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Vivaldi: Concerti / Orchestra of the Age of Enlightenment

Album Summary

>Vivaldi, Antonio : Concerto for 2 flutes, 2 oboes, violin, cello, harpsichord, strings & continuo in F major ("Il Prote
>Vivaldi, Antonio : Concerto for Oboe in D minor, Op. 8 no 9/RV 454
>Vivaldi, Antonio : Concerto for 2 violins, 2 recorders, 2 oboes, bassoon, strings & continuo in D minor, RV 566
>Vivaldi, Antonio : Double Horn Concerto, for 2 horns, strings & continuo in F major, RV 539
>Vivaldi, Antonio : Concerto for Cello in G major, RV 413
>Vivaldi, Antonio : Chamber Concerto, for flute, oboe, violin, bassoon & continuo in G minor, RV 107
>Vivaldi, Antonio : Concerto for Flute in G minor, Op. 10 no 2/RV 439 "La notte"
>Vivaldi, Antonio : Concerto for Viola d'Amore and Lute in D minor, RV 540
Performers Composer

Notes & Reviews:

Gramophone Classical Music Guide
It's a nice idea for the Orchestra of the Age of Enlightenment to record a disc of such varied Vivaldian fare. The young women of the orchestra which Vivaldi directed at the Ospedale della Pieta in Venice were as renowned for the range of instruments they could wield as for their virtuosity; so it seems neatly apposite that the OAE, so full of capable soloists itself, should use this music to celebrate its members' own star qualities. And the mixture is a wide one:three solo concertos; a rare Concerto for two horns; the deservedly popular Concerto for lute and viola d'amore, two concertos for typically extravagant Vivaldian multiple lineups; and one of those chamber concertos in which all the players are soloists. The OAE play with great expertise and good taste throughout. Judging by the list in the booklet, they use a relatively large body of strings, but, although this is noticeable, there's no feeling of heaviness, and indeed the use of two double basses gives the sound a substantial foundation which is at the same time deliciously light on its feet. There's a total of 16 soloists listed: among the highlights are David Watkin's habitually assured and intensely musical playing of the Cello Concerto; Lisa Beznosiuk, sensitive as ever in La notte (though struggling a bit against the string sound); Andrew Clark and Roger Montgomery, treading securely and confidently through the Concerto for two horns; Anthony Robson, a little under the note sometimes but showing good breath control and phrasing in the Oboe Concerto; and a fairylight performance of the Concerto for lute and viola d'amore from Elizabeth Kenny and Catherine Mackintosh.

The performances are all directorless, and there was the odd place where a guiding hand might have pepped things up (or stopped the theorbo from twiddling so much in the slow movement of the Cello Concerto), but in general this is a relaxed and convivial Vivaldi programme that one can simply sit back and enjoy.



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Works Details

>Vivaldi, Antonio : Concerto for 2 flutes, 2 oboes, violin, cello, harpsichord, strings & continuo in F major ("Il Prote
  • Performers: James Eastaway (Oboe); Margaret Faultless (Violin); David Watkin (Cello); Neil McLaren (Flute); Anthony Robson (Oboe); Lisa Beznosiuk (Flute); Paul Nicholson (Harpsichord)
  • Notes: 07/06/2000-07/08/2000
  • Running Time: 9 min. 35 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Concerto for Oboe in D minor, Op. 8 no 9/RV 454
  • Performer: Anthony Robson (Oboe)
  • Notes: 07/06/2000-07/08/2000
  • Running Time: 8 min. 14 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1725

>Vivaldi, Antonio : Concerto for 2 violins, 2 recorders, 2 oboes, bassoon, strings & continuo in D minor, RV 566
  • Performers: James Eastaway (Oboe); Emma Murphy (Recorder); Margaret Faultless (Violin); Anthony Robson (Oboe); Alison Bury (Violin); Catherine Latham (Recorder); Andrew Watts (Bassoon)
  • Notes: 07/06/2000-07/08/2000
  • Running Time: 7 min. 45 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Double Horn Concerto, for 2 horns, strings & continuo in F major, RV 539
  • Performers: Roger Montgomery (Horn); Andrew Clark (Horn)
  • Notes: 07/06/2000-07/08/2000
  • Running Time: 8 min. 3 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for Cello in G major, RV 413
  • Performer: David Watkin (Cello)
  • Notes: 07/06/2000-07/08/2000
  • Running Time: 10 min. 3 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Chamber Concerto, for flute, oboe, violin, bassoon & continuo in G minor, RV 107
  • Performers: John Toll (Harpsichord); Elizabeth Kenny (Theorbo); Anthony Robson (Oboe); Alison Bury (Violin); Lisa Beznosiuk (Flute); Andrew Watts (Bassoon)
  • Notes: 07/06/2000-07/08/2000
  • Running Time: 9 min. 49 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1716

>Vivaldi, Antonio : Concerto for Flute in G minor, Op. 10 no 2/RV 439 "La notte"
  • Performer: Lisa Beznosiuk (Flute)
  • Notes: 07/06/2000-07/08/2000
  • Running Time: 7 min. 52 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1729

>Vivaldi, Antonio : Concerto for Viola d'Amore and Lute in D minor, RV 540
  • Performers: Elizabeth Kenny (Lute); Catherine Mackintosh (Viola d'amore)
  • Notes: 07/06/2000-07/08/2000
  • Running Time: 11 min. 52 sec.
  • Period Time: Baroque
  • Written: 1740