpsichord), Nigel Rogers (Tenor), Jordi Savall (Bass Viola Da Gamba),
Pere Ros (Viola Da Gamba)
Period: Renaissance
Written: Italy

161.Missa pro defunctis by Johannes Ockeghem

Conductor: Bruno Turner
Orchestra/Ensemble: Hamburg Wind Ensemble For Early Music, Pro Cantione Antiqua
Period: Renaissance
Written: 15th Century; Flanders, Belgium
Language: Latin

162.Déploration sur la mort de Ockeghem by Josquin Des Préz

Conductor: Bruno Turner
Orchestra/Ensemble: Pro Cantione Antiqua
Period: Renaissance
Written: France

163.Huc me sydereo descendere / Plangent eum by Josquin Des Préz

Conductor: Bruno Turner
Orchestra/Ensemble: Pro Cantione Antiqua
Period: Renaissance

164.Salve regina by Jacob Obrecht

Conductor: Bruno Turner
Orchestra/Ensemble: London Cornett and Sackbutt Ensemble, Pro Cantione Antiqua
Period: Renaissance
Written: Netherlands (Holland

165.Salve crux arbor vitae by Jacob Obrecht

Conductor: Bruno Turner
Orchestra/Ensemble: Pro Cantione Antiqua
Period: Renaissance
Written: Netherlands (Holland

166.Beate es, Maria by Jacob Obrecht

Conductor: Bruno Turner
Orchestra/Ensemble: Pro Cantione Antiqua
Period: Renaissance
Written: Netherlands (Holland

167.Sonatas (12) for Violin and Basso Continuo, Op. 5: no 1 in D major by Arcangelo Corelli

Performer: Eduard Melkus (Violin), Huguette Dreyfus (Harpsichord)
Conductor: Eduard Melkus
Orchestra/Ensemble: Capella Academica
Period: Baroque
Written: 1700; Rome, Italy
Date of Recording: 1972

168.Sonatas (12) for Violin and Basso Continuo, Op. 5: no 2 in B flat major by Arcangelo Corelli

Performer: Eduard Melkus (Violin), Huguette Dreyfus (Harpsichord)
Conductor: Eduard Melkus
Orchestra/Ensemble: Capella Academica
Period: Baroque
Written: 1700; Rome, Italy
Date of Recording: 1972

169.Sonatas (12) for Violin and Basso Continuo, Op. 5: no 3 in C major by Arcangelo Corelli

Performer: Huguette Dreyfus (Harpsichord), Eduard Melkus (Violin)
Conductor: Eduard Melkus
Orchestra/Ensemble: Capella Academica
Period: Baroque
Written: 1700; Rome, Italy
Date of Recording: 1972

170.Sonatas (12) for Violin and Basso Continuo, Op. 5: no 7 in D minor by Arcangelo Corelli

Performer: Huguette Dreyfus (Harpsichord), Eduard Melkus (Violin)
Conductor: Eduard Melkus
Orchestra/Ensemble: Capella Academica
Period: Baroque
Written: 1700; Rome, Italy
Date of Recording: 1972

171.Sonatas (12) for Violin and Basso Continuo, Op. 5: no 8 in E minor by Arcangelo Corelli

Performer: Huguette Dreyfus (Harpsichord), Eduard Melkus (Violin)
Conductor: Eduard Melkus
Orchestra/Ensemble: Capella Academica
Period: Baroque
Written: 1700; Rome, Italy
Date of Recording: 1972

172.Sonatas (12) for Violin and Basso Continuo, Op. 5: no 9 in A major by Arcangelo Corelli

Performer: Huguette Dreyfus (Harpsichord), Eduard Melkus (Violin)
Conductor: Eduard Melkus
Orchestra/Ensemble: Capella Academica
Period: Baroque
Written: 1700; Rome, Italy
Date of Recording: 1972

173.Sonatas (12) for Violin and Basso Continuo, Op. 5: no 11 in E major by Arcangelo Corelli

Performer: Huguette Dreyfus (Harpsichord), Eduard Melkus (Violin)
Conductor: Eduard Melkus
Orchestra/Ensemble: Capella Academica
Period: Baroque
Written: 1700; Rome, Italy
Date of Recording: 1972

174.Sonatas (12) for Violin and Basso Continuo, Op. 5: no 12 in D minor “La Follia”by Arcangelo Corelli

Performer: Eduard Melkus (Violin), Huguette Dreyfus (Harpsichord)
Conductor: Eduard Melkus
Orchestra/Ensemble: Capella Academica
Period: Baroque
Written: 1700; Rome, Italy
Date of Recording: 1972

175.Viderunt omnes by Léonin

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 12th Century; France
Date of Recording: 04/1975
Venue: Chapel, Charter House, Godalming, Surrey
Length: 9 Minutes 14 Secs.
Language: Latin

176.Gaude Maria by Léonin

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 12th Century; France
Date of Recording: 04/1975
Venue: Chapel, Charter House, Godalming, Surrey
Length: 7 Minutes 0 Secs.
Language: Latin

177.Locus iste a Deo factus est by Léonin

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 12th Century; France
Date of Recording: 04/1975
Venue: Chapel, Charter House, Godalming, Surrey
Length: 6 Minutes 2 Secs.
Language: Latin

178.Viderunt omnes by Pérotin

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: circa 1200; France
Date of Recording: 04/1975
Venue: Chapel, Charter House, Godalming, Surrey
Length: 11 Minutes 55 Secs.
Language: Latin

179.Alle psallite cum luya by Anonymous

Performer: David Corkhill (Tabor)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 9 Secs.
Language: Latin

180.Amor potest/Ad amorem by Anonymous

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 1 Secs.
Language: Latin

181.S’on me regarde by Anonymous

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 23 Secs.
Language: French

182.In mari miserie by Anonymous

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 52 Secs.
Language: Latin

183.O mitissima by Anonymous

Performer: David Corkhill (Tabor)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 29 Secs.

184.Aucun ont trouvé by Petrus de Cruce

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 14 Secs.
Language: French

185.De ma dame vient by Adam de la Halle

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 26 Secs.
Language: French

186.J’os bien a m’amie parler by Adam de la Halle

Performer: David Munrow (Recorder)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 50 Secs.
Language: French

187.La mesnie fauveline/J’ai fait nouveletement/Grant despit by Anonymous

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 17 Secs.
Language: French

188.Impudenter circumivi by Philippe De Vitry

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: circa 1330; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 10 Secs.
Language: Latin

189.Cum statua by Philippe De Vitry

Performer: David Munrow (Shawm)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: circa 1330; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 27 Secs.
Language: Latin

190.Clap, par un matin by Anonymous

Performer: Gillian Reid (Psaltery), James Tyler (Mandore), Christopher Hogwood (Harp)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 29 Secs.
Language: French

191.Febus mundo Oriens-Lanista vipereus-Cornibus by Anonymous

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 31 Secs.
Language: Latin

192.Lasse! comment oublieray/Se j’aim mon loyal/Pour quoy me bat mes maris?by Guillaume de Machaut

Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 14th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 4 Minutes 6 Secs.
Language: Latin

193.Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvetby Guillaume de Machaut

Performer: David Munrow (Shawm)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 14th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 56 Secs.

194.Hoquetus David by Guillaume de Machaut

Performer: David Munrow (Shawm)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: 14th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 18 Secs.

195.Inter densas - Imbribus irriguis by Anonymous

Performer: James Tyler (Lute)
Conductor: David Munrow
Orchestra/Ensemble: Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 17 Secs.
Language: Latin

196.Pièces de clavecin: Suite in D major/D minor by Jean-Philippe Rameau

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: circa 1724/1731; France

197.Nouvelles suites de pièces de clavecin: Suite in G major/G minor by Jean-Philippe Rameau

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: circa 1729-1730; France

198.Goldberg Variations, BWV 988 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1741-1742; Nuremberg, Germany

199.Alcina, HWV 34 by George Frideric Handel

Performer: Kobie van Rensburg (Tenor), Vito Priante (Baritone), Joyce DiDonato (Mezzo Soprano),
Sonia Prina (Alto), Karina Gauvin (Soprano), Maité Beaumont (Alto),
Laura Cherici (Soprano)
Conductor: Alan Curtis
Orchestra/Ensemble: Il Complesso Barocco
Period: Baroque
Written: 1735; London, England

200.Castor et Pollux: Scène funèbre by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1737; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 25 Secs.

201.Le temple de la gloire: Air tendre pour les Muses by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1745; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 4 Minutes 25 Secs.

202.La naissance d’Osiris: Air gracieux by Jean



Reviews

continued



Les Boréades: Prélude by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 19 Secs.
.
Les fêtes d’Hébé: Musette en Rondeau by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1739; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 22 Secs.

Hippolyte et Aricie: Ritournelle by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1733; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 9 Secs.

Naïs: Rigaudons I and II by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: by 1749; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 22 Secs.

Les Boréades: Entrée des Polymnie by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1764; France


Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 6 Minutes 5 Secs.

Zaïs: Overture by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 5 Minutes 47 Secs.

Les fêtes d’Hébé: Air “Revenez tendre amant” by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1739; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 53 Secs.

Dardanus: Tambourins I and II by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1739/1744; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 1 Minutes 51 Secs.

Les Boréades: Contredanse en rondeau by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 3 Minutes 6 Secs.

Les Boréades: Gavotte pour les heures et les zéphirs by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 2 Minutes 44 Secs.

Nouvelles suites de pièces de clavecin: no 11, La poule by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: circa 1729-1730; France
Date of Recording: 06/2003


Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 4 Minutes 31 Secs.

Les Indes galantes: Rondeau, Danse des sauvages by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1735/1761; France

Les Indes galantes: Chaconne by Jean-Philippe Rameau

Conductor: Marc Minkowski
Orchestra/Ensemble: Les Musiciens du Louvre
Period: Baroque
Written: 1735/1761; France
Date of Recording: 06/2003
Venue: Live Salle Molière, Théâtre de Poissy, France
Length: 6 Minutes 17 Secs.

Sinfonia in E flat major by Josef Myslivecek

Conductor: Werner Ehrhardt
Orchestra/Ensemble: Concerto Cologne
Period: Classical
Written: Bohemia

Overture in A major by Josef Myslivecek

Conductor: Werner Ehrhardt
Orchestra/Ensemble: Concerto Cologne
Period: Classical
Written: Bohemia

Sinfonia in F major by Josef Myslivecek

Conductor: Werner Ehrhardt
Orchestra/Ensemble: Concerto Cologne
Period: Classical
Written: Bohemia

Sinfonia in C major by Josef Myslivecek

Conductor: Werner Ehrhardt
Orchestra/Ensemble: Concerto Cologne
Period: Classical
Written: Bohemia

Sinfonia in G major by Josef Myslivecek

Conductor: Werner Ehrhardt
Orchestra/Ensemble: Concerto Cologne
Period: Classical
Written: Bohemia

Sinfonia in C major by Josef Myslivecek

Conductor: Werner Ehrhardt
Orchestra/Ensemble: Concerto Cologne
Period: Classical
Written: Bohemia

Submitted on 06/20/13 by HB 
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Works Details

>Bach, Johann Sebastian : Trio Sonata for Organ no 1 in E flat major, BWV 525
  • Performer: Helmut Walcha (Organ)
  • Notes: This selection is a mono recording.
  • Running Time: 11 min. sec.
  • Period Time: Baroque
  • Written: 1730

>Bach, Johann Sebastian : Schübler Chorales (6), chorale preludes for organ, BWV 645-650 (BCK 22-27)
  • Performer: Helmut Walcha (Organ)
  • Notes: This selection is a mono recording.
  • Running Time: 16 min. 20 sec.
  • Period Time: Baroque
  • Written: 1748-1749

>Bach, Johann Sebastian : Partite sopra Sei gegrüsset, Jesu gütig, BWV 768
  • Performer: Helmut Walcha (Organ)
  • Notes: This selection is a mono recording.
  • Running Time: 21 min. 48 sec.
  • Period Time: Baroque
  • Written: by 1710

>Bach, Johann Sebastian : Trio Sonata for Organ no 6 in G major, BWV 530
  • Performer: Helmut Walcha (Organ)
  • Notes: This selection is a mono recording.
  • Running Time: 11 min. 54 sec.
  • Period Time: Baroque
  • Written: 1730

>Bach, Johann Sebastian : Toccata and Fugue for Organ in D minor, BWV 565
  • Performer: Helmut Walcha (Organ)
  • Notes: This selection is a mono recording.
  • Running Time: 9 min. 23 sec.
  • Period Time: Baroque
  • Written: by 1708

>Bach, Johann Sebastian : Prelude & Fugue in E flat major, BWV 552 :: Fugue
  • Performer: Helmut Walcha (Organ)
  • Notes: This selection is a mono recording.
  • Running Time: 7 min. 19 sec.
  • Period Time: Baroque
  • Written: 1739

>Bach, Johann Sebastian : Cantata no 56, "Ich will den Kreuzstab gerne tragen" BWV 56
  • Performers: Dietrich Fischer-Dieskau; Hermann Töttcher (Oboe da caccia); Hermann Töttcher (Oboe)
  • Conductor: Karl Ristenpart
  • Notes: This selection is a mono recording.
  • Running Time: 20 min. 33 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 10/27/1726

>Bach, Johann Sebastian : Cantata no 82, "Ich habe genug" BWV 82
  • Performers: Dietrich Fischer-Dieskau; Hermann Töttcher (Oboe)
  • Conductor: Karl Ristenpart
  • Notes: This selection is a mono recording.
  • Running Time: 20 min. 26 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 02/02/1727

>Bach, Johann Sebastian : Christ lag in Todesbanden, BWV 4
  • Performer: Maria Jung (Organ)
  • Conductor: Fritz Lehmann
  • Notes: This selection is a mono recording.
  • Running Time: 24 min. 35 sec.
  • Period Time: Baroque
  • Written: by 1708

>Bach, Johann Sebastian : Cantata no 21, "Ich hatte viel Bekümmernis BWV 21
  • Performer: Karl Steins (Oboe)
  • Conductor: Fritz Lehmann
  • Notes: This selection is a mono recording.
  • Running Time: 41 min. 1 sec.
  • Period Time: Baroque
  • Written: 06/17/1714

>Bach, Johann Sebastian : Cantata no 19, "Es erhub sich ein Streit" BWV 19
  • Conductor: Fritz Lehmann
  • Notes: This selection is a mono recording.
  • Running Time: 20 min. 1 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 09/29/1726

>Bach, Johann Sebastian : Cantata no 79, "Gott der Herr ist Sonn und Schild" BWV 79
  • Conductor: Fritz Lehmann
  • Notes: This selection is a mono recording.
  • Running Time: 15 min. 58 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 10/31/1725

>Chant, Gregorian : Deus in adiutorium, versicule
  • Notes: This selection is a mono recording.
  • Period Time: Medieval

>Chant, Gregorian : Work(s) :: Antiphona 1
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 34 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Work(s) :: Antiphona 2
  • Notes: This selection is a mono recording.
  • Running Time: 3 min. 4 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Work(s) :: Antiphona 3
  • Notes: This selection is a mono recording.
  • Running Time: 3 min. 3 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Work(s) :: Antiphona 4
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 33 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Work(s) :: Capitulum
  • Notes: This selection is a mono recording.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Hodie scietis, introit (for Christmas Vigil Mass)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 46 sec.
  • Period Time: Medieval
  • Form: Christmas

>Chant, Gregorian : Christe Redemptor omnium, hymn in mode 1
  • Notes: This selection is a mono recording.
  • Running Time: 3 min. sec.
  • Period Time: Medieval

>Chant, Gregorian : Crastina die, alleluia (Ad Missam in Vigilia)
  • Notes: This selection is a mono recording.

>Chant, Gregorian : Work(s) :: Antiphona
  • Notes: This selection is a mono recording.
  • Running Time: 4 min. 25 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Kyrie - Pater noster
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 54 sec.
  • Period Time: Medieval

>Chant, Gregorian : Dominus vobiscum, oratorio (Prayer, recitation solo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 23 sec.
  • Period Time: Medieval
  • Form: Cantata/Oratorio

>Plainchant : Dominus vobiscum / Benedicamus Domino, dismissal (Ordo Orationalis, Sancti Marci, MS Canon Litur. 32
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 21 sec.

>Chant, Gregorian : Alma redemptoris mater, antiphon
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 5 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Work(s) :: V. Post partum - Oremus
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 29 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Requiem Mass
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 20 sec.
  • Period Time: Medieval
  • Form: Choral

>de la Halle, Adam : Le jeu de Robin et de Marion (The Play of Robin and Marion)
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 7 min. 44 sec.
  • Period Time: Medieval
  • Written: circa 1280

>de la Halle, Adam : Li dous regars de me dame, rondeau for 3 voices (2 settings)
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Je muir, je muir d'amourete, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 52 sec.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : A jointes mains vous proi, chanson for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1270-1300

>de la Halle, Adam : Dieus soit en cheste maison, rondeau (ballade) for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 35 sec.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Hé, Dieus, quant verrai, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Or est Baiars en la pasture, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : A Dieu commant amouretes, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 3 sec.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Bonne amourete, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Dame, or sui trais, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 44 sec.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Fi, maris, de vostre amour, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 1 sec.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Trop desir a veoir, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Diex, comment porroie, rondeau for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 54 sec.
  • Period Time: Medieval
  • Written: circa 1270-1300

>de la Halle, Adam : Fines amouretes ai, rondeau (virelai) for 3 voices
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 33 sec.
  • Period Time: Medieval
  • Written: circa 1270-1300

>Anonymous, Manuscrit du Roi : La Septime Estampie Real
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval
  • Written: by 1300

>Anonymous : Stantipes I
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 39 sec.

>Traditional, French : C'est la gieus en mi les prez
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Classical

>Traditional, French : C'est desoz l'olive
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Classical

>Anonymous : Nota
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 6 sec.

>Anonymous, Manuscrit du Roi : La Quarte Estampie Royal
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 56 sec.
  • Period Time: Medieval
  • Written: by 1300

>Vaqeiras, Raimbaut de : Calenda maya
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 20 sec.
  • Period Time: Medieval
  • Written: circa 1200

>Anonymous : Stantipes II
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.

>Anonymous : Danse
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Renaissance

>d'Amiens, Guillaume : Prendes i garde, rondeau
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 7 sec.
  • Period Time: Medieval

>Anonymous, Italian : Saltarello
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 32 sec.

>Anonymous, Italian : Lamento di Tristano, estampie
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 25 sec.
  • Period Time: Medieval
  • Written: 1340-1400

>Anonymous, Trouvères : A l'entrada del temps clar
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 10 sec.
  • Period Time: Renaissance

>Anonymous : Trotto, dance for instrumental ensemble
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 1 sec.
  • Period Time: Medieval
  • Written: circa 1390

>d'Amiens, Guillaume : Ainsi doit entrer en ville, rondeau
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval

>d'Amiens, Guillaume : Main se levoit Aëlis, rondeau
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Period Time: Medieval

>Traditional, Italian : La Rotta
  • Conductor: Safford Cape
  • Ensemble: Pro Musica Antiqua (Oslo)
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 10 sec.
  • Period Time: Renaissance

>Bach, Johann Sebastian : Brandenburg Concerto no 1 in F major, BWV 1046
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Orchestra
  • Notes: This selection is a mono recording.
  • Running Time: 20 min. 7 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 4 in G major, BWV 1049
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Orchestra
  • Notes: This selection is a mono recording.
  • Running Time: 17 min. 11 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 6 in B flat major, BWV 1051
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Orchestra
  • Notes: This selection is a mono recording.
  • Running Time: 18 min. 52 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027
  • Performers: Fritz Neumeyer (Harpsichord); August Wenzinger (Viol)
  • Notes: This selection is a mono recording.
  • Running Time: 13 min. 37 sec.
  • Period Time: Baroque
  • Written: 1720

>Bach, Johann Sebastian : Brandenburg Concerto no 2 in F major, BWV 1047
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Orchestra
  • Notes: This selection is a mono recording.
  • Running Time: 11 min. 31 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 3 in G major, BWV 1048 :: 1. [Without tempo indication]
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Orchestra
  • Notes: This selection is a mono recording.
  • Running Time: 6 min. 26 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 3 in G major, BWV 1048 :: 2. Adagio
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Orchestra
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 21 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 3 in G major, BWV 1048 :: 3. Allegro
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Orchestra
  • Notes: This selection is a mono recording.
  • Running Time: 5 min. 33 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 5 in D major, BWV 1050
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Orchestra
  • Notes: This selection is a mono recording.
  • Running Time: 21 min. 38 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028
  • Performers: Fritz Neumeyer (Harpsichord); August Wenzinger (Viol)
  • Notes: This selection is a mono recording.
  • Running Time: 14 min. 31 sec.
  • Period Time: Baroque
  • Written: 1720

>Bach, Johann Sebastian : Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029
  • Performers: Fritz Neumeyer (Harpsichord); August Wenzinger (Viol)
  • Notes: This selection is a mono recording.
  • Running Time: 14 min. 23 sec.
  • Period Time: Baroque
  • Written: 1720

>Gibbons, Orlando : O Lord, I lift my heart to thee, anthem for 5 voices
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 53 sec.
  • Period Time: Renaissance

>Gibbons, Orlando : Thus angels sung, song (from "The Hymns and Songs of the Church")
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 14 sec.
  • Period Time: Renaissance

>Gibbons, Orlando : Fantasias (9) à 3
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 34 sec.
  • Period Time: Renaissance

>Gibbons, Orlando : Almighty and everlasting God
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 46 sec.
  • Period Time: Renaissance

>Gibbons, Orlando : The Hymnes and Songs of the Church :: O my love, how comely now, hymn a 4
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 14 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gibbons, Orlando : In Nomine a 5, no 2, for viols, MB28
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 4 min. 2 sec.
  • Period Time: Renaissance

>Gibbons, Orlando : O Lord, increase my faith, anthem for 4 voices (possibly by H. Loosemore)
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 26 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gibbons, Orlando : This is the record of John
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 5 min. 8 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1611

>Gibbons, Orlando : What is our life, madrigal for 5 voices
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 5 min. 3 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gibbons, Orlando : Fantasias (9) à 3
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 58 sec.
  • Period Time: Renaissance

>Gibbons, Orlando : First Set of Madrigals and Mottets
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 59 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gibbons, Orlando : Fantasias (9) à 3
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 4 min. 36 sec.
  • Period Time: Renaissance

>Gibbons, Orlando : The Cryes of London, consort song in 2 sections for 5 voices & 5 viols
  • Conductor: August Wenzinger
  • Ensemble: Schola Cantorum Basiliensis Viol Consort
  • Notes: This selection is a mono recording.
  • Running Time: 4 min. 40 sec.
  • Period Time: Renaissance

>Morley, Thomas [Composer] : Good love, then flie thou toe her, madrigal for 6 voices
  • Conductor: Denis Stevens
  • Running Time: 3 min. 3 sec.
  • Period Time: Renaissance
  • Written: by 1597

>Morley, Thomas [Composer] : Farewell, disdainful, madrigal for 3 voices
  • Conductor: Denis Stevens
  • Running Time: 3 min. 4 sec.
  • Period Time: Renaissance
  • Written: by 1593

>Morley, Thomas [Composer] : Hark, jolly shepheards, madrigal for 4 voices
  • Conductor: Denis Stevens
  • Running Time: 1 min. 51 sec.
  • Period Time: Renaissance
  • Written: by 1594

>Morley, Thomas [Composer] : Now is the gentle season, madrigal in 2 sections for 4 voices
  • Conductor: Denis Stevens
  • Running Time: 2 min. 45 sec.
  • Period Time: Renaissance
  • Written: by 1594

>Morley, Thomas [Composer] : My lovely wanton jewell, madrigal for 5 voices
  • Conductor: Denis Stevens
  • Running Time: 2 min. 28 sec.
  • Period Time: Renaissance
  • Written: by 1595

>Morley, Thomas [Composer] : Sweet nimphe, come to thy lover, madrigal for 2 voices
  • Conductor: Denis Stevens
  • Running Time: 1 min. 35 sec.
  • Period Time: Renaissance
  • Written: by 1595

>Morley, Thomas [Composer] : Stay, hart, runneth not so fast, madrigal for 6 voices
  • Conductor: Denis Stevens
  • Running Time: 2 min. 32 sec.
  • Period Time: Renaissance
  • Written: by 1597

>Morley, Thomas [Composer] : O griefe, even on the bud, madrigal for 5 voices
  • Conductor: Denis Stevens
  • Running Time: 1 min. 34 sec.
  • Period Time: Renaissance
  • Written: by 1597

>Bach, Johann Sebastian : Saint Matthew Passion, BWV 244
  • Conductor: Karl Richter
  • Running Time: 183 min. 5 sec.
  • Period Time: Baroque
  • Written: 1736

>Bach, Johann Sebastian : Cantata no 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
  • Performers: Horst Schneider (Oboe d'amore); Edgar Shann (Oboe d'amore); Aurèle Nicolet (Flute)
  • Conductor: Karl Richter
  • Ensemble: Ansbach Bach Week Soloists Union
  • Running Time: 23 min. 11 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 09/24/1724

>Bach, Johann Sebastian : Cantata no 45, "Es ist dir gesagt, Mensch, was gut ist" BWV 45
  • Conductor: Karl Richter
  • Ensemble: Ansbach Bach Week Soloists Union
  • Running Time: 19 min. 44 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 08/11/1726

>Bach, Johann Sebastian : Cantata no 78 "Jesu, der du meine Seele" BWV 78
  • Conductor: Karl Richter
  • Ensemble: Ansbach Bach Week Soloists Union
  • Running Time: 24 min. 12 sec.
  • Period Time: Baroque
  • Written: 09/10/1724

>Praetorious, Michael : Terpisichore :: Entrée - Courante 183 / 117
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 4 min. 18 sec.
  • Period Time: Renaissance
  • Written: 1612

>Praetorious, Michael : Terpisichore :: Gavotte 1, 1-3, 6
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 2 min. 29 sec.
  • Period Time: Renaissance
  • Written: 1612

>Praetorious, Michael : Terpisichore :: Spagnoletta 28
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 1 min. 29 sec.
  • Period Time: Renaissance
  • Written: 1612

>Praetorious, Michael : Terpisichore :: La Bouree 32, 1/2
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 1 min. 57 sec.
  • Period Time: Renaissance
  • Written: 1612

>Praetorious, Michael : Terpisichore :: Ballet 268
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 1 min. 49 sec.
  • Period Time: Renaissance
  • Written: 1612

>Praetorious, Michael : Terpisichore :: Volte 201 / 210
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 2 min. 45 sec.
  • Period Time: Renaissance
  • Written: 1612

>Widmann, Erasmus : Musikalisher Tugendspiegel :: Sophia (no 13) / Anna (no 4)
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 2 min. 22 sec.
  • Period Time: Baroque

>Widmann, Erasmus : Musikalisher Tugendspiegel :: Clara (no 16)
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 2 min. 25 sec.
  • Period Time: Baroque

>Widmann, Erasmus : Musikalisher Tugendspiegel :: Magdalena (no 3)
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Period Time: Baroque

>Widmann, Erasmus : Musikalisher Tugendspiegel :: Agatha (no 15)
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 2 min. 14 sec.
  • Period Time: Baroque

>Widmann, Erasmus : Musikalisher Tugendspiegel :: Regina (no 12)
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 1 min. 10 sec.
  • Period Time: Baroque

>Schein, Johann H. : Suite for 5 instruments no 4 in G major (Banchetto musicale)
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 6 min. 29 sec.
  • Period Time: Baroque

>Schein, Johann H. : Suite for 5 instruments no 5 in G major (Banchetto musicale)
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 5 min. 32 sec.
  • Period Time: Baroque

>Schein, Johann H. : Suite for 5 instruments no 3 in E minor (Banchetto musicale)
  • Conductor: Fritz Neumeyer
  • Ensemble: Collegium Terpsichore
  • Running Time: 8 min. 48 sec.
  • Period Time: Baroque

>Delalande, Michel-Richard : Quatrième suite, for orchestra (Symphonies pour les soupers du Roy)
  • Performers: Jacques Remy (Timpani); Olivier Alain (Harpsichord); Andre Sennedat (Bassoon); Adolf Scherbaum (Trumpet); Huguette Gremy-Chauliac (Harpsichord); Maurice Bourgue (Oboe); Jacky Magnardi (Horn); Emile Mayousse (Oboe); Georges Barboteu (Horn)
  • Conductor: Paul Kuentz
  • Running Time: 1 min. 52 sec.
  • Period Time: Baroque

>Mouret, Jean-Joseph : Fanfares, for trumpets, drums, violins,oboes, bassoons & basses
  • Performers: Adolf Scherbaum (Trumpet); Maurice Bourgue (Oboe); Jacky Magnardi (Horn); Emile Mayousse (Oboe); Georges Barboteu (Horn); Jacques Remy (Timpani); Olivier Alain (Harpsichord); Andre Sennedat (Bassoon); Huguette Gremy-Chauliac (Harpsichord)
  • Conductor: Paul Kuentz
  • Running Time: 1 min. 48 sec.
  • Period Time: Baroque

>Mouret, Jean-Joseph : Suites de simphonies (2)
  • Performers: Adolf Scherbaum (Trumpet); Maurice Bourgue (Oboe); Jacky Magnardi (Horn); Emile Mayousse (Oboe); Georges Barboteu (Horn); Huguette Gremy-Chauliac (Harpsichord); Jacques Remy (Timpani); Olivier Alain (Harpsichord); Andre Sennedat (Bassoon)
  • Conductor: Paul Kuentz
  • Running Time: 1 min. 49 sec.
  • Period Time: Baroque
  • Written: 1729

>Muffat, Georg : Indissolubilis Amititia, suite for strings & continuo ad lib (Florilegium 2. no 8)
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Running Time: 4 min. 28 sec.
  • Period Time: Baroque

>Muffat, Georg : Concerto Grosso no 1 in B minor ("Bona nova") (from Ausserlesene Instrumental-Music)
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Running Time: 10 min. 18 sec.
  • Period Time: Baroque
  • Form: Orchestral

>Biber, Heinrich Ignaz : Sonata for Strings and Basso Continuo in B flat major "Die Bauernkirchfahrt"
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Running Time: 6 min. 25 sec.
  • Period Time: Baroque
  • Written: 1673

>Biber, Heinrich Ignaz : Sonata à 3
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Period Time: Baroque
  • Written: 1679-1680

>Biber, Heinrich Ignaz : Fidicinium sacroprofanum
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Running Time: 1 min. 32 sec.
  • Period Time: Baroque
  • Written: 1683

>Biber, Heinrich Ignaz : Battalia for Violin, Strings and Basso Continuo in D major
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Running Time: 6 min. 18 sec.
  • Period Time: Baroque
  • Written: 1673

>Telemann, Georg Philipp : Quartet for flute, oboe, violin & continuo in G major (Tafelmusik I/2), TWV 43 :: G2
  • Conductor: August Wenzinger
  • Running Time: 14 min. 33 sec.
  • Period Time: Baroque
  • Written: 1733

>Telemann, Georg Philipp : Concerto for flute, violin, cello, strings & continuo in A major (Tafelmusik I/3), TWV 53 :: A2
  • Conductor: August Wenzinger
  • Running Time: 27 min. 5 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1733

>Telemann, Georg Philipp : Overture-Suite for Trumpet, Oboe, Strings and Basso continuo in D major, TV 55 no D 1 "Tafelmusik, P :: 1), TWV 55
  • Conductor: August Wenzinger
  • Running Time: 31 min. 29 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1733

>Telemann, Georg Philipp : Conclusion, sinfonia for oboe, trumpet, strings & continuo in D major (Tafelmusik II/6), TWV 50 :: 9
  • Conductor: August Wenzinger
  • Running Time: 6 min. 48 sec.
  • Period Time: Baroque
  • Written: 1733

>Bach, Carl Philipp Emanuel : Symphony for orchestra in D major (Orchester-sinfonien no 1), H. 663, Wq. 183/1
  • Conductor: Karl Richter
  • Running Time: 9 min. 25 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1775-1776

>Bach, Carl Philipp Emanuel : Symphony for orchestra in E flat major (Orchester-sinfonien no 2), H. 664, Wq. 183/2
  • Conductor: Karl Richter
  • Running Time: 9 min. 17 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1775-1776

>Bach, Carl Philipp Emanuel : Sinfonias (4), Wq 183
  • Conductor: Karl Richter
  • Running Time: 9 min. 47 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1775-1776

>Bach, Carl Philipp Emanuel : Symphony for orchestra in G major (Orchester-sinfonien no 4), H. 666, Wq. 183/4
  • Conductor: Karl Richter
  • Running Time: 9 min. 9 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1775-1776

>Bach, Johann Sebastian : Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 "Triple Concerto"
  • Performers: Gerhart Hetzel (Violin); Aurèle Nicolet (Flute); Karl Richter (Harpsichord)
  • Conductor: Karl Richter
  • Running Time: 23 min. sec.
  • Period Time: Baroque
  • Written: 1729-1741

>Bach, Johann Sebastian : Concerto for Oboe d'Amore in A major, BWV 1055
  • Performers: Manfred Clement (Oboe d'amore); Karl Richter (Harpsichord)
  • Conductor: Karl Richter
  • Running Time: 15 min. 9 sec.
  • Period Time: Baroque
  • Written: 1969

>Handel, George Frideric : Israel in Egypt, oratorio, HWV 54
  • Conductor: Charles Mackerras
  • Notes: Composition written: 1738.
  • Running Time: 87 min. 23 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1738

>Purcell, Henry : Fairy Queen, Z 629
  • Conductor: Charles Mackerras
  • Running Time: 50 min. 28 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1692

>Scarlatti, Domenico : Sonata for Harpsichord in G minor, K 347/L 126
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 14 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 348/L 127
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 28 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in D minor, K 213/L 108
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 3 min. 43 sec.
  • Period Time: Baroque
  • Written: 1756-1757

>Scarlatti, Domenico : Sonata for Harpsichord in D major, K 214/L 165
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 15 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in F sharp major, K 318/L 31
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 1 min. 53 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in F sharp major, K 319/L 35
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 1 min. 53 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in E major, K 380/L 23
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 55 sec.
  • Period Time: Baroque
  • Written: 1756-1757

>Scarlatti, Domenico : Sonata for Harpsichord in E major, K 381/L 225
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 3 min. 19 sec.
  • Period Time: Baroque
  • Written: 1756-1757

>Scarlatti, Domenico : Sonata for Harpsichord in C major, K 356/L 443
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 3 min. 51 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in C major, K 357/L S45
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 37 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in c, K 357/L 456
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 34 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for keyboard in C major, K. 527 (L. 458)
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 3 min. 55 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in D major, K 478/L 12
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 3 min. 43 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in D major, K 479/L S16
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 28 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in F major, K 524/L 283
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 35 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in F major, K 525/L 188
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 54 sec.
  • Period Time: Baroque
  • Written: 1756-1757

>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 454
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 38 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 455/L 209
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 3 min. 34 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in B flat major, K 248/L S35
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 2 min. 57 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in B flat major, K 249/L 39
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 4 min. 18 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in D major, K 436/L 109
  • Performer: Ralph Kirkpatrick (Harpsichord)
  • Running Time: 1 min. 31 sec.
  • Period Time: Baroque

>Monteverdi, Claudio : Madrigals, Book 8
  • Performers: Thomas Brandis (Violin); Hans Koch (Violone); Michael Schaffer (Chitarrone); Nigel Vocal] (Tenor); Ian Partridge; Colin Tilney (Harpsichord); Klaus Storck (Cello); Eugen Dombois (Lute); Peter Brem (Violin); Heinrich Haferland (Viola da gamba)
  • Conductor: Jurgen s
  • Running Time: 2 min. 24 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1638

>Monteverdi, Claudio : Non voglio amare per non penare, for 2 tenors and bass (from Book 9), SV 172
  • Performers: Klaus Storck (Cello); Christopher Keyte (Bass); Eugen Dombois (Lute); Peter Brem (Violin); Heinrich Haferland (Viola da gamba); Thomas Brandis (Violin); Hans Koch (Violone); Michael Schaffer (Chitarrone); Nigel Vocal] (Tenor); Werner Kaufmann (Virginal); Ian Partridge; Colin Tilney (Harpsichord); Colin Tilney (Virginal)
  • Conductor: Jurgen s
  • Running Time: 1 min. 12 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1651

>Monteverdi, Claudio : Vaga su spina ascosa, madrigal for 2 tenors & bass, (from Book 7), SV 134
  • Performers: Klaus Storck (Cello); Christopher Keyte (Bass); Eugen Dombois (Lute); Heinrich Haferland (Viola da gamba); Thomas Brandis (Violin); Hans Koch (Violone); Michael Schaffer (Chitarrone); Nigel Vocal] (Tenor); Werner Kaufmann (Virginal); Ian Partridge; Colin Tilney (Virginal); Kathy Wagner (Dulcian); Peter Brem (Violin)
  • Conductor: Jurgen s
  • Running Time: 2 min. 46 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1619

>Monteverdi, Claudio : O mio bene, o mia vita, madrigal for 2 tenors & bass (from Book 9), SV 178
  • Performers: Hans Koch (Violone); Michael Schaffer (Chitarrone); Nigel Vocal] (Tenor); Werner Kaufmann (Virginal); Klaus Storck (Cello); Christopher Keyte (Bass); Eugen Dombois (Lute); Kathy Wagner (Dulcian); Peter Brem (Violin); Heinrich Haferland (Viola da gamba); Thomas Brandis (Violin); Ian Partridge; Colin Tilney (Harpsichord); Colin Tilney (Virginal)
  • Conductor: Jurgen s
  • Running Time: 4 min. sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1651

>Monteverdi, Claudio : Madrigals, Book 6
  • Performers: Klaus Storck (Cello); Eugen Dombois (Lute); Kathy Wagner (Dulcian); Peter Brem (Violin); Heinrich Haferland (Viola da gamba); Thomas Brandis (Violin); Hans Koch (Violone); Michael Schaffer (Chitarrone); Ian Partridge; Colin Tilney (Virginal); Colin Tilney (Harpsichord); Nigel Vocal] (Tenor); Werner Kaufmann (Virginal)
  • Conductor: Jurgen s
  • Running Time: 5 min. 36 sec.
  • Period Time: Baroque
  • Written: circa 1632

>Monteverdi, Claudio : Madrigals, Book 8
  • Performers: Klaus Storck (Cello); Eugen Dombois (Lute); Peter Brem (Violin); Heinrich Haferland (Viola da gamba); Thomas Brandis (Violin); Hans Koch (Violone); Nigel Vocal] (Tenor); Werner Kaufmann (Virginal); Ian Partridge; Colin Tilney (Harpsichord); Colin Tilney (Virginal)
  • Conductor: Jurgen s
  • Running Time: 9 min. 3 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1638

>Caccini, Giulio : Perfidissimo Volto
  • Performers: Colin Tilney (Harpsichord); Nigel Vocal] (Tenor); Jordi Savall (Vielle)
  • Running Time: 3 min. 25 sec.
  • Period Time: Renaissance

>Caccini, Giulio : Belle rose porporine, for voice & lute
  • Performers: Pere Ros (Violone); Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor); Colin Tilney (Harpsichord); Jordi Savall (Vielle)
  • Running Time: 2 min. 50 sec.
  • Period Time: Renaissance

>d'India, Sigismondo : Cruda Amarilli, song
  • Performers: Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor)
  • Running Time: 2 min. 26 sec.
  • Period Time: Renaissance
  • Form: Vocal

>d'India, Sigismondo : Le musiche, book 1
  • Performers: Nigel Vocal] (Tenor); Jordi Savall (Vielle)
  • Running Time: 2 min. 41 sec.
  • Period Time: Renaissance
  • Form: Choral

>Saracini, Claudio : Io moro, aria for voice & continuo
  • Performers: Nigel Vocal] (Tenor); Colin Tilney (Harpsichord)
  • Running Time: 3 min. 47 sec.
  • Period Time: Baroque
  • Written: 1614

>Saracini, Claudio : Deh, come invan chiedete
  • Performers: Nigel Vocal] (Tenor); Colin Tilney (Harpsichord)
  • Running Time: 2 min. 14 sec.
  • Period Time: Baroque
  • Form: Vocal

>Saracini, Claudio : Quest'amore, quest'arsura
  • Performers: Pere Ros (Violone); Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor)
  • Running Time: 2 min. 11 sec.
  • Period Time: Baroque

>Peri, Jacopo : O durezza di ferro
  • Performers: Nigel Vocal] (Tenor); Jordi Savall (Vielle); Colin Tilney (Harpsichord)
  • Running Time: 1 min. 58 sec.
  • Period Time: Renaissance

>Peri, Jacopo : Tra le donne onde s'onora
  • Performers: Nigel Vocal] (Tenor); Jordi Savall (Vielle); Colin Tilney (Harpsichord); Pere Ros (Violone); Anthony Bailes (Chitarrone)
  • Running Time: 2 min. 40 sec.
  • Period Time: Renaissance

>Caccini, Giulio : Udite, udite, amanti
  • Performers: Pere Ros (Violone); Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor); Jordi Savall (Vielle); Colin Tilney (Harpsichord)
  • Running Time: 1 min. 44 sec.
  • Period Time: Renaissance

>Caccini, Giulio : Amarilli mia bella, for voice & continuo (from Le nuove musiche)
  • Performers: Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor)
  • Running Time: 2 min. 44 sec.
  • Period Time: Renaissance
  • Written: 1601

>Gagliano, Marco da : Valli profonde, song
  • Performers: Pere Ros (Violone); Anthony Bailes (Chitarrone); Colin Tilney (Positive); Nigel Vocal] (Tenor); Jordi Savall (Vielle)
  • Running Time: 4 min. sec.
  • Period Time: Baroque

>Saracini, Claudio : Giovinetta vezzosetta
  • Performers: Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor); Colin Tilney (Positive)
  • Running Time: 1 min. 20 sec.
  • Period Time: Baroque
  • Form: Vocal

>Saracini, Claudio : Da te parto
  • Performers: Nigel Vocal] (Tenor); Jordi Savall (Vielle); Colin Tilney (Harpsichord)
  • Running Time: 3 min. 38 sec.
  • Period Time: Baroque

>Peri, Jacopo : Bellissima regina
  • Performers: Pere Ros (Violone); Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor); Jordi Savall (Vielle); Colin Tilney (Harpsichord)
  • Running Time: 2 min. 53 sec.
  • Period Time: Renaissance

>Rasi, Francesco : Indarno Febo il Suo Bell'oro Eterna
  • Performers: Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor)
  • Running Time: 1 min. 41 sec.
  • Period Time: Renaissance
  • Written: 1608

>Turco, Giovanni del : Occhi belli e sia ver che in lungo pianto
  • Performers: Nigel Vocal] (Tenor); Jordi Savall (Vielle); Anthony Bailes (Chitarrone)
  • Running Time: 3 min. 22 sec.
  • Period Time: Baroque
  • Form: Vocal

>Calestani, Vincenzo : Damigella tutta bella
  • Performers: Pere Ros (Violone); Anthony Bailes (Chitarrone); Nigel Vocal] (Tenor); Jordi Savall (Vielle); Colin Tilney (Harpsichord)
  • Running Time: 2 min. 45 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Missa pro defunctis
  • Conductor: Bruno Turner
  • Ensemble: Pro Cantione Antiqua
  • Running Time: 35 min. 11 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1450-1480

>Desprez, Josquin : Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts
  • Conductor: Bruno Turner
  • Ensemble: Pro Cantione Antiqua
  • Running Time: 5 min. 38 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1497

>Desprez, Josquin : Huc me sydereo/Plangent eum, motet for 5 or 6 parts
  • Conductor: Bruno Turner
  • Ensemble: Pro Cantione Antiqua
  • Running Time: 7 min. 36 sec.
  • Period Time: Renaissance
  • Form: Choral

>Obrecht, Jacob : Salve regina, motet for 6 voices
  • Conductor: Bruno Turner
  • Ensemble: Pro Cantione Antiqua
  • Running Time: 11 min. 20 sec.
  • Period Time: Renaissance

>Obrecht, Jacob : Beata es Maria, motet for 4 voices
  • Conductor: Bruno Turner
  • Ensemble: Pro Cantione Antiqua
  • Running Time: 5 min. 5 sec.
  • Period Time: Renaissance

>Obrecht, Jacob : Salve crux arbor vitae, motet for 5 voices
  • Conductor: Bruno Turner
  • Ensemble: Pro Cantione Antiqua
  • Running Time: 12 min. 23 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: ?1480s

>Corelli, Arcangelo : Sonata for violin & continuo in D major, Op. 5/1
  • Performers: Eduard Melkus (Violin); Garbis Atmacayan (Cello); Karl Scheit (Lute); Huguette Dreyfus (Harpsichord); Huguette Dreyfus (Organ)
  • Ensemble: Capella Academica Wien
  • Running Time: 9 min. 34 sec.
  • Period Time: Baroque

>Corelli, Arcangelo : Sonata for violin & continuo in B flat major, Op. 5/2
  • Performers: Eduard Melkus (Violin); Garbis Atmacayan (Cello); Karl Scheit (Lute); Huguette Dreyfus (Organ); Huguette Dreyfus (Harpsichord)
  • Ensemble: Capella Academica Wien
  • Running Time: 8 min. 31 sec.
  • Period Time: Baroque

>Corelli, Arcangelo : Sonatas (12) for Violin and Basso Continuo, Op. 5
  • Performers: Huguette Dreyfus (Harpsichord); Eduard Melkus (Violin); Garbis Atmacayan (Cello); Karl Scheit (Lute); Huguette Dreyfus (Organ)
  • Ensemble: Capella Academica Wien
  • Running Time: 8 min. 11 sec.
  • Period Time: Baroque

>Corelli, Arcangelo : Sonata for violin & continuo in D minor, Op. 5/7
  • Performers: Eduard Melkus (Violin); Garbis Atmacayan (Cello); Huguette Dreyfus (Organ); Karl Scheit (Lute); Huguette Dreyfus (Harpsichord)
  • Ensemble: Capella Academica Wien
  • Running Time: 5 min. 27 sec.
  • Period Time: Baroque

>Corelli, Arcangelo : Sonata for violin & continuo in E minor, Op. 5/8
  • Performers: Eduard Melkus (Violin); Garbis Atmacayan (Cello); Karl Scheit (Lute); Huguette Dreyfus (Organ); Huguette Dreyfus (Harpsichord)
  • Ensemble: Capella Academica Wien
  • Running Time: 9 min. 14 sec.
  • Period Time: Baroque

>Corelli, Arcangelo : Sonatas (12) for Violin and Basso Continuo, Op. 5
  • Performers: Eduard Melkus (Violin); Garbis Atmacayan (Cello); Karl Scheit (Lute); Huguette Dreyfus (Organ); Huguette Dreyfus (Harpsichord)
  • Ensemble: Capella Academica Wien
  • Running Time: 9 min. 9 sec.
  • Period Time: Baroque

>Corelli, Arcangelo : Sonata for violin & continuo in E major, Op. 5/11
  • Performers: Karl Scheit (Lute); Huguette Dreyfus (Harpsichord); Huguette Dreyfus (Organ); Eduard Melkus (Violin); Garbis Atmacayan (Cello)
  • Ensemble: Capella Academica Wien
  • Running Time: 8 min. 21 sec.
  • Period Time: Baroque

>Corelli, Arcangelo : Sonatas (12) for Violin and Basso Continuo, Op. 5
  • Performers: Eduard Melkus (Violin); Garbis Atmacayan (Cello); Karl Scheit (Lute); Huguette Dreyfus (Harpsichord); Huguette Dreyfus (Organ)
  • Ensemble: Capella Academica Wien
  • Running Time: 11 min. 54 sec.
  • Period Time: Baroque

>Anonymous, 11th century French Polyphony : Viderunt omnes, 2 part organum (attrib. to Leonin)
  • Performers: Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone)
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 9 min. 5 sec.

>Pérotin (Composer) (circa 1160 - circa 1230) : Viderunt omnes
  • Performers: James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; John Potter
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975); Godalming, England (1975); London (1975)
  • Running Time: 11 min. 47 sec.
  • Period Time: Medieval
  • Written: 1198

>Anonymous, German : Alle, psallite cum luya
  • Performers: Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); David James (Countertenor); Charles Brett (Countertenor); John Nixon; John Potter; Rogers Covey-Crump (Tenor); Martyn Hill
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 1 min. 7 sec.
  • Period Time: Medieval
  • Written: 12th Century

>Anonymous : Amor potest conqueri, motet
  • Performers: John Potter; David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 1 min. sec.
  • Period Time: Renaissance
  • Form: Choral

>Anonymous : S'on me regarde
  • Performers: Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; David James (Countertenor)
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 2 min. 23 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: ?/?1100-??/1200

>Anonymous, French : In mari miserie, motet (Le Roman de Fauvel)
  • Performers: John Nixon; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; David James (Countertenor); Charles Brett (Countertenor); Geoffrey Shaw (Bass-Baritone); Paul Elliot
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 1 min. 50 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 13th Century

>Anonymous : O Mitissima
  • Performers: James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 1 min. 27 sec.
  • Period Time: Renaissance

>Cruce, Petrus de : Aucun ont trouvé
  • Performers: David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 3 min. 11 sec.
  • Period Time: Medieval

>de la Halle, Adam : De ma dame vient, motet for 3 voices
  • Performers: David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; Paul Elliot; James Bowman (Countertenor)
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 2 min. 24 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1270-1300

>de la Halle, Adam : J'os bien a m'amie parler, motet for 3 voices
  • Performers: David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 1 min. 53 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1270-1300

>Anonymous : La Mesnie fauveline, motet
  • Performers: Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Martyn Hill; John Potter
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975); Godalming, England (1975); London (1975)
  • Running Time: 1 min. 16 sec.
  • Form: Choral

>de Vitry, Philippe : Impudenter circumivi/Virtutis laudabilis/Alma, motet
  • Performers: John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); David James (Countertenor); Charles Brett (Countertenor); Martyn Hill; John Potter
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 3 min. 9 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: 13th Century

>de Vitry, Philippe : Cum statua/Hugo/Magister invidie, motet
  • Performers: David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 2 min. 26 sec.
  • Period Time: Medieval
  • Written: 13th Century

>Anonymous : Clap clap par un matin, for 3 voices
  • Performers: James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 1 min. 29 sec.

>Anonymous : Febus mundo Oriens-Lanista vipereus-Cornibus
  • Performers: Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor)
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 3 min. 28 sec.
  • Form: Choral

>Machaut, Guillaume de : Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet
  • Performers: John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; David James (Countertenor); Charles Brett (Countertenor)
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 1 min. 53 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: 13th Century

>Machaut, Guillaume de : Lasse, comme oublieray. Se j'aim mon loyal ami. Pour quoy me bat mes maris
  • Performers: David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; Paul Elliot
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 4 min. 3 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: 13th Century

>Anonymous, Codex Chantilly : Inter densas deserti meditans/Imbribus irriguis/Admirabilem est, motet
  • Performers: Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter; John Nixon; Geoffrey Shaw (Bass-Baritone); Charles Brett (Countertenor); David James (Countertenor)
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 3 min. 16 sec.
  • Period Time: Renaissance
  • Written: by 1395

>Machaut, Guillaume de : Hoquetus David, double hocket for 3 voices
  • Performers: David James (Countertenor); Charles Brett (Countertenor); John Nixon; Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Rogers Covey-Crump (Tenor); Martyn Hill; John Potter
  • Conductor: David Munrow
  • Ensemble: Early Music Consort of London
  • Notes: Godalming, England (1975); London (1975); Godalming, Surrey, Chapel, Charter House / London, Conway Hall (1975)
  • Running Time: 3 min. 16 sec.
  • Period Time: Medieval
  • Written: circa 1360

>Rameau, Jean-Philippe : Pièces de Clavecin :: Le Rappel des oiseaux
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 2 min. 50 sec.
  • Period Time: Baroque
  • Written: 1724

>Rameau, Jean-Philippe : Pièces de Clavecin :: La Villageoise (Rondeau)
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 2 min. 27 sec.
  • Period Time: Baroque
  • Written: 1724

>Rameau, Jean-Philippe : Pièces de Clavecin :: Les Tendres Plaintes (Rondeau)
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 3 min. 10 sec.
  • Period Time: Baroque
  • Written: 1724

>Rameau, Jean-Philippe : Pièces de Clavecin :: Les Niais de Solonge - Doubles des Niais (1 & 2)
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 5 min. 41 sec.
  • Period Time: Baroque
  • Written: 1724

>Rameau, Jean-Philippe : Pièces de Clavecin :: La Follette (Rondeau)
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 1 min. 49 sec.
  • Period Time: Baroque
  • Written: 1724

>Rameau, Jean-Philippe : Pièces de Clavecin :: L'Entretien des Muses
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 4 min. 58 sec.
  • Period Time: Baroque
  • Written: 1724

>Rameau, Jean-Philippe : Pièces de Clavecin :: Les Tourbillons (Rondeau)
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 2 min. 44 sec.
  • Period Time: Baroque
  • Written: 1724

>Rameau, Jean-Philippe : Pièces de Clavecin :: Les Cyclopes (Rondeau)
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 3 min. 26 sec.
  • Period Time: Baroque
  • Written: 1724

>Rameau, Jean-Philippe : Nouvelles Suites de Pièces de Clavecin :: Sarabande
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 3 min. 9 sec.
  • Period Time: Baroque
  • Written: 1727

>Rameau, Jean-Philippe : Nouvelles Suites de Pièces de Clavecin :: Les Trois Mains
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 3 min. 49 sec.
  • Period Time: Baroque
  • Written: 1727

>Rameau, Jean-Philippe : Nouvelles Suites de Pièces de Clavecin :: Fanfarinette
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 1 min. 55 sec.
  • Period Time: Baroque
  • Written: 1727

>Rameau, Jean-Philippe : Nouvelles Suites de Pièces de Clavecin :: Gavotte - Doubles de la Gavotte (1 - 6)
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 7 min. 44 sec.
  • Period Time: Baroque
  • Written: 1727

>Rameau, Jean-Philippe : Nouvelles Suites de Pièces de Clavecin :: La Poule
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 3 min. 10 sec.
  • Period Time: Baroque
  • Written: 1727

>Rameau, Jean-Philippe : Nouvelles Suites de Pièces de Clavecin :: Les Sauvages
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 1 min. 58 sec.
  • Period Time: Baroque
  • Written: 1727

>Rameau, Jean-Philippe : Nouvelles Suites de Pièces de Clavecin :: L'Enharmonique
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 3 min. 41 sec.
  • Period Time: Baroque
  • Written: 1727

>Rameau, Jean-Philippe : Nouvelles Suites de Pièces de Clavecin :: L'Égyptienne
  • Performer: Kenneth Gilbert (Harpsichord)
  • Running Time: 2 min. 52 sec.
  • Period Time: Baroque
  • Written: 1727

>Zelenka, Jan D. : Simphonie à 8 Concertanti for 2 oboes, bassoon, 2 violins, viola, cello & continuo in A minor, ZWV 1
  • Performer: Alexander Wijnkoop (Violin)
  • Conductor: Alexander Wijnkoop
  • Running Time: 23 min. 25 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1723

>Zelenka, Jan D. : Hipocondrie à 7 Concertanti for 2 oboes, bassoon, 2 violins, viola & continuo in A major, ZWV 187
  • Performer: Alexander Wijnkoop (Violin)
  • Conductor: Alexander Wijnkoop
  • Running Time: 9 min. 48 sec.
  • Period Time: Romantic
  • Written: 1723

>Zelenka, Jan D. : Overture à 7 Concertanti 2 oboes, bassoon, 2 violins, viola & continuo in F major, ZWV 188
  • Performer: Alexander Wijnkoop (Violin)
  • Conductor: Alexander Wijnkoop
  • Running Time: 20 min. 30 sec.
  • Period Time: Romantic
  • Written: 1723

>Zelenka, Jan D. : Trio Sonata for 2 oboes, bassoon & continuo no 4 in G minor, ZWV 181/4
  • Performers: Klaus Thunemann (Bassoon); Maurice Bourgue (Oboe); Lucio Buccarella (Double Bass); Christiane Jaccottet (Harpsichord); Heinz Holliger (Oboe)
  • Running Time: 18 min. 41 sec.
  • Period Time: Romantic
  • Written: circa 1721-1722

>Bach, Johann Sebastian : Goldberg Variations, BWV 988
  • Performer: Trevor Pinnock (Harpsichord)
  • Running Time: 53 min. 49 sec.
  • Period Time: Baroque
  • Written: 1741

>Vivaldi, Antonio : Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera"
  • Performers: Trevor Jones (Viola); Micaela Comberti (Violin); Anthony Pleeth (Cello); Simon Standage (Violin); Elizabeth Wilcock (Violin)
  • Conductor: Trevor Pinnock
  • Ensemble: The English Concert
  • Running Time: 35 min. 19 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1725

>Handel, George Frideric : Concerto Grosso in D minor, Op.6/10, HWV 328
  • Conductor: Trevor Pinnock
  • Ensemble: The English Concert
  • Running Time: 13 min. 57 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1739

>Handel, George Frideric : Concerto Grosso in A major, Op.6/11, HWV 329
  • Conductor: Trevor Pinnock
  • Ensemble: The English Concert
  • Running Time: 16 min. 37 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1739

>Handel, George Frideric : Concerti grossi (12), Op. 6
  • Conductor: Trevor Pinnock
  • Ensemble: The English Concert
  • Running Time: 11 min. 35 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1739

>Telemann, Georg Philipp : Wasser Overture, for 2 recorders, flute, 2 oboes, bassoon, strings & continuo in C major ("Hamburger
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 22 min. 47 sec.
  • Period Time: Baroque
  • Written: 1723

>Telemann, Georg Philipp : Concerto for 2 recorders (or flutes), 2 oboes, strings & continuo in B flat major, TWV 54 :: B2
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 10 min. 32 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1708-1712

>Telemann, Georg Philipp : Septet (Concerto à 7), for 2 flutes, 3 oboes, 2 violins & continuo in F major, TWV 44 :: 41
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 2 min. 10 sec.
  • Period Time: Baroque
  • Written: by 1768

>Telemann, Georg Philipp : Septet (Concerto), for 2 flutes, 2 oboes, 2 violins & continuo in A minor, TWV 44 :: 42
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 7 min. 5 sec.
  • Period Time: Baroque
  • Written: by 1768

>Telemann, Georg Philipp : Septet (Concerto), for 3 oboes, 3 violins & continuo in B flat major, TWV 44 :: 43
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 9 min. 1 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1768

>Telemann, Georg Philipp : Concerto for 2 chalumeaux (clarinets) & strings in D minor, TWV 52 :: d1
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 11 min. 19 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1768

>Bach, Johann Sebastian : Mass in B minor, BWV 232
  • Conductor: John Gardiner
  • Running Time: 98 min. 11 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1748-1749

>Palestrina, Giovanni : Gloria
  • Conductor: John Gardiner
  • Running Time: 25 min. 21 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1567

>Palestrina, Giovanni : Tu es Petrus, motet for 6 voices (from Motets Book II for 5, 6 & 8 voices)
  • Conductor: Simon Preston
  • Running Time: 6 min. 38 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1572

>Allegri, Gregorio : Miserere
  • Conductor: Simon Preston
  • Running Time: 11 min. 52 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 16th Century

>Anerio, Felice : Venite Ad Me Omnes
  • Conductor: Simon Preston
  • Running Time: 3 min. 10 sec.
  • Period Time: Renaissance

>Nanino, Giovanni Maria : Haec Dies, Quam Fecit Dominus
  • Conductor: Simon Preston
  • Running Time: 2 min. 16 sec.
  • Period Time: Renaissance

>Giovannelli, Ruggiero : Jubilate Deo for chorus
  • Conductor: Simon Preston
  • Running Time: 3 min. 3 sec.
  • Period Time: Renaissance

>Mozart, Wolfgang Amadeus : Concerto for Piano no 18 in B flat major, K 456
  • Performer: Malcolm Bilson (Fortepiano)
  • Conductor: John Gardiner
  • Running Time: 29 min. 38 sec.
  • Period Time: Classical
  • Form: Concerto
  • Written: 1784

>Mozart, Wolfgang Amadeus : Concerto for Piano no 19 in F major, K 459
  • Performer: Malcolm Bilson (Fortepiano)
  • Conductor: John Gardiner
  • Running Time: 25 min. 21 sec.
  • Period Time: Classical
  • Form: Concerto
  • Written: 1784

>Monteverdi, Claudio : Vespro della Beata Vergine
  • Performer: Nigel Robinson
  • Conductor: John Gardiner
  • Notes: Venice, Basilica di San Marco (05/1989); London, Tooting, All Saints' Church (05/1989); Venice, Basilica di San Marco (07/1989); London, Tooting, All Saints' Church (07/1989)
  • Running Time: 102 min. 14 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1610
  • Studio/Live: Live

>Haydn, Franz Joseph : Symphony no 39 in G minor ("The Fist"), H. 1/39
  • Conductor: Trevor Pinnock
  • Ensemble: The English Concert
  • Running Time: 17 min. 11 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: ?1765

>Haydn, Franz Joseph : Symphony no 41 in C major, H. 1/41
  • Conductor: Trevor Pinnock
  • Ensemble: The English Concert
  • Running Time: 18 min. sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: ?1768

>Haydn, Franz Joseph : Symphony no 48 in C major ("Maria Theresia"), H. 1/48
  • Conductor: Trevor Pinnock
  • Ensemble: The English Concert
  • Notes: Composition written: ?1769.
  • Running Time: 22 min. 6 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: ?1769

>Haydn, Franz Joseph : Symphony no 65 in A major, H 1 no 65
  • Conductor: Trevor Pinnock
  • Ensemble: The English Concert
  • Running Time: 16 min. 17 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: ?1769-72

>Beethoven, Ludwig van : Symphony no 5 in C minor, Op. 67
  • Conductor: John Gardiner
  • Running Time: 31 min. 12 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1808

>Beethoven, Ludwig van : Symphony no 6 in F major, Op. 68 "Pastoral"
  • Conductor: John Gardiner
  • Running Time: 40 min. 14 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1808

>Jean-Féry Rebel (1666 - 1747) : Les Éléments, simphonie nouvelle for 2 violins, 2 flutes & continuo
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 20 min. 26 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1737

>Telemann, Georg Philipp : Sonata for 2 violins & continuo in E minor, TWV 42 :: e8
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 4 min. 15 sec.
  • Period Time: Baroque
  • Written: 1730

>Gluck, Christoph Willibald : Alessandro, ballet
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Period Time: Classical
  • Form: Ballet

>Handel, George Frideric : La Resurrezione di Nostro Signor Gesù Cristo, HWV 47
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 92 min. 49 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1708

>Gabrieli, Giovanni : Toccata a 4, C237
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 1 min. 10 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Symphoniae sacrae, Book 2
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 6 min. 59 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Canzoni et sonate (21)
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Players
  • Running Time: 5 min. 9 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Intonationi d'organo
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Players
  • Running Time: 4 min. 54 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Canzon no 14, for 10 parts, C. 207
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 2 min. 51 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Buccinate in neomenia tuba
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 3 min. 38 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Canzoni et sonate (21)
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Period Time: Renaissance

>Gabrieli, Giovanni : Domine, Deus meus
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 7 min. 18 sec.
  • Period Time: Renaissance
  • Form: Choral

>Barbarino, Bartolomeo : Audi, dulcis amica mea
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Players
  • Running Time: 3 min. 39 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Buccinate in neomenia tuba
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Players
  • Running Time: 3 min. 51 sec.
  • Period Time: Renaissance

>Barbarino, Bartolomeo : Ardens est cor meum
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Players
  • Running Time: 2 min. 43 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Intonationi d'organo
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Players
  • Running Time: 6 min. 44 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Domine, Deus meus
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Period Time: Renaissance

>Gabrieli, Giovanni : Jubilate Deo a 10
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 4 min. 39 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Canzoni et sonate (21)
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 6 min. 13 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Magnificat a 33
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Players
  • Running Time: 4 min. 14 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Canzoni et sonate (21)
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 6 min. 52 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Magnificat a 33
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort
  • Running Time: 5 min. 55 sec.
  • Period Time: Renaissance
  • Form: Choral

>Handel, George Frideric : Messiah, HWV 56, Oratorio
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Players
  • Running Time: 114 min. 5 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1741

>Monteverdi, Claudio : Madrigals, Book 7
  • Performer: Anne von Otter (Mezzo Soprano)
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 4 min. 41 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1619

>Bertali, Antonio : Lamento della Regina d'Inghilterra
  • Performers: Anne von Otter (Mezzo Soprano); Franz-Josef Selig (Voice)
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 15 min. 23 sec.
  • Period Time: Baroque

>Legrenzi, Giovanni : Il ballo del Gran Duca, Op. 16 :: Corrente Nona
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 3 min. 18 sec.
  • Period Time: Baroque

>Vivaldi, Antonio : Cessate omai cessate, RV 684
  • Performer: Anne von Otter (Mezzo Soprano)
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 10 min. 51 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: by 1742

>Monteverdi, Claudio : Lasciatemi morire "Lamento d'Arianna a 1"
  • Performers: Jakob Lindberg (Theorbo); Anne von Otter (Mezzo Soprano)
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 11 min. 6 sec.
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1608

>Purcell, Henry : Incassum, Lesbia, rogas, Z 383 "Queen's Epicedium"
  • Performer: Anne von Otter (Mezzo Soprano)
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 7 min. 26 sec.
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1695

>Piccinini, Alessandro : Chiaconna
  • Performer: Jakob Lindberg (Theorbo)
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 1 min. 51 sec.
  • Period Time: Renaissance

>Purcell, Henry : O solitude, my sweetest choice, Z 406
  • Performers: Jakob Lindberg (Theorbo); Anne von Otter (Mezzo Soprano)
  • Conductor: Reinhard Goebel
  • Ensemble: Musica Antiqua Köln
  • Running Time: 4 min. 58 sec.
  • Period Time: Baroque
  • Written: 1687

>Anonymous, Flemish : T'andernaken / Laet ons mit hartzen / Hoboekentanz / Laet ons mit hartzen / Ihesus is een kyndekyn c
  • Running Time: 5 min. 30 sec.

>Rue, Pierre de la : Ave Regina caelorum
  • Running Time: 2 min. 36 sec.
  • Period Time: Renaissance

>Rue, Pierre de la : Pourquoi non
  • Running Time: 2 min. sec.
  • Period Time: Renaissance

>Susato, Tylman : Passe et medio & Reprinse Le Pingue (Danserye)
  • Running Time: 2 min. 17 sec.
  • Period Time: Renaissance

>Susato, Tylman : Gaillardes for winds
  • Running Time: 2 min. 9 sec.
  • Period Time: Renaissance

>Susato, Tylman : Het derde musyck boexken...alderhande danserye
  • Running Time: 1 min. 31 sec.
  • Period Time: Renaissance
  • Written: 1551

>Obrecht, Jacob : J'ay pris amours
  • Running Time: 4 min. 31 sec.
  • Period Time: Renaissance
  • Written: 1502

>Agricola, Alexander : Crions Noel
  • Running Time: 1 min. 28 sec.
  • Period Time: Renaissance

>Obrecht, Jacob : Tandernaken, chanson for 3 voices (text incipit only)
  • Running Time: 2 min. 23 sec.
  • Period Time: Renaissance

>Obrecht, Jacob : Laet u ghenoughen, liever Johan, chanson for 4 voices
  • Running Time: 1 min. 41 sec.
  • Period Time: Renaissance

>Susato, Tylman : Basse Danse no 7, "Entre du fol"
  • Running Time: 1 min. 49 sec.
  • Period Time: Renaissance

>Susato, Tylman : Basse Danse no 10, "Mon desir"
  • Running Time: 1 min. 23 sec.
  • Period Time: Renaissance

>Ghiselin, Johannes : Je loe amours
  • Running Time: 2 min. 19 sec.
  • Period Time: Renaissance

>Alamire, Pierre : T'Andernacken a 5, Bassedance
  • Running Time: 2 min. 45 sec.
  • Period Time: Renaissance

>Agricola, Alexander : Duo
  • Running Time: 2 min. 6 sec.
  • Period Time: Renaissance

>Anonymous : De tous biens playne
  • Running Time: 1 min. 19 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Susato, Tylman : Pavane La Dona
  • Running Time: 2 min. 5 sec.
  • Period Time: Renaissance
  • Written: 1551

>Anonymous : Wij sheyt edel vrouwe
  • Running Time: 1 min. 30 sec.

>Susato, Tylman : Allemaigne & Recoupe :: Allemaigne
  • Running Time: 1 min. 43 sec.
  • Period Time: Renaissance

>Susato, Tylman : Branles (4) for brass ensemble
  • Period Time: Renaissance

>Susato, Tylman : Bergerette (La Brosse) (from Dansereye)
  • Running Time: 1 min. 41 sec.
  • Period Time: Renaissance
  • Written: 1551

>Clemens Non Papa, Jacobus : O Crux benedicta
  • Running Time: 3 min. 3 sec.
  • Period Time: Renaissance

>Clemens Non Papa, Jacobus : Ave mundi spes Maria
  • Running Time: 3 min. 41 sec.
  • Period Time: Renaissance

>Anonymous, Flemish : T'andernaken al op den Rijn (after Tyling)
  • Running Time: 1 min. 52 sec.

>Pullois, Johannes : Les larmes
  • Running Time: 2 min. 1 sec.
  • Period Time: Renaissance

>Brassart, Johannes : Fortis cum quevis actio
  • Running Time: 4 min. 7 sec.
  • Period Time: Renaissance

>Traditional, German : Der Winter ist vergangen, song
  • Running Time: 2 min. 25 sec.
  • Period Time: Baroque
  • Written: 15th Century

>Desprez, Josquin : Inviolata, integra et casta es, motet for 5 parts
  • Performer: Robert MacDonald (Bass)
  • Running Time: 5 min. 44 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: by 1502

>Desprez, Josquin : Ut Phoebi radiis, motet for 4 parts
  • Running Time: 5 min. 32 sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : De profundis, motet for 5 parts
  • Performer: Robert MacDonald (Bass)
  • Running Time: 5 min. 11 sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : Christi, Fili Dei, motet for 4 parts (7th part of motet cycle "Vultum tuum")
  • Running Time: 2 min. 59 sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : O virgo virginum, motet for 6 parts
  • Performers: Robert MacDonald (Bass); Andrew Carwood (Tenor)
  • Running Time: 7 min. 43 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Vultum tuum deprecabuntur, 7-section motet cycle for 4 parts
  • Running Time: 20 min. 19 sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts
  • Performer: Robert MacDonald (Bass)
  • Running Time: 5 min. 38 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1497

>Desprez, Josquin : O bone et dulcissime Jesu, motet for 4 parts
  • Running Time: 4 min. sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : Huc me sydereo/Plangent eum, motet for 5 or 6 parts
  • Performer: Robert MacDonald (Bass)
  • Running Time: 7 min. 36 sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : O virgo prudentissima/Beata mater, motet for 6 parts
  • Performers: Robert MacDonald (Bass); Andrew Carwood (Tenor)
  • Running Time: 6 min. 50 sec.
  • Period Time: Renaissance

>Handel, George Frideric : Il Delirio amoroso
  • Performers: Yann Miriel (Oboe); Sébastien Marq (Recorder); Magdalena Kozená (Mezzo Soprano); Anton Steck (Violin); Balazs Mate (Cello)
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 24 min. 34 sec.
  • Period Time: Baroque
  • Written: 1707

>Handel, George Frideric : MEDLEY
  • Performers: Michel Maldonado (Double Bass); Balazs Mate (Cello); Mirella Giardelli (Organ); Mirella Giardelli (Harpsichord); Jean-Louis Fiat (Bassoon); Magdalena Kozená (Mezzo Soprano); Pascal Monteilhet (Theorbo); Dolores Costoyas (Lute); Dolores Costoyas (Guitar); Juan Quintana (Viola da gamba)
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 15 min. 1 sec.
  • Period Time: Baroque
  • Written: 1708

>Handel, George Frideric : Tra le fiamme, HWV 170
  • Performers: Juan Quintana (Viola da gamba); Magdalena Kozená (Mezzo Soprano)
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 6 min. 35 sec.
  • Period Time: Baroque
  • Written: circa 1708

>Rameau, Jean-Philippe : Zaïs, pastorlae héroïque :: Ouverture qui peint le debrouillement de Cahos et le choc des Elemens lors
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 5 min. 46 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1748

>Rameau, Jean-Philippe : Castor et Pollux :: Act 2. Scene 2. Scène funèbre
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 3 min. 24 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1737

>Rameau, Jean-Philippe : Les Fêtes d'Hébé, opéra-ballet :: Deuxième Entrée
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 1 min. 52 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Dardanus :: Prologue. Tambourins 1 & 2
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 1 min. 50 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1739

>Rameau, Jean-Philippe : Le Temple de la Gloire, opéra-ballet :: Act 1. Air tendre pour les Muses
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 4 min. 24 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1745

>Rameau, Jean-Philippe : Les Boréades, tragédie en musique :: Act 1. Scene 4. Contredanse en Rondeau
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 3 min. 5 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: by 1763

>Rameau, Jean-Philippe : La Naissance d'Osiris, acte de ballet :: Air gracieux
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 2 min. 18 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1754

>Rameau, Jean-Philippe : Les Boréades, tragédie en musique :: Act 4. Scene 4. Gavottes 1 & 2 pour les Heures et les Zéphirs
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 2 min. 43 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: by 1763

>Rameau, Jean-Philippe : Platée, ballet bouffon :: Act 1. Scene 6. Orage
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 2 min. 31 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1745

>Rameau, Jean-Philippe : Les Boréades, tragédie en musique :: Act 5. Scene 1. Prélude
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 1 min. 18 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: by 1763

>Rameau, Jean-Philippe : Six Concerts en sextuor (from Nouvelles Suites de pièces de clavecin) :: La Poule
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 4 min. 30 sec.
  • Period Time: Baroque

>Rameau, Jean-Philippe : Les Fêtes d'Hébé, opéra-ballet :: Troisième Entrée
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 3 min. 21 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Hippolyte et Aricie, tragédie en musique :: Act 3. Ritournelle
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 2 min. 8 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Naïs :: Prologue
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 2 min. 21 sec.
  • Period Time: Baroque
  • Written: 1749

>Rameau, Jean-Philippe : Les Indes galantes :: Quatrième Entrée
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 2 min. 17 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1735

>Rameau, Jean-Philippe : Les Boréades, tragédie en musique :: Act 4. Scene 4. Entrée de Polymnie
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 6 min. 4 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: by 1763

>Rameau, Jean-Philippe : Les Indes galantes :: Quatrième Entrée
  • Conductor: Marc Minkowski
  • Ensemble: Les Musiciens du Louvre - Grenoble
  • Running Time: 6 min. 16 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1735

>Myslivecek, Josef : Symphony (Overture) in A major, F 27
  • Conductor: Werner Ehrhardt
  • Ensemble: Concerto Köln
  • Running Time: 9 min. 42 sec.
  • Period Time: Classical

>Myslivecek, Josef : Sinfonia in F major for two horns, two oboes and strings
  • Conductor: Werner Ehrhardt
  • Ensemble: Concerto Köln
  • Running Time: 9 min. 19 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1778-1780

>Myslivecek, Josef : Sinfonia in C major for two horns, two transverse flutes, two oboes, two violins
  • Conductor: Werner Ehrhardt
  • Ensemble: Concerto Köln
  • Running Time: 7 min. 18 sec.
  • Period Time: Classical
  • Written: 1778-1780

>Myslivecek, Josef : Sinfonia in G major for two horns, two oboes and strings
  • Conductor: Werner Ehrhardt
  • Ensemble: Concerto Köln
  • Running Time: 7 min. 42 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1778-1780

>Myslivecek, Josef : Sinfonia in E flat major for two horns, two oboes and strings
  • Conductor: Werner Ehrhardt
  • Ensemble: Concerto Köln
  • Running Time: 8 min. 7 sec.
  • Period Time: Classical
  • Written: 1778-1780

>Myslivecek, Josef : Symphony (Overture) in C major, F 26
  • Conductor: Werner Ehrhardt
  • Ensemble: Concerto Köln
  • Running Time: 8 min. 7 sec.
  • Period Time: Classical

>Myslivecek, Josef : Concertino in E flat major for two horns, two transverse flutes, two clarinets, bassoon and strings
  • Conductor: Werner Ehrhardt
  • Ensemble: Concerto Köln
  • Running Time: 14 min. 2 sec.
  • Period Time: Classical
  • Written: 1775-1777

>Vivaldi, Antonio : Concerto for 2 Violins in G major, RV 516
  • Performers: Viktoria Mullova (Violin); Giuliano Carmignola (Violin)
  • Conductor: Andrea Marcon
  • Running Time: 8 min. 1 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for 2 Violins in D major, RV 511
  • Performers: Viktoria Mullova (Violin); Giuliano Carmignola (Violin)
  • Conductor: Andrea Marcon
  • Running Time: 12 min. 12 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for 2 Violins in D minor, RV 514
  • Performers: Viktoria Mullova (Violin); Giuliano Carmignola (Violin)
  • Conductor: Andrea Marcon
  • Running Time: 10 min. 10 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for 2 Violins in B flat major, RV 524
  • Performers: Viktoria Mullova (Violin); Giuliano Carmignola (Violin)
  • Conductor: Andrea Marcon
  • Running Time: 9 min. 59 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for 2 Violins in C minor, RV 509
  • Performers: Giuliano Carmignola (Violin); Viktoria Mullova (Violin)
  • Conductor: Andrea Marcon
  • Running Time: 8 min. 8 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for 2 Violins in A minor, RV 523
  • Performers: Viktoria Mullova (Violin); Giuliano Carmignola (Violin)
  • Conductor: Andrea Marcon
  • Running Time: 8 min. 23 sec.
  • Period Time: Baroque
  • Written: by 1742

>Handel, George Frideric : Alcina
  • Conductor: Alan Curtis
  • Ensemble: Il Complesso Barocco
  • Running Time: 180 min. 57 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Surrexit Pastor Bonus, motet for 6 voices
  • Conductor: Michael Noone
  • Running Time: 3 min. sec.
  • Period Time: Renaissance
  • Form: Choral

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : O Lux et Decus Hispaniae, motet for 5 voices
  • Conductor: Michael Noone
  • Running Time: 2 min. 28 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : O regem coeli, motet for 4 voices
  • Conductor: Michael Noone
  • Running Time: 4 min. 41 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Magi viderunt stellam, motet for 4 voices
  • Conductor: Michael Noone
  • Running Time: 3 min. 27 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Conditor alme siderum, hymn for 4 voices
  • Conductor: Michael Noone
  • Running Time: 5 min. 31 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Vadam, et circumibo civitatem, motet for 6 voices
  • Conductor: Michael Noone
  • Running Time: 8 min. 2 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Duo seraphim clamabant, motet for 4 voices
  • Conductor: Michael Noone
  • Running Time: 3 min. 38 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Veni Creator Spiritus, hymn for 4 voices
  • Conductor: Michael Noone
  • Running Time: 6 min. 29 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : O magnum mysterium, motet for 4 voices
  • Conductor: Michael Noone
  • Running Time: 3 min. 26 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1572

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ascendens Christus in altum, motet for 5 voices
  • Conductor: Michael Noone
  • Running Time: 5 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1572

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Dum complerentur dies Pentecostes, motet for 5 voices
  • Conductor: Michael Noone
  • Running Time: 6 min. 29 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Hostis Herodes impie, hymn for 4 voices
  • Conductor: Michael Noone
  • Running Time: 4 min. 41 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Quem vidistis, pastores, motet for 6 voices
  • Conductor: Michael Noone
  • Running Time: 5 min. 4 sec.
  • Period Time: Renaissance

>Tomás Luis de Victoria (Composer) (circa 1548 - 1611) : Ardens est cor meum, motet for 6 voices
  • Conductor: Michael Noone
  • Running Time: 2 min. 50 sec.
  • Period Time: Renaissance
  • Written: 1576

>Monteverdi, Claudio : Lamento della Ninfa (Canto Amoroso)
  • Performers: Thomas Walker (Tenor); Samuel Boden; Ashley Riches; Anna Prohaska (Soprano)
  • Conductor: Jonathan Cohen
  • Ensemble: Arcangelo
  • Notes: All Hallows Church, Hampstead, London, England (04/2012); St. John at Hackney, London, England (04/2012); All Hallows Church, Hampstead, London, England (09/2012); St. John at Hackney, London, England (09/2012)
  • Running Time: 6 min. 9 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1638

>Handel, George Frideric : Rinaldo :: Furie terribili
  • Performers: Thomas Walker (Tenor); Anna Prohaska (Soprano); Samuel Boden
  • Conductor: Jonathan Cohen
  • Ensemble: Arcangelo
  • Notes: All Hallows Church, Hampstead, London, England (04/2012); St. John at Hackney, London, England (04/2012); All Hallows Church, Hampstead, London, England (09/2012); St. John at Hackney, London, England (09/2012)
  • Running Time: 1 min. 53 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1711

>Cavalli, Francesco : Calisto :: Restino imbalsamante
  • Performers: Thomas Walker (Tenor); Anna Prohaska (Soprano); Samuel Boden
  • Conductor: Jonathan Cohen
  • Ensemble: Arcangelo
  • Notes: All Hallows Church, Hampstead, London, England (04/2012); St. John at Hackney, London, England (04/2012); All Hallows Church, Hampstead, London, England (09/2012); St. John at Hackney, London, England (09/2012)
  • Running Time: 3 min. 48 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1652

>Gesualdo, Carlo : Responsories of the Office of Tenebrae for Holy Saturday :: Responsorium 1
  • Conductor: Nigel Short
  • Running Time: 3 min. 53 sec.
  • Period Time: Renaissance
  • Written: 1611

>Gesualdo, Carlo : Responsories of the Office of Tenebrae for Holy Saturday :: Responsorium 3
  • Conductor: Nigel Short
  • Running Time: 5 min. 8 sec.
  • Period Time: Renaissance
  • Written: 1611

>Vivaldi, Antonio : Concerto for Violin, strings & continuo in D major, RV 232
  • Performer: Giuliano Carmignola (Violin)
  • Conductor: Ottavio Dantone
  • Running Time: 12 min. 1 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742