1 800 222 6872

Handel: The Occasional Songs /Kirkby, Daniels, Miller, et al

> Sans y penser, HWV 155 - Chanson: Sans y penser (Silvie)
> Sans y penser, HWV 155 - Recitatif: S'il ne falloit que bien aimer pour attendrir (Tirsis)
> Sans y penser, HWV 155 - Air: Petite fleur brunette (Tirsis)
> Sans y penser, HWV 155 - Recitatif: Vous, qui m'aviez procure une amour eternelle (Tirsis)
> Sans y penser, HWV 155 - Air: Nos plaisirs seront peudurables (Silvie)
> Sans y penser, HWV 155 - Recitatif: Vous ne sauriez flatter ma peine (Silvie)
> Sans y penser, HWV 155 - Air: Non, non, je ne puis plus souffrir (Tirsis)
> 2 Songs - No. 1. Sans y penser
> 2 Songs - No. 2. Quand on suit l'amoureuse loi
> Der Mund spricht zwar gezwungen Nein - Der Mund spricht zwar gezwungen Nein
> No se emendara jamas, HWV 140, "Cantata spagnuola" - No se emendara jamas, HWV 140, "Cantata spagnuola": Aria: Dicente mis ojos
> The Dream, "Beneath a Shady Willow" - The Dream, "Beneath a Shady Willow"
> The Beauteous Cloe, "Cloe, you're witty" - The Beauteous Cloe, "Cloe, you're witty"
> Di godere ha speranza il mio core, HWV 228 - Di godere ha speranza il mio core, HWV 228
> 24 English Songs, HWV 228 (Anonymous lyricist) - 24 English Songs, HWV 228: No. 14. Oh! cruel tyrant love (Strephon's Complaint of Love)
> Minuet in G Major, HWV 530 - Minuet in G Major, HWV 530
> Minuet in G Minor, HWV 543 - Minuet in G Minor, HWV 543
> 24 English Songs, HWV 228 - No. 23. Ye winds to whom Collin complains (An Answer to Collin's Complaint)
> 24 English Songs, HWV 228 - No. 2. The sun was sunk beneath the hill (The Poor [Despairing] Shepherd)
> Minuet in D Major, HWV 506 - Minuet in D Major, HWV 506
> Minuet in A Major, HWV 15, No. 7 - Minuet in A Major, HWV 15, No. 7
> 24 English Songs, HWV 228 - No. 24. Yes, I'm in love (The Je ne scai quoi)
> 24 English Songs, HWV 228 - No. 1. As Celia's fatal arrows (The Unhappy Lovers)
> 24 English Songs, HWV 228 - No. 15. Says my uncle, I pray you discover (Molly Mog, or the Fair Maid of the Inn)
> 24 English Songs, HWV 228 - No. 19. Twas when the seas were roaring (The Melancholy Nymph [The Faithful Maid])
> 24 English Songs, HWV 228 - No. 11. I like the amorous youth that's free
> Love's but the frailty of the mind, HWV 218 - Love's but the frailty of the mind, HWV 218
> The morning is charming (Hunting Song), HWV 226 - The morning is charming (Hunting Song), HWV 226
> 24 English Songs, HWV 228 (Anonymous lyricist) - 24 English Songs, HWV 228: No. 8. Stand round my brave boys (A Song made for the Gentleman Volunteers of the City of London)
> March in G Major, HWV 418 - March in G Major, HWV 418
> 24 English Songs, HWV 228 - 24 English Songs, HWV 228: No. 9. From scourging rebellion (A Song on the Victory obtained over the Rebels)

Album Summary

>Handel, George Frideric : Airs (7) françois, HWV 155
>Handel, George Frideric : Sans y penser
>Handel, George Frideric : Quand on suit l'amoureuse loi
>Handel, George Frideric : Der Mund spricht zwar
>Handel, George Frideric : Dicente mis ojos
>Handel, George Frideric : Beneath a shady willow
>Handel, George Frideric : Chloe, you're witty
>Handel, George Frideric : Di godere ha speranza il mio core, HWV 228 no 7
>Handel, George Frideric : Oh! cruel tyrant love!, HWV 228 no 14
>Handel, George Frideric : The sun was sunk beneath the hill, HWV 228 no 2
>Handel, George Frideric : Ye winds to whom Collin complains, HWV 228 no 23
>Handel, George Frideric : Yes, I'm in love, I see it now, HWV 228 no 24
>Handel, George Frideric : As Celia's fatal arrows flew, HWV 228 no 1
>Handel, George Frideric : Says my uncle I pray you discover, HWV 228 no 15
>Handel, George Frideric : 'Twas when the seas were roaring, HWV 228 no 19
>Handel, George Frideric : I like the am'rous youth that's free, HWV 228 no 11
>Handel, George Frideric : Love's but the frailty of the mind, HWV 218
>Handel, George Frideric : The morning is charming, HWV 226
>Handel, George Frideric : Stand round my brave boys, HWV 228 no 18
>Handel, George Frideric : From scourging rebellion, HWV 228 no 9
>Handel, George Frideric : Minuet in G major, HWV 530
>Handel, George Frideric : Minuet in G minor, HWV 543
>Handel, George Frideric : Minuet in D major, HWV 506
>Handel, George Frideric : Minuets (37), BWV A15
>Handel, George Frideric : March for 2 Oboes and Bassoon in G major, HWV 418
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Works Details

>Handel, George Frideric : Airs (7) françois, HWV 155
  • Performers: Charles Daniels (Tenor); Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Written: 1707
  • Language: French
  • Studio/Live: Studio

>Handel, George Frideric : Sans y penser
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1740
  • Language: French
  • Studio/Live: Studio

>Handel, George Frideric : Quand on suit l'amoureuse loi
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1740
  • Language: French
  • Studio/Live: Studio

>Handel, George Frideric : Der Mund spricht zwar
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1740
  • Language: German
  • Studio/Live: Studio

>Handel, George Frideric : Dicente mis ojos
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1740
  • Language: Spanish
  • Studio/Live: Studio

>Handel, George Frideric : Beneath a shady willow
  • Performers: Charles Daniels (Tenor); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1730
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : Chloe, you're witty
  • Performers: Charles Daniels (Tenor); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1730
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : Di godere ha speranza il mio core, HWV 228 no 7
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1719
  • Language: Italian
  • Studio/Live: Studio

>Handel, George Frideric : Oh! cruel tyrant love!, HWV 228 no 14
  • Performers: Charles Daniels (Tenor); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1730
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : The sun was sunk beneath the hill, HWV 228 no 2
  • Performers: Charles Daniels (Tenor); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1730
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : Ye winds to whom Collin complains, HWV 228 no 23
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1730
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : Yes, I'm in love, I see it now, HWV 228 no 24
  • Performers: Adrian Butterfield (Violin); Charles Daniels (Tenor); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: by 1746
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : As Celia's fatal arrows flew, HWV 228 no 1
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1730
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : Says my uncle I pray you discover, HWV 228 no 15
  • Performers: Paul Nicholson (Harpsichord); Charles Daniels (Tenor); David Miller (Archlute); David Miller (Theorbo); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1730
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : 'Twas when the seas were roaring, HWV 228 no 19
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: by 1715
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : I like the am'rous youth that's free, HWV 228 no 11
  • Performers: Adrian Butterfield (Violin); Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1737
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : Love's but the frailty of the mind, HWV 218
  • Performers: Emma Kirkby (Soprano); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1740
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : The morning is charming, HWV 226
  • Performers: Charles Daniels (Tenor); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1747
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : Stand round my brave boys, HWV 228 no 18
  • Performers: Andrew Carwood (Tenor); Charles Daniels (Tenor); Simon Davies (Tenor); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello)
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1745
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : From scourging rebellion, HWV 228 no 9
  • Performers: Adrian Butterfield (Violin); Andrew Carwood (Tenor); Charles Daniels (Tenor); Simon Davies (Tenor); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello); William Thorpe (Violin)
  • Period Time: Baroque
  • Form: Vocal
  • Written: by 1746
  • Language: English
  • Studio/Live: Studio

>Handel, George Frideric : Minuet in G major, HWV 530
  • Performers: Adrian Butterfield (Violin); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello); William Thorpe (Violin)
  • Period Time: Baroque
  • Written: by 1729
  • Studio/Live: Studio

>Handel, George Frideric : Minuet in G minor, HWV 543
  • Performers: Adrian Butterfield (Violin); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello); William Thorpe (Violin)
  • Period Time: Baroque
  • Written: by 1729
  • Studio/Live: Studio

>Handel, George Frideric : Minuet in D major, HWV 506
  • Performers: Adrian Butterfield (Violin); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello); William Thorpe (Violin)
  • Period Time: Baroque
  • Written: by 1729
  • Studio/Live: Studio

>Handel, George Frideric : Minuets (37), BWV A15 :: no 7 in A major
  • Performers: Adrian Butterfield (Violin); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello); William Thorpe (Violin)
  • Period Time: Baroque
  • Written: by 1723
  • Studio/Live: Studio

>Handel, George Frideric : March for 2 Oboes and Bassoon in G major, HWV 418
  • Performers: Adrian Butterfield (Violin); David Miller (Archlute); David Miller (Theorbo); Paul Nicholson (Harpsichord); Katherine Sharman (Cello); William Thorpe (Violin)
  • Period Time: Baroque
  • Form: March
  • Written: circa 1741
  • Studio/Live: Studio